Cuneiform releases

Cuneiform


Elton Dean: alto sax, saxello, Hohner pianet
Hugh Hopper: bass
Mike Ratledge: Hohner pianet, Lowrey Holiday Deluxe organ, Fender Rhodes
Robert Wyatt: drums, vocals

While the two sets from the second night (February 28, 1971) have been released before, this is the first time that the entire two-night stand has been released. So half of this set is previously..



Elton Dean: alto sax, saxello, Hohner pianet
Hugh Hopper: bass
Mike Ratledge: Hohner pianet, Lowrey Holiday Deluxe organ, Fender Rhodes
Robert Wyatt: drums, vocals

While the two sets from the second night (February 28, 1971) have been released before, this is the first time that the entire two-night stand has been released. So half of this is previously completely..

"Soft Machine were the grooviest, coolest psychedelic band of the era..."-Phil Manzanera.

The Soft Machine were one of England's original and best psychedelic bands, emerging out of the same "UFO Club" London scene at the same time as Pink Floyd. While the band would always undergo constant personnel and stylistic change, their best known lineup in their psychedelic days was the trio of Kevin Ayers-bass, guitar, vocals, Mike Ratledge-organ and Robert Wyatt-drums, vocals. They played many shows...

Released for the very first time here is the Soft Machine's television broadcast, recorded for Germany's famous "NDR Jazz Workshop" on May 17, 1973. This performance was one of the earliest shows by the quartet of Roy Babbington (electric bass), Karl...

Elton Dean - alto sax, saxello
Lyn Dobson -- soprano sax, flute, vocals
Hugh Hopper -- bass
Mike Ratledge -- electric piano, organ
Robert Wyatt -- drums, vocals

Noisette was recorded January 4th, 1970, by the short-lived quintet formation of the group, this was this line-up's first gig and this is the concert and same recording that gave us Facelift on Third!
Noisette showcases a band in...

A archival classic of stoned, cut-up, tape loop, manipulated, concrete noise, organized sound craziness

"...well worth hearing, anticipating as they do many of the textures later utilized on Soft Machine Third." – Mojo...

Soft Machine were one of the greatest UK avant/jazz-rock bands of all time and their work, whether their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett's Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe's best known 'fusion' bands, their work continues to be name-checked by today's hip experimentalists.

By mid 1973, Soft Machine had gone through a tremendous amount of personnel turnover and a...

Roy Babbington : Electric 6-string bass
Karl Jenkins : Soprano sax, baritone sax, oboe, electric piano

John Marshall : Drums

Mike Ratledge : Electric piano, organ

From their beginnings as a psychedelic rock band in 1966, sharing stages with Pink Floyd and the Jimi Hendrix Experience, to being one of the originators of electric jazz/rock by early 1969, Britain’s Soft Machine were restlessly creative. The Dutch Lesson captures them..

Elton Dean - alto sax, saxello, electric piano
Mike Ratledge - electric piano, organ
Hugh Hopper - bass
Robert Wyatt - drums, vocals

This was our second Soft Machine archival release and over 20 years later, it remains one of the great documents of the 'classic quartet' line-up and it is now available again after many years!

"...an innovative union of jazz and rock." – Downbeat...

"Sonar has defied the norm by crafting something singular and magical." – The Buffalo News

"Two guitar currents circulate and sparkle hypnotically, warm deep basslines hit with assertiveness and groove, drums pound with finesse and might. Luminous, alluring, dangerous....Sonar is a highly creative and original nocturnal entity constantly evolving in order to provide immersive and challenging instrumental music that stimulates the mind, body and soul."– Igloo Magazine

Beautiful gatefold sleeve and over 18' of bonus live material not found on the CD edition!

"Sonar has defied the norm by crafting something singular and magical." – The Buffalo News ...

Dave Chappell Fender Telecaster guitar
Joel Harrison Fender Telecaster guitar
Anthony Pirog Fender Telecaster guitar
John Previte acoustic & electric bass
Barry Hart drums

It all started at the legendary Northern Virginia roadhouse JV's. D.C. born guitarists Anthony Pirog and Joel Harrison , musical soul mates, and now doing their first gig together, tore into a set of jazz-amped honkytonk songs before a stunned crowd. But..

"Changing tempos, directions, riffs & rhythms every 20 seconds, stopping on a dime, accelerating to 60 mph in 4.4 seconds..." 5/5 stars ("Indispensable") – Alternative Press

In the early 80s, The Stick Men ruled the Philadelphia no wave scene. Reminiscent of James Chance and the Contortions with more hyperkinetic energy, they created a frenzied psycho-punk sound that featured gut-wrenching timing, extraordinary charm, personality with a plus, and tons of good humor....

Fred Lonberg-Holm : Lightbox operator
Nick Macri : Bass
Charles Rumback : Drums
+6 :
Jen Clare Paulson
: Viola
Zoots Houston : Electronics
Keefe Jackson : Reeds
Russ Johnson : Trumpet
Peter Manu : Guitar, Violin
Mars Williams : Reeds

“...in a strong contender for Best Album of 2020.” – Steve Loewy / The New York City Jazz Record...

For nearly 45 years, John Surman has been one of England's best known modern jazz musicians. His career began in the late 60s as both a sideman and a leader with such notable greats as John McLaughlin, Chris McGregor's Brotherhood of Breath...

Born out of cataclysm and nurtured in silence and solitude, the music of Tatvamasi reveals hidden depths of the Polish soul. Tatvamasi is an extraordinary instrumental ensemble that plays scorching, uncategorizable music defined by searing tenor...

Chad Taylor: Drums
Brian Settles: Tenor Saxophone
Neil Podgurski: Piano

As the debut recording of an ensemble rooted in deep and abiding friendships The Daily Biological is a creatively roiling conversation. The unusual trio of drums (Chad Taylor), saxophone (Brian Settles) and piano (Neil Podgurski) creates tough and engaging music that unfurls in kinetic conversational bursts.
Taylor is probably best known as co-founder of the

The Muffins were a Washington, D.C. area band who existed from 1974-81 and then again with their best-known line-up still intact from 1993-2015. They released three albums during their original lifetime and six albums during their second life.
They were called, "...the finest progressive band that America produced...even at it's most complicated, (they) sounded effortless & convincing” by Fred Frith. They also acted as Fred’s backing band on his first post-Henry Cow solo album...

The Muffins were a Washington, D.C. area band who existed from 1974-81 and then again with their best-known line-up still intact from 1993-2015. They released three albums during their original lifetime and six albums during their second life.
They were called, "...the finest progressive band that America produced...even at it's most complicated, (they) sounded effortless & convincing” by Fred Frith. They also acted as Fred’s backing band on his first post-Henry Cow solo album....

Last copies!! If you want it in physical form, this is your last chance!

Thinking Plague's greatly anticipated 5th album presents a further maturation of the bands sound. Not content to merely repeat their past successes, the album's overall...

LAST COPIES! Has a small drill hole through the tray.

"Perhaps the finest attempt so far by an American band to add to the pantheon of classic Rock In Opposition records...Mike Johnson's compositions are astonishing and - the clincher - beautiful, and Susanne Lewis' vocals are ...eerily enigmatic..."

Michael Formanek – double bass and electronics
Tomas Fujiwara – drums and vibraphone
Mary Halvorson – guitar

“Thumbscrew...are likeminded souls with decades of experience among them. Encapsulating a rare chemistry, their music offers a virtual masterclass of communal interplay.” – Point Of Departure

At the center of a spiraling musical universe, Thumbscrew is like a reverse black hole radiating brilliant constellations of overlapping.

Michael Formanek – double bass and electronics
Tomas Fujiwara – drums and vibraphone
Mary Halvorson – guitar

“Thumbscrew...are likeminded souls with decades of experience among them. Encapsulating a rare chemistry, their music offers a virtual masterclass of communal interplay.” – Point Of Departure

At the center of a spiraling musical universe, Thumbscrew is like a reverse black hole radiating brilliant constellations of overlapping.

Tomas Fujiwara – drums
Mary Halvorson – guitar
Michael Formanek – double bass and electric bass

"...a streamlined trio quickly becoming today's premiere small jazz group" - Francis Davis, NPR

Currently one of the most exciting and active groups in boundary-pushing jazz, is the collective trio Thumbscrew, who release their sixth album in seven years with Never Is Enough. Constantly taking the simple, ‘guitar trio’ line-up...

BACK IN STOCK, BUT NOT FOR LONG! THIS IS THE SECOND AND FINAL PRESSING OF THIS TITLE!

Tomas Fujiwara – drums
Mary Halvorson – guitar
Michael Formanek – double bass and electric bass

"...a streamlined trio quickly becoming today's premiere small jazz group" - Francis Davis, NPR

NOTE that this vinyl version has over 20’ of bonus material that is only available on the vinyl; not on the CD & not on the download! ...

Tomas Fujiwara : Drums and Vibraphone
Mary Halvorson : Guitar
Michael Formanek : Double Bass

"Probably no one better qualified to make a Braxton tribute than these guys." – S. Victor Aaron / Something Else Reviews

“The cooperative trio that merges guitarist Mary Halvorson, bassist Michael Formanek, and drummer Tomas Fujiwara is named after an instrument of torture. It is a typically sly move from a band that is constantly flirting..

“The barrage of riffs are both epic and melodic, the low end beefy and the percussion massive. Expect nothing less than magic from these three avant purveyors.” – The Village Voice

“... all three of these musicians have a well-established history of creating unconventional music. That trend doesn’t end here, but as challenging as this music is, it’s presented in a way easy to accept.” – Wondering Sound
...

Michael Formanek - bass
Tomas Fujiwara – drums
Mary Halvorson – guitar
Thumbscrew demonstrates their unique collective musical vision in contrasting but complementary ways on two exciting new CDs. Ours and Theirs are the first to be released on a newly revamped Cuneiform Records, just returning from a hiatus. Comprised of longtime collaborators Michael Formanek, Tomas Fujiwara, and Mary Halvorson, Thumbscrew is

Time of Orchids is an indefinable avant-rock band that formed in 1999 in New York City. After 3 self-released albums and a release on Tzadik that brought them to a much wider audience, Namesake Caution is their fifth release and their first on...

U Totem were the avant-rock supergroup that combined personnel from Los Angeles' 5uu's and Motor Totemist Guild. They existed between 1998 - 2004 and released two albums, of which this is the second. Since his time in U Totem, drummer/composer Dave Ker...

“The closest thing to Henry Cow in complexity...world class playing & singing...there is nothing else like this now.” – Chris Cutler

“U Totem is characterized by unsurpassed technique and perfect sound; in addition, this music is well written & well orchestrated...this must surely be the CD of the year!” –Gateavisa


U Totem is the combination of the 5uus & the Motor Totemist Guild. This pairing has brought out the best parts of both bands, combining the abstraction & lyricism of the.

Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is...

"Since the late 70s, Univers Zero composer and drummer Daniel Denis has been pursuing his vision of a chamber music that borrows the energy and production of rock, especially working with stereo extremes, but with a classical ambiance."-John Diliberto/...

“While ensembles like the Kronos and Brodsky quartets have filtered into the rock world by way of guest appearances or loosely adapting rock music, Univers Zero have been single-handedly bridging the two disparate worlds by integrating a frontline rhythm section into their dark scores. And what a powerhouse pulse machine it is..."-Focus

This is UZ's 2nd release since reforming in the late 1990's. and leader/composer/drummer/keyboardist Daniel Denis builds upon the rich legacy of Univers Zero's...

Over 30 years ago, after 3 years of work and rehearsals, a group of seven unknown Belgian musicians gathered in a small basement studio to record their first album, which they released themselves in a tiny edition of 500 copies. The album was untitled...

"...a must for lovers of adventurous music" – Keyboard

"A remarkably subtle weaving of rock, classical, & avant garde tactics..." – Alternative Press

"If Stravinsky had a rock band, it would sound like this. Blazing, white hot, medieval" – Advocate Newspapers

"Univers Zero's vision (is) pretty much unique & for those touched by it, nothing else will quite do...a sound that really couldn't be any other band in the world." ...

"Thanks for the University of Errors. Great BAND!...lovely record." - Robert Wyatt.

"Just got the Jet Propelled Photographs. I like it. Good energetic versions of the songs and Daevid is singing well." - Hugh Hopper


This great title - the only time we at Cuneiform were able to work with Daevid Allen. This title is out of print in physical format and it will not be coming back in physical format, so if you ever wanted this, now is the time, as there are about 13 copies left for sale.

As I hope most of you have noticed, I have a strong belief and interest in the new, young(er) bands who are playing now what would have been called progressive rock if they had been doing it 35-40 years ago, but now they sit in a sort of a odd, uncomfortable place between math-rock, art-punk, technical-rock and god knows what other hyphenated names you care to use. In any event and in my opinion, this is one of the most intense, indescribably brilliant albums we've ever released. It's stupidly

"...a feast of heavy, odd-time riffing" – Washington City Paper

"...a stunning example of both virtuosity and clever composition...amazing, and amazingly consistent...." – All Music Guide

"Seldom is music so challenging also so easy to listen to." – Prefix

"...there’s something revitalizing about hearing a band like Upsilon Acrux hitting their stride...." – Dusted
...

"A fascinating variety of influences are at work in UJD's music, but prior to any explication and dissection, it's important to note that this group effing rawks!!! The CD has punch, drama, virtuosity, hooks–all the things that make for a dynamic...

Curated by guitarist Henry Kaiser, 156 Strings is his personal selection of acoustic guitarists "who sound like themselves and have something special to say." The 19 guitarists here are both well known & unknown: Duck Baker, Steffen Basho-Junghans, Rao...

Nick Didkovsky commisioned over 20 artists to create music using the 44 "Nerve Events" found on Beta 14 OK. From high tech computer music using custom designed software, to low tech sampling & multitracking. Performances by Henry Kaiser, George Lowe, ...

“...Unsettled Scores was a total smash; I wanted to buy it for some time, but I didn't imagine it was so unbelievably good.” – fan mail from some flounder

The idea came from Forever Einstein's Chuck Vrtacek: to put together an album of Cuneiform Records artists interpreting tunes from their label mates. Since the label had a pretty stable roster by 1994-1995, with most of them sharing some common musical aesthetics, the project has the possibility of being interesting. And it is....

C.W. Vrtacek – sampler, tape, toys, synthesizer, acoustic and electric guitars, piano, etc

“It may be preferable to meditate in a quiet room, but we seldom find ourselves in quiet rooms...so, always the same question: how to find silence in the midst of chaos?" - C.W. Vrtacek

This puts Chuck's 3rd & 4th solo lps onto one CD; “Learning To Be Silent” & “When Heaven Comes To Town”.
Very different from his band Forever Einstein, the music here is quiet, sober, introspective, sometimes...

Anglo American, the 2nd retrospective of the late saxist Gary Windos work to appear on Cuneiform, was compiled by Michael King and features liner notes by Pam Windo, as well as rare photos supplied by her. While Gary recorded in an amazing number of si...

Rich Woodson is a self-taught composer and guitarist who grew up on hard rock and heavy metal in Nashville, TN and San Antonio and Austin, TX. His major musical influences are Tim Berne, Frank Zappa, Watchtower (the 1980's Austin metal band, who invented the technical metal subgenre) and composer Charles Wuorinen.
This debut CD, performed by a crack band, comprising Rich on guitar, Aaron Stewart-tenor sax, Peter Epstein-soprano sax, Mat Fieldes-acoustic bass and John Hollenbeck-drums, is a bold and...

"The missing links in my life's work, no less!" – Robert Wyatt

"Cuneiform has delivered a Holy Grail with Robert Wyatt's '68 ... The sound on '68 is excellent; it was painstakingly cleaned up and remastered from original sources, making this a making this a must for any Wyatt, Soft Machine, or prog head. The booklet also contains a lengthy interview with Wyatt by Aymeric Leroy with comments from Hopper. All killer, no filler." – Thom Jurek, All Music Guide ...

Yang, a French quartet whose stunning compositons combine intricate guitar parts with driving rock, is the newest project led by French guitarist and composer Frederic LEpe. LEpes former projects include founding two of the most intriguing all-instrume...

Frédéric L’Epée – guitars, synth, chorus
Laurent James – guitars, chorus
Nico Gomez – bass, chorus
Volodia Brice – drums
with
Ayşe Cansu Tanrikulu – vocals (1, 5, 6, 9, 12)

French composer and guitarist Frédéric L'Épée formed his first serious band, Shylock, while in his teens and waxed two now highly collectible albums with that formation in the mid 70s; moving on to the guitar-centric combo Philharmonie, who existed

"The music of Zevious shrewdly juxtaposes order and its opposite: structural intensity pushed to its breaking point in the most appealing way. These boys are brilliant and fearless."–Vijay Iyer

"...Zevious is for anyone who loves aggressive, rock-oriented improv with grooves and some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesnt mean you can't have arrangements and following a script doesnt mean you can't let your hair down." – DownBeat..