Edition of 250!

"We were first made aware of this Brooklyn band by Gary Panter. When we asked Gary about some specific projectors for light shows, he said we'd be best off conferring with his colleague, Curtis Godino. And oh yeah, Curtis also helmed a dastardly psychedelic music unit called Worthless. Checking out some of Worthless's previous recordings for Beyond Is Beyond, Stupid Head, and Greenway, we were struck by the weirdness and seamlessness of their psych stretching; if ever there was...

Excellent, fun and rockin' progressive hard rock with great flute leads, reminiscent of heaviest early Tull (Benefit) with a female vocalist. If this sounds like your thing, this is your thing! Recommended!

"The Dresden heavy retro band WUCAN began their quick ascent in 2014. Everything began with their first EP "Vikarma," released in November 2014 on Metalizer Records. This release, which quickly sold its first 500 vinyl copies, received many positive reviews. With all of this praise WUCAN...

Robert's 2007 album finds him on a new, very hip indie label, getting really good pre-release press and with a large cast of musical helpers: Alessandro Fedrigo - Guitar (Bass), Alfonso Santimone - Keyboards, Piano, Annie Whitehead - Horn (Baritone)...

Jam-packed compilation, tracking Robert's work and including enough rarities/unreleased tracks that even the fan who owns everything will still want this.

"‘Different Every Time (Benign Dictatorships) ’ is a new compilation of the works of Robert Wyatt curated by Robert and biographer Marcus O’Dair. ‘Benign Dictatorships’ brings together the best of Robert’s collaborations and guest appearances, or, as Robert has it, ‘benign dictatorships,’ including some very special oddities and rarities...

AKA “Robert Wyatt 101”

“A compilation spanning Robert Wyatt's decades-long career. The collection, originally released as a Japanese edition, includes selections dating from Rock Bottom (1974) to Cuckooland (2003), although its running order is non-chronological. This makes the subtle point that Wyatt’s recordings are best considered as a non-linear catalogue - this is a world through which the listener can move at any pace in any direction.”

Originally released on Rough Trade, this was Robert's first completely solo album; all words and music as well as all instruments were by him. It's also my favorite of all his albums (and I like them all).

"The themes running through the album are of cultural narcissim, snobbery and alienation - issues that are close to Robert's heart and an integral part of his music."

"Originally released in 1975, it highlights Wyatt’s interests in township arrangements and ensemble playing. The result is a set of songs that startles with its rhythmic instinct and shape-shifting composition."

Well, 31 years later comes this oft-bootlegged show of Robert's big re-emergence concert after his accident and after the huge success of Rock Bottom. This isn't the *complete* concert - Robert says something about not having complete tapes of the second set - but it is most of it. The sound is unbelievably better than the bootlegs, but it still is not a 'professional sounding' live release from the mid 70's. But who cares? Not me!
The following info was borrowed from Aymeric Leroy's Calyx site....