Jonn Buzby / keyboards, vocals
John Covach / guitars (1,3,4,6,12)
Brian O'Neill / guitars (2,5,7-11)
Gerald Wilson / bass
Wesley Hare / drums

Land of Chocolate is the project of vocalist / keyboardist Jonn Buzby, brother of Chris Buzby of Echolyn. The band presents a very assured, modern progressive rock, with impressive vocals; overall, this makes me think of a more edgy Echolyn or maybe a less demented Bubblemath [another band who took a long time between two of their albums!

Harold Land, who is less famous than he deserved due to his always remaining on the west coast, was a great hard bop saxophonist, first coming to great attention with the Max Roach / Clifford Brown band.
This smoker is all previously unissued live recordings of unsung tenor saxophone hero Harold Land from The Penthouse in Seattle from 1962, 1964 and 1965 with stellar musicians including Hampton Hawes, Carmell Jones, Buddy Montgomery and Philly Joe Jones. The audio was captured from direct transfers...

“The album title is anagram of Art Lande, the idiosyncratic US pianist making his ECM debut in a set of his own tunes, very ably partnered by Jan Garbarek on a recording described by Down Beat as “one of the finest albums ECM has yet released…It is the interplay of the two artists that elicits the full richness of the music. Lande and Garbarek have intelligently channelled their virtuosity, forging a uniquely inspired vision. The result is enthralling.”

Their seventh full length album in seven years, Brocade is a turning point for Landing, one that simultaneously harkens back to their roots as hushed drone rockers while journeying onwards into starkly minimalist, utterly cosmic terrain. Reverting inwa...

"First ever CD reissue of this little known classic from founding Philip Glass Ensemble member Richard 'Dickie' Landry. Following two jazz LPs issued on the Chatham Square label (which he co-ran), Dickie Landry released Fifteen Saxophones, a set of 1974..

Mark Whitecage, alto saxophone, clarinet / Adam Lane, double bass / Lou Grassi, drums.

"In addition to being a superb bassist, Adam Lane is a composer with superior skills. Drummer Lou Grassi and saxophonist Mark Whitecage are better known as...

“As the clever title indicates, this six track EP features recordings that were "left over" from the Garden Of The Moon sessions. But it also features some new remixes of older, previously released material.
Only two of the six tracks will be of genuine interest for most fans, as they were not available elsewhere (until the release of the 2CD special edition version of Garden Of The Moon). These two songs are Leaving Stardust and This Is Not America. The latter is a cover of a David Bowie song...

"Adam Lane is doing some magic. If you didn’t noticed, here’s a new opportunity you shouldn’t miss. And why? Because the bassist, composer and arranger is taking the big band format in jazz (in this case a septet) some steps beyond. You know there’s not m

Pierre Langevin and Pierre Tanguay worked together within Strada (an ensemble dedicated to popular middle-ages repertoire). On this album we find them taking a very ludic and disarming turn towards modernity. An armada of objects and small instruments,...

Jerome Langlois is best known as the co-founder of Maneige. This is new music from him and is 25' of solo piano (nice, but...solo piano, y'know?) and 40' of a small suite for a 10 piece chamber-rock ensemble, which is quietly great...

Jerome was a founding member of the very fine Quebecois band Maneige, writing and performing on their 1st two albums, which were some of the band's highlights. For the last 30 years, he's been doing soundtrack-type work, and it reflects that, but it al...

“Joke Lanz was born in Basel, Switzerland and is a well-know noise musician, performance artist and turntablist. He is also founding member and singer in the art rock group Sudden Infant, a member of the legendary Schimpfluch group (alongside Rudolf Eb.er, Dave Phillips, Marc Zeier and Daniel Löwenbrück) and performs in many duos and and other forms in the improvisation scene. He also writes music for theatre and film, radio, installations and objects.
Ute Wassermann is a German vocalist, composer...

“Bernardo Lanzetti is a somewhat polarizing figure in progressive rock, with some listeners feeling that his distinctive vocals have ruined perfectly good albums, and others who tolerate or even enjoy his singing. I’m in the latter camp — I first heard him with Acqua Fragile’s second album, Mass Media Stars (1974), and I thought of him as a quirkier version of Peter Gabriel, with a gritty tone and prominent vibrato. When he joined PFM for Chocolate Kings (1975), I had no problem with the change. While...

Nice to see these later solo works by the leader of the great chamber-rock/ECM-styled band Noetra appear. This is from 1993 and is still very much in the Noetra vein, with more ECM/jazz leanings than before, but still very obviously the work of the leader of Noetra.
The personal is Jean Lapouge-guitars, Christian Paboeuf-oboe, vibes, Jean-François Bercé-double bass and Mikko Fontaine-drums and percussion. Refined, serene and very musical!

After sadly winding up his wonderful Noetra ensemble in the early/mid 1980s, guitarist and composer Jean Lapouge went more into an area closer to jazz/electric jazz/ECM sound. One of his current projects is this trio with long-time bandmate (stretching...

“In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks from these releases...

"Tim Lapthorn is a highly gifted young jazz pianist making his mark on the British scene. His bluesy, flowing, lyrical sound sets him apart from many of his contemporaries. His music is accessible and open and his style very much his own. His trio...

Laraaji is a zither/electronic artist who was discovered by Brian Eno and who released Ambient 3: Day of Radiance on EG in 1980, right as the whole new age/ambient kerfluffle was taking off. The music is very peaceful and functions really well as...

"The twelve part BBC Series, Lark Rise to Candleford, on prime time Sunday nights has attracted nearly 12 million viewers each week. The album includes several pieces of music from the programme, including the theme music. The main man behind the...

One of the very first (maybe *the* first) CD release on the late, great AYAA label was by this mostly instrumental Swiss trio of tenor sax, bass and drums. 20 years later, here they are again, now with a guitarist and a couple of guests on a few songs...

“Ashen Lights is the new trio release from Swedish keyboard player Lalle Larsson. After the critically acclaimed projects Seven Deadly Pieces, Until Never and "The Weaveworld Trilogy " - Lalle is back with another strong release on Reingold Records. This time as the soloist in a more intimate trio setting. Taking influences from all kinds of different music, most notably John Coltrane, Allan Holdsworth and Eric Dolphy who he mentions as his biggest inspiration, Larsson is home to many musical worlds...

Lalle Larsson is a still-young Swedish keyboardist who came up in the technical fusion world and is probably best known at this point as the keyboardist of progrock's Karmakanic. He's a monster player who tempers his killer chops with killer ideas and...

"...powerful, emotional music that succeeds in establishing their own distinct creative niche. Highly recommended." - All Music Guide

Larval is a avant/post-rock instrumental band consisting of an ever changing lineup of some of the best.

Teddy Lasry is best known as being one of the reed men in the first edition of Magma, appearing on Mekanik, 1001 and Kobaia.
But after leaving Magma circa 1973, he made a bunch of library music albums (which I have never heard), as well as two very excellent, more keyboard / electronic-styled progressive albums for RCA in 1976 and 1979, of which this is the first.
At one point, I tried to license the two RCA albums for Cuneiform, so you know that I think highly of them; this is its first-ever...