"Digitally remastered and expanded edition of the classic 1970 album by the legendary progressive rock group.

Along with Genesis and Van Der Graaf Generator, Audience were one of the key bands on the roster of the Famous Charisma Label in the...

Michel Cayuela : keyboards
Mathieu Havart : keyboards
Marco Fabbri : drums
Simon Segura : bass and guitar
Gary Haguenauer : guitar
Dominique « Oiss » Olmo : guitar
Emmanuelle Olmo-Cayuela : vocals

"Audio'm, with this second album, has obviously found its own path and its own musical voice, definitely imposing itself as one of the leaders of French prog"-Big Bang

Six years after their first, this modern symphonic rock group (with echos of bands like Nebelne

“This is an extremely impressive neo-prog album from this Italian one album wonder act. With Asgard's Chicco Grosso on lead vocals doing an absolutely pitch-perfect reproduction of Peter Gabriel's Genesis-era delivery, nostalgia is obviously the order of the day, but Aufklarung spice up the typical Marillion-Genesis hybrid with ideas borrowed from musical genres ranging from New Age to the very verge of heavy metal.and industrial music.
With compositions packed with surprises, the album is far more...

"Self-titled" 1970 album from the Norvegian band Aunt Mary may be considered as one of the first (and, possibly, the best) progressive rock product from this country. Eleven tracks present an interesting mixture of psychedelic, blues and jazz with some prog tendencies.
Each track has a memorable melody with short, but sweet to ears solo part from musicians. Jan Groth with his Hammond makes a unique atmosphere on tracks like "Whispering farewell" and "Rome wasn't bult in one day". Alongside with...

“Aunt Mary is a Norwegian rock band from Fredrikstad that started in 1969. The group originally consisted of Bjørn Kristiansen on guitar and vocals, Jan Groth on organ and vocals, Svein Gundersen on bass and vocals, and Ketil Stensvik on drums. Other musicians who visited were Per Ivar Fure on flute, harmonica and saxophone and Bengt Jenssen on keyboard. The band disbanded in 1973, but in 1980 three of Aunt Mary's old members got together and did a reunion concert at the Hawk Club in their hometown of...

“A heavy, oft-sampled slab of Bay Area history, and a psych funk masterpiece that cannot be denied. Aura formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo.
The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura...

Mauro Pini - vocals
Stefano Onorati - piano, synth, electric guitar
Luciano Tonetti - electric bass, ukulele
Marco Santinelli - drums
with
Alessandro Corvaglia - vocals
Raffaella Izzo - vocals
Gianluca Milanese - transverse flute
Giuseppe Tonetti - bouzouki

“After the homonymous first album (2013) which celebrated AURORA LUNARE of the 70s, and the interlocutory "Translunaggio" (which paid homage to important progressive bands), the band from Livorno returns

"Shadow Border is the second album from Dutch progressive rock band The Aurora Project. Their 2005 debut, Unspoken Words, brought them much acclaim in the worldwide progressive rock community. The band has twice been invited to perform at...

Hans Hjelm: guitar
Gustav Nygren: guitar
Mikael Tuominen: bass
Jonas Yrlid: drums
guest musicians
Jesper Skarin: percussion (all tracks)
Per Wiberg: keyboards (all tracks)
Jakob Sjöholm: guitar (First Train)

“Automatism is a Stockholm-based instrumental rock band. The music is based on psych rock, with some added herbal, progressive and modal jazz elements.
In 2018 their debut album "From the Lake" was and the follow-up album "Into the Sea" was relea

"A driving and rocking Jewish masterpiece from this out of control maniac based in Paris. A killer CD of New Jewish Rock with plenty of shredding, tight arrangements and a touch of Klezmer Madness, with special guests David Krakauer and Gary Lucas...

"The Village to the Vale, by the Brighton-based band Autumn Chorus, is one of the most interesting debut album of 2012. Try to imagine a green and pleasant landscape, really old-Brit, or the magnificent sound of a cathedral, and you’ll get the point of...

PROMO

Robbie Avenaim - prepared typewriter
Chris Abrahams - synthesiser
Jim Denley - bass flute

“Although Weft is the first release for this trio, the three musicians - Jim Denley, Robbie Avenaim and Chris Abrahams - have been playing together in various groups and contexts for decades—often meeting at Chris’ house to converse, drink tea and play/record music. The line-up for this particular session comprised bass flute, Waldorf Q+ Synthesiser and typewriter. The combination of instruments..

Top-tier, early 70s Afro-centric, jazz/electric jazz from Chicago that features many of the Chicago/AACM trademarks including inside/outside playing and little percussion instruments for one thing, but also more spaciousness and sorta rootsy/soul-jazz...

This is 5 of his classic Harvest/EMI albums at $5.00 each! Includes Joy Of A Toy, Shooting At The Moon, Whatevershebringswesing, Bananamour, The Confessions Of Dr. Dream And Other Stories, all of which are among his very best releases. A great intro to a great talent.

Excellent sound and performance from Kevin’s summer jaunt with the Whole World (the tour included Robert Wyatt drumming for the absent Mick Fincher). Kind of essential...

“One of the leading lights of the Canterbury scene, Kevin Ayers shaped British psychedelia as part of The Soft Machine in the late 60s - a brief but fruitful period which alone would have secured his place in music history. As a solo artist, however, he developed the era's sounds further, edging into prog rock with his first two..

Recorded July 25th, 1970 during Ayler's final concert series. Quite good sound quality for something was sitting in the vaults for 35 years and a minor revelation! Albert Ayler (tenor saxophone, soprano, musette, vocal); Allen Blairman (drums); Steve...

"Albert Ayler's Spirits Rejoice was recorded at Albury Judson Hall (now Cami Hall) on West 57th Street in New York City, by engineer David Hancock . This recording, which was recorded at 30 IPS, rather than the customary 15 IPS to achieve the highest p...

This radio performance, from Hilversum, Holland, November 9, 1964, is the last known recording by Albert's most famous early quartet: Albert Ayler-tenor sax, Don Cherry-cornet, Gary Peacock-bass and Sunny Murray...

''Ayuo (whose name translates as Fish-Light) is one of the most enigmatic figures in Japan, as unique a figure as Moondog, Sun Ra or Haino Keiji, with whom he occasionally collaborates. Ayuo's music is a delicate balance of world music traditions, new ...

“"AnimAcusticA" is the second live album by Il Bacio della Medusa, a progressive rock band from Perugia, Umbria, considered one of the Italian prog leading bands of the recent decades. After the stylistic change impressed in the eclectic "Seme*", their last studio album released in 2018, one year later they decided to try an acoustic experiment: a successful move, as showed by this new release.
"AnimAcusticA" was recorded live on Saturday 19 October 2019; the event, organized by Trasimeno Prog, was...

Earth and Fire were an early 70's Dutch progressive band. This 1973 album was their 3rd release, and is generally agreed by all to be their best, along with their second. The band featured vocalist Jerney Kaagman, who has a clear, soaring voice...

“Anganok was a mini opera written with San Francisco artist Spoonman, in 1991. The opera was performed only a few times and was not recorded. However, the instrumental track and an early rehearsal with Spoonman's vocals exist. The instrumental track had been pilfered for other uses (such as incidental music for the Uncle Willie companion CD), and an excerpt of the instrumental track was included as part of the fourth disc of Our Tired, Our Poor, Our Huddled Masses.
In 2009 both the full instrumental