Hassell, Jon - Power Spot

SKU 28-ECM1327
While I am convinced that Jon Hassell is responsible for a handful of brilliant classics from the late 1970s into the mid 1980s, you might not know that I consider this one-off for ECM to be his single finest work. Now you know. Unconditionally recommended!

"Power Spot opens with the surging, polyrhythmic title track featuring Hassell's sinuous trumpet lines and dense electronic percussion from one of the album's most significant collaborators, J.A. Deane. Ambient keyboard textures drone in the background and, together with the percussion, form a mesmerizing tapestry over which Hassell's trumpet glides and soars. Images of the African continent emerge from the cyclic rhythms and harmonic stasis; a meditative calm hovers behind the swirling surfaces. The opening title track clearly sets the stage for what is to follow. During the murky, down-tempo "Passage D.E.," Hassell conjures stillness from his horn, breathy clouds laced with echo. In "Solaire," the trumpet weaves through watery, transparent textures and pulsing percussion. "Miracle Steps" opens with brazen trumpet declamations accompanied only by irregular rhythmic patterns from the percussion. An evocative blend of quasi-elephant calls and train whistles, the solo trumpet eventually winds its way downward until it is quietly submerged. "Wing Melodies" recalls the surging motion and dense fabric of the title track. Multiple keyboard parts interlock with aggressive percussion while Brian Eno's stuttering bassline remains fixed. Hassell's exuberant trumpet solo is possibly his finest on the album. "The Elephant and the Orchid" recalls the slower tempo and darker shades of "Passage D.E," but lingers there for a rather long time. Ambient keyboard drones and weary percussion provide the accompaniment for Hassell's remarkably flute-like sound. The shimmering flutes of Miguel Frasconi are a welcomed addition to the gently concluding "Air." Throughout Power Spot, Hassell's distinctive "raga" trumpet sound is breathy and vocal. He accomplished this by singing into the trumpet rather than the traditional method of blowing into it. Furthermore, Hassell often harmonized his principal trumpet line in real time, creating chords from just one note. At the time, he accomplished this real-time harmonization by using "tuned" tape loops to create parallel harmonies in fourths and major chords."-Mark Kirschenmann/All Music Guide

Jon Hassell-trumpet
J. A. Deane-percussion, alto flute
Jean-Philippe Rykiel-keyboards
Michael Brook-guitar
Richard Horowitz-keyboards
Brian Eno-bass
Richard and Paul Armin-RAAD electro-acoustic strings
Miguel Frasconi-flute
  • LabelECM
  • UPC602517762275
Your Price $13.00

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