ReR Megacorp and related

Boris Kovac is a marvelous composer from Serbia. He released 1 CD on ReR and two on Victo in the 80s (and I luckily managed to see him and his ensemble when they performed at the Victoriaville Festival in the late 80s), but he's really very little known here. Finally he's got a new one on ReR.

"What Boris does is without parallel or precedent, and he's been doing it for over 40 years, perfecting a language that is uniquely his own: not chamber music, not world music, not jazz -- but demanding...

Performed by: Gendos Chamzyryn (Tuva), Tim Hodgkinson (England), Ken Hyder (Scotland). "For Going Up these musicians have super imposed performances from different occasions and places, some dating back to Hyder and Hodgkinsons initial trip to Siberia...

''Venosta & Mariani have long been concerned with manipulating & reconfiguring found musical objects, often using ethnic musics as source material. Rather than find music in the field, they have employed brilliant Flamenco guitarist Lagos. Eleven guita...

This release is drawn from 3 separate recordings the trio made in the 80's. The disc is a combination of compositions & improvisations. Guitars, reeds, keyboards, electronics, bass & drums. Cellist Tom Cora guests on about 1/3rd. [ReR]

Once a member of Doctor Nerve, Maclean is a guitarist whose quartet specializes in austere neo-classical music of great subtlety. Time signatures abound, but more important are the constantly shifting building blocks of interlocking rhythms; at times e...

"Steve MacLean began playing drums and guitar at the age of seven and composing at twelve. Completing high school early, he met Roswell Rudd and began playing concerts with him in New York. He moved to the city and took a job in a busy recording studio...

"A remarkable set of pieces for mediated acoustic piano that operates in the shadowy territory between what is playable and what is programmable; between narrative simplicity and performative complexity; between hopeful intentionality and flawless...

"Steve MacLean has performed with guitars in every conceivable format, from tightly-knit compositions in bands and ensembles to extreme guitar improvisations with heavy processing and computer manipulation. Frog Bug Guitar Computer represents a...

"Careful compositions converse with focused improvisations under the precise direction of Steve MacLean who, on this CD, after various excursions that took him through experimental works for piano, interactive insect/guitar compositions and pure...

"In this episode, a number of short recordings of household objects and curious instruments become the core thematic material for a range of exquisitely conceived and realised pieces in which the recordings are shaped, stretched, tuned, combined and otherwise manipulated before being folded into a variety of musical structures with additional elements or parts added. Much use is made of rhythms derived from gravity - that is, dropping and bouncing - embedded into microtonal, poly-rhythmic and deeply...

"This CD of songs, grittily arranged and produced is noticeably more straight-ahead than ReR’s usual releases though it sits comfortably within the broad range of Steve’s tirelessly experimental output. This is a project with a long history: Steve...

"Maksymenko plays drums with the force and power of a thousand supercomputers, he composes with the originality of a team of duck billed platypuses writing a sequel to Gravity's Rainbow, and he's more fun to listen to than Disneyland."-Henry Kaiser.

This is a collection of some of the very small but very great work by drummer/composer Michael Maksymenko, best known - if at all - for the amazing album and EP he did with the trio Kraldjuranstalten.
It collects eight tracks by Kraldjursanstan...

"Maksymenko plays drums with the force and power of a thousand supercomputers, he composes with the originality of a team of duck billed platypuses writing a sequel to Gravity's Rainbow, and he's more fun to listen to than Disneyland."-Henry Kaiser.

This is a collection of some of the very small but very great work by drummer/composer Michael Maksymenko, best known - if at all - for the amazing album and EP he did with the trio Kraldjuranstalten.
It collects eight tracks by Kraldjursanstan...

“This is the big one. Digipacked. Historic. Unmissable.”-Chris Cutler

More Encores was originally released as a vinyl record in 1988, and is composed entirely of records after whom each track is titled. Artists whose vinyl artifacts are subjected to Marclay's treatments include: John Zorn, John Cage, Louis Armstrong Fred Frith, Ferrante & Teicher, Maria Callas, Jimi Hendrix, Serge Gainsbourg and Jane Birkin and Marclay himself!

"Christian Marclay was the first non-rap DJ to make an art.

“This is the big one. Digipacked. Historic. Unmissable.”-Chris Cutler

More Encores was originally released as a vinyl record in 1988, and is composed entirely of records after whom each track is titled. Artists whose vinyl artifacts are subjected to Marclay's treatments include: John Zorn, John Cage, Louis Armstrong Fred Frith, Ferrante & Teicher, Maria Callas, Jimi Hendrix, Serge Gainsbourg and Jane Birkin and Marclay himself!

"Christian Marclay was the first non-rap DJ to make an art.

One of the albums of the decade. A collaboration between Hungarian composer Martha, poet Endre Szkarosi & the frighteningly gothic Sandor Bernath. Sounds of the Transylvanian countryside, medieval instruments fused with industrial percussion...structur...

Beautiful and I mean BEAUTIFUL packageing on this one!
"As a Limited Edition of 300 copies in North America, this DVD comes in a threefold art DVD case with a full color 48 page book offering substantial exegetical essays (in English and Italian)...

Tightly focused electroacoustic compositions that are austere, rich, strange and brilliantly executed. Elio has an ear like a bat and a serious antipathy toward cliche, and he never relies on repetition for structure; these pieces seem rather to grow ou..

“Zig-zagged music, the specialty of MCCB. Across a wide spectrum of sound comes minimal electronics, jilted avantpop, artpunx, and progressive music. Some folk in there as well, somehow. This is a very fine collection of Leigh's various musings, and with it his sharp humor and immense talent shines through each track, along with the incredible work of musicians such as Chris Cutler, Fred Frith, and Colin McClure. Also comes with as close as you can get to a comprehensive guide to the bands featured...

“Zig-zagged music, the specialty of MCCB. Across a wide spectrum of sound comes minimal electronics, jilted avantpop, artpunx, and progressive music. Some folk in there as well, somehow. This is a very fine collection of Leigh's various musings, and with it his sharp humor and immense talent shines through each track, along with the incredible work of musicians such as Chris Cutler, Fred Frith, and Colin McClure. Also comes with as close as you can get to a comprehensive guide to the bands featured...

Tito Pueblo-vocals
Bill Gilonis-guitar (of The Work)
Ilja Komarov-bass
Trixa Arnold-drums

"Tito Pueblo, aka Rob Murphy (Orchestre Murphy), has been responsible for some terrible lapses of judgement & taste. Here he gives us an album of post-Beatles pop songs that deal with the key issues of our times - drinking, sex, love, melancholy, obsession, & drinking. Expect fake French accordion, ludicrous cowboy songs & Flamenco rip-offs."-Chris Cutler

Tito Pueblo-vocals
Bill Gilonis-guitar (of The Work)
Ilja Komarov-bass
Trixa Arnold-drums

"Tito Pueblo, aka Rob Murphy (Orchestre Murphy), has been responsible for some terrible lapses of judgement & taste. Here he gives us an album of post-Beatles pop songs that deal with the key issues of our times - drinking, sex, love, melancholy, obsession, & drinking. Expect fake French accordion, ludicrous cowboy songs & Flamenco rip-offs."-Chris Cutler

Phil Minton and Veryan Weston began their collaboration in 1987 when they were commissioned by the Le Mans Festival in 1989 to write and perform a composition for 22 voices based on the prison writings of Ho Chi Minh. Since then they have toured the wo...

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

The 3rd release by this acclaimed organized sound group from Colorado, & their first, classic, which is a high-water mark of churning sonic storms. This is some of their finest work.

"...reminiscent of peering through a mircoscope at a drop of pond water: There's a lot more going on than you'd ever suspect."-Option

"Mnemonists were the precursor to Biota, essentially the same band with a different name, and a slightly more alien quality to their stream of consciousness expression...

The 3rd release by this acclaimed organized sound group from Colorado, & their first, classic, which is a high-water mark of churning sonic storms. This is some of their finest work.

"...reminiscent of peering through a mircoscope at a drop of pond water: There's a lot more going on than you'd ever suspect."-Option

"Mnemonists were the precursor to Biota, essentially the same band with a different name, and a slightly more alien quality to their stream of consciousness expression...

Kind of different from typical ReR fare, but then again, don't forget that the first Cuneiform release was a (very good, if I must say so myself) compilation of Stevie's work. His work is a precursor to things like lo-fi and indie pop, but it is really...

Excellent works by two Italian composers. Using samplers, synths, tapes & more, they combine their music with ethnic recordings. Their use of recorded ethnic voices & rhythms combined with their own music makes for a cross between Jon Hassell & Holger Czukay.

“A Noise, A Sound, originally released in 1992. The third episode of the alchemical association between Roberto Musci and Giovanni Venosta, reprinted for the first time. This work seems to be even more enigmatic than the previous ones....

Excellent works by Robert Musci and Giovanni Venosta, two Italian composers. Using samplers, synths, tapes and more, they combine their music with ethnic recordings.
Their use of recorded ethnic voices and rhythms combined with their own work makes for a cross between Jon Hassell & Holger Czukay. This is 75 minutes of music from their two early ReR lp titles Water Messages On Desert Sand and Urban And Tribal Portraits. For me, Water Messages especially was their best work....

Excellent works by Robert Musci and Giovanni Venosta, two Italian composers. Using samplers, synths, tapes and more, they combine their music with ethnic recordings.
Their use of recorded ethnic voices and rhythms combined with their own work makes for a cross between Jon Hassell & Holger Czukay. This is 75 minutes of music from their two early ReR lp titles Water Messages On Desert Sand and Urban And Tribal Portraits. For me, Water Messages especially was their best work....

"In the late 1980s two globetrotting Milanese composers joined forces to produce an acclaimed and prescient record made in equal parts from their own performances and ethnic field recordings, a little in the manner of Eno/Byrne's "My Life in the Bush...

This ensemble was formed to perform live music to films. The score straddles genres, running the gamut between composed, improvised, graphic, atmospheric and avant garde movie soundtrack. The films were three silent black and white classics: Joris Iven...

Excellent works by two Italian composers. Using samplers, synths, tapes & more, they combine their music with ethnic recordings. Their use of recorded ethnic voices & rhythms combined with their own music makes for a cross between Jon Hassell & Holger Czukay.

“A Noise, A Sound, originally released in 1992. The third episode of the alchemical association between Roberto Musci and Giovanni Venosta, reprinted for the first time. This work seems to be even more enigmatic than the previous ones....

N.O.R.M.A. are a Bologna, Italy based experimental septet. They are joined on this record by Chris Cutler as well as guest Phil Minton. The musicians joyfully help themselves from the vast storage of music's history. They complement pieces by Satie wit...

The Necks are an improvising post-jazz trio from Australia, whose music is about as far from New Orleans as you could imagine. It's jazz that has been stripped of all its excess, and been re-forged out of the belly of minimal trance club culture. Hangi...

"This is the 13th release from Australian maverick trio The Necks, now approaching their 20th Anniversary, and still occupying a genre-group of one. Their slow, gripping, development of a single idea over the length of a whole CD, while somehow obvious, has proved un-copyable, mostly because it so much depends on the unique musical personalities and extreme virtuosity of these three, profoundly different, musicians.
Having established their theme, The Necks, with Chemist, break the habit of a...

"This is the 13th release from Australian maverick trio The Necks, now approaching their 20th Anniversary, and still occupying a genre-group of one. Their slow, gripping, development of a single idea over the length of a whole CD, while somehow obvious, has proved un-copyable, mostly because it so much depends on the unique musical personalities and extreme virtuosity of these three, profoundly different, musicians.
Having established their theme, The Necks, with Chemist, break the habit of a...

From a single, informal musical theme, The Necks weave a nebulous tapestry of sounds, styles and textures that is at once escapist, organic and bold. Accomplishing an astonishingly ambient sound for a trio, drummer Tony Buck, double bassist Lloyd Swant...

The Necks have many fine albums, but this remains their single greatest work, imo.

This is a single full hour piece that, like Manuel Gottsching's E2-E4, sets up what seems to be a simple groove, and then dances around within that simple....

"Now in their twenty-fourth year, the Necks' new release, Mindset, their sixteenth album features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms imbue both pieces with powerful forward motion, embroiled with which ethereal piano patterns interweave with bass, drums, electronics, churning Hammonds and noise-guitars. Drummer and percussionist Tony Buck writes: Mindset shares some elements in common with our previous album...

"Now in their twenty-fourth year, the Necks' new release, Mindset, their sixteenth album features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms imbue both pieces with powerful forward motion, embroiled with which ethereal piano patterns interweave with bass, drums, electronics, churning Hammonds and noise-guitars. Drummer and percussionist Tony Buck writes: Mindset shares some elements in common with our previous album...

"Now in their twenty-fourth year, the Necks' new release, Mindset, their sixteenth album, and first LP - features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms imbue...

"Another scorching, hypnotic, ground breaking, concept-expanding release from outstanding Australian trio The Necks. This new double CD re-writes the rules yet again. Mosquito begins with the scrunching sound of a hand drum with hanging rattles being draped over percussion, while a fragmentary high piano melody tinkles in the distance. These two elements persist for the entire hour of the CD, providing a supporting texture for the most gorgeous piano chord sequence youve ever heard, gently coaxed by a...

"Another scorching, hypnotic, ground breaking, concept-expanding release from outstanding Australian trio The Necks. This new double CD re-writes the rules yet again. Mosquito begins with the scrunching sound of a hand drum with hanging rattles being draped over percussion, while a fragmentary high piano melody tinkles in the distance. These two elements persist for the entire hour of the CD, providing a supporting texture for the most gorgeous piano chord sequence youve ever heard, gently coaxed by a...

"Their first studio CD for three years - named after an industrial suburb in Sydney - famous mainly for its correctional facility - Silverwater ranges further and wider than the Necks' former releases, exploring a more sectional structure that...

The latest release by the extraordinary Australian improvising ambient/jazz trio, The Necks, is drawn from a soundtrack the group composed for the prize-winning Australian movie (recorded in 1997), The Boys. For the Necks this is a revolutionary move;...

"Formed in Australia the late 1980s by Chris Abrahams, Tony Buck and Lloyd Swanton, the NECKS have been hailed by the New York Times as 'one of the greatest bands in the world.

"Entirely new and entirely now...They produce a post-jazz, post...

"A concert recording from Townsville, Thuringowa, Northern Queensland, Australia from February 15, 2007. For over two decades the Necks have been stepping onto stages with absolutely nothing in mind, waiting for the first sound to happen and then following it through – with glacial inevitability, and never any sudden shift of gear - or introduction of new material – for an hour or so. Never mechanical minimalism - since each moment is invested with an intense presence – this is more a dense liquefaction...

"A concert recording from Townsville, Thuringowa, Northern Queensland, Australia from February 15, 2007. For over two decades the Necks have been stepping onto stages with absolutely nothing in mind, waiting for the first sound to happen and then following it through – with glacial inevitability, and never any sudden shift of gear - or introduction of new material – for an hour or so. Never mechanical minimalism - since each moment is invested with an intense presence – this is more a dense liquefaction...