New Arrivals

New Arrivals
The first ‘progressive rock’ album I ever bought (if we are not including Sgt Pepper) was Argent’s first album in 1969. For its time, it's a great album of good songs and 'progressive' ideas. I have a great fondness for their early works.
Includes:
Argent
Ring Of Hands
All Together Now
In Deep
Nexus

“In 1972, Frank Zappa experimented with an "electric orchestra" concept which resulted in two albums: Waka/Jawaka and The Grand Wazoo. Celebrating the 50th-anniversary of this endeavor, Waka/Jawaka is available on 180-gram black vinyl LP.”

After Frank was thrown from the stage in London and broke his leg very badly, he was stuck in a wheelchair and couldn't tour for about 9 months. As Frank was always working, he decided to indulge himself in two larger-scale projects that wouldn't be practical...

Fourth and latest release from a Belgian quartet of vocals, reeds, Rhodes and Hammond, Moog and Korg, bass and drums. Their earlier albums are sort of molded on the "1971 UK proto-progressive" sound, with a progressive hard rock edge and this has...

Third album from a Belgian quartet of vocals, reeds, guitar, keyboards, bass and drums. Their earlier albums are sort of molded on the "1971 UK proto-progressive" sound, with a progressive hard rock edge and this has that as well, but in much smaller doses and this is the album where they begin to mix that sound in with a sound more reminiscent of early King Crimson (Court and Poseidon) mixed with the heavier sounds and proto-progressive vibe. Maybe a bit comparable to the excellent Diagonal album with...

“Drummer and composer Tony Williams' adventurous 1965 album Spring-his second as a leader for Blue Note-found him convening a stellar line-up with saxophonists Wayne Shorter and Sam Rivers, pianist Herbie Hancock, and bassist Gary Peacock. The five Williams originals presented here offer the musicians spacious realms in which to go exploring. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.”

“This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.”

“This record is one of the seminal recordings in Jazz and perhaps one of the most interesting developments in music as a whole. Cecil Taylor, along with Ornette Coleman, is considered the father of Free or Avant-garde Jazz. Together with "Conquistador" this album demonstrated what that Jazz was to be. Taylor reaches musical spaces previously...

“This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.”

“The debut album for Sam Rivers on Blue Note records is a great one. A great quartet with Rivers on tenor saxophone, some great piano by Jaki Byard, Ron Carter on bass, and Tony Williams on drums. Another great choice for the Blue Note Classic Vinyl Series.”-Glen Moon

“If the setting is right, magic will happen. And so, this record came into being. Sunburned Hand of the Man, three decades into their one of a kind run, still possess the ability to amaze, stupefy and astound - even themselves.
Recorded over a week at Big Blue, Adam Langellotti’s (Kurt Vile & The Violators) studio/house, "Nimbus" sees the band's amorphous lineup produce results such as high-test workouts, cryptic readings & a choice cover (Sun City Girls). A record that this band could only produce...

“The second album of the Italian composer, arranger, producer and guitarist ERALDO BERNOCCHI with the Berlin-based Japanese violinist, composer, electronic producer and TANGERINE DREAM member HOSHIKO YAMANE.
Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving...

“Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.
The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry...

“Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.
The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry...

"Legit vinyl reissue of this 1971 Krautrock album, recorded in Köln and issued on Bacillus at the time. A couple of tracks like the massive 13-minute opening "Dirty Yellow Mist" and "The Executioner" reveal the secrets of early 70s psych/rock as well as anything to be named, w/ monotonous, spacey riffing grinding into the third mind zone. "My Solid Ground's first and only record presented the full atmosphere of psychedelia -- sometimes aggressive, sometimes melancholy. Superb guitars, hypnotical voices....

"Electronic music pioneer Dieter Moebius (Cluster, Harmonia) wanted to record an album together with his musical soul-mates, Okko Bekker and Asmus Tietchens, at Conny Plank’s studio in 1976. In the event, Plank himself even participated in the recordings as a musician. Two other musicians also joined the fold: bassist Helmut Hattler and saxophonist Johannes Pappert (both from Kraan) had just finished working on an album and were happy to stay on at the studio. Suddenly, there were six musicians with six...

“More than 50 million records sold, LP productions in Hungarian, German and English, tours and festival appearances throughout Europe and Japan, at least 50 cover versions or adaptations of the world hit "Gyöngyhajú lány" - Omega are Hungary's number one rock export. In 2022, the band will be celebrating its 60th stage anniversary, making it one of the longest-serving rock formations in the world.
After a few trips into symphonic and psychedelic rock realms, Omega presented themselves on "III"...

“Here Bob is back in pop-as-you-wish-it-was, mode with an impeccable suite of eleven (ostensibly) straight ahead songs, each its own world but united by echoes of the best of pop history, exquisite production values and novel but model arrangements - and absolutely no fat: not a note wasted and no opportunity for pleasing - or surprising - detail missed; it's a joy from start to finish and the sum is even greater than its parts. On the way you will encounter more than the usual scattering of high...

Ding! Ding! Ding! This 1994 album comprised of live recordings produced by Brian Eno and featuring his band of J.A. Deane, Jean Philippe Rykiel, Michael Brook and Jon is probably my single favorite of his many really excellent recordings. If you don't know/own this one and you like his work, you should own this. It's been unavailable for a number a years and I was thrilled to see it return to availability. I love this stuff; NOBODY else sounds like this.

“When Mars Williams dove into his vault to excavate several recordings for a Mars Archive series on Corbett vs. Dempsey, he immediately landed on a concert date from a decade earlier.
The event, recorded at Chicago's Elastic Arts Foundation in 2012, featured a trio with Williams on reed instruments, Darin Gray on bass, and Chris Corsano on drums. This configuration had already been highly enough estimated by Williams that he'd posted one set on Bandcamp, but he saved the other set for future release..

“From a night of music in Holland that's become legendary among NRG Ensemble enthusiasts, Hold That Thought presents a blazing concert of the quintet's unique sound. With Mars Williams and Ken Vandermark on reeds, Kent Kessler and Brian Sandstrom on basses (the latter doubling on trumpet and electric guitar), and Steve Hunt on drums, this incarnation of the band was arguably its tightest and mightiest, taking the inspiration of founder Hal Russell (1926-1992) and running with it. All the way.
The...

“At the tail end of 1996, saxophonist Mars Williams and drummer Hamid Drake took the tall corner stage at Chicago's Empty Bottle for two sets of duets. The rock club had just started a weekly Jazz & Improvised Music Series, curated by Ken Vandemark and John Corbett, which would run for nearly a decade. This rare pairing brought together two pivotal figures in the city's creative music scene, both of whom had extensive experience in diverse areas of music, from the free jazz focus of this intimate...

Rebeka Rusjan Zajc piano
"With her extraordinary debut album, Prelude, young Slovenian pianist Rebeka Rusjan Zajc (now residing in Amsterdam), announces herself as a precocious new talent, already forging her own distinctive art language, navigating the bountiful margins between non-idiomatic improvisation, jazz and classical music.
Across this disc’s sole extended piece, ‘Illusion’, she marshals a dynamic carnival of boundless extemporisation, full of instinctive runs and dramatically tumbling.

Pedro Branco piano
João Sousa drums
João Hasselberg doublebass
Hernâni Faustino doublebass
Tony Malaby tenor saxophone

"Abiding friends and serial collaborators Pedro Branco and João Sousa scale an enchanting set of melodic, nostalgia-fuelled summits on Another State of Rhythm, their third long-player issued under the Old Mountain sobriquet.
After initially establishing themselves with an exhaustive run of enduring associations on Lisbon’s vibrant jazz scene, Branco and Sousa..

Signe Emmeluth alto and tenor saxophones
Ingebrigt Håker Flaten double bass (Minimoog on 'Pseudoscience')
Andreas Wildhagen drums
Jonas Cambien piano and Ace Tone Top 5 organ (soprano saxophone on 'Pseudoscience')
guest: Guro Kvåle trombone on 'Once Low Now High' and 'Good Frenemy'

"Maca Conu is the dazzling new band led by Belgian-born, Oslo-residing pianist, composer and improviser Jonas Cambien, an outfit whose eponymous new release clamours like an exploding kunstkammer of...

Giuseppe Doronzo baritone sax, Iranian bagpipe | Andy Moor electric guitar | Frank Rosaly drums, percussion

"Temporal and spatial tyrannies, cultural conventions and deep-rooted idioms, all dissolve in a beguiling trans-dimensional flux during the four post-Gurdjieffian spirituals to be found on Futuro Ancestrale, an album documenting the exhilaratingly ambitious first encounter of three master musical mages operating at the apex of their creativity.
Recorded during their debut performance..

André Roligheten tenor saxophone
Thomas Johansson trumpet
Oscar Grönberg piano
Jon Rune Strøm double bass | Tollef Østvang drums and percussion

Scandinavian powerhouse Friends & Neighbors make an auspicious return with Circles, their sixth full-length release, brimming – as you might expect from an outfit borrowing its moniker from a lesser-known Ornette Coleman classic – with dexterous, hard-edged improvisations, unapologetically taking influence from the fearless New Thing movement..

Liba Villavecchia alto sax
Luis Vicente trumpet
Alex Reviriego double bass
Vasco Trilla drums

"Since forming in March 2021, the Liba Villavecchia Trio have channelled a singular spiritual mien, borne of shared experience, reflection and reminiscence, with previous albums, Zaidín (2022) and Birchwood (2023) capturing the group’s esprit de corps in vividly contrasting approaches, hopscotching from propulsive swing and fractious bustle, to smouldering disquisition and evocative...

Sérgio Carolino tuba
Alexandre Frazão drums
Mário Delgado electric guitar

"Marking two decades of continuous, eclectic evolution, TGB – the Portuguese power trio boasting tuba ace Sérgio Carolino, guitarist Mário Delgado and drummer Alexandre Frazão – take another captivating whirligig around their enigmatic universe of collective musical influences, filtering an impeccable sonic palette via the prism of Room4, the ensemble’s fourth stunning full-length for the Clean Feed imprint....

"High-flying Norwegian trumpeter and composer Thomas Johansson, much-lauded for his spellbinding work with, among others, Friends & Neighbors and Gard Nilssen’s Supersonic Orchestra, brings together two of his other formidable ensembles – premier third-stream troupe Scheen Jazzorkester and avant-garde party-starters, Cortex – for a scintillating showcase of big-band bravura.
Recorded live in the winter of 2022 at Norway’s old Hamar Teater hall, the five dynamic cuts on Frameworks have their origins...

Jim Baker piano and ARP-2600
Steve Hunt drums and percussion
Jakob Heinemann double bass

“Running the gamut between daring twelve-tone interplay, nuanced lyricism and extra-terrestrial synth manipulation, Horizon Scanners announces the arrival of a captivating new Chicagoan piano trio, one steeped in the Windy City’s illustrious jazz history, but determined to write its own distinctive chapter.
 Steve Hunt (drums and percussion) and Jim Baker (piano and ARP 2600 synth) were both...

Rob Mazurek trumpet, piccolo trumpet, piano, prepared piano, sampler, magic yellow bucket, bells, shakers, flutes, voice, and various percussion

“Milan is the latest spellbinding stop-off on an intrepid solo voyage, with interdisciplinary abstractivist Rob Mazurek (Exploding Star Orchestra, Chicago Underground Duo, São Paulo Underground and Black Cube SP) dropping anchor in the regional capital of Lombardy to record the latest in his series of unaccompanied performances at radio stations...

Joana Sá piano, electronics & others

"Part of a broader, fragmentary project composed by several autonomous but complimentary outputs such as the (expanded) book ‘a body as listening - resonant cartography of music (im)materialities’ (Sistema Solar / Teatro Praga), the virtual installation www.abodyaslistening.com, the solo performance ‘a body as listening’ and the lecture-performance ‘Are you there? - resonant cartography of music (im)materialities’, this is composer-pianist Joana Sá’s first...

“Sufi trance musicians and rituals -- from the depths of the Tunisian desert -- in conversation with post-industrial sonics. Ifriqiyya Electrique's François Cambuzat -- a guitarist and field recordist (Turkey, China, Central Asia) -- is a veteran of the Mediterranean punk and avant-rock scene, which has always been more politically charged than its counterparts to the north and (far) west. With bassist Gianna Greco, he is half of Putan Club (and one third when these two fierce and uncompromising players...

“Singer and composer Beverly Glenn-Copeland's hard-to-categorize music is filled with wonder, compassion, and hope. Beginning his recording career in the early 1970s with two self-titled albums of poetic jazz-folk, he spent many of the following decades working in children's television.
This, his second, was issued by GRT in 1971. The album was recorded with an impressive cast of notable jazz musicians, including flutist Jeremy Steig, guitarist Lenny Breau, drummer Terry Clarke, and bassist...

Martin Drover, Kenny Wheeler & Harry Becket (trumpets/flugelhorn)
Malcolm Griffiths, Ed Harvey & Danny Almark (trombones)
Mike Osborne (alto & clarinet)
Stan Sulzmann (alto & soprano, flute)
Alan Skidmore (tenor & flute)
John Surman (baritone & soprano)
John Warren (baritone & flute)
John Taylor (piano)
Harry Miller & Barre Philips (bass)
Alan Jackson & Stu Martin (drums)

This is the first and only time that this GREAT album from 1971 has been reissued...

It’s all good stuff, but the two 20’ pieces, Knee Deep In Ghosts and A Sleep In The Deep, are both totally beautiful...

“The baritone guitar is a guitar with a longer scale length, typically a larger body, and is tuned lower than a regular guitar - often pitched halfway between the lowest note of a bass and and the lowest note of a regular guitar.
Henry Kaiser has been playing baritone guitars for over 30 years and this is his first solo album that is all baritone. All solos here are free-..

“Unavailable since months in its original version, finally here is Magma’s fourth and legendary album in a digipack remastered deluxe edition, including a never heard before 32 minutes live track of the head title, recorded during the 2015 China tour. Unique opportunity 8 years later, to hear the band surrounding the telluric guitar of the late and much missed James McGaw.”

“This bonus version of Köhntarkösz, recorded in Beijing, remains an unforgettable memory...
I remember James telling us.

Harry Beckett-trumpet/flugelhorn
John Surman-baritone and soprano sax
Mike Osborne-alto sax
Alan Skidmore-tenor and soprano sax
Frank Ricotti-vibes
John Taylor-piano/Wurlitzer electric piano
Chris Lawrence-bass
John Webb-drums

This is the first and only time that this GREAT album from 1970 has been reissued legitimately and also it was extremely well done.
"Vinyl audio remastered & cut from the original master tapes by Gearbox Records. Flip-back LP sleeves

Emmanuel Borghi : keyboards
Philippe Bussonnet : bass
Daniel Jeand’heur : drums
Bruno Ruder : keyboards

At this point, even though they started as a Magma offshoot, this great fusion / zeuhl outfit very much has their own, quickly recognizable sound. And even without James, they’re still great.

“Just a year ago, to the delight of all Zeuhl lovers, One Shot was refounded, during a now legendary concert in homage to James Mac Gaw. Since then, the group has never...

The Who's quite amazing 1971 studio album was (and is) played too much on classic rock radio, but that doesn't make it any less of a tremendous feat. It's also their most progressive rock oriented disc, what with Pete's use of keyboards and Terry Riley influences. “Super Deluxe Edition contains 10-CDs all remastered from original tapes by long time Who engineer Jon Astley as well as a Blu-ray Audio disc with newly made Atmos & 5.1 surround mixes of the original album and 14 additional tracks by Steven...

It’s been way, way too long since I heard from GMFTPO, a fine Japanese psych outfit.

“A limited edition, full-length split album celebrating a 2024 co-tour of Japan by underground cracked-psych purveyors F***wolf from San Francisco and legendary prog-benders Green Milk from the Planet Orange from Tokyo.
Green Milk stretch a live performance of one of their extended signature jaw-droppers "Concrete City Breakdown" relentlessly across an entire side of Let's Split while F***wolf delve into a...

“Acclaimed guitar duo Loren Connors and Alan Licht celebrate their 30-year collaboration with the release of their eighth album - At The Top Of The Stairs.
Across the decades, their improvisations turned increasingly abstract and atonal, while still maintaining complex, ethereal arrangements. The harmonious blend of Licht's meticulously crafted feedback and harmonic patterns with Connors' ghostly blue tones remains the core sound of this partnership.
At The Top Of The Stairs was recorded live...

Fay Victor – vocals
Michaël Attias - alto & baritone sax
Anthony Coleman - piano
Ratzo Harris – bass
Tom Rainey - drums

“Acclaimed vocalist-lyricist-arranger Fay Victor & her Herbie Nichols SUNG Quintet celebrate & thoroughly reconsider the rich legacy of jazz composer Herbie Nichols with Life Is Funny That Way, and bring it singing boldly into this century.
Following on Billie Holiday, who famously wrote "Lady Sings The Blues" to Nichols' "Serenade," Victor developed th

“Recorded in 1975 at the Winterland Theatre, the Majestic Wakeman is captured at his best on this timeless radio broadcast. Taken from the early stages of Wakeman's solo career, this album captures him in his freshest period, at a time when his flamboyant playing style was most respected.
This recording features a great show with tracks from Six Wives, Journey and Myths. Sound quality is superb and The English Rock Ensemble and Rick are in fine form. Included are stunning versions of "Lancelot and...

"The beauty of Jiha's work lies in the spaces she leaves"-The Guardian

“Park Jiha's debut album Communion released internationally by tak: til in 2018 - drew well deserved attention to the young Korean instrumentalist/composer's vivid sound world. The widely acclaimed album graced 2018 critics lists at The Wire, Pop Matters, and the Guardian.
Her new album Philos - which she calls an evocation of her "love for time, space and sound" - is every bit as inventive, elegant, and transcendent as..

“Sound collage collaboration between Julian House (The Focus Group) from the Ghost Box label and former members of the indie band, Broadcast. Channeling of early collage work from The Hafler Trio with a distinctly formalist aesthetic dripping with ‘70s nostalgia as with all things Ghost Box.”-Karen Elliot

“Children of Alice have been quietly producing amorphous and intoxicating soundscapes as part of the Folklore Tapes collective for a number of years now, beginning in 2013 with Harbinger of...

“Once they heard him play, few people disagreed with Jaco Pastorius' assessment of himself as the 'greatest bass player in the world'. His meteoric rise in 1977 to the bass chair in Weather Report and his work with Joni Mitchell, established him as a major player on the jazz and rock scenes. Broadcast by NHK radio at Shinjyuku Koseinenkin, Tokyo on 22nd May 1983, this is a rare example of his eclectic Word of Mouth small group having fun with a variety of musical styles. Given his status Jaco could have...

"Look is a concentrated soundscape experience inspired by Japanese synth guitars from the 1970's. An exciting excursion from his previous singer-songwriter material, this release fits in line with similarly groundbreaking records such as Brian Eno's "Music for Airports".”

“Blake Mills earned a reputation as producer and guitarist who prized authenticity in his work, which is what makes this 2018 album Look so startling. Consisting of five tracks of wordless, formless ambient music, Look is...

"Emile Jacotey is a clear step back from Ange's great third album Au-delà du délire. That's a fantastic symphonic prog album but Emile Jacotey doesn't reach the quality of it's predecessor. That still doesn't mean this is a bad album. Most of the songs are nice but in my opinion this album includes too much vocals. Musically the album is good but there is just simply too much mediocre singing.
Overall I think that Emile Jacotey is just about as good as Ange's first two albums. These are all pretty...

Myles Boisen: guitar
Krystyna Bobrowski: bowl kelp
David Caldwell: tenor saxophone
Brian Christopherson: drums
Jeremy Keller: guitar
Gino Robair: sampler, tapes, theremin, space voice mask
David Tohir: backbone
Kirk Udvardi: alto saxophone
Scott Vance: rasta bass

“This is an album of electro-acoustic improvisation. The featured instrument is the backbone (which is short for feedback trombone), an invention of my friend Scott Vance & myself..

“It's been ten years since King Sunny Ade last released a studio album, so this is a welcome return for Nigeria's finest, backed up by a vigorous young band on a double-CD set that gives him plenty of time to stretch out. There might not be too many tracks, but that's because they all receive plenty of air, especially the half-hour-plus of "Baba Mo Tunde," which takes wing halfway through and soars like a Grateful Dead jam for the remaining 15 minutes.
The production is lovingly crisp, with the...

Released on Blu-ray with Dolby Atmos surround sound

“2023 was the year of the Artrockers from RPWL: 'Crime Scene', the eleventh studio album and the nineteenth overall, entered various charts after it's release: it even reached a remarkable 18th place in the German album charts! This was followed by a fantastic long European tour through eight countries with many sold-out venues. On the last studio longplayer 'Crime Scene', the Bavarian Artrock institution focused their attention on the morbid...