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"The first ever reissue of Mouvements, originally released in 1973. An impossible to find artifact from the Swiss underground avant-garde scene of Geneva, originally released as a private boxset limited to 150 copies in 1973, only sold at art galleries. A unique, instrumental mix of free-jazz, classical, psych-rock, folk, improv, kraut, funk, and musique-concrete with tape effects. In the late 60s, musician/guitar player Christian Oestreicher, "a savage in the era of twist and free jazz", met artist and...

High-energy, electric fusion that is a must own period piece of jazz/rock by a hot, all-star band:
Philip Catherine-guitars
Stu Goldberg-keyboards
Joachim Kühn-keyboards
Bob Malik-tenor sax
Alphonse Mouzon-drums
Miroslav Vitous-bass

"High-Quality Analog Remastering. Liner notes, remastering information and a picture of the master tape box inside." 2017 version.

"This is an obscure Alphonse Mouzon recording, which, along with Mind Transplant, accounts for Mouzo

Felipe Zenicola electric bass
Yedo Gibson saxophones
João Valinho drums

"MOVE has an urgency for movement. Where change is not only inevitable, it is burningly wished for. Willed into existence. From a sense of interconnectivity sprouts a direct, decisive and ready-made improvisation. Relentless as the rainforest, fertile as alluvium, blossoming ideas from doubt.
MOVE is the concept and music of bassist Felipe Zenícola (Chinese Cookie Poets, New Brazilian Funk), saxophonist Yedo...

This album by this Swedish band from Göteborg is dedicated to the first Swedish man ever in Space (Christer Fuglesang). The CD features 12 musicians from several local bands contributing. You can still hear some a lot of the bands garage rock influence...

Moving Parts were one of the great Boston ‘what ifs’ of the late 70s.

“In the late '70s, the Moving Parts created intensely challenging, offbeat music that few Bostonians heard. Members Roger Miller, Clint Conley and Erik Lindgren later became the core of both MISSION OF BURMA (Roger & Clint) and BIRDSONGS OF THE MESOZOIC (Roger & Erik).
This 15-track CD retrospective contains unreleased material all digitally remixed. Mandatory for anyone into early Pere Ubu, Wire or Devo.”

Three works in the computer/electro-acoustic/ambient music genres. Mowitz has studied at IRCAM, & many major U.S. & European schools. [New Albion]

"From one of the original members of the influential band Young Marble Giants comes this six song album, a lovely collection evoking quiet, solitude, and the stillness before dawn."-Linda M Smith

"Since moving to Raleigh/Durham in 2006, Pelz-Sherman has assembled some of the area's most talented jazz musicians to produce his first solo effort, Goes Without Saying. The CD includes 6 original compositions, performed by Pelz-Sherman on keyboards...


First ever reissue of this very obscure Dutch band's first album from 1970. I certainly never heard of them before, and considering how well done this is for so early, I am rather surprised it is this obscure. After this band fell apart, their leader...

Four pieces of electronic madness by one of the certifiable outsiders of the New York downtown scene, who is now residing in San Francisco. A multi-instrumentalist and visionary composer in the world of intuitive and counter-intuitive music known for y...

Excellent sounding reissue of these very early 70's folk rarities originally on Transatlantic; at one time, when I was trying to snag more UK Transatlantic rarities, I remember searching for anything by Mr. Fox in vain. This has both of their two albums(Mr. Fox and The Gypsy) both complete and in full, and is sure to please folk/folk rock fans. The eclectic instrumentation is notable, as the album veerrs from fairly straight folk to quite wild electric-freak-folk with fuzz cello & organ! Also notable is...

Excellent sounding reissue of these very early 70's folk rarities originally released on Transatlantic; at one time, when I was trying to snag more UK Transatlantic rarities, I remember searching for anything by Mr. Fox in vain. This has both of their two albums both complete and in full, and is sure to please folk/folk rock fans.
The eclectic instrumentation is notable, as the album veers from fairly straight folk to quite wild electric-freak-folk with fuzz cello & organ, especially on their second!

Long unavailable, this is the 1990 second and final studio album, which really hit a lot of folks' happy buttons in the progressive rock deprived late 80s!. Very pleasing Renaissance/Camel/Caravan/Canterbury influenced progressive.
Now it's available again at a reasonable price, especially for a Japanese release, as a special blu-spec CD release!

"Mr. Sirius...is quite wonderful and unique. With styles covering classical, jazz, Canterbury and even a tad of Emersonian synth you can see why...

"Hailing from Germany, the curiously titled Mrs. Kite have won the “German rock & pop award” for “best progressive band” three times. This might explain why their new album “Flickering Lights” sounds as exciting as it does. With strong instrumentation and all band members being able to offer backing vocals in addition to lead singer Florian Schuch (singing in English), this quartet offers a cohesive presence that can cover moody atmospheres or hard-hitting attacks with ease. The listener will undoubtedly...


Released on Proper, a great UK label who do an amazing job in terms of packaging, presentation and especially in terms of sonics. This is important, basic repertoire material. A great place to hear some of his best stuff and at a amazing price...

Two pretty hot performances from two stages of Muddy’s career. The previously unreleased Boston show is good quality if a bit ‘oversaturated, sounding like a radio broadcast or soundboard, while the Newport show was his first live album and has him with truly a classic lineup of his band.

“Muddy Waters shows all new comers how to play the blues live in Boston back in 1976. Smoking hot renditions of all his best songs: Caledonia, Hoochie Coochie Man, Mannish Boy.
Muddy's back up band is...

Complex instrumentals from an exciting new band from Tokyo blending rock, jazz and flamenco. Combining the precision of This Heat and the improvisational edge of Massacre, these three young musicians have fashioned a clean new sound out of the classic ...

“This album is a continuation of Hans-Joachim Roedelius (Cluster, Harmonia) and Christoph H. Muellers collaborative efforts. The pair released their debut album IMAGORI on Groenland Records in 2015. It didnt have such a driving sound, which goes to show how Roedelius, who is now 83 years old, is picking up the pace as he ages. In Christoph M. Mueller, who gained fame through groups like Gotan Project, he has found the perfect partner, one whose musicality is in no way inferior to Roedelius and who...

Since their demise in 1981, The Muffins have been generally acknowledged as one of the finest (and one of the most unsung) U.S. proponents of progressive/new music. Along with Grits, The Muffins were *the* formative band in my personal musical developm...

“Two words – simply amazing! This new recording from classic progressive rock and fusion masters The Muffins after a twenty year hiatus is a breathtaking example of just how much fire is left in the genre. [They] combine melodic jazz sensibilities with complex song structures and the searing nature of classic fusion, for a ride that was worth the wait. The Muffins have returned with a vengence.” – Sea Of Tranquility

It is an all-too-rare occurrence for a band, throughout its career, to...

Recorded in January, 2004 with Sun Ra Arkestra members Marshall Allen and Knoel Scott (alto sax), these pieces began their life as spontaneous improvisations and were gradually molded into their current form here by overdubbing and editing. Obviously a very different record from most of their releases, it might be comparable to a jazzier version of side two of Unrest by Henry Cow, in that they used a similar working method of recording improvisations and then sculpting them in the studio afterwards.

Hey, I don't know about you, but a new album by The Muffins is always a great thing as far as I am concerned. They band has obviously had a distinctive sound since the mid/late 70s and that sound is still here, but they've also always been highly...

Third and generally considered the best album by this 1980's Japanese symphonic rock band that features keyboardist Katsuhiko Hayashi and vocalist Takashi Nakamura, +, on this album, violinist Takashi Kawaguchi (Outer Limits), acoustic guitarist/flutist..

Tony Levin - drums
Keith Tippett - piano [woodblocks, pebble]
Paul Dunmall - tenor and soprano saxes, Eb clarinet, bagpipes
Paul Rogers - double bass

This is one of their most overtly 'jazz' releases, and it swings like mad!

"Mujician's music works because the group's four very forceful musical personalities don't get in each other's way. For all their differences, their strengths seem complimentary - Keith Tippett's massive, lumpish piano chords; Paul Dunmall's brutal...

"The second album from Mujician was recorded live earlier this year. In the interim, free jazz has developed a tradition and language which Poem About The Hero unashamedly refers to. It may not be that radical anymore, but Tippett's ensemble can still...

Out of print for several years and not coming back. Last chance/very few!

Since Mujician formed in England in 1988 as an improvising collective, the band has released 5 CDs on Cuneiform, who, in the words of The Wire, perform "...measured &...

"Working within the instrumental parameters of the standard post-bop combo - piano, bass, drums and saxophones - the band situates itself in a space midway between what could be called Brit-Improv and American energy music...their sound is, if anything...

Kjetil André Mulelid - piano
Bjørn Marius Hegge - double bass
Andreas Skår Winther - drums
"Following in the footsteps of In The Country and Espen Eriksen Trio, Kjetil Mulelid Trio is the third piano trio to appear on Rune Grammofon. Although they can be placed in the same musical landscape, it's also fair to say there are certain obvious differences. There's a solid dose of youthful playfulness and curiosity at work here, at the same time they show an assured maturity that belies their age..

“Eight new beguiling Kjetil Mulelid compositions expertly balancing energetic, often rhythmically complex and harmonically rich music with beautiful and evocative melodies. It's not all about Mulelid though, bassist Bjørn Marius Hegge (31) and drummer Andreas Skår Winther (28) effortlessly conjure additional layers, tones, and textures, incorporating a sense of calm; an unhurried yet constantly unfolding sound world which can be said to be distinctively Scandinavian, most typically heard in Hegge's sole...


“Gerry Mulligan was and is – because of his immortal recordings - a one-of-a-kind musician. Just try to hold a baritone saxophone, not even try to blow a tune in one, and you'll appreciate the effort that supposes playing one for an even short period of time. In this live recording you can hear the baritone saxophone the way this extraordinary virtuoso consistently made it sound: from sultry mellow to top-of-its-register staccatos; and always swinging!
Surrounded by master musicians like Clark Terry..


This is by guitarist/composer Conor Mulroy. Also appearing are drummer/percussionist Ches Smith (Mary Halvorson, John Zorn, Secret Chiefs 3, Tim Berne, etc. etc) and bassist Jordan Alegant. It's interesting to see a jazz and 'out rock' player like Ches...

“Multi Story formed in the early 1980's. Following a session recorded for Tommy Vance's Radio One Rock Show in 1984, the band signed with Heavy Metal Records (the new FM label), and released their debut album "East West", recorded in Monmouth's famous Rockfield Studios, in 1985. The band supported Magnum on their "On A Storyteller's Night" tour of 20 dates throughout the UK, leading to headline gigs at the Marquee Club, and TV appearances. The band’s second album “Through Your Eyes" was released in 1987...

The ultimate document by one of the most important electronic music composers in new music. A lifetime in the making, these meticulously crafted masterpieces indude the legendary Mesa performed by avant garde virtuoso David Tudor on electric bandoneon ...

"Mumpbeak is a new instrumental progressive rock project featuring Roy Powell on keyboards, Pat Mastelotto on drums with Bill Laswell, Shanir Ezra Blumenkranz, Tony Levin and Lorenzo Feliciati on bass. Mumpbeak was produced and mixed by Bill Laswell.
English-born but Norwegian resident pianist/keyboard player/organist Roy Powell creates astonishing near-symphonic progressive rock-fuelled compositions in MUMPBEAK.
Using a heavily modified set of pedals and a Hohner Clavinet, he successfully

"On their follow up to their formidable self-titled debut on RareNoise Records in 2013, Mumpbeak again conjures up memories of vintage King Crimson, Emerson, Lake & Palmer, Gentle Giant and other prog-rock pioneers on Tooth. Led by the innovative keyboardist-composer and Oslo-based UK expatriate Roy Powell, whose other RareNoise output includes releases by Interstatic and Naked Truth, and featuring bassist and longtime collaborator Lorenzo Feliciati (Powell's band mate in Naked Truth who has also....

Featuring three beautiful young women singing creative new Latino music, Muna Zul is an exciting a cappella vocal trio from Mexico City. Seamlessly interweaving Mexican folk themes with pop, rock and world beat, their music is charming and infectious. ...

"From Terlizzi, in the Bari district (South Italy), MUNICIPALE BALCANICA comes back on the music scene with its infectious enthusiasm, releasing a brand new album: Road To Damascus.

The group from Puglia, follows the path of their first effort

“Minimum Resistance is Jonas Munk's most abstract and minimalist album to date, ten ambient pieces based on guitars -- often processed into soft, slow billows of sound. There's a rare aesthetic clarity in these pieces, allowing each sonic component to breathe and resonate. Here Munk works with a restrained sonic palette and it's an album which demands patience from the listener. Yet, in its bold simplicity, it carries enough emotional weight to be deeply rewarding. It's an immersive album, an invitation...

“Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music -- both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation. Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic...

Thanks to Henry Kaiser for turning me onto guitarist Tisziji, who he called sort of a Coltrane guitarist, & that is the best five word summation that could be made of Tiszijis work. You could file him in with guitarists like Sonny Sharrock, Sonny Green...

Thanks to Henry Kaiser for turning me onto guitarist Tisziji, who he called sort of a Coltrane guitarist, & that is the best five word summation that could be made of Tiszijis work. You could file him in with guitarists like Sonny Sharrock, Sonny Green...

"What would it sound like if Nick Cave started writing songs with Genesis after watching too many episodes of Dr Who?
How many songs about replacing your body parts with mechanical alternatives is too many?
Does the world need a steampunk/scifi inspired prog rock act?
Tom Slatter set out to answer none of these questions, but accidentally did."

"Nearly ten years in the making, this instrumental album from Tom Slatter consists of eight pieces of music originally written for very...


When a 'one and done' band like Murple reappear, the first question that anyone asks (and should be asked) is "Do they still got it?"

Based on this very good effort, the answer is definitely 'yes'"!

I'm not sure if I was played this....

David Murray: Tenor Saxophone
Brad Jones: Bass
Hamid Drake: Drums

“David Murray is a giant of modern jazz. His saxophone fuses all the great things that black music has produced: Gospel sounds, free jazz, Afro-Caribbean, blues and soul as well as the beautiful standards of classic jazz. Murray's colorful tone, unsurpassed intonation, flair for swing, melancholy tones, and improvisational power and ingenuity make him one of the most important voices in music today. The newly formed Brave..

Cellist Murray & bassist Hopkins 1st worked together in Henry Threadgill's Sextett. With the Sextett's demise, they've struck out on their own with this unique duo concept. Great playing here from both. [Victo]