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Oft-bootlegged, very high quality soundboard recording of the trio version of Soft Machine from 3/29/69 (Hopper, Ratledge, Wyatt) recorded in Holland.
Recorded just after the band had finished recording "Volume Two", this is an exciting document of that band performing that material, but really pushing the needles into the red as they do so (the band was famously LOUD at that point in their life) as they rip and ROAR through the material in a way hugely different from the very polite "Volume II"....

"Soft Machine were the grooviest, coolest psychedelic band of the era..."-Phil Manzanera.

The Soft Machine were one of England's original and best psychedelic bands, emerging out of the same "UFO Club" London scene at the same time as Pink Floyd. While the band would always undergo constant personnel and stylistic change, their best known lineup in their psychedelic days was the trio of Kevin Ayers-bass, guitar, vocals, Mike Ratledge-organ and Robert Wyatt-drums, vocals. They played many shows...

Released for the very first time here is the Soft Machine's television broadcast, recorded for Germany's famous "NDR Jazz Workshop" on May 17, 1973. This performance was one of the earliest shows by the quartet of Roy Babbington (electric bass), Karl...

Elton Dean - alto sax, saxello
Lyn Dobson -- soprano sax, flute, vocals
Hugh Hopper -- bass
Mike Ratledge -- electric piano, organ
Robert Wyatt -- drums, vocals

Noisette was recorded January 4th, 1970, by the short-lived quintet formation of the group, this was this line-up's first gig and this is the concert and same recording that gave us Facelift on Third!
Noisette showcases a band in...

Ever wanted to take the Soft Machine plunge all at once for really cheap? Here is your chance. This has all of their classic CBS-era albums (Third, Fourth, 5, Six, Seven) in little slipcased box set. Very basic information (but there is a link to a website with full album credits), but here's what you need to know; this is the newly remastered versions from only a couple of years ago (meaning you get the best sound that these have ever appeared in and you even get the bonus track on '5'). If you want to...

JOHN ETHERIDGE - guitars
THEO TRAVIS - tenor and soprano saxophones, flutes, Fender Rhodes piano, electronics FREDDY BAKER - fretless bass guitar
JOHN MARSHALL - drums
special guest
ROY BABBINGTON - bass guitar (tunes 2 and 9)

The lastest Soft Machine album is, again, a shockingly good jazz/rock album. Shocking that is if you haven’t been paying attention to them in the last four or five years or haven’t had the chance to see them knock it out of the ballpark live, night after

By this time (1973), the band were pretty much a straight-forward fusion ensemble with many of their biggest quirks and oddities excised. And all the quirky old personnel too, with only Mike Ratledge remaining (for the time being at least). Hugh Hoppper left and is replaced by the great (but not as quirky) bassist Roy Babbington along with Karl Jenkins and John Marshall. The band is now 75% comprised of ex-Nucleus players, and while they don't sound like Nucleus at all, they also don't really sound so...

These are the famous (& rather famously disowned by all participants) Giorgio Gomelski deomos from April, 1967, which represent the only recordings by the original quartet formation of the band other than their single: Daevid Allen-guitar, Kevin Ayers-bass/vocals, Mike Ratledge-piano/organ and Robert Wyatt-drums/vocals.
While it is fair enough to say that these recordings are (a) historic, (b) are a must for big fans, (c) allow you to hear some of their later-to-be classic works in their ebryonic...

Licensed from SONY, this is a legit version that is sonically the exact same thing as the latest SONY issue, now out of print.
This was the last release that included bassist/composer Hugh Hopper, & the first that includes Karl Jenkins who replaced Elton Dean. Still on board are Mike Ratledge and John Marshall. Karl Jenkins (along with John Marshall) came in from Nucleus and the band begins to have a bit more of Nucelus' sound.
Originally released as a two lp set, the first lp was a live disc...

Unavailable for a decade, one of the hard to find minor classics of British jazz-rock makes a very welcome return on this new, remastered edition. This is the album after Bundles (and after Allan Holdsworth, and for that reason, it probably doesn't...

A archival classic of stoned, cut-up, tape loop, manipulated, concrete noise, organized sound craziness

"...well worth hearing, anticipating as they do many of the textures later utilized on Soft Machine Third." – Mojo...

Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe's best known 'fusion' bands, their work continues to be name-checked by today's hip experimentalists.

By mid 1973, Soft Machine had gone through a tremendous amount of personnel turnover and a...

Roy Babbington : Electric 6-string bass
Karl Jenkins : Soprano sax, baritone sax, oboe, electric piano

John Marshall : Drums

Mike Ratledge : Electric piano, organ

From their beginnings as a psychedelic rock band in 1966, sharing stages with Pink Floyd and the Jimi Hendrix Experience, to being one of the originators of electric jazz/rock by early 1969, Britain’s Soft Machine were restlessly creative. The Dutch Lesson captures them..

This is the 1st album that cememted the band's underground reputation in 1968. The Soft Machine, their debut, was recorded by the trio of Mike Ratledge-Hammond organ maximus, Kevin Ayers-bass and vocals and Robert Wyatt-drums and vocals.
Recorded at the end of their first US tour supporting the Jimi Hendrix Experience in spring, 1968, it's a psychedelic classic with some nice avant-garde touches.
Remastered and maybe it sounds a little better or maybe it doesn't, but it's basically their live set...

OK, here it is. The landmark. The album. The first album by the 'classic quartet' lineup of the Softs (Elton Dean, Hugh Hopper, Mike Ratledge, Robert Wyatt). Four musicians, four side-long tracks (man, that must have seemed incredibly heavy in 1970 when this was released!).
Soft Machine were so sophisticated so early that I think that that may have actually harmed their chance for popularity in the long run. This received a lot of attention and good press upon its release, even here in the USA (I...

Elton Dean - alto sax, saxello, electric piano
Mike Ratledge - electric piano, organ
Hugh Hopper - bass
Robert Wyatt - drums, vocals

This was our second Soft Machine archival release and over 20 years later, it remains one of the great documents of the 'classic quartet' line-up and it is now available again after many years!

"...an innovative union of jazz and rock." – Downbeat...

The second studio album by Soft Machine Legacy, and the first studio recordings by the current line up of the band: Roy Babbington-bass, John Etheridge-electric guitar, John Marshall-drums, Theo Travis-tenor sax, flute, Fender Rhodes...

John Etheridge-electric guitar, Hugh Hopper-bass guitar, loops, John Marshall-drums, percussion, Theo Travis tenor & soprano sax, flute, loops...

SOL (Screams of Life, apparently) are a Brazilian band from the south of Brazil, consisting of Gue Martini - vocals, bass, guitar, acoustic guitar. Roger Canal - vocals, guitar, bass, acoustic guitar, escaleta, keyboards. Tetsuo Kakuta - percussion...

Claudia Solal: vocal
Benoît Delbecq: piano

“Like any modern artists aware of their predecessors Solal and Delbecq are provocative echoes of the past. Rather than comparing their work to that of masterly duos it might be more interesting to see them as a link in a chain of imaginary encounters. Think Abbey Lincoln and Myra Melford, or Sidsel Endresen and Mal Waldron, or Laurie Anderson and Anthony Davis. All the aforementioned were driven by no-compromise creativity and sense of purpose. Solal.

"As soon as Martial Solal sat down at the piano in the Theater Gütersloh for soundcheck, all the months of preparation and practice for this solo-concert, and the strain of the travel here from his home in Chatou near Paris seemed to disappear. "At home I don’t even make music, I just practice scales and things", he said, after explaining why he looks forward to play on a great grand piano on stage. "I have two pianos at home: I practiced for years on an old upright piano with a light keyboard touch...

The Martian Chronicles, released by the Hungarian group Solaris in 1984, is the most acclaimed progressive rock release ever from Hungary.

It is a heavily symphonic instrumental record featuring flute, keyboards, guitar, bass & drums. This album was always the perfect work for folks who really love "The Snow Goose" by Camel and want more, similar things.

ANYWAY, on the 30th anniversary of this album, the band recorded a new, live version on October 26, 2014 at the Palace of Arts...

"Hungarian prog band Solaris are back with their 5th studio album. What we have here is transcendant musicianship with all instruments working very well with eachother and having their time to shine. Their music is still filled with the beautiful melodies and occasional latin vocals (maybe a bit more this time around). The composition is top notch and the music flows so very well, you won't ever be bored listening to this album. Its mind boggling that 35 years after their debut this band is still able to...

Dave Soldier, American composer, string quartet leader and arranger presents covers of blues songs. Performed by the Soldier String Quartet with singers, bass, drums, piano and saxophone. Famous and unknown songs by artists such as Muddy Waters, Blind ...

Toti is a Spanish guitarist who was fronting the experimental early 70s group OM (band which actually accompanied Pau Riba on his legendary Dioptria album). After OM, he released some solo albums moving from jazz-rock to Spanish flamenco guitar. This o...

Toti is a Spanish guitarist who was fronting the experimental early 70s group OM (band which actually accompanied Pau Riba on his legendary Dioptria album). After OM, he released some solo albums moving from jazz-rock to Spanish flamenco guitar. This o...

Special while they last! This is $6.00 off the usual price! Toti is a Spanish guitarist who was fronting the experimental early 70’s group OM (band which actually accompanied Pau Riba on his legendary Dioptria album). After OM, he released some solo...

Two albums on one CD. Toti Soler is a guitarist who may be best known for his work on the great Jordi Sabates album Ocells Del Mes Enlla. Liebeslied is quiet folky songs, but El Gat Blanc is instrumental, Flamenco-progressive stuff, with bass, drums an...

Toti is a Spanish guitarist who was fronting the experimental early 70s group OM (band which actually accompanied Pau Riba on his legendary Dioptria album). After OM, he released some solo albums moving from jazz-rock to Spanish flamenco guitar. This o...


Torgim Sollidd-trumpet, flugelhorn, drums
Jan Garbarek-tenor & soprano sax
Bjørn Alterhaug-bass, vocals
Ole Jacob Hansen-drums
Knut Riisnaes-flute, tenor sax
Erling Aksdal-piano
Alf Kjellman-tenor sax
Lars Martin Thommassen-trumpet, flugelhorn

I had never previously heard of Torgrim Sollid or this album, but it’s actually a real winner.
This is the first reissue of any sort, of a 1975 album of jazz and folk-influenced jazz. In a lot of ways, this reminds me

Giovanni Sollima-violincello and voice, Alessandro Gandola-soprano saxophone.

"From the creative impulse of Giovanni Sollima and Alessandro Gandola comes Astrolabioanima, a completely new musical project, an original combination in which...

Good album of purely improvised rock music that feattures the amaaaaazing guitarist Nels Cline, along with Woody Aplanap & Ken Rosser (guitar), Richard Derrick (bass) and Bob Lee (drums). It was recorded at two different gigs; one in 1997 and one in 20...

"Back in late 2020, Solstice joyously re-emerged onto the music scene with their most uplifting album, Sia, just at the time the World needed a tonic from the ravages and lockdowns of Covid-19. When I reviewed that album, there were huge difficulties for bands to take their music beyond the shores of the UK due to Brexit; I’m not sure that much – if anything – has changed there, but some bands have thankfully found a way, including Solstice. So 2020 was a great year generally for music production from....

“Som Imaginário are the stuff of MPB mythos. Integral to Brazil's Clube Da Esquina movement in the early 1970s, a heady blend of progressive rock, folk, psychedelia, jazz, and traditional Brazilian rhythm flows through the three studio albums the band recorded between '70 and '73. Flying the countercultural freak-flag amid the context of military dictatorship, the Brazilian prog lords shared much of the sense of experimentation and bountiful fuzz bequeathed by their tropicalismo forbearers. But armed...

An exciting meeting of two eclectic Jewish masters. Ronny Someck, a poet born in Iraq, now living in Israel and composer Elliott Sharp born in Cleveland, now living in NYC. Revenge... is a collaboration of sounds -- sounds as word and sounds as music, ...

Günter Baby Sommer Drums, Percussion, Voice

"Günter 'Baby' Sommer is at the height of his musical career. After 'Song for Kommeno' (Intakt CD 190) Sommer, one of the architects of European jazz drumming, now presents his Solo masterpiece...

Günter Sommer: Drums, Gongs, Bandoneon, Darabuka, Mundharmonika

"I hate drum solos. So I'm pleased to report that German improvisational percussionist Sommer's lastest solo album sounds like many things, but never a drum solo. He often plays...

Günter Baby Sommer drums and percussion
Raymond MacDonald alto and soprano saxophones

“Gunter Baby Sommer, born in Dresden, is one of the pioneers of European Free Jazz.
In a prolific career spanning over 50 years he has developed a unique approach to percussion and a captivating highly personalized style that has taken him around the world, collaborating widely and delighting audiences with charm and virtuosity. He has also developed and made his own exceptional instruments and has an

Günter Baby Sommer: Drums, Percussion
Till Brönner: Trumpet, Flügelhorn, Electronics

"Baby Sommer is at the height of his musical career. After 'Song for Kommeno', his Solo masterpiece 'Dedications' and the duo with American trumpet player Wadada Leo Smith 'Wisdom In Time', he presents at his 75th birthday a duo recording with German trumpet player Till Brönner. The listeners will notice quite quickly how relaxed Till Brönner and Baby Sommer correspond, the chosen musical material included...

Antonio Lucaciu: Saxophone
Simon Lucaciu: Piano
Robert Lucaciu: Bass
Günter Baby Sommer: Drums

“Günter Baby Sommer is at the height of his musical career. The Dresden jazz innovator, who together with the pioneering generation of jazz has unbounded drumming and developed his own sound, presents a refreshing album with a cross-generational quartet with the Lucaciu brothers. “The other three members of the quartet are two generations younger. Günter Baby Sommer’s music and presence...

“We are called Gunter Baby Sommer’s Quarteto Trionfale,” the 73-year-old drummer said right before this concert to make sure the band would be announced correctly. “You know, like Art Blakey’s Jazz Messenger’s.” The fact that Sommer feels a deep connection to the African-American roots of Jazz also resonates in his nickname, which can be traced back to Louis Armstrong’s drummer “Baby” Dodds. It is no contradiction, that this “Baby” belongs to the generation of East German musicians, who, some forty years...

Savina Yannatou: Voice / Floros Floridis: Soprano Sax, Clarinet, Bassclarinet / Evgenios Voulgaris: Yayli Tanbur, Oud / Spilios Kastanis: Bass / Günter Baby Sommer: Drums, Percussion.

"A homage to the Greek village of Kommeno where, in 1943

"This release in the Heroes of the Blues series is the only true cross-licensed best-of package for Son House A complete career retrospective, covering all periods of his career and various record labels • Transcribed directly from Paramount 78's and completely restored and re-mastered. Original cover art by R. Crumb.
Son House's place, not only in the history of Delta blues, but in the overall history of the music, is a very high one indeed. He was a major innovator of the Delta style, along with..

"The Original Delta Blues is a really fine distillation of the label's..highlights ...of blues legend Eddie "Son" House's 60s recordings.

These 55 minutes of music feature Son House and his National steel guitar, which he played with a slide, and Columbia have managed to include all of House's essential 60s songs.

The powerful a capella spiritual "John The Revelator" is here, as is the slashing slide guitar workout "Pearline", the sarcastic "Preachin' Blues", the bitterness of...

"Sonar has defied the norm by crafting something singular and magical." – The Buffalo News

"Two guitar currents circulate and sparkle hypnotically, warm deep basslines hit with assertiveness and groove, drums pound with finesse and might. Luminous, alluring, dangerous....Sonar is a highly creative and original nocturnal entity constantly evolving in order to provide immersive and challenging instrumental music that stimulates the mind, body and soul."– Igloo Magazine

David Torn electric guitar, live looping
Stephan Thelen tritone guitar
Bernhard Wagner tritone guitar
Christian Kuntner tritone bass
Manuel Pasquinelli drums, percussion

“...a hypnotic groove fest, twenty-second century cyborg dance music for those enhanced organisms manning that space station.” – All About Jazz

“The music created by SONAR harnesses elements of rock, jazz and contemporary classical minimalism and fuses them to create a distinctive musical language.

Stephan Thelen: guitar, programming
Bernhard Wagner: guitar, live looping
Christian Kuntner: bass
Manuel Pasquinelli: drums
David Torn: guitar, live looping
J. Peter Schwalm: electronics

“Since 2012, the four members of the Swiss quartet SONAR have made an international name for themselves by creating a unique style of avant-progressive, post-minimal rock music. For their new album Three Movements, they have again teamed up with Torn and additionally - for the first t

"Alan Sondheim was the young, exuberant leader of a pack of improvisers in their communal loft in Providence, Rhode Island. Undaunted by attempts to categorize electronic music as the province of academic tinkerers, a cold, unfriendly realm, with its...

"Sondheim is the first artist from ESP-Disk's 1964-75 heyday to return, since it was revived in 2005, to issue an album of new material on the fabled label. Sondheim joined the roster with a 1967 session, Ritual-All-7-70, then followed up with 1968's...