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Founded in 1995, in 2004, this Finnish instrumental art rock quintet released their first album, which was very good and showed promise, but this, their second goes beyond promise and delivers the goods! Their distinctive sound is predicated on the fac...

Andreas Schaerer: voice, electronics
Lucas Niggli: drums, percussion


"Just vocals and drums – that’s the line-up of the dream team of Andreas Schaerer and Lucas Niggli. Outstanding virtuosity and enormous creativity combined with the

"Setting the Yiddish poetry of the revered Civil Rights advocate Rabbi Abraham Joshua Heschel to music, Basya Schechter has created a rich new collection of Yiddish songs. Colorful arrangements featuring many of the downtown Jewish scene’s greatest...

An absolutely stunning instrumental album from Basya Schechter, the beautiful vocalist and guiding force of the popular group Pharaoh's Daughter. Collaborating with Alan Kushan, a virtuoso on the santur, they combine influences from both Jewish and Ara...

One of the available self released titles by electronic artist/multi-instrumentalist Frohmader. [Nekropolis]

"High-flying Norwegian trumpeter and composer Thomas Johansson, much-lauded for his spellbinding work with, among others, Friends & Neighbors and Gard Nilssen’s Supersonic Orchestra, brings together two of his other formidable ensembles – premier third-stream troupe Scheen Jazzorkester and avant-garde party-starters, Cortex – for a scintillating showcase of big-band bravura.
Recorded live in the winter of 2022 at Norway’s old Hamar Teater hall, the five dynamic cuts on Frameworks have their origins...

"Here’s some fantastic music with an agenda, or more exactly, an entire program of action. Since the days of the researches developed by the likes of Globe Unity Orchestra and Chris McGregor’s Brotherhood of Breath the challenge remains the same: how to make a big band improvise without the restraints usually applied when there’s the idea that a large ensemble needs a tight organization? In the mentioned cases the musicians involved were free improvisers wanting to establish some kind of order through...

“When most people think of autobiography, they probably think of printed matter, such as a memoir. But jazz albums can also be a documentary of an artist’s existence. For example, there’s The Tides of Life, the third release from bassist/composer Holger Scheidt (and his first on the Enja label). Scheidt’s six lengthy tracks (which range from six to over nine minutes long) depict six distinct moods which individuals typically experience. These moods, Scheidt states, are “completely subjective,” and he...

I know violinist/composer Jenny's work from her very fine records on Avant and Tzadik. This is her first recording on the Cryptogramophone label and it features an amazing band: Ron Miles-cornet, Doug Wieselman-clarinets, Bill Frisell-guitars, Rachelle...

Jenny Scheinman, a frequent collaborator of guitarist Bill Frisell, is one of the most sought-after violinists on the scene today. Her second CD for Tzadik, created especially for the Oracles series, features her brilliant quartet augmented by the beau...

An impressive new recording by one of the most sought-after new violinists in the downtown scene. Born in California, Jenny moved to New York in 1998. Most recently heard in a variety of contexts with Bill Frisell, Jenny has also graced projects by Myr...

"The first solo album by Jan Schelhaas, whose playing and writing has graced both Caravan and Camel over the years. Noted for his compositions Captured and Hymn to Her for Camel, Schelhaas at last records an album of his own music. Featuring guest appearances from Doug Boyle and Jimmy Hastings, Dark Ships follows in the tradition of the Canterbury sound, albeit with more ambient influences. Jan has delivered a well crafted album which is certain to appeal to fans of Caravan, Camel and followers of the...

“Ghosts Of Eden finds Jan Schelhaas, of Caravan and Camel fame, in a melancholy mood...with lyrics that suggest someone looking back over their life and, at the risk of morbidity, looking to make peace with their past.
Musically, Schelhaas’ keys take the front seat and the overall sound isn’t a far cry from Caravan tracks like Better By Far, just with notably less guitar...
The whole experience is elegiac, with slow unhurried tempos and Schelhaas’ very soft...vocals that typically sit low in the.

“Ghosts Of Eden finds Jan Schelhaas, of Caravan and Camel fame, in a melancholy mood...with lyrics that suggest someone looking back over their life and, at the risk of morbidity, looking to make peace with their past.
Musically, Schelhaas’ keys take the front seat and the overall sound isn’t a far cry from Caravan tracks like Better By Far, just with notably less guitar...
The whole experience is elegiac, with slow unhurried tempos and Schelhaas’ very soft...vocals that typically sit low in the.

Acoustic Guitar – Doug Boyle (tracks: 6)
Alto Saxophone – Jimmy Hastings (tracks: 1)
Backing Vocals – Pye Hastings (tracks: 3)
Clarinet – Jimmy Hastings (tracks: 5)
Flute – Jimmy Hastings (tracks: 2,3)
Keyboards, Vocals, Bass, Drum Programming – Jan Schelhaas
Lead Guitar – Andy Latimer (tracks: 8), Doug Boyle (tracks: 2-8)
Percussion – Mark Walker (tracks: 2,4)
Rhythm Guitar – Pye Hastings (tracks: 8) ...

The target of the new Lowlands label Musique Belgique Archive is to dig up forgotten treasures from the Belgian musical history. The first idea is to re-release the old vinyl from the 70's on CD. At that time, the major labels only released these album...

''Evocative sound-scapes by an imaginative Swiss-born producer/composer who has worked with Caetano Veloso, Nana Vasconcelos, Laurie Anderson and choreographer Amanda Miller, and collaborated with Arto Lindsay as the Ambitious Lovers from 1984-91. Sche...

Another long-lost gem (in a possibly infinite series!) on Atavistic's UMS. Originally waxed in 1974, and released in a microscopic private pressing on the LST label, Inside-Outside Reflections showcases Mr. Scherf on a variety of reeds & piano; Jacek B...

Francois Thollot-bass
Antony Pontet-electric piano, organ, synths
Grégoire Plancher-electric piano, mellotron
Clement Curaudeau-drums

This is the fifth release by Scherzoo, the excellent band helmed by multi-instrumentalist and composer Francois Thollot.
This continues in the same vein as the last one but goes further towards the Canterbury sound; you can still hear the group’s zeuhl roots, but a lot of this reminds me a bit of “Mainstream” by Quiet Sun (minus Manzanera) with a

"The fact that this album appeared at all in 1983 owes less to Günter Schickert and more to Steven and Alan Freeman, who sought him out for their Krautrock encyclopedia The Crack in the Cosmic Egg. On learning that Schickert had heaps of recordings...

“Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as "moth"...

I am personally thrilled to see this return to print; it was available on CD over a decade ago, but has been out of print since then. It is a minor German/Krautrock classic from 1979, which was fairly late in the game. Günter Schickert's first album...


“Schindler is playing a brass instrument (trumpet or trombone) when this disc begins which works well with Mr. Blonk’s unique voice. Blonk returns Schindler's squealing and mawing trumpet lute with impossible tongue beats, farting or hissing tongue and hilarious announcements, including ducklike sounds. To capricious humor he tells jokes without words, he tries to make intelligible with comic sounds and with xenophonic singing. To do this, he computerized dirty tones and chirping Klingklang to continue...

"Swallowing air and farting it out, that's the main life skill of the weatherfish. But what's best about him is his evocative German name: Schlammpeitziger. When German electronic artist Jo Zimmermann launched his solo career in the early 1990s, he chose to be identified with this creature living in the flat muddy waters of the European and Asian plains. Unlike the fish, Schlammpeitziger's early reputation was built on his inventive use of cheap Casio synthesizers and the use of composite nouns to name...

"Monk's Casino is not an encyclopedic project, but an arrangement of the complete works of Thelonious Monk for live performance in one evening. At Monk's Casino, things often happen fast and sometimes get quite turbulent, too. Still, everything is....

Alexander von Schlippenbach: Piano
Evan Parker: Saxophones
Paul Lovens: Drums

"Features – characteristics, qualities, peculiarities. The title of this album was chosen with care. These recordings reveal both the fundamental nature and..

"Alexander von Schlippenbach, Evan Parker and Paul Lovens get on the stage which has been restored true to the original, in order to present us with this cubistic, democratic design in the form of music: collective improvisation. No beginning. No end...

Alexander von Schlippenbach: Piano
Evan Parker: Saxophone
Paul Lovens: Drums
These recordings, from 16 October 2015 in Warsaw, make a great all-round representation of the trio as we are right now. The ‘free’ improvisations also develop material which has crystalised over the years. There was no plan agreed in advance. Nothing was discussed or decided. Everything improvised. The paraphrases of particular jazz themes, like embedded particles, should not be understood as quotations. They are a.

Alexander von Schlippenbach : Piano

"The pianist, two days in the studio, alone at the piano. A retreat in Zurich. Focus is on the now, the recording is running. Preparation time for the new compositions: about a year. Getting attuned to the music: a lifetime. Alexander von Schlippenbach, Slow Pieces For Aki, the emphasis being on the word "slow," not on rediscovering slowness but discovering slowness anew - dedicated to his wife Aki Takase.
With slow pieces, short pieces, compositions in...

Alexander von Schlippenbach: Piano

"Schlippenbach’s ‘Tales’ have a stunning stentorian elegance. He leavens the starkness of the tone rows with chords and time values that create split-second splashes of harmonic color and shifting rhythmic...

Alexander von Schlippenbach: Piano

"The pianist alone in the studio. That is the counterpole to von Schlippenbach's work with the Globe Unity Orchestra; at the same time, it is also an orchestral challenge in the form of the keyboard, hammers...

Alex Von Schlippenbach-piano, Paul Dunmall tenor saxophone, Tony Bianco drums, Paul Rogers 7 string bass. Recorded 21st October 2004 at Steam Rooms, Poplar, London. A set of 2 powerful improvisations by 4 masters of the genre. Alex Von Schlippenbach, o...

Silvan Schmid trumpet
Tapiwa Svosve alto saxophone
Silvan Jeger cello
Lucas Wirz tuba
Vincent Glanzmann drums

"As a trumpet player with many years of experience I am still interested in the music of younger collegues. In the Summer 2016, by pure coincidence I metand heard Silvan Schmid play and I was both impressed and touched by his veryspecial playing. I was pleased to hear a trumpet player who playes “different”.Silvan does not sound “out of a School”. In his early years

Charlie Schmidt was a contemporary of his friend and mentor, the late John Fahey, and his own personal universe collided with the master of the acoustic steel string in a very interesting and bemusing manner. Schmidt befriended Fahey as a young man, af...

“The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital. Abies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form. "We were like children playing with new toys," Daniel recalls of the early days of American Gamelan music. "Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using...

“First CD edition of 300; 24-page booklet holding program notes, scores, and photographs
Cloud Shadows is the third album by the American gamelan composer, Daniel Schmidt. The pieces in Cloud Shadows, which are quite varied and more current than the work represented on his first two albums In My Arms, Many Flowers and Abies Firma mostly came about each in their own way. For example, the cloud shadows on the mountains of central Nevada, unimaginably old, invited Daniel into their realm, resulting in...

This is extracts from Irmin Schmidt's Fantasy Opera Gormenghast and as a long-time Can fan, I gotta say that this did not hit any spots for me at all...

"A phantasmagorical soundworld of electronics, symphony orchestra and pounding beats which..

“On 1987's 'Musk At Dusk' Schmidt tickles us with his own vocal on the jazz infused 'Villa Wunderbar'.
The songs from this album certainly influenced the early 90s ambient sounds that were released by the likes of Ultramarine and Banco De Gaia, such is the influence of Schmidt's tireless sweat and toil.”

"Aptly titled Masters of Confusion is the first recorded fruit of the collaboration between Irmin Schmidt, founder member of the legendary German avant garde rock group Can, and Kumo, the artist name of drum programmer, sound engineer and producer Jono...

"MSM Schmidt with Simon Phillips, Alex Machacek, Jimmy Haslip, Scott Kinsey, Ric Fierabracci, Dean Brown and more.

The composer and keyboardist MSM Schmidt (Germany) wins for his newest recording "destination" internationally renowned jazz...

“London-based producer Ulrich Schnauss and Danish guitarist and producer Jonas Munk have both unfolded their unique visions of electronic music over the past two decades, and they have been collaborating since the mid-2000s. Eight Fragments Of An Illusion is their first album in over four years, their third overall. The latest effort is ambient and introspective in nature, but with a kinetic, polyrhythmic energy pushing it forward. There's a floating quality to Ulrich's synthesizer washes and Munk's...

You know Jonas' name because he's in the group Causa Sui and works a lot with the great bands on El Paraiso.

"Passage is the second collaborative album from London-based synth-wizard Ulrich Schnauss and Danish producer Jonas Munk. 11 tracks of breezy, blissed-out electronica and colorful ambient. As the album title denotes, there's a sense of movement in the music these two producers create together: a Schnauss and Munk composition starts one place and ends up someplace very different - something..

Electronic duo Ulrich Schnauss and Mark Peters (of the band Engineers) return with a second collaborative album titled Tomorrow Is Another Day, released by Bureau B. This second project offers a sublime exploration into their signature expressionistic landscapes while exploring the potential of a collaborative model in which Schnauss' keyboards and Peters' guitar work together in juxtaposition. Ulrich Schnauss, born in the industrial port town of Kiel in northern Germany in 1977, emerged in Berlin's...

"Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Göttsching, for example. A brother in spirit to Robin Guthrie, one might say -- an ...

"Another dose of whirring rhythms and dark drones courtesy of Stefan Schneider and Sven Kacirek. This time around they have introduced the beguiling tones of Swedish singer Sofia Jernberg on three pieces. The Düsseldorf/Hamburg duo Schneider Kacirek released their debut album Shadows Documents some three years ago. A coarse energy ran through Shadows Documents, drawing on the pair's various excursions to Kenya as producers. Shadows Documents was a somnambulistic interpretation of Kenyan music using drums...

"Kenya meets Krautronics. Stefan Schneider and Sven Kacirek bring African rhythms into dark electronica. Under the auspices of the Goethe Institute and Unesco, Stefan Schneider and Sven Kacirek have spent a fair amount of time in Kenya in recent years...

Pierre Borel saxophone
Antonio Borghini bass
Christian Lillinger drums

"The trio Schnell uses the bebop tradition as the starting point (the «archetype» or the «memory basket», as they put it) to investigate speed, stasis and trance. It’s not simply a mechanical process, giving more velocity to the lines played by Thelonious Monk and Charlie Parker, the same way a 33 rpm record would sound if put to 78 rpm, but to transform the bebop language by pushing the musicians to their limits and...

Andi Schnellmann : electric bass
Manuel Troller : electric guitars
David Meier : drums & percussion

There are bands that play beautiful, engaging concerts, take a bow and go home – and then there are others that open up completely new perspectives, make time stop, and whose clear-cut approach burns itself into the audience's memory. Schnellertollermeier is such a band. Anyone who has seen them live will attest to the experience and, when trying to describe.

Manuel Troller - guitar & effects
Andi Schnellmann - electric bass & effects
David Meier - drums

"Schnellertollermeier have developed an approach to music where distinctions between conventionally marked terrains -- heavy metal, post-rock, prog, electric jazz, new music, improvisation, noise, modern composition, etc. -- meet in one place...and vanish. In their place is a music that is aggressive (at times brutal), wildly ambitious, and indefinable by common....