Mega Blowout Sale

“Pere Ubu's appearance in San Francisco at the Fox Warfield Theater in 1980, recalls their early poise in punk rock, but with abstract definition. The ambitious new wave touring project Urgh! co-ordinated by Miles Copeland would capture the likes of Pere Ubu in this period, but the significance of this early show promises so much more than any package tour could promise.
Drawing on their new album The Art Of Walking while recalling shots of Dub Housing and The Modern Dance, David Thomas is joined by...

"After tinkering with a more (supposedly) commercially-oriented pop sound in the late 80's and early 90's, Pere Ubu reformed and came roaring back with this gem which, in my humble opinion, ranks right up there with their best. In some ways, this outing even tops the much-heralded masterpieces of their heyday (e.g. Modern Dance, Dub Housing, etc.) in that it is really, really TIGHT. Whereas many of their other efforts tend to meander a bit (not that that's necessarily a bad thing, mind you), this thing...

"Pere Ubu have really come out fighting with Why I Hate Women, racing towards all horizons at full tilt, pushing the experimental envelope further than ever, but also tightening up their trademark avant-punk attack. If St Arkansas saw them rooting around furtively in rock's darkest, dankest corners, on Why I Hate Women Ubu seem to illuminate these secret spaces with firework displays and thousand-watt searchlights. The rhythm section (Ubu's longest serving) of bassist Michele Temple and drummer Steve....

25 classic tracks cut for Sun Records between 1954 and 1957.

“If Carl Perkins had done nothing but write and record Blue Suede Shoes, his place in history would be assured. His original version released in February 1956 reached no. 2 in the USA, becoming Sun Records' first million seller, and no. 10 in the UK, but was eclipsed by former label mate Elvis Presley's version for RCA. This was released just 3 months later, as Carl Perkins lay convalescing in hospital after the car accident that put...

“The early works by Bo Anders Persson presented on this record were written between 1965 and 1967, before he started the experimental rock band Pärson Sound. The CD version is housed in a digipack sleeve including a booklet with in-depth, informative liner-notes and pictures. All but one track is previously-unreleased.
What is the origin of this strange, un-place-able music? What is its place in history, in the unfolding of important conceptual ideas, turning musical modernism into something wider...

“Pinetop Perkins spent the bulk of his career playing in bands, and this 1995 live set, recorded at the 20th anniversary of Antone's in Austin, TX, the month he turned 82, is very much a band album.
Perkins sings in a creaky, breathy voice and plays piano in his trademark barrelhouse style, but his accompaniment, consisting of regular bassist Calvin Jones and drummer Willie Smith, plus guests Kim Wilson on harmonica, Rusty Zinn on guitar, and Mark Kazanoff on tenor sax, makes the show a group...

This 'lost album' was produced by Christian Hayes (Cardiacs) and mixed by Tim Smith (Cardiacs).

"A very long time coming Everything comes round again. Some things never go away.

Words that were weighted, wait, hang in the air, unwind..

“Hard-to-find band-authorized CD version of the 1984 debut album from these neo-psychedelic greats—pure 1960s influenced psychedelic/garage magic, a trip not to be missed for any reason!
This Milwaukee band released some of the most interesting psychedelic records of the 1980s. Leader Glenn Rehse's songwriting talents combined with fine musicianship from the band to create some old-fashioned songwriting at a time when it was decidedly out of style. Plasticland's acid-drenched neo-psychedelic sound...

"Polyfeen spread their wings in the psychedelic fuzz and space echo universe and is musically anchored in the progressive psychedelic rock genre. Greatly inspired by Pink Floyd and Deep Purple, Polyfeen add a new modern touch to the genre adding synthesizer and intense dance drumbeats in the mix” The song writing on the album is centered around the frontman, lead singer and bass player Michael Stanley and the charismatic Hammond organist and virtuosi Per Hugo Rotbøll, constantly challenging the...

Rod Poole was a experimental guitarist, mostly working with a acoustic Martin guitar, refretted with just-intonation frets.
Originally from the UK, he performed with Derek Bailey as well as in private collaborations with Keith Rowe of AMM.
After moving to the United States in 1989, his studies in just intonation began with instructor, Ervin Wilson.
This is improvised duets in just intonation for guitar and voice and is quite lovely and easy listening for what this is.

“[This

"Originally recorded in 1969 for Orfeon Records in Mexico, this unbelievably awesome set of psychedelic rock was shelved for decades, due in large part to its fantastic (though probably poorly chosen from a commercial standpoint) title Society Is a Shit. With the exception of a humorous, traditional-sounding acoustic number presenting the record in Spanish, this record is 100% pure, mind-expanding psychedelia sung mostly in English. It's got all the factors you'd expect from a psych record of the period...

The 1st recording Iggy made after the two Bowie/Pop collaborations, I always felt this was one of his best releases, and it's musically strong and lyrically it's both funny, funny-stupid and deep (Iggy in a nutshell). IMO, it's his best post-Bowie album. Basically, as far as ROCK records go, this is a fun record of very good to excellent tunes.

The crazed, loud, ‘77 Iggy / Bowie tour (with David only performing on watery / phase shifted keyboards) is one of the highlights of Iggy’s mid/late 70s period, with all the recordings that document this tour, no matter how good they are, sounding kinda poorly defined in terms of instrumental separation, and loud as fuck. Yeah, baby.

“Iggy Pop, live at the Civic Auditorium, Santa Monica, CA on April 15th, 1977. The Iggy/Bowie period is a sharp document of hedonism and salvation. Two rock stars...

Noah Preminger-tenor sax
Ben Monder-guitar
Matt Pavolka-bass
Colin Stranahan-drums

"Haymaker sees Preminger lead a kindred-spirit band of top-flight players: guitarist Ben Monder, double-bassist Matt Pavolka and drummer Colin Stranahan. The album showcases a brace of fresh Preminger compositions, along with one number penned by Monder, the Annie standard Tomorrow and a cover of jam-band rocker Dave Matthews Don t Drink the Water. Blending atmosphere and energy, the Noah Preminger...

All copies in stock have minor wear to the booklets, mostly just teeth marks from the jewel case. Priced accordingly

“They been looking for something new in the folk music field for a long time [Elvis] and I think you got it.”

Want to know what all the fuss was about 65 years ago when rock ‘n’ roll was just coming to be and and why Elvis really was the king for about 2 years? Give a listen to these original radio broadcasts which are in decent sound for what they are, and hear some j

"An incredible pioneering electronic album recorded in the early 1970's, from the first Canadian artist signed to Island Records. Serious headphone music made under the influence of Stockhausen, John Cage, Ornette Coleman, Stravinsky, Frank Zappa, Weather Report, Charles Ives and others -- and with a sound that's often compared to that of early Eno and the first two Kraftwerk albums. Indefinable compositions integrate the earliest of portable synthesizers (ARP 2600 and EMS AKS) with acoustic instruments...

This is 46 tracks of great, American music by way of New Orleans, y'all.

"Roy 'Professor Longhair' Byrd is considered the founding father of New Orleans R&B. He made his recording debut in 1949 for the Dallas based Star Talent Label. One of the four tracks he recorded then was the first version of his signature tune 'Mardi Gras in New Orleans' featured in this collection. Over the following decades he made recordings for Mercury Records, Atlantic, Federal, Wasco, and then back to Atlantic."

Projeto Pendulum is a Brazilian quartet doing chamber-jazz, using piano, drums, acoustic guitar and violin/mandolim, acoustic bass.
They mix jazz, complex contemporary tendencies with charm and a Brazilian accent....

There's a local Pacifica station in DC and they have 6 hours of classic salsa, mambo and Latin music/Latin jazz every Sunday night which I stumbled across by accident and which I listen to pretty religiously now. Lots of great, great stuff which opened...

“In late 1990 Don Pullen added a new element to his playing and his music with the formation of his African Brazilian Connection ("ABC"). This featured Carlos Ward (alto sax), Nilson Matta (bass), J.T. Lewis and Mor Thiam (percussion) in a group which mixed African and Latin rhythms with jazz. A third album, Live...Again, recorded in July 1993 at the Montreux Jazz Festival, was not released until 1995, originally on the Blue Note label. This featured songs from their previous albums, in somewhat...

Pip Pyle-drums
Paul Rogers-double bass
Elton Dean-alto sax and saxello
Sopia Domancich-piano

Until this reissue, this was a very scarce album from the early 90's, very similar in spirit & intent to Soft Heap or Soft Head.

"A real gem from jazzier climes than we've heard for a while. Equip Out's debut album from 1985 (with Pyle, Dean, Hopper and Malherbe) was not a totally convincing amalgam of several Canterbury luminaries: the parts were greater than the sum. This second..

Written by Gilbert Artman (Lard Free, Urban Sax), Quad Sax is a miniature distillation of the ideas of Urban Sax; 4 saxophones playing spacey, hocket- riddled music with some percussives. This is the only material available at non-collector prices of Artman's fantastic Urban Sax style music, so even though it doesn't quite reach the heights of Urban Sax, due to the much smaller lineup, it's still pretty necessary.

“This soundtrack a testament to the Radiophonic Workshop’s mastery of sound. At once unnerving, atmospheric, and deeply moving.” - Matthew Holness

“Original soundtrack to a new British horror film by the pioneering UK electronic research lab responsible for Doctor Who and Quatermass. Astonishingly considering their 50 year career scoring for radio and television, this is the first time The Radiophonic Workshop have ever scored a feature film for theatrical release or collaborated on a major score..

For a very short while - perhaps 30-36 months - Boyd Raeburn led the most technically advanced band in the world. Starting his career playing in and then leading commercial dance orchestras during the '30s, he moved towards jazz during the early '40s. He embraced the outlook, styles and techniques of bebop and incorporated them in arrangements for his orchestra, hiring modernist arrangers and players.
He somehow lucked into one of the greatest mid 40s arrangers, Eddie Finckel and when Finckel left...

“Lesego Rampolokeng (born 7 July 1965) is a South African writer, playwright and performance poet. He came to prominence in the 1980s, a very turbulent time in South Africa. His poetry often criticises the establishment. His first instalment of poetry was Horns for Hondo (1991) and this was followed by End Beginnings (1993).
Lesego collaborates with musicians. He has performed in many countries and with musicians such as Julian Bahula, Soulemane Toure, Louis Mhlanga and Gunther 'Baby' Sommer.”

Random Hold were a late 70's/early 80's band featuring Bill MacCormick-bass/vocals (from Quiet Sun/801), David Rhodes-guitar/vocals (who later joined Peter Gabriel's band!), David Ferguson-keyboards/vocals & Pete Phipps-drums, plus Simon Ainley (also of 801) one some tracks. This is all previously unheard early & late demos.

"The period surrounding the production of their LP is only represented by an alternate take of "Cause and Effect."
"The best part of this CD is what comes after: demos of.

"Her teachers were the revered Allauddin Khan, guru to Ravi Shankar, who taught most of the best known instrumentalists in Northern India, and his son, Ustad Ali Akbar Khan, the great master sarodist who founded schools in America and who, with his brother-in-law Shankar did so much to bring world renown to the mysteries of Indian classical music. With more formal education than most Indian performers (she held an M.A from Delhi University), Sharan Rani combined intellectual understanding of her art with...

"Based in suburban Detroit, formed in the mid-1970s by high school chums Steve Gore and Steve Kretzmer, the Rascal Reporters made music together for over 30 years, until Gore's death in March, 2009.
Call it Progressive Rock, Avant-Garde Pop, Sound Collage, Experimental, Rock in Opposition, Sentimental Tear Jerkers, Quirky Folk Tunes for Casio, Elevator Music from Hell, or whatever category you like, this duo of Steve Kretzmer (keyboards, percussion, vocals, guitars) and Steve Gore (keyboards...

First album by a UK proto-progressive outfit that was released in the fall of 1970. Their second album, Time Is, is a minor classic and this isn't as good, but if you want more by them and you dig that 1970 exploratory vibe...

This London-based quintet's ambitious and highly entertaining debut touches on psychedelia, progressive rock, jazz and pop, with imaginative arrangements and superb musicianship. Issued on the tiny Evolution label in the autumn of 1970, it sank without trace, with original...

“After the minor gap of eighteen years between albums, the Jaspers decided to take just a year to come back with the next one. Nick Harradence had only ever joined the band to help on the previous recording, and by now he had been replaced by Florin Werner on the drum seat. Sohelia came back to provide vocals on another song, and although there was no Pat D'Arcy, interestingly there was a guest appearance on guitar from Tony Heath, who just like Pat had been a member of the band for the 'Sting In The...

"They say it's all been done before, so when an artist has a unique, hauntingly beautiful sound it's rare and Alec K. Redfearn, Eyesores and all, are one of a kind. That alone is a difficult feat." – Jessie Jayne

"If Can, John Cage, X, and my grandma’s polka records got in that machine from The Fly, maybe this would come out instead of a half Goldblum, half bug. Absolutely enjoyable and recommended."...

The Seizures is one of Alec's newest projects. Basically a more compact version of the Eyesores, it is easier for him to tour and gig with 4 musicians than 8 or 9. Of course. The group is:
Alec K. Redfearn- Vocal, Accordion and Ukulele
Chris Sadlers- Contrabass
Matt McLaren- Drums and Percussion
Orion Rigel Dommisse- Vocals
The music is very much what we expect from Alec; great songs, unusual instrumentation, morbid lyrics and wonderful performances. Highly recommmended, even if I...

The Seizures is one of Alec's newest projects. Basically a more compact version of the Eyesores, it is easier for him to tour and gig with 4 musicians than 8 or 9. Of course. The group is:
Alec K. Redfearn- Vocal, Accordion and Ukulele
Chris Sadlers- Contrabass
Matt McLaren- Drums and Percussion
Orion Rigel Dommisse- Vocals
The music is very much what we expect from Alec; great songs, unusual instrumentation, morbid lyrics and wonderful performances. Highly recommmended, even if I...

“In deciding where to start listening to Jimmy Reed, the man and his record label made it easy -- at the beginning. His debut LP release, I'm Jimmy Reed, was about as strong a first album as was heard in Chicago blues, but also no stronger (relatively speaking) than the first long-players issued of Muddy Waters, Howlin' Wolf and co.
As was the case with most bluesmen of his generation, Reed's debut LP was really a collection of single sides than an actual album of new material (though some of it...

"Jimmy Reed's second album was a little bit different from his first, but not in a way that detracted from its value. Oh, as with most blues albums of the period, it consisted mostly of previously released single sides, in this case that he'd recorded and released over the prior seven years; but three of the dozen songs here were new to listeners when they showed up on Rockin' with Reed. And, of course, that opens several possible lines of inquiry -- were the later tracks held back for an anticipated...

“Raül Refree is one of the most acclaimed Spanish producers of the last decade. Working with artists such as Silvia Pérez Cruz and Rosalía, he has been at the forefront of the so-called "new flamenco" movement. He also collaborates with rock experimentalists like Lee Ranaldo from Sonic Youth, but Raül's musical life doesn't stop there. He has released six previous solo albums, film soundtracks among other genre-skewing projects. It is this merging of sound worlds that makes Raül's new solo release La...

Despite their being quite popular at the time, and despite Achim's long history in music, being a big name in the "Beat-era" with The Rattles and then later being a early pioneer of the Krautrock sound, most of his great albums from the 70s have not....

Despite their being quite popular at the time, and despite Achim's long history in music, being a big name in the "Beat-era" with The Rattles and then later being a early pioneer of the Krautrock sound, most of his great albums from the 70s have not....

If tying the original 30s and 40s recordings by the great Django to films where his music appeared makes people pick up on a fine album, then all power to everyone involved in this concept. Great music.

"No jazz musician can surely ever have expressed themselves more eloquently than Django. The nuances and breathtaking sophistications of his playing style have obvious cinematic potential and Woody Allen and Louis Malle are among the directors who have made use of his music in their films...

Every serious fan of music and guitar should have at least one collection of Django Reinhardt on hand, the man who created first truly European variant/contribution to the jazz cannon.
This is a great sampler of work from his most popular period, 1935-1939, including recordings with his equally popular musical foil, violinist Stephane Grapelli and the Quintette de Hot Club de France. Over an hour of happy musical mastery!

"The British-Dutch band the Relatives have been around about 10 years, but are only known to a select few. The band, which was founded by the British bassist and vocalist Jack Monck (who was a member of Henry Cow, Syd Barrett's post Pink Floyd group and Delivery) and the Dutch keyboard player Willem Jan Droog started recording a CD which was never completed. Eventually there came a new creative impetus and their recent CD release has surprising and unexpected qualities. This CD is more or less dedicated...

"Another unreleased treasure from the vaults - an extended live performance from 70s prog rock icons Renaissance performing at the historic Academy Of Music hall in New York!

This superb performance covers most of the band s extraordinary fifth Turn Of The Cards, which earned the band rave reviews, as well as highlights from Ashes Are Burning, released a year earlier!"

"This is a fairly decent recording of a concert just before Renaissance broke out in a big way in the USA. This concert...

We did a deep dig into the lost warehouse to come up with these; they are new and unplayed, but they’ve been sitting for over 30 years and there may be small corner dings, seam splits from travel, etc etc.
These are the original issues on Points East, which was ReR’s pre-CD vinyl label ‘dedicated solely to new music from Central Europe’.

“Reportaż's "W górę rzeki" (Up the River) is not only their best album, but it is in fact the best album of whole Polish avant-prog scene - and I know it...

"THE GINGERBREAD MAN is the story or, maybe more accurately, one of the many journeys of an entity that visits the minds of human beings, and spies upon their thoughts. In the center of these personalities, the Gingerbread Man finds each person's individual "brain song," an infectious piece of pop music that floats around in their mind. The Gingerbread Man recognizes this "brain song" as a human's unconscious attempt at creating order in the quagmire of chaos constantly confusing its mental condition...

2008 release. "With The Bunny Boy, The Residents have created another off beat pop gem. A sonic roller coaster in the style of Duck Stab, The Commercial Album and Demons Dance Alone, the album features 19 fast paced songs. Obsession, insanity and the...

"When The Residents begin work on their 2007 opus to insanity, The Voice of Midnight, the group felt the need to shake things up, consequently they created an alter ego through which they could act out new roles. Proudly, The Residents christened this...

Chick Corea – Fender Rhodes piano
Stanley Clarke – bass
Bill Connors – guitar
Steve Gadd – drums
Mingo Lewis – percussion & congas

This is a quite good (very hissy, but totally listenable) radio broadcast of an early line-up of RTF; the great Bill Connors is already in place, but session-man extra-ordinaire Steve Gadd is here instead of Lenny (Steve must have had a free evening) and there’s a dedicated percussionist!
Chick doesn’t own a synthesizer yet, and they are still..

1975 album by the best known version of this seminal 1970s fusion band: Stanley Clarke, Chick Corea, Al DiMeola and Lenny White!

Catherine Ribeiro was one of the best known female vocalists in France during the 1970's. For the time, her albums were quite far out, with excellent and also rather wild singing by Catherine, as well as excellent backing by her superb band Alpes.
After a very long time away, this live album, recorded in 2007, finds her in surprisingly good voice. The band is guitar, keyboards, bass and drums and is still quite progressive, with most of the tunes covered being old classics. Don’t necessarily start...

Geoffrey Richardson is highly regarded for his distinctive viola and flute playing in the legendary Canterbury band Caravan, but his career has also seen him as a key member of the Penguin Café Orchestra and as a guest musician on countless albums by artists including Bob Geldof, Murray Head and many others.

On The Garden Of Love, Richardson explores rock, folk and classical influences, playing violin, viola, flute, cello, acoustic and electric guitar, ukelele, banjo, mandolin, keyboards, tenor...