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Guitarist Michael Rother is a very important part of some of the most exciting and influential music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influential Neu!, played for a short while in Kraftwerk (between their first and second album) and joined forces with Cluster to form Harmonia. After Harmonia disbanded in 1976, he started a solo career and this 1976 release was his first.

"Michael Rother was the guitar and keyboard playing...

Guitarist Michael Rother is a very important part of some of the most exciting and influential music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influential Neu!, played for a short while in Kraftwerk (between their first and second album) and joined forces with Cluster to form Harmonia. After Harmonia disbanded in 1976, he started a solo career and this 1979 release was his third.

" Katzenmusik marked the third and final...

“In June 2020 Michael Rother packed the trunk of his car full, making sure to include a selection of his favorite instruments and other effects, and set out on a trip from Bevern-Forst, where he has lived on an old farm since 1973, spending a half a century writing momentous pieces of music history, at times solo, and at others in collaboration with other artists (Hans Joachim Roedelius, Dieter Moebius, Brian Eno et al.)
His two-day drive took him to Pisa, but it was not a vacation. Rother will stay..

“Rough & Wojtyla Featuring Richard Pinhas is Rough & Wojtyla's second album.
Richard Pinhas, the founder of '70s legends Heldon is one of France's best known experimental musicians and is a key figure in the fusion of rock with electronic music. Drones are supported by a tentative jazz drum beat and Pinhas's guitar. In perfect harmony, the three musicians don't take themselves seriously. They saturate their sonic world with long abstruse silences, before returning more furiously into the barely...

“Claire Rousay's a heavenly touch blends piano, percussion and field recordings into a hushed, transgressive mix. Originally issued on cassette in April 2020, this marks its first appearance on vinyl, mastered by Andrew Weathers (Lucy Liyou, Hayden Pedigo, More Eaze).
Coming on the heels of last year's breakout album, a softer focus (American Dreams), or her 2022 LP everything perfect is already here (Shelter Press), a heavenly touch foreshadows Rousay's future releases and serves as a North Star...

Nearly 30 year old 'new old' stock, from the back of our warehouse! Even though these are cheap, it really is (a) great and (b) long out of print. A great, lost Cuneiform release, never on CD and not likely to ever be on CD!

Since everything old is new again, and since we've been selling a lot of vinyl recently and I was poking around in the back of the warehouse, I found these brand new, still sealed, perfect copies of Cuneiform #13, which was never reissued on lp or CD; you can buy mp3s of it...

"On the same trip to the United States that produced U.S.A. Concerts and Environment for Sextet, Andrea Centazzo also connected with the San Francisco-based ROVA Saxophone Quartet, formed the previous year by Jon Raskin, Larry Ochs, Andrew Voigt, and Bruce Ackley (all playing various saxophones). While not as well-known now as they once were, over the last 40+ years the ensemble has produced dozens of albums and collaborated with diverse figures like Anthony Braxton, Alvin Curran, Terry Riley, and Henry...

This copy is new and sealed and perfect EXCEPT that there is a crease to the jacket. Not too bad, but enough that you get more than 25% off of this copy!

This is the English language version of the 1973 album Contaminazione.

"The classical influence behind RDM became even more apparent on Contaminazione (1973), vaguely based on parts of Bach's harpsichord pieces, this is a consistently convincing album of this type."-Scented Gardens Of The Mind.

"...In 1973 a fifth member was added, keyboard player Franco Di Sabbatino, also from Pescara, like Pino Ballarini, and briefly with Il Paese dei Balocchi. With their sound enriched by the...

"The masters of Italian progressive hard rock formed in Rome in 1971. Io Come Io (1972) was an even better work (than La Bibbia) with crisper production. The interplay between wah-wah guitar and fuzz bass all over the place is simply incredible. The slightly baroque melody lines (like those of Bach) are played with such force you'd hardly recognize these classical sources. This may be the best hard rock or heavy progressive album to come out of Italy...."-Scented Gardens Of The Mind.

"The only recordings (from 1970) by the forerunners of great Krautrock band Eulenspygel; this material is from their transitional phase, as they made their weird way from beat/r&b to psychedelia; long tracks sung in English, all from the original mastertapes.
A great German group. One of the most oft-requested older Garden of Delights titles. This wonderful edition contains an LP-sized 12-page insert. Limited to 1000 hand-numbered copies."

I would basically agree with everything in the review below about this excellent and raw early progressive album, although I don't really think they sound so much like Tull at all - maybe a bit like This Was era, but just a bit...

Early(1967), very progressive Argentinian jazz by a bassist / composer who was also an early proponent of electric jazz, releasing another landmark work, De Prepo, just five years later!

“Bassist, composer, arranger, and film scorer Jorge López Ruiz was the living embodiment of Argentine jazz history. This recording, which was done in 1967 with a big band led by López Ruiz, represents a monumental work in Argentine jazz.
The work is a concept album that takes a critical stance on the...

Really pleasing and pleasant, while still musically vigorous combination of rock, jazz (especially John Hollenbeck) and progressive elements with systems music composed for a 12 piece ensemble. If reading the previous sentence makes it sound like this is your thing, then this is your thing!

"On Reflections, Philipp Rumsch explores the reduction of sound and its alteration through compositional parameters, the use and gradual overlaying of repetitive structures of rhythms like patterns or grooves...

“Following the February 1975 release of their classic second album, Fly By Night, Rush embarked on a massive American tour. The remarkable show captured on this set had especial significance, as Cleveland was the first US market the trio ever broke.
Broadcast on the local WMMS FM, it is presented in its entirety here, it includes numerous tracks from Fly By Night, as well as a superb cover of Larry Williams classic Bad Boy. Its a vital document of the band at their early best, and is presented here...

About 20’ of great music!

“The George Russell Sextet caught in a rare live recording from a concert held at Music Inn, in Lenox Massachusetts on September 1, 1960. George Russell's kaleidoscopic sound conception takes shape through the collective interplay of a brilliant tight band featuring George Russell himself on piano, Al Kiger (trumpet), Dave Baker (trombone), Dave Young (tenor sax), Chuck Israels (bass), and Joe Hunt (drums). A great example of challenging modern and yet swinging jazz...

“Gold vinyl hand-numbered edition of 200x copies

Roy Rutanen’s self-titled album has remained a very well-kept secret among psychedelia and acid-folk collectors ever since its original release in 1971 on MCA in Australia. Now is the right time for Rutanen’s glorious music to shine through, with his unique combination of moody acoustic bliss and acid-drenched solos, as evidenced on ‘The Trip Song', a 10-minutes magnum opus that might well be a candidate for top 10 psychedelic tunes of all time!...

"Like a message in a bottle, carried round by the ocean streams for decades, Henrik Rylander's album Från En Obestämd Plats I Rummet has floated around in the space of Swedish underground music. Höga Nord Rekords pulls the cork and unfolds the message that is a piece of music that was ahead of its time, sounding "now" 20 years after its first release in the late nineties. This album is a well-kept secret even for the most initiated music lovers in Sweden. The music, influenced by Flying Saucer Attack...

There was an amazingly high number of great albums being released on ECM during the 1970s and this is one of many beautiful, enjoyable classics. This 1978 release features his post-Odyssee group of Terje Rypdal-electric guitar, keyboard, synthesizer, Palle Mikkelborg-trumpet, fluegelhorn, RMI, tac piano, ring modulator, Sveinung Hovensjø-basses and Jon Christensen-drums, percussion. Not as powerful as Odysee (nothing is!), but as great in a different way.