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Michel DELVILLE: e-guitar, glockenspiel, vocals
Antoine GUENET: keyboards, acoustic guitar, vocals
Etienne PLUMER: drums, e-percussions
Christophe BAILLEAU: electronics, visuals, vocals
“Etienne PLUMER (Rêve d’Elephant, Animus Anima), Michel DELVILLE (The Wrong Object, Machine Mass, Comicoperando) and Antoine GUENET (Univers Zero, The Wrong Object, Beautiful Badness) join forces with Christophe BAILLEAU, a sound artist with an interest in the function of noise as a musical code...
“Describing the musical output of the eclectic Harvey Gold, a founding father of Tin Huey and Half Cleveland, Gold has offered, “We are what we eat and we’ve eaten a lot of different stuff.”
Careening from power pop, to electronic, to “West Akron Appalachian,” this solo album includes an emotional protest/love song in “The Fence,” a sizzling rocker with horns, “In Consideration of Joe Strummer,” a dark take on The Beatles’ “I’ve Just Seen a Face,” AND a nod to Vivian Stanshall with a Music Hall style
Vinny Golia: woodwinds
John Carter: clarinet
Bobby Bradford: cornet
Glenn Ferris: trombone
Recorded live on Sunday, May 13, 1979 at 8:30 pm, Century City Playhouse, 10508 West Pico Boulevard, Los Angeles, CA.
“This well recorded and mastered session features Golia, clarinetist John Carter, cornetist Bobby Bradford, and trombonist Glenn Ferris – all in tip-top form. Carter is especially irrepressible, pouring out torrents of notes with a fleetness and ease that’s...