Relative Pitch

Maria Valencia - alto sax, Bb clarinet, bass clarinet, toy piano, cymbal, percussion

"Compendio de Alofonías Abisales was imagined between the town of Sutatausa (Colombia) and the mountains of Banff (Canada). Intuitively, it was recorded in July 2022 during an artistic residency at the Banff Centre for Arts and Creativity. Inspired by old naturalist manuals, the pieces that make up this recording are fleeting sound taxonomies that ambiguously reveal the movements of the wind, the play of the...

“Turner's supportive playing is well matched with Van Hove's probing and voluminous drive, and is perfectly in tune during the introspective moments. Both of which occur amply during the 26 minute opener 'Life Dealers'.
The duo's repartee is in fine order from the get-go. For example, about ten minutes in, moments of light pianistic whimsy meets Turner's crisp percussion and the two instruments begin pushing each other to extremes. 'Shopped', the second track, is a concise seven minutes and begins...

Benjamín Vergara: trumpet

"This impossibility is propelled as an subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker, all of them sublime atmosphere creators who observe the universe as a unit."

“When I first listened to The Hallowed Plant, I was immediately captivated. It’s a work that grabbed my attention and made immediate, intuitive sense. It seems that that the artists had a similar experience; after all, the band recorded it after having only played together twice previously. Chilean trumpeter Benjamin Vergara (trumpet) traveled to Chicago a few years ago and met Chicago-based musicians Keefe Jackson (reeds), Jim Baker (piano/synthesizer), and Phil Sudderberg (drums). It seems the...

Fie Schouten - bass clarinet, clarinet in A, basset horn
Vincent Courtois - violoncello
Guus Janssen - piano, organ, harmonium, harpsichord
Giuseppe Doronzo - baritone saxophone (tracks 6-8, 10)

“This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.”

Alex Ward: electric guitar

“’Frames” is the debut solo guitar album from composer/improviser/performing musician Alex Ward. The path leading to the making of this album extended through many years, during which Ward’s approach to the guitar in general and solo playing in particular became solidified. Up until his mid-twenties, Ward was known primarily as a clarinettist and his involvement in improvised music was almost exclusively as a reeds player. During this period Ward was also playing...

ALEX WARD: clarinet (tracks 1, 2 & 4) and electric guitar (tracks 2, 3 & 4)
CHARLOTTE KEEFFE: trumpet and flugelhorn
OTTO WILLBERG: double bass
ANDREW LISLE: drums

“Item 4 is Alex Ward's latest ensemble to feature his compositions for improvisers. His previous work in this field with ensembles such as Predicate, Forebrace and the Alex Ward Quintet/Sextet has been described as "deft and utterly mesmeric" (Philip Clark, The Guardian review of Alex Ward Quintet "Glass Shelves And ...

Marta Warelis - piano

“A grain of Earth’ is the first solo venture and expression of several years of working with instant compositions and the timbral possibilities of an acoustic piano. This has been wrapped in an idea of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed. Everything moves in constantly interfering waves of energy; echoing and reflecting, in ceaseless dance of...

Zosha Warpeha - Hardanger d'amore & voice

"silver dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time."

“Every time experimental British saxophonist John Butcher plays in the northwestern part of this continent his trio is made up of two Vancouver-based players: bassist Torsten Muller and drummer Dylan van der Schyff. Listening to the nine pitch-perfect improvisations on this disc demonstrates why this configuration has been maintained since 2007.
The veteran bassist, who is perfectly capable of atonal string-stretching and scrubbed pulsations, is careful to maintain a connective pumping throughout...

Jamison Williams - baritone saxophone

"Solo baritone saxophone recorded at Le Sauvage cathedral, Luxembourg; the place name goes back to a legend of a wild woman, who is supposed to have only eaten raw meat, had a double row of teeth, and lived under a rocky promontory, where she was buried by a landslide. In early chronicles, it is referred to as Val de la sauvage femme (French for "Valley of the wild woman")."

“This latest project Battle Pieces combines Wooley's deft touch at extended technique with his composing skills for like players. Recorded live at Anthony Braxton's Tricentric Foundation in 2014, Wooley brings together saxophonist Ingrid Laubrock (Anti-House, Paradoxical Frog, Mary Halvorson Septet), vibraphonist Matt Moran (Claudia Quintet, Slavic Soul Party, Dan Levin), and pianist Sylvie Courvoisier (Erik Friedlander Trio, Herb Robertson Quintet, and duo with Mark Feldman).
The written music and...

“Commissioned by Anthony Braxton's Tri-Centric Foundation, trumpeter Nate Wooley developed a modular compositional structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, allowing Ingrid Laubrock (sax), Sylvie Courvoisier (piano), and Matt Moran (Vibes) exceptional freedom in improvisation.
Wooley starts of with a fine little melody in the first piece, then Moran comes along, and a few moments later Courvoisier adds some tones to it. It all starts very calm and...

Nate Wooley – trumpet
Ingrid Laubrock – saxophones
Sylvie Courvoisior – piano
Matt Moran – vibraphone
“Battle Pieces 4, recorded live at Brooklyn’s Roulette Intermedium in 2018 is the culmination of Wooley’s set of compositions for quartet. The group, after four years of twisting and torturing Wooley’s ever-expanding set of micro-compositions into new and ever-interesting forms, perform an evening length set that moves through the breadth of their collective history as an ensemble.”

Jack Wright - tenor, alto and soprano saxophones

“There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.”

“Far too often, the skill and detail informing music such as this is neglected by writers attempting description, no matter how sympathetic, in favor of emotive exposition, essentially stripping the discourse of any freedom the music might offer. There’s no denying that Jack and Ben Wright plumb those psychosocial depths, but they accomplish it in a way that foregrounds something akin to linguistic expression, shoving historical precedent to a hot but distant back burner.
Take, for example, the...

If you give this very spacious, large emsemble recording that is very open and also very planned the time and attention that it needs to unfold, I think you’ll be entranced!

“As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in...