Is RMI the most prolific band in the world? They might be. And they keep releasing great work. In addition to their many albums, RMI have also released a number of very limited edition CDRs. The musical and sound quality of these releases is excellent; as good as their regular releases, but do remember that these are CDRs in simple, flat packaging.

Recorded at The Gatherings, St Mary's Church, Philadelphia, PA 18th April 2010.

Recorded at The Greenhouse, Stockport, December, 2011.

Is RMI the most prolific band in the world? They might be. And they shockingly keep releasing great work. In addition to their many albums, RMI have also released a number of very limited edition CDRs. The musical and sound quality of these releases is excellent; as good as their regular releases, but do remember that these are CDRs in simple, flat packaging.

"The Radio Noisz Ensemble from the Weinheim an der Bergstraße area was the successor group of Emma Myldenberger, who had played folk with medieval touch. Instead, the music with an oboe as the lead instrument was now more complex and oriental, sometimes a

Despite their being quite popular at the time, and despite Achim's long history in music, being a big name in the "Beat-era" with The Rattles and then later being a early pioneer of the Krautrock sound, most of his great albums from the 70s have not....

"The first ever reissue of Requiem's For A World After, originally released in 1981. Dark, progressive, synth ambient meets Berlin-School sounds on this obscure kraut album, which "tells the story of a world annihilation through nuclear war." For A World After is full of delayed psychedelic electric guitar, effects, cold drum machines, waves of analog keyboards (Korg MS20, Casiotone 201, Crumar DS-2, Jupiter-4), and cosmic atmosphere.
George Speckert is a conceptual electronic composer based...

First-time ever on CD for this Sky Record title from 1978. At the time, this was the height of modernity in its Kraftwerk-ness. Now it still is fine but boy-oh-boy, synthesizer technology sure has changed!

"Bureau B reissues Wolfgang...

"Drauf Und Dran is meant as a milestone and a guidepost, as a kind of musical peephole through the 'iron' curtain of what is familiar, perfected and conventional in music and into a sound universe that has officially only yet been explored cursorily."-Roedelius

“Hans-Joachim Roedelius is a pioneer in in the field of electronic music. He explains Drauf Und Dran: "The tracks released on this album originate from various creative periods of my career. They were recorded while I played Bösendorfer...

"This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel...

"Offene Türen is a purely electronic album. Without losing himself in their infinite tonal possibilities, Roedelius delights in playing a selection of synthesizers. He even deploys an analog rhythm machine now and then to discreet effect. Roedelius...

"Originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a...

“The first part of Hans-Joachim Roedelius's Selbstportrait (Self-Portrait) series was originally released under the title Sanfte Musik on Sky Records in 1979. Now, some forty years later, a new instalment has arrived in the form of an album entitled Wahre Liebe.
One of the initiators of the Berlin Zodiak Free Arts Lab in 1967, Roedelius went on to co-found Kluster/Cluster and Harmonia, unleashing a new and free form of music which, with the benefit of hindsight, can be considered a milestone in the...

"This is the fourth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1980 on Sky Records. With Selbstportrait, Roedelius gave unequivocal confirmation that he no longer was treading the hitherto common paths of...

“During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door now and again. Here he experimented, practiced, allowed his imagination to flow, at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rother at work on new Cluster or Harmonia material.
Roedelius always let the tape run, in order to analyze the ideas...

"Of all the Hans-Joachim Roedelius solo releases, this is the one which most closely resembles the work of Cluster. Wasser Im Wind sees Roedelius use a wide variety of musical and sonic ingredients hitherto associated with Cluster, almost as if he...

"Wenn Der Südwind Weht ("When The South Wind Is Blowing") is the seventh solo album by Hans-Joachim Roedelius, originally released on Sky Records in 1981 (also known under the title Selbstportrait IV). "Where on earth does Roedelius find such a...

“4 Hands, an intimate and surreal musical conversation on the piano from German sound pioneer Hans-Joachim Roedelius and American composer Tim Story, is an example of all the warm yet otherworldly beauty that can come from approaching a shared love for a singular instrument from overlapping directions.

Recorded sequentially but on one and the same grand piano, Roedelius laid down a few impromptu piano études in May 2019 whilst visiting his transatlantic friend Story. Tim then learned all their...

“90 is in no way intended as the exhaustive retrospective of the oeuvre of an important artist (this can, and should, be done in the coming years by someone more qualified than me.) The actual chronology of these pieces, and in some cases who might have collaborated with Achim on them, remain a mystery. But the historical context of this music is undeniably compelling—it doesn’t feel like hyperbole to suggest that these cascading, hypnotic cycles equal the best of contemporaries like Terry Riley, working...

Not a reissue. First-ever release of this archival item.

"Breathtakingly beautiful piano fantasies from the year 1985 -- released for the very first time! In 1985, Hans-Joachim Roedelius was still perceived by the music community as an...

“Michael Begg is a Scottish composer, sound artist, and musician. In 2000, making use of new affordable computer technologies, he began to experiment in computer mediated composition. Along with long time collaborator Deryk Thomas, he produced a series of recordings intended for use in theatre which became the first Human Greed album, Consolation. Michael began contributing to Clodagh Simonds' Fovea Hex project in 2007 with an appearance on the track "Long Distance" on the EP Allure. He has since...

"Stunden is the unique and unprecedented new record of instrumental music by electronic pioneer Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler , Mapstation). In twelve miniatures, with titles such as "Liebe"...

"Not long after Hans-Joachim Roedelius (Cluster, Harmonia) and Stefan Schneider (To Rococo Rot, Kreidler, Mapstation) had released their first album Stunden, accompanied by a few live shows in 2011, Eric Satie and Brian Eno were quoted as the great...

“During the first half of the 1970s, a number of West German musicians escaped the traditional rock influences of British and American bands and created a new way of making rock music. This movement, which involved a whole family of psychedelic, electronic, jazz, folk & rock styles without mainstream radio influence, came to be known as Krautrock. The Krautrock bands that pioneered this movement created something never heard before: They took the intense, untamed essence of the old gods of rock and roll...

“First new album (vinyl-only except in the ‘Solo Box II’) from Michael Rother (NEU!, Harmonia) in 14 years! “

Guitarist Michael Rother is a very important part of some of the most exciting and influential music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influential Neu!, played for a short while in Kraftwerk (between their first and second album) and joined forces with Cluster to form Harmonia. After Harmonia disbanded in 1976, he started a solo career and this 1982 release was his fourth.

"After issuing his classic third album...

Guitarist Michael Rother is a very important part of some of the most exciting and influential music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influential Neu!, played for a short while in Kraftwerk (between their first and second album) and joined forces with Cluster to form Harmonia. After Harmonia disbanded in 1976, he started a solo career and this 1976 release was his first.

"Michael Rother was the guitar and keyboard playing...