Cuneiform releases

Cuneiform
Tomas Fujiwara – drums and vibraphone
Michael Formanek – double bass
Mary Halvorson – guitar

“...one of the most spellbinding trios in contemporary improvised music.” – Echoes

“Thumbscrew are one of the essential contemporary jazz groups, and each of those last four words requires an equal stress.” – The Wire
...

Michael Formanek - bass
Tomas Fujiwara – drums
Mary Halvorson – guitar
Thumbscrew demonstrates their unique collective musical vision in contrasting but complementary ways on two exciting new CDs. Ours and Theirs are the first to be released on a newly revamped Cuneiform Records, just returning from a hiatus. Comprised of longtime collaborators Michael Formanek, Tomas Fujiwara, and Mary Halvorson, Thumbscrew is

Time of Orchids is an indefinable avant-rock band that formed in 1999 in New York City. After 3 self-released albums and a release on Tzadik that brought them to a much wider audience, Namesake Caution is their fifth release and their first on...

Roger C. Miller – Guitars, vocals, Mellotron, cornet, piano
P. Andrew Willis – Basses, micro-synths, vocals
Larry Dersch – Drums, Whisky flask

“I think of Trinary System as my third, and last, really good rock band.” – Roger C. Miller
1969 : Sproton Layer
1979 : Mission of Burma
2012 : Trinary System


“Trinary System continues the elegant, abstract, agitated firestorm tradition of Miller’s Burma songs, with an unmistakable

U Totem were the avant-rock supergroup that combined personnel from Los Angeles' 5uu's and Motor Totemist Guild. They existed between 1998 - 2004 and released two albums, of which this is the second. Since his time in U Totem, drummer/composer Dave Ker...

“The closest thing to Henry Cow in complexity...world class playing & singing...there is nothing else like this now.” – Chris Cutler

“U Totem is characterized by unsurpassed technique and perfect sound; in addition, this music is well written & well orchestrated...this must surely be the CD of the year!” –Gateavisa


U Totem is the combination of the 5uus & the Motor Totemist Guild. This pairing has brought out the best parts of both bands, combining the abstraction & lyricism of the.

Founding members of the original "Rock In Opposition" [R.I.O.] movement and the inventors of "chamber rock", Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is...

“The music is so complex and tightly played that it is obvious each note from the ensemble was meticulously crafted and placed...an intelligent mix of jazz-rock fusion and classical instrumentation with a very distinctive sound.” – The Scene Online

Implosion features Univers Zero's trademark chamber rock style - a style that they are one of the originators of - subtly modernized, infused with greater classicism and given a sharper, more electric and electronic edge...

Founding members of the Rock In Opposition movement, Univers Zero have continued to change and grow and develop over their entire career, while still keeping a ensemble sound and spirit that is easily recognizable. Relaps presents something that Univers Zero's fans have been hoping for for decades; a peek into the recorded archives of one of the greatest avant-rock ensembles since mid 1970s! This CD documents the final 1980s line-ups of Univers Zéro before the band's long sabbatical from recording and...

“While ensembles like the Kronos and Brodsky quartets have filtered into the rock world by way of guest appearances or loosely adapting rock music, Univers Zero have been single-handedly bridging the two disparate worlds by integrating a frontline rhythm section into their dark scores. And what a powerhouse pulse machine it is..."-Focus

This is UZ's 2nd release since reforming in the late 1990's. and leader/composer/drummer/keyboardist Daniel Denis builds upon the rich legacy of Univers Zero's...

Univers Zero play fascinating, modern, chamber music-influenced rock. Simultaneously gothic & futuristic, they are somewhat like the very best of Magma or Crimson, but infinitely darker, with helpings of Eastern European folk melodies added. This band and these discs are completely deserving of the mystique & legendary status that have grown up around them. Incomparable! This is their 1st in 13 years!

''The fall of Rome? The parting of the Red Sea? What else can compare with the monumental...

Over 30 years ago, after 3 years of work and rehearsals, a group of seven unknown Belgian musicians gathered in a small basement studio to record their first album, which they released themselves in a tiny edition of 500 copies. The album was untitled...

"Thanks for the University of Errors. Great BAND!...lovely record." - Robert Wyatt.

"Just got the Jet Propelled Photographs. I like it. Good energetic versions of the songs and Daevid is singing well." - Hugh Hopper


This great title - the only time we at Cuneiform were able to work with Daevid Allen. This title is out of print in physical format and it will not be coming back in physical format, so if you ever wanted this, now is the time, as there are about 13 copies left for sale.

As I hope most of you have noticed, I have a strong belief and interest in the new, young(er) bands who are playing now what would have been called progressive rock if they had been doing it 35-40 years ago, but now they sit in a sort of a odd, uncomfortable place between math-rock, art-punk, technical-rock and god knows what other hyphenated names you care to use. In any event and in my opinion, this is one of the most intense, indescribably brilliant albums we've ever released. It's stupidly

"...a feast of heavy, odd-time riffing" – Washington City Paper

"...a stunning example of both virtuosity and clever composition...amazing, and amazingly consistent...." – All Music Guide

"Seldom is music so challenging also so easy to listen to." – Prefix

"...there’s something revitalizing about hearing a band like Upsilon Acrux hitting their stride...." – Dusted
...

"A fascinating variety of influences are at work in UJD's music, but prior to any explication and dissection, it's important to note that this group effing rawks!!! The CD has punch, drama, virtuosity, hooks–all the things that make for a dynamic...

Curated by guitarist Henry Kaiser, 156 Strings is his personal selection of acoustic guitarists "who sound like themselves and have something special to say." The 19 guitarists here are both well known & unknown: Duck Baker, Steffen Basho-Junghans, Rao...

"There's lots here to mull over...have cerebral fun deciding whether to listen to it in one broad dramatic sweep or to single out individual tracks for closer scrutiny."-The Wire.

Nick Didkovsky commissioned over 20 artists to create music using the 44 "Nerve Events" found on Beta 14 OK. From high tech computer music using custom designed software, to low tech sampling & multitracking.
Performances by Henry Kaiser, George Lowe, Neil Rolnick, Thomas Dimuzio, Frank Pahl, Iconoclast, members of...

“...Unsettled Scores was a total smash; I wanted to buy it for some time, but I didn't imagine it was so unbelievably good.” – fan mail from some flounder

The idea came from Forever Einstein's Chuck Vrtacek: to put together an album of Cuneiform Records artists interpreting tunes from their label mates. Since the label had a pretty stable roster by 1994-1995, with most of them sharing some common musical aesthetics, the project has the possibility of being interesting. And it is....

C.W. Vrtacek – sampler, tape, toys, synthesizer, acoustic and electric guitars, piano, etc

“It may be preferable to meditate in a quiet room, but we seldom find ourselves in quiet rooms...so, always the same question: how to find silence in the midst of chaos?" - C.W. Vrtacek

This puts Chuck's 3rd & 4th solo lps onto one CD; “Learning To Be Silent” & “When Heaven Comes To Town”.
Very different from his band Forever Einstein, the music here is quiet, sober, introspective, sometimes...

Anglo American, the 2nd retrospective of the late saxist Gary Windos work to appear on Cuneiform, was compiled by Michael King and features liner notes by Pam Windo, as well as rare photos supplied by her. While Gary recorded in an amazing number of si...

Rich Woodson is a self-taught composer and guitarist who grew up on hard rock and heavy metal in Nashville, TN and San Antonio and Austin, TX. His major musical influences are Tim Berne, Frank Zappa, Watchtower (the 1980's Austin metal band, who invented the technical metal subgenre) and composer Charles Wuorinen.
This debut CD, performed by a crack band, comprising Rich on guitar, Aaron Stewart-tenor sax, Peter Epstein-soprano sax, Mat Fieldes-acoustic bass and John Hollenbeck-drums, is a bold and...

"The missing links in my life's work, no less!" – Robert Wyatt

"Cuneiform has delivered a Holy Grail with Robert Wyatt's '68 ... The sound on '68 is excellent; it was painstakingly cleaned up and remastered from original sources, making this a making this a must for any Wyatt, Soft Machine, or prog head. The booklet also contains a lengthy interview with Wyatt by Aymeric Leroy with comments from Hopper. All killer, no filler." – Thom Jurek, All Music Guide ...

Frédéric L’Epée – guitars, synth, chorus
Laurent James – guitars, chorus
Nico Gomez – bass, chorus
Volodia Brice – drums
with
Ayşe Cansu Tanrikulu – vocals (1, 5, 6, 9, 12)

French composer and guitarist Frédéric L'Épée formed his first serious band, Shylock, while in his teens and waxed two now highly collectible albums with that formation in the mid 70s; moving on to the guitar-centric combo Philharmonie, who existed

Frédéric L’Epée – guitars, keyboards, chorus
Laurent James – guitars, voice, chorus
Nico Gomez – bass, chorus
Volodia Brice – drums
with
Carla Kihlstedt – voice, chorus

According to most professional journalists, comparisons are odious and according to most professional musicians, critics are useless.

But what happens when a critic makes a comparison that turns out to be useful and also transformative in the most positive way? ..

"The music of Zevious shrewdly juxtaposes order and its opposite: structural intensity pushed to its breaking point in the most appealing way. These boys are brilliant and fearless."–Vijay Iyer

"...Zevious is for anyone who loves aggressive, rock-oriented improv with grooves and some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesnt mean you can't have arrangements and following a script doesnt mean you can't let your hair down." – DownBeat..

Zevious split the difference between the Tony Williams Lifetime and the 80s Downtown scene...[they make] algebraic music feel wholly organic , almost swinging." – Jazz Times

"...[This] is for anyone who loves aggressive, rock-oriented improv with grooves & some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesn't mean you can't have arrangements & following a script doesn't mean you can't let your hair down." – DownBeat

Zevious split the difference between the Tony Williams Lifetime & the 80s Downtown scene...[they make] algebraic music feel wholly organic , almost swinging." – Jazz Times

"...[This] is for anyone who loves aggressive, rock-oriented improv with grooves & some semblance of a song...these guys put their music degrees to work...letting us know that being intense doesn't mean you can't have arrangements & following a script doesn't mean you can't let your hair down." – DownBeat