Rimarimba was the project of Robert Cox from the UK who released several cassette and/or lp releases in the 80s. Until now, none of his work has been reissued; I have one of his original albums which I’ve treasured since I found it 35 years ago! His work as Rimarimba is a cross between systems music/minimalism and spacey/trancey sounds.
This is really superior stuff and if you sound intrigued, by the short description I gave it, you are going to love this!

“On Rimarimba's 1985 album In...

“The starting point for the recordings on Flurry Of Delusion was an improvised recording session with Giuseppe Ielasi, but as with all Ralf Wehowsky works nothing is quite what it seems to be. Cutting out the moments of "glory" and recombining them, Wehowsky, aka RLW, reassembles them into new more detailed compositions. Further improvised sounds were treated and added to the mix. It is neither industrial or musique concrete, nor computer music or improvisation - in fact it could be all of these...

“As a sonic continuation and response to last year's optimistic Tomorrow, AS IT IS is a revelatory experience of mystical, captivating electronic music. It travels the soul's pathway of renewal following the dramatic year we've just emerged from. Filled with texture and subtle nuance, this is a spacious album of organic analog electronic music with a breath and heartbeat - a simmering, churning, moving appointment with reality. Within secluded deeply personal spaces, suspended soundworlds place the...

“Mercurius is a resplendent sonic expression on the psychology and spirituality of impermanence and finding comfort in the liminal spaces of the in-between. Moving beyond the security of naming the infinite nuances intrinsic to being human is just one of the threads of intention woven into this music. Composed in four movements, Mercurius is a soulful resonation upon the ineffable.
Steve Roach is a leading American pioneer in the evolution of ambient/electronic music, helping shape it into what it...

Stephen Hill, Hearts of Space Radio:
“Abandoning all conventional notions of music as melody, harmony and rhythm, Mystic Chords & Sacred Spaces allows the listener blissful hours on the high frontier between deep listening music and the spirituality of pure sound. On the 20th anniversary of Roach's breathtaking album, Projekt collects all four parts into a single release - close to five hours of electronic ambient music. Moving into the majestic realm of pure, non-rhythmic electro-acoustic...

“Reflections in Repose captures the pure essence of Steve Roach's ever-deepening intimate embrace of silence, breath, rich harmonic inventiveness, and shifting liminal states; it's a sound and style completely unique to his electronic/ambient vision. Created over two evenings at the close of 2023, the music was recorded in the same sequenced flow as presented on the two discs' 116 minutes. The five long-form tracks were performed on a single instrument -- the Oberheim OB-X8 -- the modern equivalent of...

“Masterfully joining the two worlds that define Steve Roach's signature styles, the 153-minute 2CD Sanctuary of Desire combines deep ambience and mesmerizing, spiral-like electronic forms in a majestic flow of stately elegance and breathtaking aural drift. Disc one explores a realm of suspended tranquility, sustained reflection and emotional resonance. Disc two soars into the mythic imagination by way of multi-dimensional mandala-like tapestries woven from Steve's mastery of analog-based synths textures...

'Forty years after the release of Steve Roach's Structures from Silence, the intervening decades have only proved that it's as serenely timeless as we thought it was the first time around, still sounding like slow motion surfing on the perfect wave to infinity.'-John Diliberto

Steve Roach's 1984 Structures from Silence is an ambient classic often spoken of in the same breath as Eno's Music For Airports. Projekt celebrates Structures' 40th anniversary with a beautiful remastered edition...

This is a collection of pieces by synthesist Steve Roach from 1988-1992, which either appeared on compilations or never appeared at all. All of Steve's work is quite fine, but I really miss his early period, which was a uniquely Californian take on the...

“Tomorrow's five deeply stirring transcendent electronic pieces draw from Steve's current high tide of creativity and introspection. Developed over the last six months within the stylistic mode he describes as "elegant futurism," cyclical melodic weavings flow and ebb in a graceful momentum infused with deep emotion. Tomorrow finds a rare balance between a feeling of floating and one of kinetic movement; this unexpected symmetry breathes life and energy into each piece. Primarily composed and performed...

“What Remains is a dynamic confluence of sonic worlds -- four interconnected passages that venture from analog-sequencer driven elegant futurism, to yearning and mysterious tribal ambient, to conclude with the heart-wrenching, pure-atmospherics of the title track. There's an odyssey-like quality at work here, a revealing culmination of the different electronic musics Roach has developed and explored over the last forty years.
What Remains is a powerful meditation upon Steve's journey of one. "As I...

“2002's Trance Spirits returns to a hypnotic world of primal, passionate percussion innerwoven with a tapestry of sonic atmospheres and electronic hybrid grooves. These seven tracks pierce time with the heartbeat pulse of the electronic soul welded to organic drums of skin and wood, a rush of ecstatic spirit-catching rhythms elevating a meditative trance state.
Orchestrating a thunderous album of sound, Steve Roach's expansive array of synthetic soundworlds, hybrid groove percussion, and textural...

“Jocelyn Robert is a multidisciplinary artist, active in the fields of sound and video art, installations, performance, computer art and writing since the late 1980s. He co-founded the audio and electronic arts centre Avatar in 1993 and has presented his work in numerous events and exhibitions across the globe. Robert lives and works in Quebec City, Canada, where he teaches at l'Ecole des arts visuels de l'Université Laval. 'The Maze' contains mostly field recordings, many with modified time scales, some...

"11 unreleased compositions by Hans-Joachim Roedelius produced between 1990 and 2001. All of them are pearls of electronic deepness that show another side of the man that lives in the little Lower Austrian town Baden. His famous ultra-sweet piano melodies can be heard -- but they are not the center of the productions; instead, here is a more electronic side of his genius. With a minimalistic approach, he lets synth melodies fly high while some droney, melancholic atmospheres swell in the background…

“Sam Rosenthal (USA) and Jarguna (Italy) merge with the sunset on their first electronic/ambient collaboration, a work that lingers in the ephemeral dusk of dreams. It's an evocative blend of drones and synths coloring the margins without overwhelming the music's essential fragility. Sensitive sonic montages lead listeners quietly into the twilight where the sustaining ambient moods eventually resolve to rise up again as in "Evening market of the petal fields part 3" where Erik Wollo's Kosmische electric...

“In June 2020 Michael Rother packed the trunk of his car full, making sure to include a selection of his favorite instruments and other effects, and set out on a trip from Bevern-Forst, where he has lived on an old farm since 1973, spending a half a century writing momentous pieces of music history, at times solo, and at others in collaboration with other artists (Hans Joachim Roedelius, Dieter Moebius, Brian Eno et al.)
His two-day drive took him to Pisa, but it was not a vacation. Rother will stay..

This is post Soft-Machine, ‘progressive electronic keyboards moods with a futuristic sound’ library music from 1979 by Karl Jenkins and Mike Ratledge.
If your alarm clock played this stuff to get you up in the morning, you would awaken with your muscles flexing as you sped off to save the world...

Limited edition of only 300 made!

“Given that this is a library music record, I feared this may be in the vein of Rubber Riff, a Jenkins library record from 1976 credited to Soft Machine...

Great, spacy / quiet /restful’ release from the guitarist Chuck Johnson and the keyboardist Marielle Jakobsons. If ‘spacy / quiet / restful’ makes your ears stand up, then you want this!!

“There is an old Norse myth that says the great northern glaciers stored energy until they burst with fluorescent light, creating the Aurora Borealis. Saariselka is inspired by the meeting of earth and light, where slowly moving land masses merge with enveloping light fields. This sonic collaboration between...

"Swallowing air and farting it out, that's the main life skill of the weatherfish. But what's best about him is his evocative German name: Schlammpeitziger. When German electronic artist Jo Zimmermann launched his solo career in the early 1990s, he chose to be identified with this creature living in the flat muddy waters of the European and Asian plains. Unlike the fish, Schlammpeitziger's early reputation was built on his inventive use of cheap Casio synthesizers and the use of composite nouns to name...

"Transporting the sound of shoegazer aesthetics into an electronic context, this is how Ulrich Schnauss once described his artistic goal. Influenced by bands such as My Bloody Valentine, Slowdive, Cocteau Twins and Chapterhouse on the one hand, yet wholly at ease with the electronica of bands like The Orb, Bionaut, Orbital, 808 State and unequivocally appreciative of veterans of the genre, Tangerine Dream or Manuel Göttsching, for example. A brother in spirit to Robin Guthrie, one might say -- an ...

“First-ever CD issue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course.
Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories. One day...

"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club during...

“About the Con-Struct series:
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio...

“Robert Schroeder was one of Klaus Schulze's first disciples to record on the master's own Innovative Communications label, and Harmonic Ascendant remains one of the two or three best albums I.C. ever released.
Not content however to be merely a copyist, Schroeder forged his own identity as a composer of romantic, richly-textured electronic music that owed as much to Chopin as it did to Schulze. The architectonic structure of the individual movements that make up the title track is immaculately...

"Re-release of the impressive Klaus Schulze album "Angst" - soundtrack for the disturbing movie of the same title by Gerald Kragl. Originally released in 1984. The film was actually shot after Klaus Schulze's score. He got the script and on the basis of the script, he wrote the music. Director Kragl told him, "You can write the music as you like - just stick to the script! I will cut the film to the music, not adapting the music to the film." Normally, the music takes its cue from the film but in this....