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Also known as "Burton Greene Quartet".
"Reissue of the 1st Burton Greene album on ESP-Disk, recorded 12/18/65. Featuring Burton Greene (piano, ), Marion Brown (alto saxophone), Henry Grimes (bass), Dave Grant (percussion), Frank Smith (tenor), Tom..

Burton Greene – piano
Adam Lane – bass
David Brandt – drums

“Peace Beyond Conflict is the latest trio release from master pianist and improviser, Burton Greene with Adam Lane on bass and Dave Brandt on drums. The listener is brought into a performance at a loft studio in Brooklyn in 2003. Greene’s compositions and trio arrangements set forth boundless improvisations. “People must hear this.. we have to get it out!” exclaimed Greene upon hearing the recording over 15 years later. Now we...



Phillip Greenlief alto and tenor saxophones, Bb clarinet
Scott Amendola drums, percussion, & live electronics

“One of the most engaging team-ups in exploratory jazz celebrates 30 years of simpatico collaboration and creativity with the release of Stay With It, their first outing on the Clean Feed imprint. It finds Phillip Greenlief and Scott Amendola developing the febrile dialogues mapped out on their deliciously bristling 1995 debut, Collect My Thoughts, an absorbing set that saw the pair.

After Colosseum broke up, keyboardist Dave Greenslade formed his own progressive rock band, which most notably featured two keyboardists, bass and drums.
In addition to the original album, this features an entire extra CD of BBC recordings made from right around the time of this album and giving listeners a glimpse of how this original and early version of the band sounded live at the time!

“Newly re-mastered from the original master tapes and features an illustrated booklet with many rare...

This was previously available some years ago, but has been unavailable for quite some time. It's pretty much what you would expect of something released so much after the fact: a very good to excellent bootleg sounding of some pretty great material...

"When I was 50, my wife arranged a surprise birthday party for me and invited all the members of both COLOSSEUM and GREENSLADE," Dave explains. "By the end of the night we had decided to reform COLOSSEUM and we did a big reunion tour. But I found myself..

“A newly re-mastered and expanded 2 CD edition of the classic 1975 album, Time & Tide by GREENSLADE. Formed in 1972 by former Colosseum keyboard player Dave Greenslade, the band also featured former Web and Samurai member Dave Lawson (keyboards, vocals), former Colosseum bass player Tony Reeves and drummer Andrew McCulloch (formerly with King Crimson and Fields).
The calibre of the members of Greenslade ensured that the group would be innovative, ground breaking and dynamic in their musical...

“Dave Greenslade the English keyboard player who had his own eponymous band Greenslade as well as being a founder member of Colosseum has been back into the studio to remaster the original recordings he made in the period from 1979 to the mid 90's which were then re-recorded and released as Greenslade, Colosseum or solo album tracks. These never before released original tracks, mostly written by Dave, even feature his own vocals, as well as playing all the instruments himself.”

“Great to hear ..

Madison Greenstone - Bb clarinet

"Each of these studies takes as its basis a mode of resonance latent in the Bb clarinet. This album collects iterative and essayistic reflections on the self-generative qualities of these resonances. The instrument becomes a site of indeterminacy. What happens when resonance overflows? Each resonance has some form of inner agency, some form of emergent phenomena that I search to breathe into being. This demands a continually renewed attunement to the liveliness...

The first solo album by the guitarist of Radiohead.

“Greenwood pens a science fusion of string orchestras, guitar penury, and cold outer-planetary beats. At times listening to this I literally feel as if I’m caught up in the workings of some giant, malevolent machine; it is avant-garde right down to the zinc nightmares of the song titles.”-rym

“Certain tracks, especially those with strings, are utterly gorgeous. And the jazz elements are interesting. But several tracks are a bit "out...

Greer-Between Two Worlds $9.00 (special) "'Obscure artifact out of a local scene that produced cult music for a 15-year period; this is a powerful trip in a song-oriented 1970s British rock/hardrock style, with psych moves on the two long epics...

“Guillermo Gregorio has been exploring space and form and gesture in music for a very long time. In 1969, with composers Norberto Chavarri and Roque de Pedro, he cofounded the collective Movimiento Música Más, which for a while staged public interventions, performances, and happenings even as the political skies were darkening again. He finally left Argentina in 1985, living in Vienna, L.A., and Cologne through the end of that decade, before settling in Chicago for the next 25 years. Already in Vienna...

“The veteran Guillermo Gregorio is back and this is the debut of a duo with the young double bass player Brandon Lopez. The clarinetist after having lived in the sixties in Buenos Aires and later moved to Chicago where for years he was an integral part of the local scene, now lives in New York and among the many and more recent collaborations, the meeting with Lopez is actually worth note. The listening between the two is superlative and the sound produced by clarinet and double bass is warm and...

"Alice In Wonderland, by Los Angeles, California composer and musician Randy Greif, is a gripping and imaginative telling of Lewis Carroll's classic story. Using electronics and altered acoustic sounds, along with more traditional instruments...

“Turning shadows into sonic emotional rivers, synthesist and composer Jeff Greinke's A Thousand Year Flood skirts the edges where modern classical, electronic and ambient music converge. Working with cellist/violist Heather Bentley, Greinke's first record for Projekt in 26 years is a hybrid of ambient chamber music and electroacoustic beauty. Throughout the near-hour-long set, atmosphere is critical to the impact as Greinke locates his paired-back minimalism within a setting of spaciousness and....

"Five years in the making, Jeff Greinke's newest release BEFORE SUNRISE explores the more acoustical side of the ambient / impressionist territory of the electronic music genre. This new work, the third Greinke title on the Spotted Peccary Music label, is a logical progression from his previous releases, painting abstract landscapes and emotive expressions with ample use of acoustic instruments such as piano, cello, viola, clarinets and vibraphone, along with electronic elements of sampled textures and...

“Oceanic is undulating ambient minimalism floating upon dreamy and somewhat hazy eddies in a slow-moving stream of wonder. Jeff Greinke's second album upon his return to Projekt -- and 24th overall in a 40-year career -- marks a departure from last year's post-classical A Thousand Year Flood. Here, the electronic sounds are processed and often stacked to create complex textures, chords and harmonies. The timbres are distinct, formed with subtle detail, capturing the ebb and flow of emotional whirlpools...

Starting in the very early 80s, Greinke was one of the very first of the modern-day ‘sound sculptors’, working with electronics and etc (but long before laptops) to craft a very personal, ambient, warm and inviting electronic sound that can or can not be called ‘music’ depending on your definition. Since that first 15-20 years of his work, he’s expanded his palette greatly by adding acoustic instruments along with his organized sounds as well.
He’s one of the less-known greats, in ambient music, imo..


How great to see a new release from Jeff; it's been way too long. There are a lot of people who make electronic music, but NO ONE sounds like Jeff Greinke except Jeff Greinke.

"Winter Light is the newest release from texturalist Jeff Greinke...


Charlotte Greve: Saxophone
Chris Tordini: Bass
Vinnie Sperrazza: Drums

"The Choir Invisible, presents a highly anticipated debut album on Intakt Records. With Charlotte Greve, Vinnie Sperrazza and Chris Tordini, this trio, oscillating between improvisation and composition, brings together three significant voices from Brooklyn's creative music scene."

"The Choir Invisible not only does everyone have equal rights, they also have equal responsibilities, as accompanists and...

“A rather excellent album by Fripp and The Grid who have worked together frequently over the years. It begins as pure guitar drone, drifting into pleasant ambient, and by Leviathan the drums begin to appear in mix, approaching Fire Tower this has turned into blissful downtempo dub-techno, and so it continues to the end. Very much one long composition cut up into 9 parts, an album that deserves attention and to be listened to all the way through (just like good old progressive music, be it house or rock).”

Michael Griener: Drums
Rudi Mahall: Bass Clarinet, Clarinet, Baritone Saxophone
Jan Roder: Bass
Christof Thewes: Trombone

After seven years of collaboration the Berlin band Squakk is at the top of their game. The album "Willisau &.

Art Griffin-bass, keyboards, electric and acoustic guitars
Kelly Kereliuk-electric and acoustic guitars
Steve Negus-drums (Saga)
Victoria Yeh-electric violin
with
Jamie Glaser-guitar (Jean-Luc Ponty)
Michael Sadler-vocals (Saga)
Todd Sucherman-drums (Styx)
Sarah Westbrook-keyboards (The Slyde)
Frank Wyatt-synthesizer (Happy The Man)

For his second album, Art Griffin has assembled the same crew of players (plus a few stellar guests) and continues in a si

Hayley Griffiths - Vocals
Matheiu Spaeter - Guitar
Cagri Tozluoglu - Keyboards
Jordan Brown - Bass
Jimmy Pallagrosi - Drums

“A live CD by the ex-singer of Karnataka, who has been nominated as ‘Female Vocalist of the Year’ and ‘Prog Woman of the Year’ in Classic Rock Society and Prog Magazine.
Recorded at ’t Blok in Nieuwerkerk Aan Den Ijssel on 27th October 2019. The band includes former Karnataka band members Jimmy Pallagrosi and Cagri Tozluoglu as well as former...

It’s really nice to see James put on his composer’s cap again and let the world get a little peek at his unique world once more!

"James Grigsby founded Rotary Totem in 1984 as a production company for his creative projects. These included albums with the musical ensembles Motor Totemist Guild, and U Totem.
As Glenn Astarita noted in All About Jazz, “Grigsby’s music while demanding and complex is also liable to become light-hearted or whimsical...Grigsby’s shrewd and at times roguish...

Alexandra Grimal - soprano saxophone

“Alexandra Grimal’s new record is an exploration of her inner improvised language in resonance with the very special acoustic of the castle of Chambord. Refuge was recorded in the double revolution staircase in the castle of Chambord in September 2020.”

"As one of the most recorded bassists in the ESP-Disk catalog, Henry Grimes made his debut on ESP with Perry Robinson on clarinet, lending his unique Klezmer approach to the New Music. This adventurous album is motivating and inviting to the listener...

"Pianist, composer, and arranger Rachel Grimes has created a singular body of work, both as a solo artist and as a member of the group Rachel's, that negotiates a surprisingly graceful alliance between contemporary classical and indie rock."-AllMusic

This is a really lovely score for a film that is based on the composer's piano, as well as violin, flute, sax, and interspersed with Rachel's electronic / ambient sound design.
If this sounds appealing to you, you're gonna love this. It reminds..

"Grindlestone brings together Douglas Erickson and Don Falcone. Their music as Grindlestone is built form manipulations of music performances and found sound — from construction work at Stanford University to an MRI. Don captains Spirits Burning...

Not quite a decade ago, there was a new set from the newly reformed / revamped Grobschnitt, released as 2008 Live. It was recorded in Bonn and Menden Germany in May 2008 and it was really good (see below).
This newer version takes that live album, adds a bonus track from 2008 and then adds a second disc from the next year, which has a complete live version of Rockpommel's Land as well as many other vintage greats. They still have that sound and fans will be really happy with this one...

This was originally released nearly 20 years ago by Eroc, and consists of previously unreleased live and studio recordings, but it has been out of print for a decade; nice to see it available again!

"We are writing the year 1994 and it's time...

This was originally released nearly 15 years ago by Eroc, and consists of previously unreleased live and studio recordings, but it has been out of print for a decade; nice to see it available again!...

Many consider this, their fourth studio album,to be one of their main classics. Includes bonus studio tracks and entire second disc of bonus live performances from 1977-79!

"Grobschnitt were one of the crop of German bands that fell into the Krautrock category, mixing progressive rock influences with improvisational elements and humour to create a very compelling brand of music. The irreverence was evident in their music, but not at the cost of technical and compositional proficiency. All the...

The band's fifth album, and one that a good number of people consider to be the greatest live progressive rock album ever made! This adds 25' of bonus material to the original disc and an entire second disc of further live recordings from 1977!

"The German group Grobschnitt were one of the more famous bands from the classic 70's Krautrock era. They had a long and varied history that spanned over 20 years and were quite popular in their native Germany. Their music was characterized by theatrical...

The good news: This live recording of Grobschnitt with an orchestra is really excellent.
The bad news: It's only 14' long!

"Two brand new live recordings by the German prog legend performed together with the Hagen Symphonic Orchestra in...


"Tired of the rock format and excited by the freedoms promised by electronic music, Harald Grosskopf quit Wallenstein, a conventional rock band, in the mid-'70s to turn his attention to electronica. Grosskopf thus became the first drummer to specialize...

"Harald Grosskopf was in his early twenties when LSD 'blew [his] reality away,' as he recalls. Born in Hildesheim in 1949, he had previously drummed in fairly conventional rock bands, most recently for Wallenstein. Their label-boss Rolf-Ulrich Kaiser...

"Harald Grosskopf played drums on the early Klaus Schulze albums and recorded thirteen albums with Ash Ra Tempel. His solo works, 1980's Synthesist and 1986's Oceanheart, are outstanding releases of the German electronic music scene.
Eberhard Kranemann studied music at the Dortmund Conservatory and art at the Kunstakademie Düsseldorf. He co-founded the electronic bands Kraftwerk, NEU!, Pissoff, and released albums under the pseudonym Fritz Müller.
Harald Grosskopf and Eberhard Kranemann...

This is a compilation of material that the American guitarist recorded for the Transatlantic label between 1970-1974. About half is solo guitar or guitar and voice, but there's also appearances by Richard Thompson, Ian Whiteman, Danny Thompson, Pat...

GZ are fronted by fabled Japanese sampler/guitar terrorist Otomo Yoshihide. This is one of the best by them I've heard. It starts with sampled (?) futozao shamisen that slowly builds up constantly, in added instrumentation & i...

''Led by turntable wizard/guitarist/composer Otomo Yoshide, the fast & furious Ground Zero combine creative juxtapositions & oddball sampling with the raw power of a live six-piece band. It's a unbelievably wild ride.'' [Tzadik]

“Recorded in front of a smattering of people, the recording is as rough as the hairs on my chin, but it brings that touch of reality so much so that I could visualise myself as part of that audience. They are off, hungry dogs out of the trap, they are tenacious and they don’t let up, this is real power trio stuff and one by one they are knocking those songs right out of the park. It’s relentless. Hard blues rock at its best. Features the unusal lineup of Tony McPhee, Dave Anderson and Mick Jones.”-rym

"2009 archive release from the British Blues greats. In September 1976, The Groundhogs were a four piece adding second guitarist Ric Adams to bolster the sound and allow Tony McPhee more space to develop his amazing guitar runs. This Swedish gig was...

I never heard the Groundhogs back in their early 70s heyday, so it was with great pleasure that I recently got to hear these remastered versions of their classics and I have to report back that I wish that I had heard them then! Led by guitarist/singer...