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"Jamie Saft has been a significant presence on RareNoiseRecords since the label’s inception: as band leader on New Zion w. Cyro’s ‘Sunshine Seas’ (on piano, analogue keyboards, bass and guitar with percussionist Cyro Baptista) and on The New Standard (on piano and organ with bassist Steve Swallow and drummer Bobby Previte), on celebrated quartet collaborations with Wadada Leo Smith (Red Hill, on piano) and Roswell Rudd (Strength&Power, on piano), as well as on a number of deep free music collaborations...

“Bill Brovold's Stone Soup's Michael Goldberg Variations is a disc of music that is generally quite introspective and quiet. Bill Brovold, per the liner note, utilized the input of artists Michael Goldberg in creating a piece of music that is Minimalist without being meandering or even repetitive. A four or five note motif is played on an acoustic guitar, around and along and beside which various guests are heard adding their own musical additions. Guitarist Mark Ormerod goes first, finger picking some love

"After a free jazz investment for many years, now something entirely different. Avant-garde? Composer / improviser Rob Brown says it's an irrelevant categorization nowadays. Instead of the conventional sax-bass-drums combo of the New Thing, "Sounds" gives

Brown vs Brown are a intense and stunningly tight and complex 'rehearsal-intensive' avant-garde rock band from Amsterdam, Holland. Brown vs Brown was formed in 2004 by Dirk Bruinsma (saxes, vocals), Viljam Nybacka (bass), Gerri Jäger (drums) and Jeroen...

"Angry shamans, burning circuitry, lonely poltergeists, sandpaper, dental work, alarm clocks, hallucinogenic claw hammer banjos, trash trucks, human beat boxes, chaotic analog synths and modular meltdowns—three young certifiable lunatics come together...

“This 1975 album featured notable covers of ‘We’ve Got to Get Out of This Place’ and ‘Out of Time’, along with nine original compositions.
This new edition has been newly remastered and expanded to include six previously unreleased bonus tracks, recorded by Arthur Brown and his band for the BBC radio In Concert series in April 1975.”


''Chris Brown, San Francisco based composer, pianist, and electronic instrument builder, studied composition with William Brooks, electronic music with Gordon Mumma and computer music with David Rosenboom. His music includes pieces for solo instruments...

Chris Brown is a San Francisco based composer who stands firmly in the tradition of West Coast innovators like Terry Riley and James Tenney. Rogue Wave, his first CD in almost a decade, is one of his best a startling retrospective spanning over twenty ...


"A spectacular collection of musicians from all over the map, including Leo Smith, Joan La Barbara, Mark Feldman, Morton Subotnick and Merzbow perform dynamic interpretations of compositions by one of America’s greatest musical experimentalists...

"An astonishing record of James and the Flames tearing the roof off the sucker at the mecca of R&B theatres, New York's Apollo. When King Records owner Syd Nathan refused to fund the recording, thinking it commercial folly, Brown single-mindedly proceeded anyway, paying for it out of his own pocket. He had been out on the road night after night for a while, and he knew that the magic that was part and parcel of a James Brown show was something no record had ever caught. Hit follows hit without a pause...

This is two long, long unavailable albums from 1968 and 1969 bundled together, that include similar personnel, including Gunter Hampel, Jeanne Lee, Daniel Laloux, Steve McCall, Buschi Niebergall and others!

“His son Djinji remembers his father by saying, "The way he played sounded like his speaking voice, the way he held his horn reminded me of the way he held my hand, the way he walked was in the same rhythm as his songs, and then everything made sense. His music was first and foremost who he...

Marion Brown – alto sax
Ed Kroeger – trombone
Sigi Busch – bass
Steve McCall – drums

Great sounding, previously unreleased Marion from one of his most productive / greatest periods.

“The alto saxophonist Marion Brown (1931), who grew up in Atlanta, moved to New York in 1965, and almost immediately, while still an unknown, played on John Coltrane's seminal album "Ascension" and Archie Shepp's "Fire Music," quickly became one of the most radical yet romantic of free...

"Rob Brown is an awesome alto saxophonist and a mercurial improviser who is perpetually inventive. Over the years he has been a foundation member of the principal groups of William Parker, with whom he has shared a musical relationship for over twenty...

Rob Brown: alto saxophone
Steve Swell: trombone
Chris Lightcap: double bass
Chad Taylor: drums

“For this album, Rob Brown has brought together with him three outstanding, seasoned musicians. Steve Swell, at the top, is in perfect osmosis with his leader; Chris Lightcap and Chad Taylor's brilliant personalities help extend each musical phrase by giving them strength and volume. Adding to this the unique sound of Rob Brown's alto and particularly relevant compositions makes it a...

“Warehouse find of the last copies of this long unavailable 2000 release. Jumping Off The Page is a studio recording by the quartet of Rob Brown (alto sax, flute), Roy Campbell (trumpet), Chris Lightcap (bass), and Jackson Krall (drums).”

"Alto saxophonist and flutist Rob Brown is often featured in the context of other leaders' recordings as an inventive improviser who has enough of the early AACM in him to stretch time, space, and harmonic ideas, and enough of the late-'50s hard bop tradition...

Rob Brown: alto saxophone, flute
Steve Swell: trombone
Chris Lightcap: double bass
Chad Taylor: drums

“Every time I hear Rob I have the same reaction — who is this guy? He has such a command of his instrument and such original ideas. Rob is the only saxophonist I know who can pick up his horn right out the case and perform at 100 percent. There is no warming up! No searching for the right reed! He’s one of the most powerful performers I’ve ever worked with.” – Chad Taylor

Steve Brown formed this outfit in 1971, and they quickly developed a tight style of cool but potent jazz rock, characterised by lengthy powerful instrumental breaks and sax, and infectious beats.
This LP pieces together what should have been a debut record on Transatlantic from remaining studio tapes and acetate sources. The six tracks are pure killer, opening with ‘Hitman’ which is sung first person from the point of view of an assassin for hire; stone cold cool with a fantastic bass-line and...

Dave Brubeck – piano
Paul Desmond – saxophone
Eugene Wright – bass
Joe Morello - drums

“1960 Essen, Grugahalle by The Dave Brubeck Quartet is an original master concert recording from the 2nd of April, 1960 at the Grugahall, Essen.”

This was the follow up to the enormously successful "Time Out" album (the 1st jazz album to sell 1 million copies!) and it's great and it's also where many non-musician type folks first learned about time signatures.

"Unlike most sequels, Time...

Before the late 60s and Egg, Soft Machine and Mothers of Invention, if you wanted to hear ‘odd time signatures in action’ this was the go-to album!

“Cited as one of the 2 largest selling jazz albums of all time (Kind of Blue being the other), this record made "Take Five" the most recognizable of jazz tunes and Dave Brubeck a household name. Remixed and remastered from the original 3-track master tapes for enormously improved sound, this definitive reissue is full of rare and previously...

“Time OutTakes features 7 tracks that have never been heard before. These newly discovered recordings feature wonderful performances that are every bit as compelling as those on the original Time Out. We discovered that during the original 1959 sessions the Quartet also recorded "I'm In a Dancing Mood" and an unlisted trio jam with a major drum solo that included snatches of the melody from "Watusi Drums." Two tracks from Time Out, "Pick Up Sticks" and "Everybody's Jumpin," were achieved in one take so...

“As a pioneer of "cool jazz" in the 1950s, Dave Brubeck requires no introduction to music lovers. By the early '70s he was regularly playing with his sons, amongst other musicians.
Originally broadcast on Voice Of America radio, this superb performance was part of the Newport Jazz Festival, and took place in New York's Apollo Theater, July 4th, 1973. It captures him on sparkling form, tackling older classics as well as newer material.”

Jack is best known for being the principle songwriter and bassist and voice behind Cream. He's got a wonderful voice and is a fine composer and he continues to make good work to this day. This documents the very short-lived band he had with dual keyboa...

Dan Bruce- electric guitar, nylon string guitar, Ableton Live programming
Chris Coles - alto/tenor saxophones, vocoder
Brad Wagner - soprano/tenor saxophones, bass clarinet
Caleb Smith - trombone
Will Wedmedyk- vibraphone
Theron Brown - piano, Fender Rhodes, melodica
Aidan Plank - acoustic bass, electric bass
Anthony Taddeo - drums, percussion
Joel Negus- synthesizers (Mystics and Slant)

“Dan Bruce's : beta collective continues to push boundaries in

You get 3 separate concerts - almost 5 (FIVE!) hours of Jack Bruce here!
Here's what you get:
a) Jack Bruce and Friends - Grugahalle, Essen, October 19, 1980 with Clem Clempson, David Sancious and Billy Cobham (105 minutes)
b) Jack Bruce solo - Musik Hall, Cologne, October 16, 1990 (65 minutes)
c Jack Bruce Band - Zeche, Bochum, November 1, 1983 (with David Sancious and Bruce Gary) (113 minutes)

This limited edition includes "An exclusive film taking a behind the scenes look at the making of Jack Bruce’s new album at the world famous Abbey Road studios..."

"Esoteric Antenna is proud to announce the release of the eagerly awaited new...

Some of this has been out before but not all of it and much of it (known AND previously unknown) is AMAZING!. • FEATURING AN UN-BROADCAST TV SESSION OF LIFETIME FOR BEAT CLUB IN 1970 & ALL THE SURVIVING BBC RADIO & TV SESSION RECORDINGS & APPEARANCES, INCLUDING TWO CONCERTS SCREENED BY THE OLD GREY WHISTLE TEST IN 1975 & 1981.
• ALL NEWLY REMASTERED & RESTORED FROM THE ORIGINAL MASTER TAPES. INCLUDES AN ILLUSTRATED BOOK WITH ESSAY.

The set features all the surviving BBC radio and television.

"He is an icon of the Rock world: the legendary song writer, bassist, pianist and singer Jack Bruce. In 2006 at the 37th German Jazz Festival Frankfurt, he joined forces with the hr-Bigband to perform a highly acclaimed concert, presenting classic Cream songs and other landmarks of his career in gripping new arrangements. It was a magic moment of dialogue between Jazz and Rock that roamed between composition, improvisation and vibrant, virtuoso performances. The hr-Bigband is one of the most innovative...

“This is a must-have. Period. Recorded before the Lenny's life itself became the drama, when his ideas could be judged on their own terms. Here is Lenny having fun, riffing, creating characters. Lenny's perspective was that of the underdog, the average guy--just trying to get by, have a few laughs, not be bugged--and how hard it was in mid-20th century America just to do THAT.
A lot of the references in here might be lost on contemporary audiences--to obscure B-movie actors, for example. Still, no...

“Lenny's master work in many ways, it must be noted that if you are new to Lenny Bruce this is his thesis work towards his PhD in Freestyle Social Commentary. By this show Mr. Bruce no longer does bits, he is all free form, and lays this show out like a brilliant jazz piece. In lieu of a Louis Armstrong or Kermit Ruffins delivernig tales of love, loss, trials and tribulations through beautifully combined notes from their trumpets, however, his music is the truth and his instrument is his style.
This...

“Groundbreaking first major album from the controversial comedian. Lenny Bruce was an American stand-up comedian, social critic, satirist, and screenwriter. He was renowned for his open, free-style and critical form of comedy which integrated satire, politics, religion, sex, and vulgarity.
The lion's share of this release, The Sick Humor of Lenny Bruce (1959), seems to have been gleaned from a bountiful cache of recordings that Bruce documented during a multi-week run at the infamous Ann's 440 Club...

PROMO COPY. "The '50s are often portrayed as a very innocent time -- an era in which Father Knows Best and Leave It to Beaver were popular sitcoms. Americans were less likely to have sex before marriage, poodle skirts were in fashion, and stay-at-home...

“Probably the last coherent performance Lenny Bruce ever gave, before a very appreciative and forgiving audience, and he was really great. There's even a moment where he loses his train of thought, and he makes a funny bit out of that. A really brilliant performance, and, although some of "those" words appear here and there, you might be surprised at how little of that there was--it's certainly quite tame by today standards. He didn't need to curse to be funny. He was a brilliant social commentator and...

Kyle Bruckmann (oboe, english horn, suona, mijwiz) with Kurt Johnson (bass).

"“An improviser's response to the paradoxes and absurdities of recording improvised music. Sounds generated by the direct application of wind, water and flesh to wood...

This is the third and fourth (and last) albums by this very fine, UK fusion ensemble. If these aren’t held in quite as high regard as the first two, well, that’s because the first two are essentially unbeatable, but these are still very good.
The Bruford Tapes is taken from a radio broadcast by the touring-band version of Bruford: Dave Stewart-keyboards, John Clark-guitar, Jeff Berlin-bass and Bill-drums. Spirited, live, edgy ("aproximate", says Dave Stewart) versions of tunes from the great 1st...

“Bill Bruford is the original drummer in YES and was a long term member of King Crimson. The band Bruford achieved critical acclaim and commercial success at the time and the band's catalogue has enjoyed longevity in the rock genre.
The line-up on the album is: Bill Bruford, John Clark, Dave Stewart and Jeff Berlin.
Both of these discs were previously only available in the "Seems Like a Lifetime Ago" box set and see their first release outside of the box here.”

This release includes a CD of a new stereo remix, and a DVD with a new 5.1 surround sound mix along with the original 1979 mix, AND an outtake of Five G, all taken from the original 1979 analogue tapes.
Follow-up to the superb debut by Bill Bruford and featuring the same band: Bill-drums, Jeff Berlin-bass, and Dave Stewart. This is a slightly more conventional fusion album than Feels Good To Me, but it suffers not a bit for that, as this 1979 album is one of the best late-period straight-ahead fusion..

Double live album of Bill's very good jazz outfit (saxes, piano, bass and drums) recorded live in London in 2001. 2 hours of music! [DGM]

The second album from the band who call themselves "New York‘s Most Decorated Avant-Country Instrumental Merle Haggard Cover Band", and who am I to argue with that designation?

"...their debut, is satisfying as both a commentary on Mr. Haggard’s.


"Gavin Bryars' music, post "The Sinking of the Titanic" and "Jesus' Blood...", is well known and often performed today. Less known are the earlier works featured on this CD, created during the years 1969-71. At that time, Bryars became associated with...

“Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage. Bryars...

This is a special limited edition of 2000 packaged in a special wallet + postcard. This version was recorded at the 49th International Festival of Contemporary Music at The Venice Biennale on 1st October 2005 at the Teatro Maliban.

Gavin Bryars..

This great, unassuming-but-tremendous debut album did what so few do: It actually sold! People paid some attention!
And rightly so - this is great.
Back in stock and you should buy this. Period!

Fifteen years in the making, Minnesota eclectic prog / avant-pop / art-math quintet Bubblemath's sophmore sequence, Edit Peptide, provides a worthwhile wait with its non-formulaic formula of lively textures, wacky and virtuosic musicianship, hypnotically robust vocals and charmingly astute attitude. Blending in-your-face intricacy with eccentric experimentation, dense and poppy harmonies, symphonic vibrancy and tongue-in-cheek foundation, Bubblemath are clever and musicially...

Very good & very nicely presented (great packaging) first album by this band from Minneapolis. They are very vocal oriented, with some unique vocal twists & some nice 2 & 3 part vocal lines on top of the intricate guitar/keyboards/bass/drums band work. In that respect, & in certain other aspects, they are a little reminiscent of Echolyn but they don't really sound like Echolyn. "It is perhaps fitting the the five members of Bubblemath were born variously between 1971-1979 spanning the historic rise...

Note: If you buy this title directly from Wayside Music here, you will receive, WHILE THEY LAST, a special, bonus, custom printed flashlight keychain which is only available to folks who buy the release directly from us or from the band.

“Turn out the lights, switch on the UV lamp, and read along in the dark. The lyrics illuminate the way as you ascend.”

Bubblemath’s new album, Turf Ascension, is the finest progressive-rock album you’re ever going to read...

Included here is a booklet with the official biograpy of the band, photos, documents and interviews.
My personal favorite of all the Argentinian progressive artifacts, and, in fact, one of the great progressive albums of the entire 1970s. This, their one and only album features a 7 piece group (violin, flute, sax, guitar, bass, drums, with a relatively small amount of vocals) playing pieces obviously influenced by Mahavishnu Orchestra, jazzy Frank Zappa, King Crimson and others that give this a more...