Brit-Jazz and related

“Previously released in 1980 on David Toop's Quartz label at a time when improvised music in London was settling into a long spell of excellence.
The players here are Steve Beresford, Peter Cusack, Terry Day, and David Toop. Terry had been a member of The People Band in the '60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers who emerged out of the explosion of musical development...

"Archive release. This debut release of Neil Ardley and his New Jazz Orchestra BBC broadcasts from 1971 measure a year of change for the band's musical director.
The first session captures the full majesty of the NJO at the height of it's powers in a Jazz Club session from February with a 20-performer line-up pre-recorded at London's Camden Theatre. Humphrey Lyttelton helms proceedings; musicians include Ardley, Harry Beckett, Ian Carr, Henry Lowther, Derek Wadsworth, Mike Gibbs, Don Rendell...

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (with 25 participants on this album) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Hugh Hopper, Alan Gowen, Robert Wyatt, Dave Stewart, Mike Westbrook & Fred Frith, among others.
For this, their third album, he has chosen to highlight the compositions of the late Lindsay Cooper. They band perform:
1. Half The Sky (from "Western Culture").

“The duo of saxophonist Larry Stabbins and percussionist Roy Ashbury was a mainstay of the London improvised music scene in the early 1970s. They recorded their lone LP, Fire Without Bricks, in 1976, and issued it in a tiny edition on the cooperatively run Bead label.
Stabbins has toggled between more pop-oriented projects like Working Week and Jerry Dammers Spatial AKA Orchestra and adventurous free music in bands led by Peter Brötzmann and Tony Oxley.
Born in Wolverhampton and based initially.

Very early jazz/rock/R’n’B from Auger and his follow up band to The Trinity. This was recorded before the band’s first album and shows a very ‘rough and tumble’ approach to the idea of jazzing up rock. There’s some real surprises here (Herbie Hancock’s Maiden Voyage! John McLaughlin’s Dragon Dragon Song!) and this made me think of a long ago time when it all had NOT been already done!

“First ever release of this recording done live at Montreux Super Pop 1970. Taken from the original archive tapes..

“Wow, this box set is amazing. The remasters are crystal clear and most rewarding. Streetnoise is the real gem in this box but Open runs a close second. I’d forgotten just how talented both Julie Driscoll and Brian Auger are. My only regret is that they did not add either the This Wheels on Fire or Road To Cairo singles for all us completists.”-Robert Styles

“Far Horizons’ presents the groups four legendary studio albums, fully remastered under Brian’s guidance, with digitally restored artwork....

"A reissue of Derek Bailey & Han Bennink, originally released in 1972. The tussling vegetables in Mal Dean's cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink.
Recorded in London in 1972, Incus 9 was their second record (after an Instant Composers Pool in 1969), becoming a blueprint and inspiration for generations of free-improvisers.
It is paired here with a brilliant unreleased session from the following year, with the same power and.

"A reissue of Derek Bailey's Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist's championing of "non-idiomatic improvisation", the poet Peter Riley gets the ball rolling in his identification of the various hauntings...

"A reissue of Derek Bailey's Solo Guitar release on Incus in 1971, with additional tracks included on previous reissues and a performance at York University in 1972.
Recorded in 1971, Solo Guitar Volume 1 was Bailey's first solo album. Its cover is an iconic montage of photos taken in the guitar shop where he worked. He and the photographer piled up the instruments whilst the proprietor was at lunch, with Bailey promptly sacked on his return.
The LP was issued in two versions over the years...

This fine album, one of the few recorded examples of Muir's pure improvisational playing, has been out on vinyl before - in its original issue in 1981 - but not with this fantastic photo on the cover, which I had never seen before....

"A reissue of Jamie Muir and Derek Bailey's 1981 duo album, Dart Drug, originally released on Bailey's Incus label. Percussionist Jamie Muir was a member of King Crimson during the recording of Larks' Tongues In Aspic, in 1973. Staying less than a year with Robert..

"A reissue of Derek Bailey and Tristan Honsinger Duo, originally released by Incus in 1976. Born in Burlington, Vermont, and conservatory-trained in the US, the cellist Tristan Honsinger moved from Montreal to Amsterdam in 1974, quickly linking with Han Bennink and Misha Mengelberg and opening a long and fruitful musical relationship with Derek Bailey. Recorded in 1976, Duo displays a performative musical approach already characterized by the lack of inhibition which would later endear him to The Pop...

Lucian Ban - piano
John Surman - baritone & soprano saxophones, bass clarinet
Mat Maneri - viola

This is everything you would want from an exploration of folk music melodies of Romania from these three distinctive players. Surman particularly sounds amazing here - like he was born to play this music!.

“Their mutual interest in the work of Hungarian composer and ethnomusicologist Béla Bartók led to their new recording, Transylvanian Folk Songs, an assortment of arrangements

Denys Baptiste : tenor sax
Andrew McCormack : piano
Gary Crosby : bass
Rod Youngs : drums

“Although he never really went away, Denys Baptiste is back again with his first album since Let Freedom Ring released seven years ago. Less ambitious than his suite that combined gospel, blues, contemporary jazz and Afro-Caribbean music with poetry excerpts, here Baptiste concentrates on refining his approach to the quartet through a series of compositions that tackle identity through...

Django Bates is a Brit-jazz band leader, pianist and tenor horn player of great reknown in the UK. He founded Human Chain in 1979 and in the 1980s he rose to prominence in the big band Loose Tubes. He has performed as a member of Bill Bruford's Earthworks and in the bands of George Russell and George Gruntz.
For this release, he has revisited The Beatles 'Sgt Pepper's Lonely Hearts Club Band', with rather great results, as long as you don't mind hearing a cultural icon get shaken up and remade...

Gordon Beck (piano)
John McLaughlin (guitar)
Jeff Clyne (bass)
Tony Oxley (drums)
Joy Marshall (vocals)
This is very nice, lightly swinging jazz standards. John gets one solo. Don't buy this expecting Extrapolation or Bitches Brew, but still, LOOK AT THIS BAND!

"Gordon Beck, English jazz pianist and composer, broke onto the London scene in the early 1960s joining the Tubby Hayes group in 1962. Forming his own succession of groups from 1965 onwards. A subsequent 26 album car

"The product of a recording session in New York City in 1970, “Where Fortune Smiles” is one of the milestone albums to be recorded at a time when the divisions between the worlds of jazz and rock were less defined and albums such as Bitches Brew by Miles Davis and the work of Tony Williams’ Lifetime pointed a new direction in music.
Originally released on Pye Records’ “Progressive” imprint Dawn Records, Where Fortune Smiles was recorded fresh on the heels of John McLaughlin and Dave Holland’s work...

Dudu Pukwana – soprano & alto saxes
Chris McGregor – piano
Louis Moholo – drums

“On October 25th 1986 the world of jazz and improvised music lost one of its most original and creative musicians, when the bassist Johnny Mbizo Dyani died in Berlin. This album is dedicated to the man and his music by his South African brothers with whom he left South Africa as a member of the Blue Notes in 1964.
Recorded in London on 18 August 1987. The CD album is now available again, for the first tim

Dudu Pukwana – soprano & alto saxes
Chris McGregor – piano
Louis Moholo – drums

“On October 25th 1986 the world of jazz and improvised music lost one of its most original and creative musicians, when the bassist Johnny Mbizo Dyani died in Berlin. This album is dedicated to the man and his music by his South African brothers with whom he left South Africa as a member of the Blue Notes in 1964.

"OTOROKU present the first vinyl reissue of Blue Notes for Johnny, a defining statement.

Dudu Pukwana – alto sax, whistle, percussion, vocals
Chris McGregor – piano, percussion
Johnny Dyani – bass, bell, vocals and most of the words
Louis Moholo – drums, percussion, vocals

“This music was recorded on 23rd December 1975 in a rehearsal room in London. It is the spontaneous tribute of four musicians who had assembled in London for the Memorial Service to their friend. No discussion took place beforehand and nothing was said during the session, save through the music....

"He is an icon of the Rock world: the legendary song writer, bassist, pianist and singer Jack Bruce. In 2006 at the 37th German Jazz Festival Frankfurt, he joined forces with the hr-Bigband to perform a highly acclaimed concert, presenting classic Cream songs and other landmarks of his career in gripping new arrangements. It was a magic moment of dialogue between Jazz and Rock that roamed between composition, improvisation and vibrant, virtuoso performances. The hr-Bigband is one of the most innovative...

This release includes a CD of a new stereo remix, and a DVD with a new 5.1 surround sound mix along with the original 1978 mix, all taken from the original 1978 analogue tapes.
This album, originally released in 1977, established (ex Yes, King Crimson, Genesis, National Health) drummer Bill Bruford as a (very) credible composer and bandleader. For me, this is one of the finest fusion albums to have come out of the UK.
In addition to Bill's excellent playing, there is Dave Stewart on keyboards...

An Italian band who have a great love for Brit-jazz and, more specifically, the Ogun sound. The musicians are:
Pino Minafra trumpet, flugelhorn, voice
Roberto Ottaviano saxophones
Livio Minafra piano
Roberto Bellatalla bass...

“A re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid 'Belladonna' from 1972.
Originally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes)...

“Official half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid 'Belladonna' from 1972.
Originally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones...

"Certainly one of the most obscure and perhaps one of the most fascinating works of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. 'Chitinous' is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we find the cream of...

Lol Coxhill-soprano sax
Charles Hayward-drums
Hugh Hopper-bass
Orphy Robinson-vibes, steel drums
with
Robert Wyatt-cornet

The first release (and sadly the only one) by this improvising group of established figures from the creative rock and improvised music scene in Britain. They've been together for a few years now, plays shows when circumstances permit, and it's great that they've finally documented something. This pretty quickly finds its feet, finds a groove and keeps.

Graham Collier: conductor
Harry Beckett: trumpet, flugelhorn
Ed Speight: guitar

The Swedish Radio Jazz Group:
Arne Domnérus: alto saxophone, clarinet
Claes Rosendahl: tenor and alto saxophone, flute
Lennart Åberg: tenor and soprano saxophone, flute
Erik Nilsson: baritone saxophone
Americo Bellotto: trumpet, flugel horn
Bertil Lövgren: trumpet, flugel horn
Jan Allan: trumpet, alto horn
Håkan Nyquist : trumpet, flugel horn, French horn

Graham Collier – double bass
Nick Evans – trombone
Harry Beckett – trumpet
Karl Jenkins – oboe, piano
Stan Suzlmann – alto and tenor sax
John Marshall – drums

This hits ALL the right Brit-jazz buttons of 1969! Hugely recommended!

“Previously unreleased recording of bassist/composer Graham Collier's seminal British jazz album 'Down Another Road' recorded live in 1969 at Stockholm's Jazz Day festival, his all-star sextet includes jazz heavyweights Harry Beckett, Stan..

Graham Collier – double bass
Nick Evans – trombone
Harry Beckett – trumpet
Karl Jenkins – oboe, piano
Stan Suzlmann – alto and tenor sax
John Marshall – drums

This hits ALL the right Brit-jazz buttons of 1969! Hugely recommended!

“Previously unreleased recording of bassist/composer Graham Collier's seminal British jazz album 'Down Another Road' recorded live in 1969 at Stockholm's Jazz Day festival, his all-star sextet includes jazz heavyweights Harry Beckett, Stan

John Carberry - narrator
Harry Beckett - trumpet & flugelhorn
Alan Wakeman - tenor & soprano sax
Bob Sydor - tenor & alto sax
Geoff Castle - piano
Graham Collier - double bass
John 'Chick' Webb - drums

Recorded in London, July 1971.
“Surprisingly enough, program music is not all that common in jazz. For example, unlike their classical counterparts, not many jazz composers have set out to evoke particular places. Duke Ellington’s 'Tone Parallel To Harlem' is

"Colosseum's 1969 debut album is a notably pioneering endeavor in its combination of British blues-rock with British jazz-rock, even if the writing and singing aren't as impressive as the confident playing. Graham Bond and some of the horn-augmented...

"This is the BBC Radio 1 Service. We proudly present one of the world's greatest bands... Colosseum!"

"Fans tuning into their wireless sets during the great age of progressive rock would have been thrilled to hear the announcer introduce one of their favourite bands about to hit the airwaves. They wouldn't be disappointed. Few bands played with such power, fire and intensity whether in a club, at a festival or even in the confines of a radio station studio.
Led by drumming legend Jon...

“Music recorded at London's ICA in July 1982. It's a miracle of group interaction, wonderfully paced, moving steadily between moments of mounting intensity and tension. The passage about halfway through -- when Derek Bailey's harmonics ring out above a sheen of inside piano tremolos and shimmering electronics, topped off by Julie Tippetts's soaring vocalese -- is simply sublime. After which it's fun to try and tell the two pianists apart. Are those runs Ursula Oppens, with her formidable technique honed...

It seemed to have taken Lindsay's death, recent series of tribute concerts and the ReR 'Rarities' compilation to reawaken people to her work, but at least they've reawakened!

Excellent CD of one of Lindsay's best extended works, with lyrics by...

"This double CD set collects together, amongst other things, all of Outtakes for Other Occasions and The Small Screen, both of which were never commercially released, all four pieces from The Classic Guide to NoMansLand, the subscription 7” Pictures...

“Mike Cooper wrote his final songwriter record, a suite of gloaming rock anthems performed with a spiritual jazz trio, while living on the Costa Tropical of Granada, Spain, an era when he was considering retiring from music altogether.
A chance encounter and a last-ditch record deal convinced him to make one last album, which he recorded in 1974 at Pathway Studios in London, with "The Greatest Rock and Roll Band in the World," featuring the inventive South African jazz rhythm section of...

* Legendary British Psychedelic jazz album.
* East meets West ‘Indo-Jazz’ fusion.
* Remastered from the original master tapes.
* A rare Lansdowne Jazz recording.

“Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D’Silva produced some of the most adventurous and sophisticated recordings within the canon of ‘Indo-Jazz’, a term used to define a pioneering east meets west synthesis that reflected the..

Lol Coxhill-soprano sax
Jasper van’t Hof-electric piano, piano
Pierre Courbois-drums

This was the second of two releases that Lol had made for John Peel’s Dandelion label, but Dandelion folded before it could come out and it came out on the associated Mushroom label in 1972. This is its first-ever vinyl reissue.

“Fully licensed, limited to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol..

“Lol Coxhill was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher, Chris McGregor's Brotherhood of Breath and its...

“Morphometry is an exquisite album of duets by the legendary soprano sax player Lol Coxhill and his friend and disciple, Raymond MacDonald. These are recordings made in July 2008 during what would be Coxhill's last visit to Scotland. Pressed on custard-colored vinyl with fleas on the label, in homage to Coxhill's album Fleas In Custard (1975), this release features a front cover woodcut created by Ian Barrett, whose uncle Syd was one of the figures whose paths crossed with Lol in 1960s London.”

Elton Dean - alto sax, saxello
Paul Dunmall - tenor & baritone saxes
Trevor Watts - alto sax
Simon Pickard - tenor sax
Paul Rogers - double bass
Tony Levin – drums

“Elton is a central figure both in the development of the British jazz scene through the '70s and beyond, and in the rock scene at the time. Known to wider audiences through his connection to the Soft Machine, his sinuous, post-Coltrane lines on alto and the rare saxello appear in many progressive contexts i

“The debut album was recorded while Dean was still with Soft Machine, and made largely with fellow-Softs, though it is clear that he was already interested in exploring new territory...Deservedly rescued from oblivion by Cuneiform, Just Us is a great introduction to a compelling voice.” – The Penguin Guide To Jazz Recordings

English jazz saxophone legend Elton Dean has been in the public eye for over 30 years, & has played in numerous acclaimed groups over the years, including the...

Elton Dean - saxophones
Keith Tippett - piano
Harry Miller - double bass
Louis Moholo - drums

“Recorded live on 25th February 1979, Teatro Cristallo, Milan, Italy. Previously unreleased.”

English jazz saxophone legend Elton was in the public eye for over 35 This was Cuneiform's first release by the great free-jazz saxophonist and composer Elton Dean and was also Elton's first-ever North American release under his own name. This album fe...

“Elton Dean - saxes
Steve Miller - piano
Pip Pyle - drums & percussion

“Recorded in Sawbridgeworth, Hertfordshire, UK, December 1976. Private session. Previously unheard.
The amazing lost Dean, Miller, Pyle private tapes from 1976: featuring the very first recorded meeting of these three extraordinary pioneering talents of British Jazz/Rock, performing four magical co-composed pieces, none of which have ever been issued in any form.
This album was originally intended to be.

Frode Gjerstad: tenor and soprano saxophones, bass clarinet, alto flute
Eivin One Pedersen: piano and keyboards
John Stevens: drums

"If anybody deserves to be called a living legend in Norwegian free jazz it must surely be saxophone...

David Toop (bass, guitar, digital electronics, VCS3 synth)
Phil Minton (voices)
Evan Parker (soprano and tenor saxophones)
Steve Beresford (Farfisa organ, VCS3 synth)
Mark Sanders (drums)
Package designed by Tom Recchion

"Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: The Soft Machine and Pink Floyd 1967-68, The MC5'

David Toop (bass, guitar, digital electronics, VCS3 synth)
Phil Minton (voices)
Evan Parker (soprano and tenor saxophones)
Steve Beresford (Farfisa organ, VCS3 synth)
Mark Sanders (drums)
Package designed by Tom Recchion

"Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: The Soft Machine and Pink Floyd 1967-68, The MC5'

"Bob Downes is a flautist, multi-instrumentalist and composer possessing prowess as a musical personality. Emanating from his living breath Bob conjures sublime sounds from an array of flutes and poignant weaving through his alto and tenor saxophones...

Dreamtime is the band of the great British trombonist Nick Evans, who is heard from too little since the 70's. This was recorded in 1986, so it is chronologically their 2nd album, although it remained unreleased until 2004. A shame, as it's a good qual...