Mirage was Klaus' 8th album and was recorded in January, 1977 and originally released in April, 1977 on Brain. This is somewhere in the middle of the absolute peak years for Klaus and his now huge bank of equipment. So, it's the top of the top.
This has a good, lengthy interview with Klaus about this album specifically and includes a very rare 20' bonus track, which has only been heard as a very short excerpt on a long-deleted sampler album! Essential to any collection of spacemusic.

"Megatone is the third studio album by Klaus Schulze's side project, Richard Wahnfried, released in 1984. On this album, Schulze collaborates with Michael Garvens, Axel-Glenn Müller, Ulli Schober, Michael Shrieve and Harald Katzsch. During the eighties, the German synth legend Klaus Schulze pursued his solo adventure, working at the same time for his Wahnfried project. This "Megatone" brings something new to his usual "kosmische musik". A new element appears once again after the classic "Time Actor"...

God knows how many albums later, Klaus is still making very good records. Not every one is very good, but this, his latest (as of May, 2018) sure is!

"Following the celebrations of his 70th birthday in August 2017, Klaus Schulze, one of the most important electronic music artists worldwide, has announced the release of his new studio recording Silhouettes for May 2018. The four pieces ´Silhouettes`, ´Der lange Blick zurück`, ´Quae simplex` and ´Châteaux faits des vent`, which he worked on between..

Hot damn! Not only is this one of Klaus' very best albums (his fifth, from 1975), it's here with an extra disc of unreleased material from the same sessions as the original album!! This was also the record that introduced him to a lot of people when it gained released on Caroline/Virgin. It's a great, flowing, spacey classic with a beautiful cover. Recommended!

"Originally released in 1975, Timewind is one of the most revered and mesmerizing recordings in the extensive Klaus Schulze catalogue...

Klaus' 84th album (!!), originally available only as part of the Contemporary Works box set, which is now out of print.

Klaus' 10th album, remastered from the original tapes and including a largely expanded version of Georg Trakl (over 26' instead of 6') as well as a 21' bonus track). In other words, this is 160 minutes of prime, prime Klaus from 1978, which can be considered the culmination of his prime period works.
Klaus Schulze (Big Moog, PPG Synthesizer & Sequencer, Minimoogs, ARP Odyssey, Korg Poly Synthi, Polymoog, EMS Synthi A, Mellotron, Tom Toms on “Friedemann Bach”, Tom Toms and a cymbal on “Heinrich von...

"Complex re-release of the most remarkable and worldwide sought after series "The Dark Side Of The Moog" by German electronic pioneers Klaus Schulze and Pete Namlook (aka Peter Kuhlmann) in three slip lid boxsets, each with 5 CDs, incl. bonus material and new linernotes. The third box contains Vol. 9 to Vol. 11 and two bonus CDs. The relationship between Klaus and Pete and the exchange of ideas was unorthodox from the beginning of their co-operation, in that they rarely met personally...

"New release of the remarkable Klaus Schulze & Solar Moon System album "Docking" (long sought after and once released in the strictly limited wooden 10CD boxset "Contemporary Works"), advanced with unpublished material from the original Klaus Schulze/Solar Moon System sessions. This 2CD album became an "Ultimate Docking" definitely. It was a surprise when Klaus Schulze called out of the blue some late night in year Y2K Solar Moon System. A few days later they met Klaus in his infamous recording...

Well, who would have every thought that an album with a stupid name like this would be any good? I certainly would not have, but happily my curiousity got the better of me and I played it, and this is a surprisingly very fine, very modern, techno...

"Sometimes there's an aggressive dance beat, but then it will fall away into a chasm where the background string synth pad meanders like a broad, hazy river. Odd sounds swoop towards you and then away, moving with stiff fluidity like computer-animated...

"Richard Wahnfried is the "alter ego" of Klaus Schulze. This album "Miditation", originally released in 1986, is truly impressive. Steve Jollife, who worked with such diverse bands as the Hard Rock-legend Steamhammer and electronic pioneers Tangerine...

“Bureau B once again dive into the Sky archive, unearthing another overlooked masterpiece long due for rediscovery. Originally released in 1985, Voyage finds Dieter Schütz venturing beyond his Berlin School roots into a realm of lo-fi immediacy and New Age naivety. Every instrument is played by Schütz himself, except for the drums on 'Above,' which are performed with syncopated zeal by Michael Fecker.
While its textured synthscapes and wistful melodies may echo the aesthetics of 2010s Vaporwave...

"Owing to different musical tastes of the band, ther is a large range of diverse styles that the band has to cope with. By making productive use of these different styles rather than fending them off, a synthesis is created which is interesting and...

Typically thorough and well done Garden of Delights release of an exceedingly obscure and rare stoner folk album from 1970, with a history of the band, rare photos and documentation and more. "Legit issue of this fabulous German folk- stoner, originall...

Typically thorough and well done Garden of Delights release of an exceedingly obscure and rare stoner folk album from 1972, with a history of the band, rare photos and documentation and more. Not to mention a bonus track! Adding keyboards and a more pr...

"Skyline from the Bielefeld area emerged out of the well-known band Virus; they had, however, hardly anything in common with their predecessor’s music. What they now played was jazz-rock with slight funky influences and English lyrics; altogether much smoother than the music by Virus. Their only LP, “Louise for one night”, was recorded in fall of 1975 and released as a private pressing in an edition of 500 copies in 1976.
Skyline took part in the Vlotho “Umsonst und draußen” (“Free and open air”)...

"The psychedelic synthesized world of Kuckuck label stalwart Sam Spence. Born in San Francisco in 1927, Samuel Lloyd Spence is a peculiar piece in the komplicated krautrock puzzle. As an American expat working in a community of German rock musicians in the early '70s, Spence shared his alien status with the likes of David Johnson and Malcolm Mooney (Can), Carole Muriel (Brainticket), Maria Archer (Embryo), Bill Barone (Wallenstein), and the band Sweet Smoke, but in Spence's case it wasn't the free love...

Holy moly!
Well, they have been promising that all of these Pilz/Ohr/Kosmiche Kuriere releases have been from Dieter Dirk’s master tapes, and I think that they have just proven it 100% true, by issuing, A FULL HALF-CENTURY LATER, the never released follow up to Gilles Zeitschiff! And with the surprising participation of Roberto Cacciapaglia!
Minds are blown!!

“"Timothy Leary!" -- That was "Sternenmädchen" Gille Lettmann's almost breathed closing words on the 1974 album Gilles Zeitschiff..

"Otherworldly and anomalous, hushed and hallucinatory, Pauline Anna Strom’s unique style of inner space music reaches across time to futures and pasts far from our own. Trans-Millenia Music compiles eighty minutes of Strom’s most evocative work, composed and recorded between 1982 and 1988, for the first authorized overview of the enigmatic Bay Area composer. Pauline Anna Strom introduced her music to the world in 1982 with Trans-Millenia Consort, a collection of transportive synthesizer music...

"Time has come - once more: Sula Bassana walks on electronic trails again and produces an album in the attitude of electronic krautrock! After the trance-like album «Kosmonauts» (2010), a further album, based mostly on electronic instuments. This time, the sound is obvious more characterized by all the vintage instruments, which Sula accumulated in his Amoebenklangraum over the decades... „Shipwrecked" offers long and shorts, rhythmically intense but also sheer relaxed, restful tracks. Altogether, a...

Sündenfall II from the Kevelaer area at the Lower Rhine played a mixture of folk and jazz, influenced by Jethro Tull. While their predecessors, Sündenfall, exclusively dedicated themselves to jazz, the group included folk after a change in line-up...

"2018 album from legendary Can vocalist Damo Suzuki. This release finds Damo performing a fully improvised set in studio with German experimentalists Jelly Planet! Incredible sonic quality and authentically mind-blowing explorations of the outer edges of space rock!"

"Live archive release. From the innovative vocalist of legendary Krautrock group, Can, comes this incredible live album recorded in the Purcell Room at Queen Elizabeth Hall, London 2007.
This amazing performance combines Damo's inimitable, improvisational vocalizations with a modern classical string quartet to create music that defies categorization and is utterly riveting.
Damo was born in Japan but spent the late ‘60s wandering around Europe and ending up in Germany. When Malcolm Mooney left..

“As a traveler-without-age, Damo Suzuki has been touring all over space-time. Presenting the light of "instant composing" to new generations, he refers to his makeshift collaborators as sound-carriers. Exactly fifty years after the release of the profoundly iconic Ege Bamyasi (1972), you can hear his voice on yet another fantastic album, as in "derived from fantasy."
Manifested from the meeting with Spiritczualic Enhancement Center -- an eight-piece group of self-proclaimed disciples from the CAN...

First off, I have to say that I love those three early, pre-Virgin, post-Electronic Meditation albums. They are wonderful, electro-acoustic soundscape albums, done before the technology existed for sequencing, which showed up on their fifth album, when they signed to Virgin. This was their 2nd release, originally released in 1971 (55 LONG years ago, baby!) and this newly remastered release includes a rare live track from Ossiach, June 1971, taken from a very rare triple album set as well as both sides...