Krautrock / Kosmische Musik and related

“The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born...

"The music explores suffocating sounds that can be obtained by haunted analog synth textures and ultra hypnotic frequencies. A very creepy, extended drone manifesto. Supreme stuff!! A hymn to repetition, micro-events and dream-time."-Prog Archives

“About the Con-Struct series:
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio...

"Conrad Schnitzler (1937-2011), is one of the most important representatives of Germany's electronic music avant-garde. He was a member of Tangerine Dream and Kluster, and also released countless solo albums. Pole, the Düsseldorf-native musician Stefan Betke, looks back on a two decade career in abstract electronic club music. With Barbara Preisinger he created Scape Records and his own mastering studio Scape Mastering. The Con-Struct series is based off of Schnitzler's daily excursions through the...

"Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club, in...

“Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been involved in various musical fields...

"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic...

"Consequenz III follows on directly from the two previous albums. Once again, the pieces sound almost like pop music, once again they are rhythmically and harmoniously structured, once again they are between three and four minutes long. And once again, they are not 100% pop music, but rather a balancing act between strict, abstract seriality and contemporary electronics: no melodies, no vocals, and it's up to each listener to decide whether the pieces are danceable. Rather, the eleven pieces are rhythmic...

One of a small number of Kosmiche classics by this composer and keyboardist. The CD has been out before, although I haven't seen it in many ages, but no one has seen the film in decades and decades! This is a quietly extraordinary release; highly recommended!

"Eberhard Schoener is hailed as the first German musician to own a "Big Moog" system, and was also amongst the first musicians to do an album of purely synthesizer music.... Another innovation was the unique fusion of Gamelan music...

This is the best known of his works...mainly because his backing band was The Police (then completely unknown). It mostly sounds like Eberhard, but you can hear a little bit of The Police in it too. Funny!...

One of a small number of Kosmiche classics by this composer and keyboardist. The CD has been out before, although I haven't seen it in many ages, but it makes a welcome return. The combination of Andy Summers' guitar with a small rock band and nearly...

“Since the 1980s, Mario Schönwälder, born in West-Berlin, Germany, has been involved in the production of electronic sounds, first in the environment of Bernd Kistenmacher, and later mainly in duo and triple formations. In 1992 Mario founded his own label Manikin Records, on which he released his albums from then on. Four years earlier, Mario Schönwälder had released "Aus einer anderen Zeit ...", his first solo work, which was launched in a limited edition and only as a cassette.
One year later...

“Robert Schroeder was one of Klaus Schulze's first disciples to record on the master's own Innovative Communications label, and Harmonic Ascendant remains one of the two or three best albums I.C. ever released.
Not content however to be merely a copyist, Schroeder forged his own identity as a composer of romantic, richly-textured electronic music that owed as much to Chopin as it did to Schulze. The architectonic structure of the individual movements that make up the title track is immaculately...

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

"Re-Release of Klaus Schulze's "Androgyn" (originally released 2002 as part of the strictly limited and long exhausted 5CD Boxset "Contemporary Works II"). The first track on "Androgyn" has again, like on "Another Green Mile", the cello of Wolfgang Tiepold and some odd voice samples added to interesting synth sounds. The long second track has Klaus on electric guitar and for good reason it's called "Back To The Future": Klaus plays the guitar with a "Gleiteisen", a piece of iron that he used in the...

“Re-Release of the Klaus Schulze's "Another Green Mile" (originally released 2002 as part of the strictly limited and long exhausted 5CD Boxset "Contemporary Works II")."
“From 08:00 on, the previous cold and somehow lost and abstract oboe suddenly sounds a bit more concentrated, more emotional, even elegiac and yes, charming. Apart from the oboe you hear a voice, Wolfgang Tiepold's cello, and a guitar. Although the CD shows 5 tracks, it can also be heard as one long peace, and we know that not just...

Available again for the 1st time in years!

Originally released 1983, Audentity was Klaus Schulze´s double concept piece, and 15th opus. It includes contributions from Ranier Bloss (sounds, glockenspiel), Michael Shrieve (EEH Computer, Simmons percussion) and Wolfgang Tiebold.

Originally a double album, this adds over 55' of bonus tracks, giving this set a playing time of over 2.5 hours!

"Apart from „Ballett 1 & 2" the "Contemporary Works" box also contained "Ballett 3" and "Ballett 4". These four pieces were originally intended to be one composition in honour to my mother who had been a ballet dancer and had died in 1998. I never assumed that the ballet would be performed with dancing. Then I would have to cut down to about 15 or 20 minutes and would probably have to throw away all my favourite parts! The music could have had another title but since it was the first production I did...

"Apart from „Ballett 1 & 2" the "Contemporary Works" box also contained "Ballett 3" and "Ballett 4". These four pieces were originally intended to be one composition in honour to my mother who had been a ballet dancer and had died in 1998.
I never assumed that the ballet would be performed with dancing. Then I would have to cut down to about 15 or 20 minutes and would probably have to throw away all my favourite parts! The music could have had another title but since it was the first production I...

"Originally released in 2000, Ballett 4 is the final of Schulze's four part Ballett series, all of which were previously released on the deleted 10 CD Contemporary Works box set and which was dedicated to his mother, who was a dancer. The music...

Very good, new Klaus; he shows the influences of modern electronica, but basically, it's all Klaus and it's all very good!

"The concerts in Tokyo in March 2010 were remarkable for many reasons. First of all, the Japanese crew rebuilt Klaus‘...

The first album by Klaus to be released outside of Germany, many people's first encounter with Klaus' monumental solo work began with this album and it's a great one. Highly recommended!

"Blackdance was my first album to be released in England on Caroline, a Virgin label. Before that [Virgin boss] Richard Branson had signed Tangerine Dream, and then he also contacted me. Of course, I said yes right away. Not just because Branson liked music from Germany but also since Virgin was at the time...

Klaus's seventh album and is yet another great CD from the great man of spacey electronics. This is a classic 70's space work & is a pretty necessary title in any collection. Written as a soundtrack for a porn film, this is 4 long tracks that ooze those classic Berlin space sounds and feature Harald Grosskopf on drums, which is always a good thing on any Klaus album. Highly recommended. This adds an extra track (22:26) not found on the original version, making it a full 75' album!

Klaus's seventh album was an album of music for a porno movie from 1977. This is more music created for the soundtrack which, iirc, was released later, and is yet another great CD from the great man of spacey electronics. This is a classic 70's space work & is a pretty necessary title in any collection. This is 4 long tracks that ooze those classic Berlin space sounds and feature Harald Grosskopf on drums, which is always a good thing on any Klaus album.

Highly recommended. This adds an extra 23'...

Unreleased live Klaus? Unreleased live Klaus from 1981? Unreleased live Klaus from 1981 WITH MANUEL GÖTTSCHING?
This super release includes the entire hour and a half show on two CDs as well as the video of the entire show on the DVD!

“In November 1981, Klaus Schulze was scheduled to go on a two-week tour through Germany, the Netherlands, Belgium, Luxembourg, Switzerland and France, which was to end in the Audimax Hamburg. Multi-instrumentalist Manuel Göttsching accompanied Klaus on...

Unreleased live Klaus? Unreleased live Klaus from 1981? Unreleased live Klaus from 1981 WITH MANUEL GÖTTSCHING?

“In November 1981, Klaus Schulze was scheduled to go on a two-week tour through Germany, the Netherlands, Belgium, Luxembourg, Switzerland and France, which was to end in the Audimax Hamburg. Multi-instrumentalist Manuel Göttsching accompanied Klaus on tour as a special guest.
This audio recording of the Hamburg Audimax concert was originally intended as a spontaneous...

“Re-release of the sought-after Klaus Schulze album „Cocooning", previously released as part of the strictly limited and long exhauseted 5CD Boxset „Contemporary Works II" (2002). First track "Easy Listening" is well-difined by the relaxed loops of Tom Dams and the filigree guitar play of Michael "Mickes" Luecker. The mysterious sounding "And She Is Kind And Gently" don't need any rhythm - a dialogue between Klaus and Tobias Becker, whose oboe and English horn is pleasing the ear on almost all Cocooning...

"Re-Release of the impressing Klaus Schulze album „Das Wagner Desaster" - Klaus Schulze talks about „Das Wagner Desaster": "The title of this album, „The Wagner Desaster", has its origin in a concert that was given on the occasion of a Nietsche conference in Rome. Those who know a lot about music history and philosophy know that Friedrich Nietsche at some point turned again Richard Wagner and gave him a roasting. This was because Wagner had once told him to stop composing music as he wasn't capable of...

This title was completed and scheduled for release before Klaus died earlier this year, so this is the final album that he intended for release in his lifetime.

“Composer, musician and producer Klaus Schulze rolls out his extensive sounds, plays his legendary sequences and creates this unique 'Schulze atmosphere' for more than 50 years now. With "Deus Arrakis" the electronic legend now presents his new studio album.
Through his collaboration with Hans Zimmer for the Oscar-winning soundtrack..

Klaus' 19th album, remastered from the original tapes and including a 24' bonus track (Constellation Andromeda). This came out in 1986, which is definitely past his prime-era, but having said that, I remember hearing this not long after it was released...

Klaus' 11th album and one of the very last of the classic period (released in 1979) analog albums by synthesist Klaus Schulze. This one is very richly orchestrated with some wonderful cello work by Wolfgang Tiebold; you might not expect cello to work so well with the electronics, but it most certainly does.
The wild card on Dune is the participation of vocalist Arthur Brown (of The Crazy World Of Arthur Brown fame), which is something that folks either love or hate (I'm actually pretty fond of it)....

A new release by Klaus Schulze with previously unreleased and/or very rare material on the occasion of his 70th birthday!

"CD 1 contains a complete previously unreleased album, recorded by Klaus around year 2006/2007. On CD 2 we find with the 3 tracks "Schrittmacher", "Ion/Andromeda" and "Andromeda-The Grand Trance" titles written by Klaus for keyboard manufacturers and shared in very small amounts (300 pcs.) on music fairs. The theme "Andromeda" was released in a different, tight reduced version..

Originally a double CD released in 1985 and Klaus 41st album, this included his old pal from Ash Ra Tempel, Manuel Gottsching on guitar on the 45' long track "Return Of The Tempel". This includes a bonus live 3rd disc that is almost 55' minutes long an...

Over 25' of bonus material added!
"Album #18 in Klaus Schulze's prolific catalog, Inter*Face was described by many as a mixture between Irrlicht and Dune, both of which are devoid of any sound effects. The album garnered worldwide praise reaching as far as the US, with Synthetic Pleasure raving, 'This is electronic music in its finest form! Sweeping patterns that are alive with a power and pulsating beat that only Klaus Schulze can control. Here is the old Schulze that gave us Body Love, Moondawn and...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased...

"In 1992-93 Klaus Schulze recorded about ten hours of music, not intended for record release. This music was issued in a box set and quickly sold out, so smaller collections have been reissued.

DISC 1: The four parts of "Film Musik" contain...

"Most wanted rarities of the electro-pioneer Klaus Schulze! - 3 CDs remastered in high quality digipack incl. unreleased liner notes and pictures - 13th out of 15 issues of the worldwide collector's item "La Vie Electronique" series."...

"With Vol. 15 the worldwide collector's series 'La Vie Electronique' comes to an end for the moment."

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the last in the series; this is a gigantic amount of music at a great price.

"The time has finally come. With "La Vie Electronique Vol. 16" we have reached the final volume of our grand series. LVE 16 will be released in a digistack with 5 firmly filled CDs and a total of 385 minutes of Klaus Schulze. "Vol. 16" is not a...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This set covers the early classic period: 1972-1975.

"“North of the Yukon“ and “Study for Philip K. Dick“ are from another historic tape with no date or other markings, with no real start and no end...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the third in the series and this set covers his totally classic and possibly greatest period of 1975-1976. This is a gigantic amount of great music at a great price. Highly recommended.

FINALLY back in print, back in stock and STILL completely essential!
In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the fourth in the series and this set covers his totally classic and possibly greatest period of 1975-1976. This is a gigantic...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the fifth in the series and this set covers his totally classic and possibly greatest period of 1976-1977. This is a gigantic amount of great music at a great price. Highly recommended.

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the sixth in the series and this set covers his totally classic period of 1977-1979. There's even a concert with Arthur Brown from 1979! This is a gigantic amount of great music at a great price. Highly....

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order! This is the seventh in the series and this set covers his totally classic period of 1977-1979. He begins his collaboration with Wolfgang Tiepold and Arthur Brown again appears! This is a gigantic amount of...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased material, and put them into chronological order!

"DURING THE YEARS 1977-1983...Klaus Schulze recorded some of his more introspective works. Albums like MIRAGE, DUNE, and DIG IT saw a significant change in his style of playing and his way of composing...

In the 1990s, when most of his best known material wasn't generally available, there were 3 huge archival sets of all unreleased material of his work released. This series will take these long out of print archival releases, add yet more unreleased...

This revisits a very obscure (I didn't even know it existed!) 1994 soundtrack to a French movie of the same title. It includes a bonus track recorded at the same sessions but not used in the film.