Brit-Jazz and related

Tenor/soprano/bass clarinetist Smith leads the session, with excellent support from Liam Noble-piano, Jeremy Brown-bass & Winston Clifford-drums. This is like an adventurous late 60s Blue Note album, with heavy Brit-jazz touches. All these players are ...

The good news? This is a complete show from the classic quartet during a pretty prime period (April 26th, 1970 at the Fairfield Halls in Croydon).

You get songs not often heard performed live by the four and a very good performance. The bad...

By this time (1974), the band were pretty much a straight-forward fusion ensemble with many of their biggest quirks and oddities excised. And all the quirky old personnel too, with only Mike Ratledge remaining (for the time being at least). Hugh...

By this time (1974), the band were pretty much a straight-forward fusion ensemble with many of their biggest quirks and oddities excised. And all the quirky old personnel too, with only Mike Ratledge remaining (for the time being at least). Hugh...

Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi...

This was our second Soft Machine archival release and 20 years later, it remains one of the great documents of the 'classic quartet' line-up.
This is a previously unreleased show recorded 3/23/71 by the classic quartet Softs (Elton Dean / Mike Ratledge / Hugh Hopper / Robert Wyatt) during their final European tour & just 4 months before their dissolution.
The recording (licensed from German radio & taken from the master tapes) is superb for the time period, & the performance really sparkles...

"Originally issued on the legendary Harvest label in October 1970, the album saw Spedding record in his own right at Abbey Road studios soon after the demise of his previous group, The Battered Ornaments. “Backwood Progression” featured Chris Spedding backed by guest musicians Paul Abrahams (Organ), Roy Babbington (Bass), Laurie Allan (Drums), Royston Mitchell (Piano, Harmonium) and Frank Ricotti (Congas).
This Esoteric Recordings release has been newly remastered from the original Harvest master...

A very good album from 'way back when' with a fairly incredible story! I had never seen or heard it before now, although I knew its legend...!
Chris Spedding Acoustic Guitar, Electric Guitar
Roger Potter Bass, Double Bass
John Marshall Drums
John Mitchell Piano, Electric Piano
Paul Rutherford Trombone

"Between 1969 and 1972, Chris Spedding was a rock guitarist whose unique sound, style and musical literacy meant regular employment on the exploding British progressive jazz.

A great performance. Last time ever on this wonderful release from the wonderful, now gone, Reel Recordings label.

Latest archival treasure from Reel Recordings was a short-lived, little known (but based on this release 37 years later, quite...

This is a real treat. Drummer John Stevens is best known for his pioneering work performing and championing non-idiomatic free music.

But he was an excellent drummer with voracious musical interests and he worked in many types of ensembles.

Away was his electric, somewhat harmolodic-style band that he led throughout the 70s in addition to his free work.

The band made three excellent albums of thorny, unique electric jazz for Vertigo between 1975-1977. None of the three albums...

This reissues the three albums originally released by Ogun documenting a 1977 session (The Longest Night volumes one and two) and a 1993 session (Corner to Corner) by one of the founders of non-idiomatic free improvisation and one of his longest...

For nearly 45 years, John Surman has been one of England's best known modern jazz musicians. His career began in the late 60s as both a sideman and a leader with such notable greats as John McLaughlin, Chris McGregor's Brotherhood of Breath...

This fine album was John's second album, recorded just a few months before he left England to join up with Stu Martin and Barre Phillips and start The Trio. It's a landmark of Brit-jazz and, imo, a much better album than his first, self-titled solo album. Various musicians are featured in various combinations, but the musicians appearing here include: Harold Beckett (trumpet, flügelhorn), Malcolm Griffiths (trombone), Mike Osborne (alto sax), Alan Skidmore (tenor sax), John Surman (baritone sax), John....

John was one of the first of the new generation of Brit-jazzers in the 60's to sign to a major label, and this album of sessions from August 1968 was the first release under his own name. It covers a number of styles and he is still feeling for his own...

This was previously available on CD, but wasn't authorized and wasn't from the original masters. This version is from John's original masters and he supervised this reissue!
This minor classic was recorded live December 3, 1973 and features Surman's soprano and baritone sax work in a all-star jazz and jazz/rock setting, with a band consisting of Terje Rypdal-guitar, Chris Lawrence-bass, John Taylor-piano & electric piano, Malcolm Griffiths-trombone, Chris Lawrence-double bass and John Marshall-drums..

Here's a tiny label release of John Surman and John Warren composing and arranging for this band of Norwegian players. Fact you didn't know: legendary ECM engineer Jan Erik Kongshaug is a guitarist as well as an engineer and he appears here, as part of...

"In mid-October, 1969, I left the UK to meet up with bassist Barre Phillips and drummer Stu Martin to begin working with them as "The Trio". Before I left however, a few close friends and I held a sort of 'farewell' session in Tangerine Studios in London. On hand were drummer John Marshall, electric pianist John Taylor and Brian Odgers on bass guitar - later Mike Osborne appeared with his alto and joined us. Shortly after I left England, the studios closed down and, although a few test...

Many of you will remember this one from its original lp release on the budget HELP subsidiary of Island, now very happily on CD, as the original lp had a simply awful pressing, which was anathema to the quiet music. This was Surman's first truely solo album, charming pieces for simple synth patterns and a number of reed instruments, recorded through overdubs. Some of it is similar to his later ECM discs.

"Westering Home was originally released in 1972. John Surman plays everything on the album...

"Talinka - such an evocative name - wittily appropriate for this intimate set so sensitively arranged around Tali's straight from the heart, true and soulful voice. Since hearing Ms. Atzmon's discrete contributions to records by Gilad Atzmon and friends I've long wished she would make a record revealing her own deeply personal approach to music, and here, at last, is that record."-Robert Wyatt

John Taylor-Piano
Chris Lawrence-Bass
Tony Levin-Drums

A very nice, rather hip piano trio session from three Brit-jazz masters from MPS. It was recorded in 1972 and 1973 and released in 1973. This was John's second album, after the fantastic "Pause And Think Again".
There was one previous CD version, only in Japan, in 2006 but this is the first time it's been on CD at a reasonable price!

John Taylor-Piano
Chris Lawrence-Bass
Tony Levin-Drums

A very nice, rather hip piano trio session from three Brit-jazz masters from MPS. It was recorded in 1972 and 1973 and released in 1973. This was John's second album, after the fantastic "Pause And Think Again".
There was one previous CD version, only in Japan, in 2006 but this is the first time it's ever been reissued on vinyl!

Keith Tippett-piano, Larry Stabbins-tenor & soprano saxes, Elton Dean-saxello & alto sax, Mark Charig-cornet & tenor horn, Nick Evans-trombone, Paul Rogers-bass, Tony Levin-drums & percussion.

"Originally issued in 1986 as a double LP, “A loose..

A classic of Brit-jazz.

This restores to print from the master tapes, and packaged in a nice slipcase, a 1972 "solo" by Keith [it's really the first Ovary Lodge album, with Roy Babbington-bass, Frank Perry or Keith Bailey- percussion, & Julie Tippetts-guitar/voice], which was produced by Robert Fripp.
This is a very quiet album in places; to hear it well reproduced from the masters with the silence of a good CD transfer is a real pleasure.

Other than the very famous Centipede, this is the largest ensemble that Keith has ever led, with 22 musicians involved. The sound is very full & lyrical, & does bear resemblence to a smaller version of Centipede. Tippett (piano, harmonium), Stan Tracey...

Paul Dunmall tenor & soprano saxes, James Gardiner-Bateman alto sax, Peter Fairclough drums, Kevin Figes alto & baritones saxes, Thad Kelly double bass, Ben Waghorn tenor sax, bass clarinet, Julie Tippetts voice, seed pods, Balinese xylophone, toy...

Limited initial pressing of 999 individually hand-numbered copies!

Recorded live in Piacenza, Italy, this is a 47' improvisation on a Steinway Grand piano by one of the most individualistic and recognizable pianists working today.

Fulvio Sigurta (trumpet/flugel)
Sam Mayne (alto and soprano saxes/clarinet/flute)
James Gardiner-Bateman (alto sax/flute)
Kieran Mcleod (trombone)
Rob Harvey (trombone)
Tom McCredie (bass)
Peter Fairclough (drums/percussion)
Keith Tippett (piano/composer)
with
Julie Tippetts (voice, lyrics)

This is completely great and completely recommended to Brit-jazz fans and jazz fans of all stripes, really.

"Tippett's inspired take on the jazz traditio

Keith Tippett: piano, wood blocks, pebbles, wind chimes, maracca, music boxes, plastic pan pipe.
Julie Tippett: voice, twizzle drum, Little bells, Thumb piano, seedpod shaker, Sri Lakan hand drums, Singing bowls, Tamborine sticks, Balinese...

"Featuring two of the undoubted leaders of European free music, Howard Riley and Keith Tippett have groomed a long running partnership from the '60's to produce a stunning recording of great clarity and sensitivity. Recorded in Bern by Swiss Radio on 12/8/93, the recording quality is the highest possible and perfectly focuses the inspired playing of the two on two wonderful Steinway grand pianos."

Recorded live at Ruvo Di Puglia, Italy on September 5, 2004, this exuberant live recording features Keith Tippett conducting and playing piano, Julie Tippetts (vocals), Louis Moholo-Moholo (drums) with Canto General, a 23 piece big band performing...

Out of print for more than a decade but at a great price!

"Perhaps this is the work of a lifetime spent in front of a microphone. Perhaps it is merely another stopping place on the journey, or a report from the outlands and there will be more....

disc 1
Mike Osborne
Outback
disc 2
Howard Riley
Flight
disc 3
John Taylor
Pause, And Think Again

This is three FABULOUS albums from the golden era of UK jazz, released from the masters officially for the first time and with a huge booklet, filled with tons of info and interviews with the musicians and Peter Eden.

"Between 1968-72 Peter Eden produced 20 albums across the broad church of progressive British jazz. It was a unique golden era for jazz-bas

The roots of 'Brit-jazz' are right here. Conditionally recommended!

"First released in May 1961 as a (slightly premature) 10th Anniversary celebration of the famous Soho jazz venue. Founded in 1952, the Flamingo in Wardour Street played host to..

Recorded live at the 10th anniversary of the excellent Brit-jazz Slam Records label, this is all live, unavailable recordings by: Dreamtime (Nick Evans, Keith Tippett, Jim Dvorak, etc), Lol Coxhill/George Haslam/Paul Rutherford, Harrison Smith 4tet, El...

This is a wonderful and brilliant collection of the roots of the Brit-jazz scene, featuring the very beginnings of British jazz modernism, with tracks recorded in 1949-1959.

You can hear these musicians grappling with the implications and...

Last time ever on this quite wonderful sampling of never heard rarities from the golden age of Brit-jazz, from the wonderful, now gone, Reel Recordings label.

Impressive collection of really rare Brit-jazz recordings, almost all in very good to...

As Cuneiform fans already know, composer and arranger Michael Gibbs and guitar-star Bill Frisell's musical relationship goes back 4 decades.
This fine release by the monster trumpeter Cuong Vu, along with his regular unit of bassist Luke Bergman and drummer Ted Poor, features Frisell really killing it in playing department at times.
It's also special because showcases Michael as a composer, not as a big band arranger, which (a) gives a chance to showcase a side of Michael that is sometimes...

Mike Westbrook is one of the great names of British jazz, having been a very original bandleader & composer, for both large and small ensembles for 50 years, and releasing his first recording nearly 50 years ago!

This is one of his smallest...

Mike Westbrook electric piano/harmonica
George Khan tenor saxophone/electric saxophone/flute
Gary Boyle guitar
Alan Jackson drums/alto saxophone
Butch Potter bass guitar/pogo stick/flute

For more than 50 years, Mike Westbrook has been composing and releasing albums of his unique take on 'jazz'. An exemplary and distinctive composer, he is one of the true pillars of what we consider the 'Brit-jazz' sound and he is still going strong and releasing good work!
He was also one o

When I went to London in 1977, I saw the Mike Westbrook Brass Band play on the street and they were amazing. I came back from that trip a huge fan and tried to find as much as I could by this great British composer and musician - one of the original...

This 1969 double album was the third release by Mike Westbrook and it was a quite radical anti-war release, featuring 26 amazing musicians, including Alan Skidmore, David Holdsworth, John Surman, Kenny Wheeler, Malcolm Griffiths, Paul Rutherford, Mike Gibbs, Mike Osborne, Harry Miller, Barre Phillips, Alan Jackson, John Marshall and many others legends.
This has over a full album's worth of unreleased, never-before heard material on disc 3 from the beginning of the modern Brit-jazz movement...

Mike Westbrook is one of the great names of British jazz, having been a very original bandleader & composer, for both large and small ensembles for 50 years, and releasing his first recording nearly 50 years ago!

This is one of his small...

Kate Westbrook & Martine Waltier voices
Billy Bottle voice & bass guitar
Sarah Dean alto saxophone and clarinet
Roz Harding alto saxophone
Alan Wakeman tenor & soprano saxophones
Gary Bayley tenor saxophone
Ian Wellens baritone saxophone
Mike Brewer & Sam Massey trumpets & flugelhorns
Dave Holdsworth sousaphone & pocket trumpet
Stewart Stunell, Andy Dore & Joe Carnell trombones
Ken Cassidy bass trombone
Jesse Molins & Matthew North guitars
...

"The New Tony Williams Lifetime, featuring Allan Holdsworth, live from the Village Gate, New York, September 22nd, 1976.
In 1975, the groundbreaking drummer Tony Williams assembled a new version of Lifetime, this time featuring the visionary guitar of Allan Holdsworth, as well as Alan Pasqua's innovative keyboards and Tony Newton's funky bass. They collaborated on two albums, as well as playing acclaimed gigs. Their unique brand of fusion is perfectly captured on this remarkable set, originally....

This album has a long and complicated history. In April, 1976, saxist Gary Windo, who was working part time for Nick Mason of Pink Floyd as a mechanic for Nick's car collection, was offered the opportunity to record a album at Pink Floyd's brand-new studio. He would be offered this opportunity as a 'test', to allow the engineers to test, with real musicians, the over-all systems and sound.
Between the years 1976-1978, as time allowed, Gary and a number of other musicians, including Pam Windo-piano...

Last time ever on this release from the wonderful, now gone, Reel Recordings label.

"Pam and Gary Windo were coupled in spirit with a private passion for the musical road less traveled. During their marriage, Gary taught Pam how to approach the...

Norma Winstone was the voice of adventurous British jazz of the late 60's and early 70's, appearing on classic releases by Neil Ardley, Kenny Wheeler, Azimuth, John Sevens, John Taylor, Kenny Wheeler and many others. She has a terrific voice and...

For my money, despite her relatively small output, Norma Winstone is *the* voice of Brit-jazz, with her great work on early, seminal classics by Mike Westbrook, Michael Garrick, her own Edge of Time album from 1972 and then later on to her work with...

THE great female vocalist of Brit-jazz from the 60s until today!

"CD reissue. Norma Winstone is one of the most recognizable vocalists from the United Kingdom. During her nearly 50-year career, she has performed in many varieties of situations, from the improvisatory world of avant-garde to the classic tastefulness of the jazz songbook.
Recorded in 1997, Winstone's Manhattan In The Rain found her alongside some longtime companions, pianist Steve Gray (of Sky fame), bassist Chris Laurence and.

Although under-recognized, even by the jazz world, Norma is one of the great modern jazz singers and she is *the* voice of Brit-jazz, appearing on a number of classic albums from UK jazzers...