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"Concerto for Electric Violin was recorded by Curved Air and Wolf violinist Darryl Way for Island Records and was the subject of much critical acclaim and a feature on ITV’s “South Bank Show” upon its release in 1978. A unique fusion of rock and...

“Darryl Way is a co-founder of CURVED AIR, a trailblazing rock violinist and composer.
“Destinations” is the new studio album by Darryl Way and features ten new rock instrumentals, with a variety of influences and sound effects enriching the style and delivery of the pieces.”

“This album feels like a spiritual sequel (prequel?) to Darryl's 1991 "Under the Soft", which was recorded for I.R.S.' No Speak label. This is due to its sound, which is made of violin (well, of course!), synth, guitar and drums.
As the title suggests, the 18 tracks here were written to later be used in television and movies (think of "affordable musical score database"). But do not let the word "affordable" fool you into thinking that the stuff is mediocre,- it is far from it! Alright, IMHO there...

“I was very happy to see We Are Kin announce their new album recently. “…and I know…” was such a joy back in 2016, and I found myself listening to it quite often. It was simply different than anything else released that year.
The band hails from the UK. The lineup includes Emma Brewin-Caddy on vocals, Gary Boast on drums and sound design, Lee Braddock on bass, and Daniel Zambas on keys and vocals. These musicians produce a true flow of music that does not try to “one up” other band members....

Young French dual guitar, dual saxophone, bass, drums and vocals band. I saw them at Les Tritonales in Paris, and they were distinctive, energetic and fun. They say that they 'appreciate' Primus, Les Claypool, Fantomas, Mr. Bungle and Mike Patton, whic...

A truly fabulous medium large band (usually 7-10 pieces) including several members of Karmic Juggernaut, as well as guitarist Tom Monda, from Thank You Scientist and is led by bassist and composer Cody McCorry.
The music is nothing like K.J., as it’s all instrumental and is much closer to Zappa-style jazz/rock; in fact comparisons to FZ’s ‘Petit Wazoo’ are very reasonable and apt. And, as they themselves say, “A genuinely fun-loving experimental ensemble from New Jersey.”
I’ve seen them play...

"Brand new studio recordings from a special edition of the Weasel Walter ensemble featuring outrageously intense performances from Henry Kaiser (guitar), Vinny Golia (woodwinds), John Lindberg (double bass), Liz Allbee (trumpet), Damon Smith...

"The shifts in Weather Report's personnel come fast and furious now, with Narada Michael Walden and Chester Thompson as the drummers, Alex Acuna and Don Alias at the percussion table, and Alphonso Johnson giving way to the mighty, martyred Jaco Pastorius. It is interesting to hear Pastorius expanding the bass role only incrementally over what the more funk-oriented Johnson was doing at this early point -- that is, until "Barbary Coast," where suddenly Jaco leaps athletically forward into the spotlight...

Joe Zawinul - piano & electric piano
Wayne Shorter - tenor & soprano saxophone
Miroslav Vitous - bass & electric bass
Alphonse Mouzon – drums
Dom Um Romao - percussion

This is the earliest known recording of Weather Report and would seem to be from their third known appearance(!). It’s long been known to exist in high quality recordings, but finally here it is generally available!

"Thanks to the commercial success of Miles Davis's 'Bitches Brew' there was a lot of fus

I'm a big Weather Report fan of their earlier period, although after a certain point, they lose me a little bit (but then again, most fusion going into the late 70s loses me a bit). But this is an wonderful archival release (released for the very first...

"To celebrate the 40th ''birthday'' of one of the world's best bands - Weather Report - the label Art of Groove is releasing the band's Rockpalast concert in Cologne 1983 - a premiere on CD.
What a feast the concert was for the Cologne-based audience that night, and is now for us all these years later. As Omar Hakim has said: ''Weather Report wasn't typical instrumental music: there was Europe, Africa, jazz, blues, Latin, all inside one thing. It was true world music....''. Here's to that!...

This represents in my mind the very last great era of this great band.

"By September of 1978 Weather Report's headlining status afforded them the opportunity to play a very long set amounting to two hours in length. Given the previous year's success with the poll winning "Heavy Weather" album one might have expected them to concentrate on this more or less exclusively, but instead, fans were treated to material from right across the bands career and solo spots by everybody. "Black Market" opens...

Weather Report grew out of Miles Davis' early electric jazz/rock experiments in 1969-71. Weather Report formed in 1971, and this was recorded by the great, second version of the band: Joe Zawinul-pianos and synths, Wayne Shorter-saxes, Miroslav Vitous-...

Includes five complete albums:
I Sing The Body Electric
Sweetnighter
Mysterious Traveller
Black Market
Night Passage

"Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon...

“As close to a supergroup as jazz ever came, Weather Report played a storming set for their adoring audience at the Shinjuku Kosei Nenkin Hall in Tokyo in 1978. The gig - broadcast live by NHK Radio on 28 June - featured the band as a quartet for the first time, with Joe Zawinul, Wayne Shorter and Jaco Pastorius joined by new kid Peter Erskine on drums. This recording captures the band at their creative height and showcases their music from the establishment of their signature jazz-funk fusion sound...

“Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.
The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry...

Jane Weaver is a singer, guitarist and songwriter and this album, who somehow managed to include the Australian space-rock band Cybotron on board, at its best sounds like a cross between classic Hawkwind and Neu!, fronted by a female singer!...

This is the first-ever solo album by the keyboardist for the much loved English symphonic rock band, England.

"Liqourish Allsorts” includes recordings from 1973 to 2014. The album has brought together various recordings from Robert's work in...

“NYC-based saxophonists Anna Webber and Angela Morris are at the forefront of a wave of young, modern composers dead-set on pushing the historic art form into the future. Leading a big band in 2020 is an undertaking of pure passion, a labor of love. It is no longer a feasible way to make a living as a musician, or a possible path to widespread international recognition and fortune as the composer/bandleader. In fact, it is nearly impossible to not lose money on such a venture. Composing and arranging for...

“Saxophonist/flutist Anna Webber has been an active performer and bandleader on the New York scene for the last decade, playing with the likes of John Hollenbeck, Dave Douglas, Matt Mitchell, and Jen Shyu. Her own projects, which are clear expressions of her knotty compositional sense, have been hailed by The New York Times as "bracing, argumentative and engineered to show the range of the group members: fulminous, intense collective improvisation; rapid, chromatic steeplechases; research into long tones...

“Idiom by composer/saxophonist/ flutist Anna Webber is the follow-up to her critically-acclaimed release Clockwise, which the Wall Street Journal called "visionary and captivating" and NPR described as “heady music [that] appeal to the rest of the body.” Idiom is a series of six pieces, each of which is based on a specific woodwind extended technique -- a broad term meaning any non-traditional way of producing sound on an instrument, including the use of multiphonics, alternate fingerings, key clicks...

Anna Webber: Tenor sax, Flute, Bass flute
Adam O'Farrill: Trumpet
Mariel Roberts: Cello
Elias Stemeseder: Synthesizer
Lesley Mok: Drums

“Flutist, saxophonist and composer Anna Webber is a central figure in the New York jazz scene and is considered one of the most innovative musicians of the younger generation with a surprising range of activity. Her work has been hailed as “visionary and compelling” in the intersection of avant-garde jazz and new classical music, and her previou

Matt Mitchell: Piano
Anna Webber: Tenor Sax, Flutes

“Two of new music’s most powerful and virtuosic composer-performers get together for a dazzling and thoughtful program of radical compositions and improvisations. Featuring brilliant writing and telepathic improvisational interplay, the music is concise, intense, and endlessly imaginative. An essential view into the Downtown scene’s newest generation of musical masters.”

Eberhard Weber: bass
Rainer Brüninghaus: piano
Members of Philharmonic Orchestra Oslo

“The interaction of Eberhard Weber’s highly distinctive bass and Rainer Brüninghaus’ lyrical piano is at the heart of a number of popular ECM recordings, starting with Weber’s Colours of Chloë, and extending through the discographies of the Colours band and the Jan Garbarek Group. But the rapport of the two players was rarely better displayed than on 1976’s The Following Morning, where their dialogues..



Katharina Weber: Piano

“Fred Frith describes the Swiss pianist Katharina Weber as a “piano icon”. The classically trained pianist and composer moves in the large world of today‘s music, where borders no longer exist and new music and jazz improvisation merge. 12 years after her celebrated solo CD Woven Time. In Márta‘s Garden is her second solo album. The musical framework is formed by two piano pieces by György Kurtág dedicated to Márta Kurtág and at the centre is his composition “...

Katharina Weber: Piano
"A new piano icon – this is how Fred Frith describes Katharina Weber. For almost thirty years now the classically educated pianist and composer moves within the world of New Music and Improvisation. The CD Woven Time is...

Katharina Weber: Piano
Fred Frith: Guitar
Fredy Studer: Drums, Gong

"A new "piano icon" – this is how Fred Frith describes Katharina Weber. For almost thirty years now the classically trained pianist and composer moves within the world.

Colin Webster: Alto / Tenor / Baritone Saxophones
Mark Holub: Drums

"VISCERA - from the belly of the beast! This is the third album by the domineering power duo of saxophonist Colin Webster and drummer Mark Holub. True to it's name, Viscera.

"WeFreeStrings was founded in 2011. This is the group's second album. Leader Melanie Dyer (not to be confused with the Australian country pop songwriter of the same name) is a jazz viola player and composer based in New York City who currently performs with the Sun Ra Arkestra, Dead Lecturers, Heroes Are Gang Leaders, Baba Andrew Lamb, Gwen Laster's New Muse 4tet, William Parker, Tomeka Reid Stringtet, Janice Lowe/Tyehimbe Jess Millie & Christina project, and Patricia Nicholson's Women with an Axe to...

This is the first-ever CD issue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

This is the first-ever CD issue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

John Butcher, tenor and soprano saxophones/Alberto Braida, piano/John Edwards, double bass/Fabrizio Spera, drums.

"British artists and intellectuals have an old fascination for the Italian culture, and Italians like the way they, and their...

Sam Weinberg (tenor & soprano saxophones)
Henry Fraser (upright bass)
Weasel Walter (drums & percussion)

“The studio debut by this regular trio featuring Sam Weinberg on saxophones, Henry Fraser on bass and Weasel Walter on drums. Beginning in 2017, this threesome has performed live in New York regularly, honing their instrumental interplay and focusing mainly on a brand of fast-paced, muscular free improvisation with strong hints of free jazz from both the US and Europe strains. Both.

“A reissue of Carl Weingarten's Living In The Distant Present, previously only released on cassette in 1985 on Weingarten's own Multiphase Records. The album is a rare treat for fans of guitar ambient, tape loops, and the experimental side of new age music. When Carl Weingarten is one of the unsung heroes of American minimalism. Even though he's been active for close to four decades, his work is just now starting to receive the praise it deserves. On Living Ín The Distant Present slowly shifting synth...

Lauren Weinger's album Silo is drawn from the soundtrack of a large-scale installation project, Picture Powderhorn, which was 1st performed around the grain silos in Minneapolis, in August of 2000. Featuring aerialists covered in mics and recorders asc...

Florian Egli: Saxophone, Clarinet
Dave Gisler: Guitar
Martina Berther: E-Bass
Rico Baumann: Drums

"The quartet Weird Beard was founded by Zurich based saxophonist Florian Egli. Following the debut album 'Everything Moves' on Intakt Records, they release a second studio album, recorded again in the Blackbox Studio in Brittany by the out­standing sound engineer David Odlum. 'Orientation' is a sophisticated record on which Weird Beard increasingly focus their attention on the creation o

Walt Weiskopf - Tenor Saxophone
Carl Winther - Piano
Daniel Franck - Bass
Anders Mogensen – Drums

“A major talent...a monster tenor saxophonist as well as a prolific composer and accomplished arranger.” – Bill Milkowski, JazzTimes

"A consummate saxophonist, composer and arranger." – Zan Stewart, DownBeat

“Recorded at the conclusion of a two-week tour of Denmark, Norway, and Germany in January of 2016; U.S. tenor giant Walt Weiskopf has teamed up with three of Europe

Walt Weiskopf - Tenorsax
Carl Winther - Piano
Andreas Lang - Bass
Anders Mogensen - Drums

“Featuring jazz tenor giant, composer, author Walt Weiskopf, and three of Europe's most exciting rhythm section artists: pianist Carl Winther, bassist Andreas Lang, and drummer Anders Mogensen, the album showcases the confluence of the most sought-after and highly-acclaimed contemporary international jazz musicians of our time.
Recorded in Copenhagen at the conclusion of WWEQ’s Europea

"Recently named one of Five Drummers Whose Time Is Now by the New York Times, Dan Weiss is one of the most in-demand musicians on the jazz scene, performing with Rudresh Mahanthappa, Miguel Zenon, Lee Konitz, and Dave Binney, among many others. He has....

"'Sixteen: Drummers Suite' is the follow-up to 'Fourteen', the acclaimed release by Dan Weiss that The New York Times named one of the top ten releases of 2013, calling it '...forceful... full of its own convictions. There is no pressure in the world pushing anyone to make a record like this: choral antiphony, new-jazz rhythmic meshing, tabla patterns transferred to drum set, hand-clap patterns transferred to voice, structured improvisation metal.... Mr. Weiss spins it all into a flowing fabric.'...

Dan Weiss-drums, compositions
Trevor Dunn-electric bass
Ben Monder-guitars
Matt Mitchell-piano, synths
Craig Taborn-piano, Fender Rhodes, synths

This is a pretty incredible, rehearsal-intensive, 'math-jazz' release with by a tremendous line-up. Compositionally & performance-wise, it basically sounds a jazzier, recent-era Present. Hugely recommended!

"Starebaby is the upshot of drummer Dan Weiss's long-running dream to bring together some of the most accomplished players

Matt Mitchell - piano, Prophet-6
Craig Taborn - piano, Fender Rhodes, synthesizers
Ben Monder - guitars
Trevor Dunn - electric bass
Dan Weiss - drums, tabla, piano

This is this great band’s second incredible release. Believe it!

Natural Selection is the highly-anticipated follow-up to drummer/composer Dan Weiss’s 2018 release Starebaby, an unconventional compounding of doom metal, electronic music, and improvisation into a dark and mystic brew. That album was named

Jacob Sacks - piano
Thomas Morgan - bass
Eivin Opsvik - bass
Dan Weiss - drums

“The music of drummer/composer Dan Weiss always exceeds expectations. No matter the musical situation, he tends to push the boundaries of genre, ensemble sound and expectations. The title of his new trio recording, Utica Box, is a fitting conflagration of a barbaric psychiatric treatment, the Utica crib, and Weiss’ tendency to write and perform music that is outside the box.
Weiss’ trio has evolved.

"Matthew Welch is an exciting young composer, saxophonist and virtuoso piper who has discovered the hidden nexus of the Celtic and Balinese musical traditions. Matt’s second CD for Tzadik presents two exciting new projects: a beautifully orchestrated...

Matthew Welch is a young composer who blends his Scottish roots and skills as a bagpipe virtuoso with folk music and Indonesian Gamelan. His first CD for Tzadik presents three pieces that should establish Welch as an important new voice in the contempo...

A fascinating look at rock music in Zambabwe in particular and Africa in general.

"Rock music and revolution in '70s Zimbabwe. Just as the hippie era came to an end in America, a second '60s was beginning. In what is now Zimbabwe, young people created a rock and roll counterculture that drew inspiration from hippie ideals and the sounds of Hendrix and Deep Purple. The kids in the scene called their music 'heavy,' because they could feel its impact, and it resonated from Zambia to Nigeria...