Goblin were a instrumental quartet of keyboards, guitar, bass & drums who are known for their soundtracks to some seriously scary 70's horror films by Dario Argento. Their music is sorta like a demented, evil Pink Floyd, but they really just sound like...

A release so great that one of the great bands of the 90s/00s named themselves after it! Goblin were a instrumental quartet of keyboards, guitar, bass & drums who are known for their soundtracks to some seriously scary 70's horror films by Dario Argento.

“After the successful Dawn of the Dead live soundtrack performance in 2017 and subsequent live LP release by Claudio Simonetti’s Goblin, Svart Records are proud to present another foray into the world of classic Italian horror soundtracks. This time Claudio Simonetti’s Goblin were invited to Finland to perform a Dario Argento two movie set, opening with a live accompaniment to Profondo Rosso and finishing the night with a striking rendition Suspiria.
Recorded on May 19th 2019 and mixed and mastered...

Claudio Simonetti – keyboards
Bruno Previtalli – guitar
Cecilia Nappo – bass
Federico Maragoni – drums

CASE IN POINT!
Here, Claudio and his new batch of Goblins make new re-recordings of Goblin’s best known tracks from their 70s horror films soundtracks.

Beautiful package of 180 gram vinyl in a gatefold, tipped-on jacket with a 12" x 48" poster! Yowie!

This group came out of nowhere about 20 years ago and hugely influenced the underground/progressive music world with their massive and expansive...

"this long-playing record, a thing we made in the midst of communal mess, raising dogs and children. eyes up and filled with dreadful joy - we aimed for wrong notes that explode, a quiet muttering amplified heavenward. we recorded it all in a burning motorboat. 1. UNDOING A LUCIFERIAN TOWERS - look at that fucking skyline! big lazy money writ in dull marble obelisks! imagine all those buildings much later on, hollowed out and stripped bare of wires and glass, listen - the wind is whistling through all....

This beautiful, legit reissue includes a gatefold sleeve!
This album has an interesting history and is sort of the band's 1st and 2nd album simultaneously.
Trauma was originally recorded and released in 1970, but the band was unhappy with the work and soon after re-worked and re-recorded the album with English lyrics and a harder 'progressive hard rock' sound with nice organ and guitar work.
This album is best known for the 13' title track, which is a heavy, psychedelic mix of Guru Guru and...

Being a humongous fan of Gong in high school and discovering them just about the time that Daevid left and they imploded, my sorrow was great. But only a couple of years after they broke up they had the first (of what would be many, many) reunion, but this one was special as it featured the entirety of the 'classic' line up of the band that recorded Angel's Egg and You, which were keystone records of my listening at that time. Being a twerp kid and this being before the instantaneous internet told you...

This is the first time that this 1969 classic has been reissued from the actual 1969 BYG master tapes; at least that is what they are promising...
The first 'Gong' album is really an early Daevid & Gilli album from 1969, after they were forced to leave England, & settled in Paris. Kinda folky/psychedelic in a genuine 1969 way. You can hear the embryonic Gong sound here and a lot more as well.
Nicely replicates the original gatefold sleeve, with Daevid's fun scribbles on the inside. A really....

Some of you may remember Delia Gonzalez from "The Days Of Mars", her joint work with Gavin Russom, which is a great, modern day electronic music album that channels 1971-1975 but in an original way and think: Mother Mallard's Portable Masterpiece Co. (that's the main sound I hear), Klaus Schulze, Tangerine Dream, Manuel Gottsching.
After a very long time off and one solo piano album, she's back with this, a similar electronic album and one that is also hugely recommended by me if you like the 1st two..

Peter Van Huffel alto saxophone
Roland Fidezius electric bass, effects
Rudi Fischerlehner drums

"After the broad success of “Bite My Blues”, Canadian saxophonist Peter Van Huffel’s Berlin band Gorilla Mask is back with more music; not to cover the foot imprints of his previous work but going beyond a good number of steps. You can’t say anymore that this project consists of a mix of jazz with punk and metal – the kind of sonic assault heard on “Iron Lung” has an identity of its own, inc

"180-gram LP version with embossed chessboard artwork print and printed inner sleeve."
This was originally released in 1981, & is a single piece of really trancey, hypnotic electronics with some nice, very subtle changes going on, & Manuel's (Ash Ra Tempel) guitarwork overlaid on it. I know that some folks find it too minimal, but for me, this is one of the great trance Berlin albums of all time. Personally recommended.

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

"By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual for him, after which he would be totally spent, emotionally and physically. Graves rarely left anything on the table. Any musical performance was an opportunity to...

"The late percussionist Milford Graves was one of the most unique artists the world has ever seen. Born in Jamaica, Queens in 1941, he began his career in the early '60s as a part of New York's vibrant Latin jazz scene. His focus quickly turned inward, shifting towards a practice that explored the very nature of self. From his work in the New York Art Quartet and collaborations with Albert Ayler, Sonny Sharrock and more to his important contributions during NYC's loft era-he is, simply put, free jazz...

John Greaves: voice, bass guitar piano, sequences, string arrangements
Annie Barbazza: voice (3,6,7,11) piano (11), acoustic guitar (3)
Valérie Gabail: voice (1, 10)
Himiko Paganotti: voice (8)
Vincent Courtois: cello
Matthieu Rabaté: drums
Olivier Mellano: guitar (1,2,6,8)
Sophia Domancich: treated piano (8)
Zeena Parkins: harp (10)
Jakko Jakszyk: electric guitar (4)
Lino Capra Vaccina: piano, gongs, vibes, cymbals, percussion (12)
Camillo Mozzoni: obo

"When David Greenberger first embarked on what has become a life-long journey, drummer Chris Corsano was not yet five years old! In 1979, after graduating from art school in Boston, Greenberger took the job of activities director at the Duplex Nursing Home, an all-male elder care facility in Jamaica Plain, Massachusetts, and began collecting the stories, poems and music reviews of its aged patients for what became his Duplex Planet project, an undertaking that would eventually encompass nearly 200 issues...

Sonny Greenwich: electric guitar
Don Thompson: piano, electric piano
Richard Homme: acoustic bass, bass guitar
Terry Clarke: drums
Clayton Johnston: percussion

Sonny Greenwich is a little known Canadian guitarist who is kind of a ‘Santana / Coltrane guitarist’ in the same way that Tisziji Muñoz is and with a somewhat similar furious but spiritually uplifting esthetic, except he emerged a decade earlier! This is his first album as a leader and also his hardest to source until

Dominique Grimaud has long been involved in interesting, experimental rock in the French music scene (on Guigou Chenevier's solo albums, with Video Aventures and with the legendary, early 70's group Camizole!
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“Dominique Grimaud makes you listen to the The Beatles, The Rolling Stones, Pink Floyd, and many more artists from the 1960s, like you never hear before. The title says it all: 19 Feedbacks. French multi-instrumentalist and sound-experimentalist Dominique Grimaud dives into his adolescence...

“First ever reissue of this ultra-rare acetate from 1972, Grit's self-titled album. Featured in Hans Pokora's book with the maximum scale rarity. Psychedelic hard-rock with furious drumming and stunning lead guitar by this unknown until now London based band.
Includes the four tracks from the original acetate (taken from the master tape) plus two bonus tracks taken from lo-fi, crude rehearsals: "1000 Miles" (a Grit original) and a killer demo version of "Mineshaft".
Born from the ashes of a...

"Tired of the rock format and excited by the freedoms promised by electronic music, Harald Grosskopf quit Wallenstein, a conventional rock band, in the mid-'70s to turn his attention to electronica. Grosskopf thus became the first drummer to specialize...

"Harald Grosskopf played drums on the early Klaus Schulze albums and recorded thirteen albums with Ash Ra Tempel. His solo works, 1980's Synthesist and 1986's Oceanheart, are outstanding releases of the German electronic music scene.
Eberhard Kranemann studied music at the Dortmund Conservatory and art at the Kunstakademie Düsseldorf. He co-founded the electronic bands Kraftwerk, NEU!, Pissoff, and released albums under the pseudonym Fritz Müller.
Harald Grosskopf and Eberhard Kranemann...

“Beautifully packaged 180g vinyl. Flip-back sleeve. Strictly limited pressing run of 500 copies worldwide. Printed inner sleeve with liner notes by Duncan Heining.”

Tracks 1-3:
Group Sounds Four
BBC Jazz Club, pre-recorded live on 13th June 1966, broadcast 19th June 1966.
Henry Lowther – trumpet
Lyn Dobson – tenor sax
Jack Bruce – bass
Jon Hiseman - drums

Tracks 4-7:
Group Sounds Five
BBC Jazz Club, recorded live at the Paris Theatre, Londo

This is a beautiful, numbered, limited edition of 889 copies of this classic, which is part of the Prog Rock Italia series - mastered from the original tapes on 180 gram vinyl in a beautiful gatefold sleeve.

"This band with a strange name and an unusual line-up is still less-known to many italian prog experts, yet their only album is surprisingly good and has very interesting moments. The weakest point is the singer's voice, squeaky and monotonous and with some spoken parts to connect the....

This is an extremely high-quality vinyl version of this great album with a heavy and totally stunning gatefold sleeve that cost a fortune to produce; I gotta say that it came out beautiful! It includes a download coupon for the digital version of the...