Synth / Electronic / Ambient

Allez Teia, originally released in 1975, was Heldon's second album. It is rightly considered an early, trance-inducing, electronic masterpiece. It is the only album in the Heldon cannon to feature acoustic guitar. Overall, I'd say that...

We have exactly four copies available of this extremely limited edition, OFFICIALLY LICENSED, SHM-CD, which is packaged in a lovely mini-lp sleeve!

Allez Teia, originally released in 1975, was Heldon's second album. It is rightly...

A beautiful, fully licensed, gatefold lp replica of the original. It sez here: "Heldon's startling second album. Sounds like Cluser or Harmonia combined with Gastr del Sol."...

"A reissue of Heldon's second album Allez-Teia, originally released on Disjuncta in 1975. Before making his own music in the early '70s, Richard Pinhas was a King Crimson fan. The British group has buzzed in Pinhas's mind for decades, but their greatest impact came early. When he first saw them play, Pinhas was struck by music played during intermission. "When I saw (King Crimson guitarist) Robert Fripp and Brian Eno perform in Paris later, I realized that the intermission music was their work," Pinhas...

"A reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (home of King Crimson and Roxy Music), the imprint was interested, but Pinhas was frustrated to find out he'd have to...

"A reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound synthesizer didn't change radically after...

"A reissue of Heldon's third album Third (It's Always Rock 'N' Roll), originally released on Disjuncta in 1975. Third album from the French space-rock electro combo masterminded by Richard Pinhas. Heldon's darkest work lays another stone in their sonic mosaic: synths, drones, fuzz, and trippy improvisations. There's something wicked happening on Heldon's third album It's Always Rock And Roll. Richard Pinhas's essential attack of searing guitar and space-bound synthesizer didn't change radically after...

This is a legit, reasonably good sounding, live bootleg recording, sanctioned by Richard & released for Record Store Day. Three of the tracks were never officially recorded by Heldon in the studio. The sound is meh. The music is terrific!

"All tracks side A are unreleased versions and have never been edited before. Color vinyl; Edition of 1000.
Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock...

High quality mastering from Richard Pinhas's original masters; Licensed from Richard Pinhas. Obi strip; matte printing. Sea blue vinyl; Edition of 700.

"A reissue of Heldon's Stand By, originally released in 1979. Richard Pinhas began by absorbing Jimi Hendrix as an adolescent, leaving that behind at the beginning of the 1970s, after having heard what Miles Davis and Herbie Hancock were doing with synthesizers, and then discovering the seminal duo Fripp and Eno. It was one year on from this...

Half of the classic lineup of Djam Karet have put together a really nice, gently spacey album that recalls the aspects of the band most notably evident on Suspension and Displacement and Recollection Harvest; an very acoustic sound that also filled...

Hillage's sixth album caught a lot of people by surprise after all his work as a guitar-star, but in hindsight it fits right into his post-guitar musical world, where he found much fame in the early techno/electronica world. A very nice, low-key album...

"In the mid-1970s, Parisian composer and multi-instrumentalist Thierry M�ller began operating primarily under the Ilitch moniker. Juxtaposing dark, electronic soundscapes and solo guitar improvisations, Ilitch created some of the most enduring music of the era. It comes as no surprise that Nurse With Wound included M�ller on their famed list of influential avant-garde artists.

Originally released on Oxygene Records in 1978, Ilitch's debut Periodikmindtrouble was a shot across the bow for the...

“Jarre’s fourth album had seen him develop a sound that was unique to him – dynamic, rhythmic and employing bassline sequences. It has since become one of the most instantly recognisable pieces of electronic work ever via the likes of Equinoxe Parts 4 and 5.
With Equinoxe Infinity comes ten brand new tracks (or movements) which cleverly follow the path of the original album. Breaks of thunder and lightning with bubbling and running water are repeated with synths sounding ‘vintage’ but with a modern...

“Jarre’s fourth album had seen him develop a sound that was unique to him – dynamic, rhythmic and employing bassline sequences. It has since become one of the most instantly recognisable pieces of electronic work ever via the likes of Equinoxe Parts 4 and 5.
With Equinoxe Infinity comes ten brand new tracks (or movements) which cleverly follow the path of the original album. Breaks of thunder and lightning with bubbling and running water are repeated with synths sounding ‘vintage’ but with a modern...

Suitably eerie music for synths, drones and electric guitars. I love this sort of modern day equivalent of Cluster II.

"JOHN 3:16 is Philippe Gerber, whose Heat From A DeadStar existed between 2004–09 and worked with Rick Harte/Ace Of Hearts Records in Boston.
As JOHN 3:16, Gerber has released numerous works via Alrealon Musique, Flood Records, 75orLess, White Label Music, Venus Aeon, Classwar Karaoke, and more. He has collaborated with artists such as Pas Musique, TheUse, Rasplyn, Anthony...

Disc 1
Sarasvati Planet Ariel

Disc 2
Planet Air

Disc 3
Ascend / Descend

Disc 4
Astral Cathedral

"The music is fully unreleased, with only a few tracks being different versions of previously released tracks.
Another indispensable compendium of the great French experimental artist's musical opera. With this four-LP box set of fully unreleased archival materials, Ariel Kalma ideally retraces the map of his own path and spiritual journey during the '7

Ariel Kalma is one of those legendary names that you already read about but seldom hear, unless you want to plunk down some serious coin for some super rare vinyl.
This 1980 release, which was the follow up to his great release Osmose, is something I had never heard before and it's totally, totally great; a cross between Urban Sax, Richard Pinhas, Terry Riley, Indian music and the Berlin school. This is the first time it has ever been reissued and it's a stunner. Highly recommended...

"Born and raised in Paris, Ariel Kalma studied electronics, computer science, music and art in Paris, he performed with several bands, then toured the world and visited Europe, Japan, India, Eastern Canada, and parts of the USA. Apart from rhythm &...

"A new album from Kapital (duo of Rafal Iwanski and Jakub Ziolek) and Richard Pinhas (Heldon). Entitled "Flux", the record is the outcome of musicians' meeting at Unsound Festival in Kraków (Poland). "My first encounter with Richard Pinhas in a live setting took place in 2009 when he played CoCArt Music Festival in Toru ," recalls Rafa. "It was a great experience but more akin to psychedelic and rhythmic ambient music. It wasn't until 2013 when we met again, this time with Jakub, during If You Say So...

The below is the best ‘description’ I could find of this percussion / laptop oriented album. It doesn’t tell you how good it is, so I’m telling you how good it is! CD and vinyl have completely different covers!

“For more than a decade, experimental percussionist and sound artist Eli Keszler has dismantled the idea of what a drum can be and how it should sound. He’s done this on enormous scales, turning Boston’s Cyclorama building and a Louisiana water tower into makeshift monolithic instruments...

The below is the best ‘description’ I could find of this percussion / laptop oriented album. It doesn’t tell you how good it is, so I’m telling you how good it is! CD and vinyl have completely different covers!

“For more than a decade, experimental percussionist and sound artist Eli Keszler has dismantled the idea of what a drum can be and how it should sound. He’s done this on enormous scales, turning Boston’s Cyclorama building and a Louisiana water tower into makeshift monolithic instruments...

"This is the first-ever release of not ONE but TWO classic Basil Kirchin soundtracks, one from 1965, the other 1971. It's music for strippers, wife-swapping, death, birth, crime and chicken factories. Basil Kirchin is a legendary jazz drummer and...

This was the second volume (hence 3 & 4) of Kirchin's Worlds Within Worlds, which reached a large audience due to its release on Island to a 'rock based / progressive' audience for his tape based works.
It has never-before been reissued in any form legitimately; hugely recommended for fans of electronic / tape music!

"Basil Kirchin was a pioneering British composer who blurred the lines between musical genres. While his career began in the ‘40s as a professional jazz drummer, in the ‘60s he..

First CD reissue of legendary collaboration between Christina Kubisch and Fabrizio Plessi. "The performance started with a four-channel ambient sound that continued throughout the whole performance. Since I had no sampling possibilities at that time, a...

First CD reissue of legendary collaboration between Christina Kubisch and Fabrizio Plessi.

"The performance started with a four-channel ambient sound that continued throughout the whole performance. Since I had no sampling possibilities at...

"Labradford gradually developed their ambient rock excursions throughout the ’90s, growing from a duo to a trio and bringing more instrumentation to the mix. This is, to a certain extent, what all bands and artists must do to maintain relevance...

“In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks from these releases...

"Laraaji's glistening 1980 debut Ambient 3: Day of Radiance has from the beginning been considered an outlier. Though widely celebrated at that the time of its original release (as the third installment in Brian Eno's emerging ambient music series), the album also brought with it an aura of mystification. Where did it fit in? An uncharted synthesis of resonating zither textures, interlocking hammered rhythms, and 3-D sound treatments (courtesy of Eno), Day of Radiance seemed to push open many doors at...

"Laraaji's glistening 1980 debut Ambient 3: Day of Radiance has from the beginning been considered an outlier. Though widely celebrated at that the time of its original release (as the third installment in Brian Eno's emerging ambient music series), the album also brought with it an aura of mystification. Where did it fit in? An uncharted synthesis of resonating zither textures, interlocking hammered rhythms, and 3-D sound treatments (courtesy of Eno), Day of Radiance seemed to push open many doors at...

Laraaji is a zither/electronic artist who was discovered by Brian Eno and who released Ambient 3: Day of Radiance on EG in 1980, right as the whole new age/ambient kerfluffle was taking off. The music is very peaceful and functions really well as...

"Professional Sunflow is the first-time collaboration between Laraaji & Sun Araw, two colossal forces in contemporary electronic music. Laraaji's musical radiance has continued to shine brightly over four decades since being discovered by Brian Eno in New York's Washington Square Park in 1979. Sun Araw emerged out of Los Angeles' experimental scene in 2008 with transformative releases on a variety of trend-setting labels (Not Not Fun, Drag City and more).

The live performances on this double...

"Threnody by K. Leimer is a music of disorientation, error and loss. Free of any particular sense of continuity or structure, Threnody dwells in an absent-minded and forgetful state, inhabiting an aftermath of events too disorienting to be completely comprehended. Highly atmospheric, the music draws from influences as diverse as Arve Henriksen, David Sylvian, Taylor Deupree and Biosphere. Shattered phrases emerge among shrouded details in a state of sustained incompleteness. In a departure for Leimer...

"Extensively manipulated audio files, layered elements combined from multiple versions of shared sources, edited, reshaped envelopes and extended periods of dust collecting resulted in six pieces of minimalist / process music. Layered by arbitrarily...

"The first phase of K. Leimer’s recorded work began in 1972 with the production of the Grey Cows cassette and culminated in 1983 with the release of Imposed Order. Though work seemingly stopped following the release of I/O, Leimer continued to record and experiment with sound during what proved to be a 15-year interegnum for his Palace of Lights label. That work, never before issued, is included in this expanded remaster. Imposed Absence features ten tracks recorded in the years between Imposed Order and...

"...K. Leimer creates similar sound mosaics, albeit with a greater dynamic range and rhythmic drive. He’s been putting out records since 1979 on his Palace of Lights label, sort of a Windham Hill of electronic music. As a Brian Eno disciple, Leimer is ...

Another handsomely packaged album of ambient music by this U.S. pioneer of the style.

"Lesser Epitomes is process music for active or passive listening. The pieces are derived from the aleatoric reordering of discreet, compatible musical...

"Remastered by Greg Davis from the installation tapes made during the 1983 performance, this archival recording of a day-long open air concert in Seattle’s Seward Park was originally issued on cassette and has been sought and shared by collectors of...

"Following a few years of back-catalog recovery, K. Leimer has completed work on his first new solo album since The Grey Catalog. These ten new tracks follow an emergent arc, a refinement of the techniques he has used since Permissions. Highly tactile, with an emphasis on subharmonics, Re-enact sketches an antediluvian soundstage of deteriorating fragments scattered among still-recognizable artifacts. This multitude of points-of-collapse in textural, timbre, harmonic and rhythmic relationships...

"K. Leimer, that neglected minimalist soundscaper is back with another smartly-packaged record, and it's a dandy, the sort of disc that begs the question as to why he isn't one of the Nobel Laureates of ambient already. Self-released on Leimer's own Pa...

Some of you with long memories and/or big record collections from the days of imports with JEM stickers on them, will recognize this name from his two releases on the Egg label ("The Most Progressive European Music Experience") from 1978 and 1980.
This is his 1st release from 1959, and is obviously, quite different, but is still interesting and avant music.

"Originally released in 1959, Musique Tachiste is the first in a series of rare records by French experimentalist Michel Magne. One of...

"Since he began moonlighting from his main gig as one-half of sci-fi prog powerhouse Zombi, multi-instrumentalist A.E. Paterra has become increasingly renowned as the mastermind behind Majeure. Following the assured debut epic, Timespan, his second...

"A decade ago, Zombi cofounder A.E. Paterra conceived his solo endeavor, Majeure. Released in 2009, the debut album, Timespan, took the term "full-length" quite literally - its 40-minute runtime filled by three epic, side-long journeys through time and space. It merged the sinister soundtracks of Vangelis and John Carpenter, the stately minimalism of Cluster and Ashra, and the relentless drive of Tangerine Dream and Jean-Michel Jarre, delivering inspired sci-fi disco-prog of the highest caliber...

“A reissue of Carl Matthews' Call For World Saviours, originally issued in 1984. Mesmerizing DIY electronic music from Cumbria, UK, influenced by the Berlin School but even more by Tim Blake, Call For World Saviours was originally released 1984 on cassette only; this is this music's first time on CD and vinyl.”

"Carl Matthews is by no means immune to the maelstrom of geocaching notebooks. Krautrock (tick), guerrilla DIY cassette-era artist (tick), under-rated UK electronic composer (tick). Man...

Our second release by Piero Milesi, this is a soundtrack to a ‘video opera’ from 1987, in collaboration with composer Daniel Bacalov.
We are very happy to have a vinyl version of this electronic release made available, in collaboration with Soave Records and Daniel Bacalov, for its 30th anniversary!!

“La Camera Astratta is the result of the amazing collaboration between Piero Milesi e Daniel Bacalov with the experimental theatre-performance of the Studio Azzurro and Giorgio Barberio...

"The official reissue of legendary album KI-Motion by Japanese percussionist Midori Takada's MKWAJU Ensemble, originally released in 1981.
A highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion, and synthesizers, KI-Motion was recorded in 1981 and captures the birth of Midori Takada's exploration of minimalism, African rhythmic tradition, and ambient music. The album takes its conceptual inspiration from the tamarind ("mkwaju" in Swahili), a drought resistant tree....

"The official reissue of legendary album KI-Motion by Japanese percussionist Midori Takada's MKWAJU Ensemble, originally released in 1981.
A highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion, and synthesizers, KI-Motion was recorded in 1981 and captures the birth of Midori Takada's exploration of minimalism, African rhythmic tradition, and ambient music. The album takes its conceptual inspiration from the tamarind ("mkwaju" in Swahili), a drought resistant tree....

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

"The Mnemonists were a legendary group of composers and artists from Fort Collins, Colorado, who went on to call themselves Biota. They created drifting hypnotic sound collages out of pre-industrial loops, processed ambient sound, rock 'n' roll guitar, and fragments of half forgotten memory. Their work was highly visual, and always accompanied by beautiful line drawings and painted art works; the total meaning is forged from the combination of sonic and visual information. Gyromancy stands as a classic...

This is Anthony Moore of Slapp Happy in his guise as 20th century avant-garde composer. No CD release of this album of minimal music.

"a-musik is honoured to present a new album by one of our all-time favourites, anthony moore. we've been faszinated by his work, both with slapp happy and solo, since quite a long time now, and are happy to release this lp with wonderful live recordings he did with the missing present band in cologne in late 2015."

Synthesist Steve Moore is one half of the excellent, 70s-inspired, synth/prog duo Zombi. In addition to the six albums released by Zombi, he has a prolific and thriving solo career. This album, released simultaneously with Zombi's latest, Shape Shift, is the soundtrack to a horror film and is one of his great ones, mixing spacey sequencing and droning menace. Recommended!

"Except for a few brief moments of pounding tribal percussion, Moore’s score for Cub is primarily an exercise in epic 1970s...