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"A Dance That Empties is Travis Laplante's latest album-length composition, written for Subtle Degrees, a new two-musician ensemble consisting of Laplante (tenor saxophone) and Gerald Cleaver (drums). The duo's uncategorizable sound evokes everything from contemporary classical music, avant garde jazz, minimalism, technical metal, and sacred world music. Laplante is also the founder/composer of saxophone quartet Battle Trance and the ensemble Little Women.

A Dance That Empties is an...

“Out of the savage suburbs of Oslo comes the brainchild of Trond Gjellum – drummer & main man from the legendary Norwegian prog rock band Panzerpappa. Suburban Savages are back with their third album, Demagogue Days, and continue to distinguish themselves as a playful ensemble with a willingness to expand the boundaries of pop and rock. The result is unique: The catchy simplicity of pop music mixed with the mind-blowing complexity of progressive rock. With a direct and to-the-point delivery of power...

"This superb blend of psychedelia, rural rock and acid-tinged folk was recorded in New York in 1969. The band had come together in Ohio earlier in the decade, rising from the ashes of bands named the Infinite Doorknob and Headstone Circus. Sugar Creek...

Ray Suhy - guitar
Lewis Porter - acoustic piano & Fender Rhodes
Brad Jones - bass
Rudy Royston - drums

Really tasty jazz/electric jazz album from a fabulous guitarist known for his work in death metal but who has deeply studied jazz. Maybe a bit reminiscent of Bill Connor’s trio solo albums, but with a cleaner tone and strong keyboards.

"There is music that seemingly possesses mystical qualities, transcending the temporal; qualities that musicians seek in order to reac

"Suishou No Fune [soo-ee-sho no foo-nay] was formed in 1999 by guitarists Pirako Kurenai and Kageo. They were quickly acknowledged in Japan for their unique take on Japanese psychedelic traditions but it wasn't until their inclusion on PSF's Tokyo...

Good, interesting, musical and unique. I really enjoyed this one; I hear a lot of things mixed up together, but what comes out is very much theirs. Highly recommended.

"Brooklyn based Lily Maase is a guitarist and composer of powerful originality..

"Time has come - once more: Sula Bassana walks on electronic trails again and produces an album in the attitude of electronic krautrock! After the trance-like album «Kosmonauts» (2010), a further album, based mostly on electronic instuments. This time, the sound is obvious more characterized by all the vintage instruments, which Sula accumulated in his Amoebenklangraum over the decades... „Shipwrecked" offers long and shorts, rhythmically intense but also sheer relaxed, restful tracks. Altogether, a...


"UK's sax giant teams up with US heavyweights Copland, Grenadier and Stewart - stunning. Stan Sulzmann's music was described in the Guardian as 'ravishing, delicious, powerful, direct,...meticulously written' and he was recently described by Marc...

Keiji Haino - guitar, voice, flute, taepyeongso
Aaron Turner – guitar
Nick Yacyshyn – drums
Brian Cook - bass

“Post-metal power force Sumac based around Aaron Turner (Isis, Old Man Gloom) follow up their collaboration with Keiji Haino, American Dollar Bill -- Keep Facing Sideways, You are too Hideous to Look at Face on (2018), with another monolith -- heavy and experimental at the same time.”

"2017 release from the veteran British guitarist. Andy Summers rose to fame in the early 1980's as the guitarist of the multi-million record selling rock band - The Police. Summers' innovative guitar playing created a new paradigm for guitarists in this period and has been widely imitated ever since.
After the band's dramatic exit from the music scene, Summers continued to develop his interest in photography as well touring, recording as a solo artist, composing for films, writing books, and...

"Another acid folk delicatessen from The Village Thing catalog, The Sun Also Rises was recorded by Graham Hemingway (vocals, guitar) and Anne Hemingway (vocals, dulcimer, glockenspiel, vibes, percussion). They were occasionally joined by John Turner...

“Sun Araw describes Rock Sutra as a space rock album, but it has barely anything to do with the musical style of that name -- don't expect to hear anything along the lines of Hawkwind or Spacemen 3. Instead, it's about creating space by honing in on the minute details, doing so through pure observation rather than analyzation or judgment. The album was recorded directly to MIDI by Sun Araw mastermind Cameron Stallones with percussionist Jon Leland and synthesizer player Marc Riordan, and its four....

"Sulatron Records is very proud of releasing one of THEE neo-psych bands from UK: Sun Dial! After doing the CD reissue of "Mind Control", Sulatron Records now release the new studio album of the neo-psych veterans: "Made In The Machine" is kind of a follow up of "Mind Control" - it explores the same themes but delves even deeper into the surrealistic worlds of sci-fi and space rock, including hints of early kraut and dark psych music. But it still retains the classic elements of the well known Sun Dial...

“Nuclear War
Don’t you know
When they push that button
It’s a mother-fucker
Don’t you know
When they push that button
Your ass gotta go.
Oh, what you gonna do, without your ass?”

I had the great pleasure of seeing Ra in 1984 or so at on July 4th at Freedom Plaza in DC (1300 Pennsylvania Avenue) – 3 blocks from the White House. Regan was president and Ra did this song while pointing at the White House. It was beautiful and surreal and that song and others are here

One of the great 70s Ra releases, this is one of the few that came out on Impulse in the early 70s that was not a reissue. I've owned the lp for years and have waited and waited for a CD issue. Here it is!

"One of a handful of albums Sun Ra released on the legendary Impulse! label in the early '70s, Astro Black provides a comprehensive picture of where the Arkestra was around the time, drawing to the end of their ultra-free period and beginning to investigate more traditional jazz forms, and even.

“Celestial Love contains recordings made in September 1982 at New York's Variety Studios, which had hosted countless Sun Ra sessions since the late 1960s. This was one of the last extended sessions at Variety, and these recordings were the last studio works released on Sun Ra's own Saturn label (though the label did continue to press concert recordings, and new studio recordings did appear on other labels). Aside from their inclusion on Celestial Love, tracks from these sessions landed on the albums...

This is a pretty great archival find and release and is exactly the sort of thing I was hoping that Mr. Stollman would find and release as he reactivates ESP and goes through the archives. Hey college students!...

2006 ESP edition; "Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brief liner notes by ESP label founder Bernard Stollman. Recorded at Town Hall NYC, December 22, 1973, this concert was one of the...

Recorded March 10, 1963, Choreographer's Workshop, New York City.

A special 2-CD reissue of the hyper-rare El Saturn LP, recorded in 1963, early in the Arkestra's NY period, paired with a full disc of extra material. Loaded with John Gilmore, one of the greatest & rarest slabs of Sun Ra vinyl, on disc for the first time!"

Recorded live in 1984 at one of Sun Ra's many US concerts, this captures the Arkhestra in full big band mode, blowing up a storm that could probably be heard on Venus. This is a good, solid, representative mid 80's show with very good sonics (by Ra standards) by the Arkestra.

“This is a stunning late period Ra album. Beautiful space-chants and atonal keyboard freakouts plus a mix of Ellingtonian Ra-jazz as only the Arkestra could do it.
Maybe not the album to start with if you are unfamiliar..

Great package, good liner notes, with the usual crazy Sun Ra-related stories (which always seem to revolve around Ra trying to fleece a fan or a label - believe me, I've heard a few myself) and excellent live sound and music.

"Two related classic Saturn LP reissues on a single CD, both recorded at the Detroit Jazz Centre - in 1980 and 1981 respectively. They share an excellent sound quality and great playing - there's a classic version of Rocket No.9 and plenty of otherworldly Moog and...

Really excellent 1972 recording from Ra & company; never before on CD and now with extra material as well! Recommended!

"Arguably the last great original-era Saturn LP to be reissued on CD, Discipline 27-II has long deserved to be more familiar to Sun Ra fans and layfolk alike.
Recorded during the same sessions in 1972 at Chicago's Streeterville Studios that produced Ra's most popular and best-known record, Space Is The Place (1973), it's got much the same vibe, from the 24-minute four-part..

Recorded at The Teatro Cilak, 1/23/1978, Milan Italy - Sun Ra: piano, organ, Moog, Crumar Mainman, vocals, John Gilmore: tenor sax, drums, vocals, Luqman Ali: drums, vocals, Michael Ray: trumpet, vocals, June Tyson: vocals...

"God Is More Than Love Can Ever Be is somewhat of a rarity in the Ra catalog - a cohesive album, with none of the stylistic eclecticism and patchwork personnel characteristically found on Saturn LPs. The album's five tracks were recorded at Variety Studios in one session by a solid jazz trio. Drummer Samarai Celestial (Eric Walker) recalls this being his first recording date with Ra; bassist Hayes Burnett had been with Ra since 1976 and would remain until 1982 or '83. Celestial continued recording and...

It’s a minor thrill to hear Ra on a Rhodes for an entire show, which I don’t believe is documented elsewhere.

“This Sun Ra 1980 solo set at Haverford College has been kicking around the internet and in the digital libraries of Ra collectors for years, though it has not previously been properly mastered or commercially issued. Like many events in Ra's history, this gig has a story that goes beyond the music. Ra's presence onstage that night came about through an unforeseen chain of events that...

"In 1971, in Denmark, at the end of a tour, Sun Ra suddenly decided to take his whole band to Egypt. They had no concerts and no contacts there, but Ra sold some recording rights to Black Lion to pay for the tickets and they flew out. They were stopped...

“The definitive edition of Sun Ra’s classic ‘Lanquidity’ album from 1978, featuring the widely distributed version of the album alongside alternative mixes by Bob Blank originally released in limited quantities for a 1978 Arkestra gig at Georgia Tech.
Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As...

This double set, recorded at the Montreux fest in 1976, has him at a mid period peak, working in standards into the usual mix of cosmicness! I believe this is the first time this has ever been released on CD made from the master tapes.

"Live At Montreux, a two-CD reissue that has one of his most accessible recordings. The 20-piece Arkestra, in addition to trumpets, trombones and saxophones, includes a bassoonist, a bass clarinetist, two drummers, two bassists and Ra on piano, solar organ and moog..

"I have always thought orchestra. I play that way, even when playing the piano."-Sun Ra

“Considering the monumental depth of Sun Ra's recorded oeuvre, there are surprisingly few solo piano albums. Monorails and Satellites Volumes 1 and 2 were the first commercial LPs of the artist's solo keyboard excursions.
Recorded in 1966 and released on his Saturn imprint in 1968, Volume 1 featured seven idiosyncratic originals and one standard ("Easy Street") delivered in Sunny's singular manner....

"In 1971, in Denmark, at the end of a tour, Sun Ra suddenly decided to take his whole band to Egypt. They had no concerts and no contacts there but Ra sold some recording rights to Black Lion to pay for the tickets and they flew out. They were stopped...

"A big band studio recording made a month before Sleeping Beauty and released by Saturn in 1979 consisting of three quite different pieces: On Jupiter, which is a vocalised, relaxed, swing trance piece, UFO - Sun Ra's unashamed approach to disco...

“Featuring what may be his only recordings on the Prophet keyboard, these once lost performances expand the omniverse of Ra across a stellar set of lengthy cuts! All recorded in a single day and finally making their terrestrial debut!
What happens when a Prophet meets a Prophet? The answer lies within these grooves.
Amongst the hundreds of recordings issued by Sun Ra and his Arkestra, under their various guises, the majority were recorded in concert or in makeshift studios such as their earl

“One of the rarer albums in the Sun Ra canon, RTTR originally entered our orbit in 1983, mystifying listeners and confounding Ra fanatics with the minimal info on the Saturn pressing.
Recorded at several locations over several years (including legendary avant-garde arts enclave, the Squat Theater in NYC), the tracks here include everything from Ra’s sci-fi synthesizer insanity, Marshall Allen’s skronking sax, an excellent Arkestra vocal track “They Plan To Leave,” and so much more. Available on CD...

"Originally released by Saturn in 1979, this is a studio recording by a large ensemble (including, unusually, electric guitar and bass). These are the first recordings of the titles included (though they were played live a few months earlier on German radio). Springtime Again is a floating, sonically open composition, with a distant sung ostinato, interestingly mixed. The door of the Cosmos, which features June Tyson, is a relaxed groove-driven piece in which electric piano, guitar and bass function as...

“2 CDs (one previously unissued)
A BluRay Disc of the Entire Film with bonus content
A DVD Disc of the Entire Film with bonus content
A 28 panel booket with photos and liner notes by esteemed Afrofuturism scholars.
All secured in a pizza box style package

A celestial journey is just what Sun Ra and his Arkestra have created with Space is the Place. Sun Ra’s opus is at its simplest, a trip through outer bound melodies! Planetary bodies, eras in time, crystals, space caravans…

Great 1973 release originally on Blue Thumb, and a release that was one of the ones that introduced Ra to a greater public.

“Space Is the Place provides an excellent introduction to Sun Ra's vast and free-form jazz catalog. Typical of many Sun Ra recordings, the program is varied; earthbound songs, like the swing number "Images" and Egyptian exotica piece "Discipline," fit right in with more space-age cuts, like the tumultuous "Sea of Sounds" and the humorous "Rocket Number Nine." Sun Ra fuses....

I have a kazillion or so Sun Ra records, but my very favorite of his stuff is his late 50s recordings from Chicago, before he moved to New York City.
This is three of his amazingly great records from that period, which, if you don't already have them in other versions, are total must-owns.
You get: Super Sonic Jazz (recorded in 1957), Jazz By Sun Ra [aka Sun Song] (recorded in 1956) and Jazz In Silhouette (recorded in 1959).
EVERY ONE of these is a utter classic of far-reaching large...

"Another much sought after and long unavailable title recorded in 1974 with a smallish ensemble consisting (probably) of stalwarts Marshall Allen, John Gilmore, Danny David, James Jacson, Akh Tal Ebah, Clifford Jarvis, Artakatune, and a new electric guitarist, Sly, and released on Saturn in the same year.
This sounds like a studio recording and carefully thought out - most of the compositions appear only on this record (apart from versions of Nature's God and Space is the Place), and include a chain...

"In 1973 Sun Ra and Arkestra established base in Variety Recording Studios in NYC to record an album for the Impulse! jazz label; depending on who you ask, this album was to be either titled Cymbals or Symbols. Half of this set eventually surfaced on the astro black market, but we've gone back to the original reels to bring you Cymbals as it was meant to be heard and paired with a second disc (Symbols) of unheard material from the 1973 sessions. Hear Ra's Baroque soundscapes, electrolytic clusters and...

This is a great, late period 'old style' Sun Ra lp; it's his first NYC recording, as far as can be told, but it sonically has much more in common with his Chicago recordings of the late 50s, which is my very, very favorite period of his work. Highly recommended.

"Sun Ra's only release for the Savoy label is a gem. Recorded in October of 1961, this is probably the first recording the Arkestra made after arriving in New York. As such, you're dealing with a smallish Arkestra (seven main...

"Together for the first time, ESP-Disk' is proud to present all three volumes of The Heliocentric Worlds of Sun Ra in a gorgeous fold out digipack. Originally released as two volumes in 1966, and with a third volume uncovered in 2005, the landmark...

“Two certifiable Sun Ra classics refreshed and renewed and rolled into the perfect two CD package.
First released on the French label BYG/Actuel in 1971, the companion volumes of The Solar-Myth Approach were essential in introducing Ra's monumental program to an international audience. As with many Arkestra records, the information on these gatefold packages was dubious at best. Here they appear with corrected lineups and dates, showing that the music actually stretches back to the early 1960s, but...

“Universe in Blue is a rarity. This collection of undated live club performances was issued in small-run pressings with two different LP covers on Sun Ra's Saturn label around 1972, but has largely escaped further notice.
The performances originated in the early 1970s at the rowdy Lower East Side jazz mecca Slug's Saloon, located at 242 East 3rd Street. Starting in 1966 (or possibly as late as 1968), Sunny and his band performed at Slug's almost every Monday night for several years, and took the...

Wild, raucous show from Ra's early 70s prime (as opposed to his many other primes) features him in full glory in front of a big crowd who obviously are having a great time and 'get it' and are feeding back the energy to the band that the band are giving..

“One of a number of sessions cut at the Choreographers' Workshop, this 1963 set establishes Sun Ra's Arkestra as aNew York band, sonically coupled to developments in the decidedly urbane downtown arts underground. The stargazing clamor of the music reflects the intensity of a cultural crossroads where concrete and dust pervade any skyward view, from East 3rd Street to Mars and beyond. One of Sun Ra's rarest releases, it had negligible circulation through shops.”

“...when Angels Speak of Love ...

“One of a number of sessions cut at the Choreographers' Workshop, this 1963 set establishes Sun Ra's Arkestra as aNew York band, sonically coupled to developments in the decidedly urbane downtown arts underground. The stargazing clamor of the music reflects the intensity of a cultural crossroads where concrete and dust pervade any skyward view, from East 3rd Street to Mars and beyond. One of Sun Ra's rarest releases, it had negligible circulation through shops.”

“...when Angels Speak of Love ...

Together again (semi-posthumously) for the 1st time!

“Officially licensed from Irwin Chusid of the Sun Ra estate, Cold Spring's Justin Mitchell negotiated rare and unreleased tracks from the Sun Ra archive to be remixed and treated by Masami Akita (Merzbow). The tracks incorporate the jazz power of Sun Ra, carried into brutal excess by the legendary Japanese artist Merzbow.”

“Strut present the final instalment in their series of reissues of Sun Ra’s historic recordings in Egypt with The Sun Ra Arkestra meets Salah Ragab in Egypt plus the Cairo Jazz Band, originally released on Greek label Praxis in 1983.

This is one of the rarest Sun Ra titles and also one of the wildest. This marks the 1st time it has been issued on legitimate CD and they used the best sources that they could research out.

"My Brother the Wind is actually more a companion piece to Night of the Purple Moon than its Vol. 2 namesake.
My Brother the Wind, Vol. 2 is split between Ra's solo Moog workouts and full Arkestra proceedings, while My Brother the Wind shares the same lineup as Night of the Purple Moon, with Marshall...