Mega Blowout Sale

I saw this great Richmond group whose members also play in other great better and less known ensembles such as Fight the Big Bull, OMBAK, No BS Brass Band, Bio Ritmo, etc. in May, 2010. Led by guitarist and composer Scott Burton, the band also features...

The first Gogol Bordello album, reissued with five extra tracks.

“Great early stuff, more gypsy than current albums. A sort of sly, accordian-soaked, over-the-top gypsy celebration with tons of energy and drama. Listening to it reminds me of a cross between Mr. Bungle, Uzme Doma and 3Mustapha3. Eugene Hutz sings/wails and otherwise belts his way through each of these tunes like a harsher, wilder Tom Waits. This is a great CD.”-Anna J. Taylor

"Gorgeous officially licensed US edition of this amazing mystical cosmic mind journey. Sergius Golowin is a Swiss author. In 1973 he got sucked into R.U. Kaiser's Cosmic Courier vortex and recorded this masterwerke. Over three long tracks Golowin provides spoken voice. The bed of music is provided by the Cosmic Jokers - Jerry Berkers, Klaus Schulze, Jurgen Dollase, Witthuser and Westrup, and Jorg Mierke. A melange of Mellotron, flutes, electric and acoustic guitars, and a variety of percussion.....

The 2nd post-Daevid Allen release by Gong, and I think most people would agree that it is the best of them. A fantastic album of mallet-percussion driven fusion, headed by an amazing all-star cast: Mireille Bauer/Benoit Moerlin-vibes/marimba, Mino Cinelou-percussion, Allan Holdsworth-guitar (one of his classic 70's performances), Didier Malherbe-sax & flute, Pierre Moerlin-drums & percussion and Francis Moze-fretless bass. Highly recommended.

Daevid Allen – Guitar, Vocals
Josh Pollock ¬– Guitar, Vocals
Fabio Golfetti – Guitar
Marcelo Ringel ¬– Sax
Gabriel Costs – Bass
Fred Barley – Drums

“I've heard other old-school Gong fans rave about how good this live CD is. Show took place at the Sesi Theatre in San Paulo, Brazil on November 20, 2007.
Thoroughly enjoyed the rocking "Radio Gnome Invisible", the awesome eleven-minute epic "Fohat Digs Holes In Space" (going back a way's, there), "Oily Way", the incredibl

“Excellent debut album from Gilli Smyth's San Francisco based band This is very good indeed, my basic belief that all the Gongsters are currently producing some of the best work of their careers is completely reinforced by this release.
Gilli of course has long been the mistress of spoken delivery, and her inflection and timing just get better and better, as it should. It's a skill or craft, just like playing any instrument, and she has been practising it for a long time - this is her at the top of...

For a short time, while they last, this 2015 release is $10.00 off the regular price!

"A work nearly five years in its evolution, In Remembrance is Delia Gonzalez's first major project since she ended her collaboration with Gavin Russom to focus on her fine art career. Beginning as a set of 16mm films of ballet dancers accompanied by solo piano compositions, Gonzalez found inspiration for the piece in inspiration itself: In Remembrance celebrates the creative spark and clarity that make art...

“On the Future of Aviation, Jerry Goodman's first album after a ten-year hiatus, didn't sound much like the jazz-rock fusion he had played in the Flock and the Mahavishnu Orchestra earlier in his career. Instead, it was an album of new age electrified instrumental music that did not emphasize his violin playing particularly.
For his second album of the 1980s, Goodman may have been prevailed upon or may have decided himself to give his fans something more familiar. Ariel leaves little doubt that its...

Modern pop from the vocalist of Doves, with a definite emphasis on experimentation within the form.

"Odludek, the solo debut from Doves' Jimi Goodwin, makes up for what it lacks in consistency of tone with a pioneering spirit that both mocks and celebrates the digital age. Genres be damned, Goodwin is at his heart a world-weary Brit-pop songsmith in the vein of Elbow's Guy Garvey, and there is some of that to be found here, but for the most part, Odludek's ten largely disparate tracks play like...

"Masterpiece…or thereabouts: 5/5" – Lowcut Magazine

"This is hypnotic, robotic, thankfully long and yet somehow, so damn soulful. Also, I haven’t heard a Fender Rhodes being played like this since like forever....It doesn’t get better than this." – Deaf Sparrow

Named after one of the most notable Swedish books of all time, Gösta Berlings Saga are currently one of Sweden's most notable bands. The group are a modern instrumental rock band and their style combines...

"Recorded live at a museum in Bochum, Germany on March 14, 1989 and released as an LP the following year, Sonic Fiction was the first of many recordings to document the alternately subtle, restless, delicate, and rigorous interaction between German...

“The release of Kamasi Washington's The Epic last year marked a seismic shift in the jazz landscape and the game-changing arrival of the genre-blurring Los Angeles collective West Coast Get Down. That evolution continues with the release of Planetary Prince, the debut album by visionary pianist, keyboardist, composer and WCGD founding member Cameron Graves.
The core of the players on Planetary Prince are made up of fellow West Coast Get Down members, whose musical and personal relationships with...

“Dave Greenslade the English keyboard player who had his own eponymous band Greenslade as well as being a founder member of Colosseum has been back into the studio to remaster the original recordings he made in the period from 1979 to the mid 90's which were then re-recorded and released as Greenslade, Colosseum or solo album tracks. These never before released original tracks, mostly written by Dave, even feature his own vocals, as well as playing all the instruments himself.”

“Great to hear ..

The first solo album by the guitarist of Radiohead.

“Greenwood pens a science fusion of string orchestras, guitar penury, and cold outer-planetary beats. At times listening to this I literally feel as if I’m caught up in the workings of some giant, malevolent machine; it is avant-garde right down to the zinc nightmares of the song titles.”-rym

“Certain tracks, especially those with strings, are utterly gorgeous. And the jazz elements are interesting. But several tracks are a bit "out...

“Recorded in front of a smattering of people, the recording is as rough as the hairs on my chin, but it brings that touch of reality so much so that I could visualise myself as part of that audience. They are off, hungry dogs out of the trap, they are tenacious and they don’t let up, this is real power trio stuff and one by one they are knocking those songs right out of the park. It’s relentless. Hard blues rock at its best. Features the unusal lineup of Tony McPhee, Dave Anderson and Mick Jones.”-rym

"2009 archive release from the British Blues greats. In September 1976, The Groundhogs were a four piece adding second guitarist Ric Adams to bolster the sound and allow Tony McPhee more space to develop his amazing guitar runs. This Swedish gig was...

Excellent, completely unknown French stick player who has put together an excellent, ECM-ish, mellow, jazz/rock album with a band that includes Alexis Drossos-saxophones, Jean-Marie Gerintes-percussion, harmonica, musicial saw, Jean-Philippe Rykiel-keyboards and Stephane Deschamps-piano. Good playing from everyone; the accent is not on the leader, but on the ensemble. Take a chance and discover something great!!

“The music reflects of the cultural crossroads that his country embodies. Jazz and...

Bruce Haack, born on May 4, 1931, was one of the most musically and lyrically inventive children's songwriters of the '60s and '70s. Despite -- or perhaps because of -- his intended audience, his music was unusually expressive, combining homemade analog synths; classical, country, pop, and rock elements; and surreal, idealistic lyrics. Haack's innovations and desire to teach still sound fresh, making his music a favorite with fans of analog synths and esoteric recordings.
...Though he had little...

A record I had heard great things about for many years, but have never seen or heard until now, this 1972 album, originally on Island, was their sole release. I believe that some/all of these musicians backed up Richard and Linda Thompson when they retired from professional music to become Sufi Muslims (as these musicians were also Sufi Muslims). A cool, odd, and unusual album.

"The Habibiyya’s sole album stands as one of the earliest and most beautiful pieces of world music ever recorded in...

"On his new record John Hackett is joined by brother Steve Hackett, ex-Genesis guitarist Anthony Phillips and prog legend Nick Magnus to create an evocative musical landscape of powerful rock songs and rich melodies.

John Hackett is highly regarded for his distinctive flute sound in the world of progressive music and as an accomplished soloist. Solo flautist, guitarist, singer and composer, John is best known for his work with his brother Steve Hackett, the former Genesis guitarist, and the...

“Beyond the Stars sees John and Nick on an epic journey through time and place, from wistful reminiscing about happier times to a vision of a dystopian future. The songs take you on a rollercoaster ride showcasing Nick Fletcher's incredible virtuosity on the guitar alongside John's trademark flute. Their writing partnership, first featured on the John Hackett Band album We Are Not Alone, goes from strength to strength and Beyond the Stars shows them to be a musical force to be reckoned with. The duo are...

"This album is gorgeous. I picked it up expecting some crazy experimental thing because it's a Haco project, but what I ended up hearing was an achingly beautiful collaboration of slow, climaxing songs, inventive string technique, and head-bobbing goodness. This is a really, really good disc."-Eon Fontes May

"Charismatic singer, lyricist and performer Haco came to the fore in the early 80s with the group After Dinner, a sublime incarnation of surreal, direct, and offbeat Japanese/European pop...

"Susanne Lewis and Bob Drake met in 1980 at a Denver recording studio where Bob was working as an engineer. They immediately discovered a musical kinship and have continued to play and record in various projects since, notably Hail, but also Denver legends Thinking Plague and 5UUs.
Their first LP (Venus Handcuffs, 1986) was recorded in an abandoned yoghurt factory, the second (Gypsy cat and Gypsy Bird, 1983) followed soon after. At about this time Bob got a job as a sound-effects engineer for a horror

A modern string quartet who recorded this album in 1998, they have some personnel ties to Julverne, as well as to the legendary Flemish folk groups Rum and Madou. This is mostly self-written (by Jeannot Gillis) modern material.

"Shadow Machine is the first CD by Tom Hamilton and Bruce Eisenbeil, who began playing music together in 2007. Coherence without predictability, speed without tempo, direction without a roadmap - an unlikely foray into the world of out-jazz and free...

Once again, I had never heard of guitarist Fred Hamm until he sent us a copy of this album and I was fairly impressed. Working with a trio (keyboards and drums). Not jazz, not rock, not techno; fairly hard to pigeonhole, although I guess it is closest to jazz/rock, but only just...

"Passionate for the music styles of Herbie Hancock, Miles Davis, John Coltrane and Led Zeppelin gave him the desire to begin to play the guitar at age 15. He carries out various musical projects in parallel; free jazz...

20 bit digitally remixed and remastered version with unpublished photos and new liner notes, of Herbie's wonderful, classic fusion album with Bennie Maupin, Eddie Henderson, Julian Priester, Buster Williams, Billy Hart, Patrick Gleeson and Buck Clarke. This combines the post-Bitches Brew fusion esthetic with some wonderful and even subtle synthesizer work, excellent jazz soloing and great grooves. Recommended!
"First time on CD in the USA" it sez. Yeah. I know. This is one of my favorite early 70s...

Nearly worth the price for the first CD alone! And there’s so much more!

1. JAZZ WORKSHOP, BOSTON, MA - 22ND MARCH 1973 WBCN-FM, MWANDISHI

2. PAUL'S MALL, JAZZ WORKSHOP, BOSTON, MA - 13TH NOVEMBER 1973 WBCN-FM, WITH THE HEADHUNTERS

3. OMAHA CIVIC AUDITORIUM MUSIC HALL, OMAHA, NE - 17TH NOVEMBER 1975 KJSO-FM, WITH THE HEADHUNTERS

4. IVANHOE THEATER, CHICAGO, IL - 16TH FEBRUARY 1977 WXRT-FM, WITH JACO PASTORIUS

5. BREAD & ROSES FESTIVAL, THE GREEK THEATER...

"The follow-up to the breakthrough Headhunters album was virtually as good as its wildly successful predecessor: an earthy, funky, yet often harmonically and rhythmically sophisticated tour de force. There is only one change in the Headhunters lineup -- swapping drummer Harvey Mason for Mike Clark -- and the switch results in grooves that are even more complex. Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string...

Hands were a previously unknown Texas band who existed from 1977-1980 and became known from a couple of archival releases of their recordings several decades later.

Due to the overwhelming positive response that these archival releases received, the main members of the band reformed and have put out several albums in the last 15 years or so, which are all quite good. This is the latest of them!

Because the members actually are from the heyday of progressive rock, you can hear classic...

“At the end of the 1970s, jazz saxophonist John Handy helmed an adventurous plunge into world fusion with his Rainbow Band. Featuring Indian music virtuosos Ali Akbar Khan on sarod, Zakir Hussain on percussion, and L. Subramanian on violin, it also included Brazilian guitarist Bola Sete.
This San Francisco Great American Music Hall performance from July 27, 1979, was originally broadcast on National Public Radio's "Jazz Alive" program and features a 54-minute performance of a work also titled...

Joel Harrison: composer, guitarist
Todd Reynolds: first violin
Christian Howes: second violin
Caleb Burhans: viola
Wendy Sutter: cello
David Binney: alto saxophone
Ralph Alessi: trumpet, flugelhorn
Lindsey Horner: bass
Dan Weiss: drums

“The impulse for this multi movement suite came from a longstanding determination to make music that equally represents improvisation and notation. I wanted to assemble a body of work that contained the intimacy, complexity, an

“Even though she's not quite as overt about it as Madonna or David Bowie, PJ Harvey remains one of rock's expert chameleons. Her ever-changing sound keeps her music open to interpretation, and her seventh album, Uh Huh Her, is no different in that it departs from what came before it. Uh Huh Her -- a title that can be pronounced and interpreted as an affirmation, a gasp, a sigh, or a laugh -- is, as Harvey promised, darker and rawer than the manicured Stories from the City, Stories from the Sea....

"Ad Hoc Records' new, four-panel digipack reissue of The Hat Shoes debut album will be especially welcomed by lovers of intelligent and thoughtful progressive music, with a hint of Romanticism.
Originally released in 1991, Differently Desperate is a studio offering of diverse avant-pop songs by a 'super-group' comprised of members Bill Gilonis (The Work), Catherine Jauniaux (Fluvial), Charles Hayward (This Heat, Camberwell Now) and Tom Cora (Skeleton Crew, Curlew). There's also a slew of well-known...

OK! It’s not really 100% complete (see below), but there’s a wealth of great stuff and rarities here.

“The title of this boxed set is quite misleading, because Hawkins was a member of Fletcher Henderson's Orchestra for ten years from 1924, and recorded extensively with that outfit. At a conservative estimate, there are some 80 recordings which should have qualified for inclusion, yet not one appears (although his recordings with Fletcher's brother Horace do). Ignoring for a moment the disparity...

Charles Hayward is, of course, best known for his drumming and vocalizing feats with This Heat, Camberwell Now and Quiet Sun, but in addition to doing some improvising work, he has released a number of solo albums contsructed out of his excellent drumming, distinctive voice and single drones made from keyboards, melodica, etc. I saw him perform at RIO in 2009 and it was a real treat to finally see the great man behind the kit and in full voice. This is his first in quite some time and is a good one...

"This is the finest album from Michael Hedges, the man who is responsible for the greatest revolution in solo acoustic guitar playing since Leo Kottke. There are moments on Aerial Boundaries where it seems literally impossible that so much music is...

“In the 1980s, Michael Hedges emerged as one of the most skilled and imaginative acoustic guitarists of the era, blending ambient music with elements of folk, classical, and rock.
This double CD combines an in studio mid-80s set at WCBN in Miami with material from a concert at St. Paul, Minnesota's Ordway Theater on February 1, 1986, broadcast on KTCZ.
Featuring highlights from his first three albums, it also includes his cover of Prince and Sheila E.'s "A Love Bizarre", along with an original..

Monika H. is Monika Heidemann, a young, up 'n' coming jazz and new music vocalist from NYC who "twists together jazz sensibility, improvisation, catchy pop melodies, the grind of rock n’ roll and enough subconscious creativity to still question where her music could have come from."
Her band consists of jazz and new music players; Matt Moran-vibes (Claudia Quintet!), Massimo Biolcatti-bass, Khabu Doug Young-guitar and Take Toriyama-drums. This is not 'jazz jazz' but there's a lot of jazz and new...

Joe Henderson-tenor sax
Chick Corea-piano
Ron Carter-bass
Billy Higgins-drums

This is an acoustic outing from 1980 by the great tenor saxist and a truly all-star outfit about a decade before Joe's late career stardom when he signed to Verve.

"The music is a perfect document of Henderson at his artistic peak, playing his heart out with his usual virtuosity. Although basically a mainstream Bebop album, there are many moments on this album where the quartet moves into Free, wi

“Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver.
This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky.....

This is some of the fabulous recordings that the Jimi Hendrix Experience made for the BBC as they were starting out and then as they were getting huge.
Excellent mono sound from the original masters and great, happy, performances by the entire band. Some of the material is very unexpected and never recorded anywhere else and there's a lot of the well known pieces as well.
If I had to choose only one posthumous collection of studio recordings by Jimi, this is the one. Utterly essential.

"After only being available in heavily edited or bootleg form, Jimi Hendrix's complete performance at the Isle of Wight Festival (1970) was finally officially released some 32 years after the fact. Although Hendrix is plagued by equipment problems and audience expectations, and the entire festival had degenerated into something of a debacle by the time Jimi hit the stage as headliner, the sound is fantastic, the packaging and booklet are filled with great photos, and it is the entire performance...

Wired on adrenalin and other stuff too, this is the Experience at an early peak, playing before the largest audience they had ever played for and determined to live up to the pre-show hype and break big in the US. They did. It's an amazing performance and the sound as remixed from the original multi-tracks is really state of the art live & loud 1967, with Mitch's fabulous drumming very audible.

"The Jimi Hendrix Experience's breakthrough appearance at the Monterey International Pop Festival on...

This is not one of Jimi’s greatest performances & it isn’t the expanded complete performance that fits over two CDs (and which this version is superior to, imo, by leaving off the very weakest parts of the performance) but it is definitely his most famous performance, and the review below tells you what you need to know.
“The Woodstock show was supposed to be a headline performance for Hendrix and his band, but after many delays and a fan exodus, the guitarist ended up playing to only a fraction of...

"After Electric Ladyland, this is probably the Hendrix CD that I enjoy the most (I am only missing a few scattered studio releases). While it doesn't hold together as an album, being a compilation, it contains a lot of really incredible songs. The production throughout is fantastic, punchy and clear. Many of these tunes were unfinished studio projects post-Electric Ladyland, and as such a lot of them are very dense and complicated productions. Plentiful guitar overdubs abound, and some of Jimi's most...

The last of the Henry Cow albums on Virgin, this includes their amazing final BBC session; 25' of Henry Cow perfection, a small taste of the famous shows that they performed with Robert Wyatt and a lot of purely free improvisation or prepared free improvisation, which is what they were doing live at this time.
This has been out of print for a bit now and is always in demand, and it has been remastered by Bob Drake and sounds significantly better to my ears!

"Originally released in 197

This is high quality live Swedish radio recordings from Goteborg (1975 - with John Greaves) and Stockholm (1977 - with Georgie Born). The sound is great here; Bob Drake worked from the original 8 track and stereo 2 track masters and you can finally hear Tim's follow-up masterpiece to "Living in the Heart of the Beast", entitled "Erk Gah". There's also some nice improvisations and other tunes and Fred's never otherwise released "The March", which is a really great one as well. Highly recommended...

Note: These copies are the original issue of this CD on the ESD label at a special price. Very few available.

The final Henry Cow album, & along with their first, this is my favorite of their many great works.
This stuff is the ultimate in humanly impossible to play works, but there they are playing it!
One side of Tim Hodgkinson's composerly insanity (no wonder he gave up composed music for the improvised life! How does one top this?) and one side of Lindsay Cooper's fine works....

“You love great music, especially jazz, but you've grown tired of so much of the same old, same old? Tired of "waiting for the solo" on most jazz since the late 1990s? Tired of the discordant crap being passed off as "sophisticated"? Wondering what happened to the great jazz musicians who can compose a song you can groove to, play like nobody's business, but serve the music rather than an ego?
] Took me about 5 years to get my Esbjorn Svensson Trio out of my CD player, then it took a couple years to...