Guitarist Michael Rother is a very important part of some of the most exciting and influential music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influential Neu!, played for a short while in Kraftwerk (between their first and second album) and joined forces with Cluster to form Harmonia. After Harmonia disbanded in 1976, he started a solo career and this 1979 release was his third.

" Katzenmusik marked the third and final...

Guitarist Michael Rother is a very important part of some of the most exciting and influencial music to emerge from the exciting and influencial German Krautrock scene. He was a founding member of the hugely influencial Neu!, played for a short while...

“In June 2020 Michael Rother packed the trunk of his car full, making sure to include a selection of his favorite instruments and other effects, and set out on a trip from Bevern-Forst, where he has lived on an old farm since 1973, spending a half a century writing momentous pieces of music history, at times solo, and at others in collaboration with other artists (Hans Joachim Roedelius, Dieter Moebius, Brian Eno et al.)
His two-day drive took him to Pisa, but it was not a vacation. Rother will stay..

2nd and final album from the band's lifetime, which was releaesd in 1971 on Pilz, and is taken from the master tapes.

"Their next album Phallobst (recorded in the Dierks Studio from July to August 1971)...was more polished and had a wider dynamic and instrumental range (mellotron, clavinet and acoustic guitars were added) (than their first). Particularly strong was the album's second side with two fine instrumentals..."-Cosmic Dreams At Play

"Phallobst is a continuation of their first...

"Previously unreleased album from the '70s by German trio Sand. Still living in the mythical landscapes, Sand not not only created Golem, who was a being of the earth. Something else pulsated with a different energy of oscillation. The invisible beings of the air performed their dances. The Golem was large, mighty and of compact matter. He needed an external spirit to be navigated. Sylph creatures moved with the clouds and the wind -- from gentle breezes to violent storms, always sensitive to the chimes...

One of the available self released titles by electronic artist/multi-instrumentalist Frohmader. [Nekropolis]

“Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as "moth"...

This is a really great, 1974, minor Krautrock classic that was originally self released and then re-released on Brain in 1976. Recommended!

"There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. Samtvogel is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work...

I am personally thrilled to see this return to print; it was available on CD over a decade ago, but has been out of print since then. It is a minor German/Krautrock classic from 1979, which was fairly late in the game. Günter Schickert's first album was released on Brain, but this one, originally on Sky, featured Schickert's pulsing, multi-guitar overdubs with simple, but very effective drumming. Also has a small bit of strange, spoken and sung texts, which very nicely adds to the air of mystery/strangeness

"Edition of 300. Günter Schickert, krautrock maestro of echo-driven psychedelia, returns on Marmo Music one-year-and-half after the release of the Labyrinth LP (MARMO 001LP, 2018). Mauerharfe consists of old and special material, which has officially never seen the light before. Berlin, August 1990, first post-wall Summer. Two friends, the locals Günter Schickert and gallerist Peter Unsicker perform a spectacular yet symbolically intimate interpretation of those epochal changing days by building a sound...

This is extracts from Irmin Schmidt's Fantasy Opera Gormenghast and as a long-time Can fan, I gotta say that this did not hit any spots for me at all...

"A phantasmagorical soundworld of electronics, symphony orchestra and pounding beats which..

“On 1987's 'Musk At Dusk' Schmidt tickles us with his own vocal on the jazz infused 'Villa Wunderbar'.
The songs from this album certainly influenced the early 90s ambient sounds that were released by the likes of Ultramarine and Banco De Gaia, such is the influence of Schmidt's tireless sweat and toil.”

"On the Red Album Rot, Conrad Schnitzler laid down the direction his musical artistry would take. His second solo , The Blue Album Blau, originally released in 1974, offered confirmation of his intent. Maybe the "Red" and "Blue" tracks were recorded...

“A reissue of Conrad Schnitzler's Con, originally released in 1978 in France on the Egg label.

Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz....

“First-ever LP issue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course.
Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories. One day...

"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all...

Includes almost 20' of material not found on the original release!

"Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under..

"Contempora (1981) is a sort of collection of sketches, reflecting Conrad Schnitzler's inexhaustible creative powers in condensed form. Like light refracting through a multiple prism, shapes and colors constantly change, backgrounds shift through...

"Filmmusik 1 is a selection from Conrad Schnitzler's archive.
In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality.
Filmmusik 1 presents an initial selection of these...

"Bureau B present part two of their Filmmusik double release. In 1975, Conrad Schnitzler recorded various pieces of music to accompany films which had yet to be made. Fittingly, he labelled this collection of songs Filmmusik. Only one of the tracks - "Gute Fahrt" ("Nice Journey") - would ultimately be paired with a film, now traceable on the internet for all to see. The music is included on Part 1 of Bureau B's Filmmusik double release, erroneously entitled "02/1980". Why the incorrect title? The tapes...

"In the comprehensive canon of Schnitzler releases, the music on the Gold album stands out a mile in every respect. Judged on the sound alone, there is little to suggest that the material was recorded as long ago as the 1976 to 1978 period. There is...

"Conrad Schnitzler is a genuine legend in the Krautrock and electronic music worlds. He studied under Joseph Beuys before joining an early Tangerine Dream.Their first album, Electronic Meditation, shows a band highly influenced by Schnitzler’s unique...

"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club during...

"There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler (Tangerine Dream, Kluster). Revolution, pop art and Fluxus created a climate which engendered...

“The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born...