Krautrock / Kosmische Musik and related

Typically thorough reissue on Garden of Delights of the exceedingly rare (only 150 made) self-released 1969 album by a trio of organ/piano/trumpet/vocals, bass and drums. Obviously very influenced by The Nice and perhaps to a lesser extent early Soft Machine, this album was recorded live to stereo tape and has a really raw feel to it. The band later metamorphosed into the equally obscure Sixty Nine (a drum and keyboards duo). Includes a thorough band history and many rare photos in the 16-page deluxe...

Nice to see a quality reissue of this 1981 electronic music release; we carried this in its original lp format when it was first released by Rolf himself in the early 80s.
Rolf worked with the great Günter Schickert in the late 70s, performing live, improvised concerts with him and this music, while not featuring Schickert, is based on that experience, so while it isn't 'analog paradise', it is also firmly rooted in the classic style and mental space of the classic Berlin-style electronic sound....

"Bureau B present a reissue of Rolf Trostel's second album Two Faces, originally released in 1982. While Inselmusik, released the previous year, was intended as a basis for live performance, Trostel composed and produced the five instrumental tracks on Two Faces exclusively for this album. The music is clearly a product of the Berlin School, yet it is more sophisticated and varied than its predecessor. Some new additions to Trostel's instrument collection are audible. While on its predecessor the still...

Elmar Wegmann : guitar, flute, vocals
Klaus Pannewig : drums, vocals
Wilhelm Weischer : bass
Peter Savelsberg :keyboards, mellotron

Rare, self-released symphonic-oriented progressive rock featuring guitar, flute, organ/mellotron/electric piano, bass, drums & vocals.

“Overall, Troya's sound was melancholic and lyrical -- classical influenced progressive folk rock, comparable to bands like Novalis, Jane, Epidaurus, Minotaurus, even to previous legends as Murphy Blend...one of

Elmar Wegmann : guitar, flute, vocals
Klaus Pannewig : drums, vocals
Wilhelm Weischer : bass
Peter Savelsberg :keyboards, mellotron

Rare, self-released symphonic-oriented progressive rock featuring guitar, flute, organ/mellotron/electric piano, bass, drums & vocals.

“Overall, Troya's sound was melancholic and lyrical -- classical influenced progressive folk rock, comparable to bands like Novalis, Jane, Epidaurus, Minotaurus, even to previous legends as Murphy Blend...one of

"In May 1972 Twenty Sixty Six And Then met first time and decided to found a band. Day and night they rehearsed and filed on their sound in their residence in Mannheim.
A journalist at that time wrote, "Dominating in their music is a dynamic, which is regulatory in the developing harmonies in the complex structured arrangements. When the musicians sometimes get lost in old hard rock stereotypes they kept enough distance to the sounds, to prove their intents with detailed inserted alienation." ...

“A German heavy rock band of the early 1970's, considered both important as the link in a lot histories (Aera, Emergency, Karthago, Kin Ping Meh, etc.), and as producers of one of the landmark albums of Krautrock.
Packaged in a gatefold cover (exact replica of the original) with polylined inner sleeves and thick 2-page insert that includes band history and band interview.”

"In May 1972 Twenty Sixty Six And Then met first time and decided to found a band. Day and night they rehearsed and..

"Highly inventive kraut / psych album (heavy on the “psych”) related to Eulenspygel. Originally released in 1975, “Sexphonie” offers a mix of acid-rock, hard-psych, polit-rock and progressive / folky sounds with some eastern influences. Great studio production and outstanding guitar playing courtesy of Teflon Fonfara (who once blew up Camel’s PA system with his tape and delay guitar effects!). Tyll was formed when Teflon was approached by Kerston Records with the intention of releasing a krautrock album...

"Tyndall's debut album, Sonnenlicht, originally released in 1980 on Sky Records. The two electronic sonic inventors Jürgen Krehan and Rudolf Langer founded Tyndall in the year 1980, naming their duo after a light scattering phenomenon in physics. Armed with an impressive array of instruments, devices, and home-made synthesizers, they created free and easy electronic music in the style of the Berlin School (Berliner Schule), much to the liking of the legendary Sky Records who released their debut album...

"Tyndall's debut album, Sonnenlicht, originally released in 1980 on Sky Records. The two electronic sonic inventors Jürgen Krehan and Rudolf Langer founded Tyndall in the year 1980, naming their duo after a light scattering phenomenon in physics. Armed with an impressive array of instruments, devices, and home-made synthesizers, they created free and easy electronic music in the style of the Berlin School (Berliner Schule), much to the liking of the legendary Sky Records who released their debut album...

"A reissue of Tyndall's second album Traumland, originally released in 1981 on Sky Records. The electronic sonic inventors Tyndall pulled out all the stops for their second album. Armed with an impressive array of analog synthesizers, they unleashed the full force of their experimentalist ambitions, weaving synth pop, repetitive bass patterns, laminar sounds, and carefree melodies into a unique amalgam of the Düsseldorf and Berlin Schools. Traumland was released a year after their debut effort...

"A reissue of Tyndall's second album Traumland, originally released in 1981 on Sky Records. The electronic sonic inventors Tyndall pulled out all the stops for their second album. Armed with an impressive array of analog synthesizers, they unleashed the full force of their experimentalist ambitions, weaving synth pop, repetitive bass patterns, laminar sounds, and carefree melodies into a unique amalgam of the Düsseldorf and Berlin Schools. Traumland was released a year after their debut effort...

Harald Skorepa – piano, organ, synth, flute, guitar
Uwe Bekemeier – guitar
Benno Löser – bass (1)
Michael Heine – drums (1)
Klaus Kluge – guitar (2,3,4,8)
Günter Lietz – bass (2,3,4,8)
Wolfgang Brock – drums (2,3,4,8)

“Upperseption – the name being a partly nonsensical coinage – were founded in Altenhundem, situated in the Sauerland in North Rhine-Westpalia, in 1970. They played progressive rock music, influenced by The Nice.
The band didn’t release anything back

“When rock music from Germany gained international recognition under the label "krautrock" in the 1970s, it was far more than a mind-expanding phenomenon. In basements, youth centers, and improvised studios, a vibrant scene emerged-shaped by fearless curiosity and a strong will to transcend traditional musical structures. Some bands produced only a single recording; others became experimental platforms for established musicians or transient fixtures in local underground milieus. What united them was a...

Popol Vuh - Das Hohelied Salomos [1975]
Gila – Bury My Heart At Wounded Knee [1973]
Dennis – Hyperthalamus [1975]
Diez & Bischof – Daybreak [1975]
Doldinger’s Motherhood – Motherhood [1970]

This budget priced set includes three definite classics of Krautrock, including Dennis, which has never-before, otherwise, been released on CD and two decent rock albums of the same era, which you may or may not wish to call ‘Krautrock’.

01. Wolfgang Dauner - Output
02. My Solid Ground - The Executioner
03. Association PC - Scorpion
04. Fritz Müller - Fritz Müller Traum
05. Exmagma - It's So Nice
06. Anima-Sound - It Loves Want To Have Done It
07. Tomorrow's Gift - Jazzi Jazzi
08. Out Of Focus - See How A White Negro Flies
09. Brainstorm - Snakeskin Tango9
10. Thirsty Moon - Big City
11. Gomorrha - Trauma
12. Brainticket - Black Sand

“With his ongoing commitment to

First ever CD reissue of this heavy rock album 1975, reissued with an 11 minute bonus track. "Raw and hard-edged blues-rock from the German-speaking part of Switzerland. The original LP is a very rare collector's item. The band was living in England at...

Bernhard Liesegang - bass, vocal
Rolf Zwirner - guitar, violin
Wolfgang Grahn - drums
Ralf Modrow - organ, vocal
Dagmar Dormagen - vocals, flute
Jochen Biemann - guitar

“Packaged in a single jacket with 40-page deluxe LP-size booklet, polylined inner LP sleeve and hype sticker affixed to the shrink wrap on the front. Limited edition of 1,000 hand-numbered copies.
An impressive psychedelic LP, highly recommended. Comparable to the early Pink Floyd. Unfortunately t

Bernhard Liesegang - bass, vocal
Rolf Zwirner - guitar, violin
Wolfgang Grahn - drums
Ralf Modrow - organ, vocal
Dagmar Dormagen - vocals, flute
Jochen Biemann - guitar

“Packaged in a single jacket with 40-page deluxe LP-size booklet, polylined inner LP sleeve and hype sticker affixed to the shrink wrap on the front. Limited edition of 1,000 hand-numbered copies.
An impressive psychedelic LP, highly recommended. Comparable to the early Pink Floyd. Unfortunately t

"This CD edition has been provided with two bonus tracks, which are now to be heard on a Virus CD for the very first time. The 32-page booklet leaves nothing to be desired."

"For their second album, Virus changed radically, in both band...

“Thumbing through the back pages of German electronic music, Bureau B uncovers another hidden gem from the Sky Records archive: Inventions, the 1983 collaboration between Adelbert von Deyen and Dieter Schütz. Fusing expansive kosmische textures with biting rock guitars, motorik rhythms, and the growl of '80s synth-pop, the duo conjures a sonic singularity which still sounds like the future today. Compact yet cosmic, Inventions distils ambient drift and experimental edge into taut, three-minute pop...

“Thumbing through the back pages of German electronic music, Bureau B uncovers another hidden gem from the Sky Records archive: Inventions, the 1983 collaboration between Adelbert von Deyen and Dieter Schütz. Fusing expansive kosmische textures with biting rock guitars, motorik rhythms, and the growl of '80s synth-pop, the duo conjures a sonic singularity which still sounds like the future today. Compact yet cosmic, Inventions distils ambient drift and experimental edge into taut, three-minute pop...

“Electronic musician Adelbert Von Deyen's debut and sophomore album were released just a year apart from each other. Sternzeit was followed by Nordborg, which featured only one track on each side. Again, Von Deyen took his time crafting a meditative maelstrom of ambient sounds. Von Deyen's debut album Sternzeit had caused quite a stir in 1978 in his home town of Lübeck, where the unconventional young artist found himself inundated with fan mail and booked for autograph sessions. His contract with Sky...

A minor classic of its kind, this release celebrates and recalls the last, heady days of analog synthesis spacemusic.

"A reissue of Adelbert Von Deyen's debut album Sternzeit, originally released on the Sky label in 1978.
Adelbert Von Deyen is a protagonist of the so-called Berlin School (Berliner Schule) of electronic music. On his debut album, he takes his time to develop sound structures, often drifting, floating blissfully into tonal interference. The listener also requires time and...

This is the first-ever CD issue from the original analog master tapes! The first album by this German band, recorded in Fall & Winter 1971, & originally released on Pilz. One of the few purely symphonic rock-styled German albums of the early 70's.

“In 1971, under the direction of Jürgen Dollase, who also composed all the tracks, this album was recorded and finally released in 1972. It was recorded at Dierks Studios by Dieter Dierks himself. Dollase and drummer Harald Grosskopf were later also...

This is the first-ever vinyl reissue from the original analog master tapes! The first album by this German band, recorded in Fall & Winter 1971, & originally released on Pilz. One of the few purely symphonic rock-styled German albums of the early 70's.

“In 1971, under the direction of Jürgen Dollase, who also composed all the tracks, this album was recorded and finally released in 1972. It was recorded at Dierks Studios by Dieter Dierks himself. Dollase and drummer Harald Grosskopf were later...

With this, their 3rd, they made the move onto the Cosmic Couriers label, and they are continue their symphonic rock with slight space-rock touches ways. With Jurgen Dollase-keyboards/vocals, Bill Barone-guitar, Jerry Berkers-bass/vocals and Harald Grosskopf-drums plus new member Jaoachim Reisler-violin, which adds a nice touch.

“Reissue of the third album by the German band Wallenstein, originally released in 1973. Recorded at the Dierks Studios by Dieter Dierks. In 2022 the original analog....

Legit reissue of this 1971 release from Phillips, with a classic cover that only could have happened in the very early 1970s!
What I found out many years later was that this project was headed by Ken Hensley of Uriah Heep, which makes plenty of sense once you know this information and listen to the music, but no one seemed to guess it at the time. Cool and fun, British-sounding progressive hard rock.

“Weed were an up-and-coming Krautrock band from Bielefeld, Germany, known for their unique..

This is the first-ever CD issue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

This is the first-ever vinyl reissue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

This is the first-ever CD issue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

"Originating as a beat group in the mid-60's, playing mainly at US air bases in Southern Germany. By 1969 (and after many name and personnel changes) they'd become the art-rock band Chromosom, heavily influenced by the American West Coast sound. After the addition of Bernd "Steve" Leistner on vocals, and the new name Wind, they recorded their debut album for the new progressive arm of the budget label Miller, namely +Plus+. Seasons offered a richly textured progressive rock, lyrical yet also very...

“Having completed his military service as a naval radio operator, Gunther Wüsthoff was in the midst of his German and fine art studies when he encountered Rudolf Sosna and Jean-Hervé Peron. It was May 1969 and each of them had a guitar so they decided to make music together.
Polydor International headhunter Uwe Nettelbeck tracked them down on February 23 1971, prompting them to form the legendary krautrock band Faust with three other Hamburg musicians a few days later. Wüsthoff stayed with the band...

"Xhol’s sound was a mix of jazz-rock and psychedelia. The band from Wiesbaden and former Xhol Caravan stood out for their pretty lengthy improvisations holding barely any vocals. The band became quite well-known with their two LPs released on Ohr...

Xhol were one of the earliest Krautrockers, releasing only 2 albums in their lifetime. This was their 2nd, which was recorded live in July 1st and 2nd, 1970 by Bob Woolford, who they hired their because of their admiration for his work with Soft machin...

Xhol were one of the earliest Krautrockers, releasing their 1st (this) in 1969, which is issued on CD for the 1st time here. A must own for fans of Krautrock, these guys were unknown & undiscovered until the recent Krautrock revival & are still underap...

Xhol were one of the earliest Krautrockers, releasing their 1st (this) in 1969, which is reissued on vinyl for the first time in over 50 years! A must own for fans of Krautrock, these guys were unknown & undiscovered until the recent Krautrock revival & are still underappreciated.
Includes an insanely massive LP-sized 68-page deluxe booklet, with hand numbering on the back cover.

"Xhol Caravan from Wiesbaden was one of the first and best-known underground groups in Germany, part of the...

“Xhol Caravan from Wiesbaden played an idiosyncratic blend of psychedelia and jazz-rock that was far ahead of its time. They are best known for their legendary LP "Electrip" from 1969.
On 24.7.1969, a few weeks before the LP recordings, Xhol Caravan played at the well-known Jazzhouse in the Brandstwiete in Hamburg. The gig was extensively recorded and broadcast by NDR. The CD, which is full to the brim with almost 80 minutes of playing time, was pulled from the station's mother tapes. The sound is...

Hansi Fischer - soprano sax, alto sax, flute
Klaus Briest - bass
Eberhard Emmel - tenor sax, soprano sax
Markus Kieslich -keyboards
Erik Klingenberg - vocals
Leo Fischer - guitar (1,2,3,8)
Darwin Berger – drums
Babak Massali – percussion (9)

“Xhol Caravan were founded in Wiesbaden in 1969 and are known for their fusion of jazz-rock and psychedelia. With their LP “Electrip”, released in 1969, they presented a masterpiece of krautrock.
Now the band is perfo

Well, this is really something - and who else would bring us a German rarity like this but Garden of Delights? Xhol were one of the earliest Krautrockers, releasing only 2 albums in their lifetime. A must own for fans of Krautrock, these guys were unkn...

"Yggdrasil from Munich named themselves after the world ash or yew tree of the Germanic tribes and played progressive rock of a calmer nature, with flute, violin, and English lyrics. They are hardly known, as their own LP, recorded in the Robert Meilhaus Studio, didn’t get beyond the so-called metal acetate, a pre-state which can be played. In summer 1972, only 10 copies were produced by Meilton; they have never appeared in collector circles. These records could probably be sold for a four-digit amount...

"Yggdrasil from Munich named themselves after the world ash or yew tree of the Germanic tribes and played progressive rock of a calmer nature, with flute, violin, and English lyrics. They are hardly known, as their own LP, recorded in the Robert...

First-time ever reissue of this late, small classic of the Berlin school of electronic music! The CD includes 30' of previously unreleased bonus tracks!

"Very nice album of Berlin School electronic music. Harald Grosskopf produced and...

First-time ever reissue of this late, small classic of the Berlin school of electronic music!

"Very nice album of Berlin School electronic music. Harald Grosskopf produced and contributed drum parts under Lhan Gopal pseudonym. Ulrich Weber's...

"Udo Hanten and Albin Meskes, the Krefeld duo collectively known as You, played their way into the elite of the German electronic music scene with their first two albums Electric Day (1979) and Time Code (1983). Reissued by Bureau B in 2011, the pair...

First-time ever reissue of this early, small classic of the Berlin school of electronic music meets proto electronica!

"As synthesizers grew more popular from the mid-'70s onwards, an increasing number of groups swapped the classic instruments..

First-time ever reissue of this early, small classic of the Berlin school of electronic music meets proto electronica! The CD includes 10' of previously unreleased bonus tracks!

"As synthesizers grew more popular from the mid-'70s onwards...

Reinhold Friedl – direction
Frank Gratkowski - flute, clarinets
Hayden Chisholm - flute, saxophone
Hild Sofie Tajford - French horn
Hilary Jeffery – trombone
Reinhold Friedl - harmonium, piano
Didier Aschour – guitar
Maurice de Martin – drums
Lisa Marie Landgraf – violin
Biliana Voutchkova – violin
Elisabeth Coudoux – violoncello
Ulrich Phillipp – doublebass

“Second volume of "modern composition supergroup" (The Wire) Zeitkratzer's re-interpret

What a great idea! These are wonderful albums and Ralf und Florian won't let us hear them. So, you can hear Zeitkratzer do them!
And this is wonderfully performed by a 10 piece chamber-ish ensemble, showing that great music can be played by any instruments.

"Karlrecords celebrates its tenth birthday, and Zeitkratzer celebrate their 20th with necessary re-interpretations of early compositions by electronic pioneers Kraftwerk. Founded in 1997 by Reinhold Friedl, Zeitkratzer have since been...

What a great idea! These are wonderful albums and Ralf und Florian won't let us hear them. So, you can hear Zeitkratzer do them!
"Karlrecords celebrates its tenth birthday, and Zeitkratzer celebrate their 20th with necessary re-interpretations of early compositions by electronic pioneers Kraftwerk. Founded in 1997 by Reinhold Friedl, Zeitkratzer have since been creating an impressive catalog of recordings that embraces 20th century avant-garde composers (Cage, Stockhausen, Lucier) as well as...