Mega Blowout Sale

The second and final of the 'second wave' line-up of 5uus (basically Dave Kerman, Bob Drake and Sanjay Kumar + guests). This is considered by many people to be their best period and I would probably agree.

"Second installment from monster band 5UU's, featuring rock complexity, extraordinary production (by bassist and singer Bob Drake) and high energy precision mixed with eccentric song-writing. People that work this hard are becoming an endangered species. Extraordinary."-Chris Cutler

“The highly collectable and legendary 1972 self-titled album by 9.30 Fly.
Formed in Cheltenham in 1971, 9.30 were a highly original band who took in folk and progressive influences in their work. The line-up featured Michael Wainwright (vocals), Barbara Wainwright (vocals, keyboards), Lyn Oakey (guitar), Gary Charman (bass) and Mike Clark (drums).
Released on the Ember label in 1972, "9.30 Fly" is legendary for the originality of the music within and also for it's great rarity. Although the...

“Producing so vivid a music that it can almost be tasted, Abbasi sounds like no one who has gone before him. His compositions are sheer genius...” – All About Jazz

“Behind the Vibration is a collection of new music that seeks to answer the question: What might a modern jazz album sound like in the hands of contemporary musicians employing a breadth of influences and current technologies? More often than not, musicians I play with have a developed and deep understanding of the jazz
...

“Comprehending the vastness of music's evolution over almost a century, even in terms of jazz and world music alone, can be pretty mind-blowing - yet New York-based guitarist/composer Rez Abbasi spans that arc with an original release of quintet music based on 'A Throw of Dice (A Romance of India)', a vintage black-and-white Indian-German silent film from 1929.
'A Throw of Dice' is Abbasi's 13th release and his first film score. It features his group - The Silent Ensemble with saxophonist/flautist...

Tom Abbs: bass, cello, tuba, compositions
Brian Settles: tenor and soprano sax, flute
Jean Cook: violin
Chad Taylor: drums

“Rarely does a recording's clarity of purpose come through in one listening, but bassist Tom Abbs and Frequency Response's Lost + Found fits the bill. The significance of this record originates in the brevity of each of bassist Abbs' eighteen pieces—lasting, on average, only slightly over three minutes, with the longest being six and the shortest about two....

“4th full length opus from California's genius multi-instrumentalist Leila Abdul-Rauf. "Phantasiai", in Hellenistic philosophy, are our impressions, the ways in which the world is represented through our senses, preceding actual thoughts. This is where music-making lies; in the space between senses and thoughts, having the power to express where words fall short. This new album is comprised of two suites, each containing four movements, composed almost entirely from modulated live trumpet, glockenspiel...

“Bassist Josh Abrams’ quartet embodies a devastating geographic cross section of today’s free music. Abrams started in Philly’s The Roots and went on to Chicago’s Town And Country and the David Boykin Expanse. Jeff Parker is well known for his work with Tortoise, Chicago Underground, and as leader. Guillermo Gregorio’s work spans a lifetime of improvised playing with Fred Lonberg-Holm, Jim O’Rourke and Anthony Braxton, to name just a few. Axel Dörner’s output as both a free improvisor and a composer...

"Without a doubt, this is one of the holy grails of the Japanese early seventies lysergic psych scene, together with Speed Glue & Shinki, Sato Masahiko & Soundbreakers and People/Ceremony.
Privately released in a tiny edition on the Oz Records label way back in 1973, the original artifact was and is till this day the only legitimate recording on vinyl to feature the Rallizes and Acid Seven, in addition to a side each from Minami Masato and the legendary Taj Mahal Travellers.
New double-CD ...

The first release by a band with a lot of (changing) members and a lot of records.
To call them a noise band is really over-simplifying what they do. This is structured rock music designed for expandable amounts of people; so it’s relatively simple in structure but also rigorous. And also very rock. In these ways, it’s not dissimilar to Glenn Branca’s ensemble.
Anyway, don’t be scared by the ‘noise’ word; we’ve sold you much noisier things than this album...

“Action Beat started in...

“Activity are an avant four-piece featuring Travis Johnson, and drummer Steve Levine, both from the band Grooms, bassist Zoë Browne from Field Mouse, and guitarist Jess Rees from Russian Baths. Produced by engineer Jeff Berner of Psychic TV, their debut forms a casually menacing framework for lyrical themes of paranoia, exposed character flaws, and the broader human capacity for growth when an ugly truth is laid bare.
Lead single “Calls Your Name,” establishes the record’s spectral aura with...

Pepper Adams - baritone saxophone
Tommy Banks - piano
Bobby Cairns - bass
Tom Doran - drums

“ The eighth historical release from archival imprint Real to Reel Records is an unreleased concert recording from baritone saxophonist Pepper Adams with the Tommy Banks Trio. Adams is best known for his work with John Coltrane, Charles Mingus, Lee Morgan, Donald Byrd and countless other jazz legends. The 100-minute performance was recorded on September 25th, 1972 at the University of Alberta.

"Vibraphonist Jason Adasiewicz is emerging as one of the most interesting bandleaders and composers in modern creative improvised jazz. ...Adasiewicz has assembled a quintet of astounding musical proportion and depth, playing his tricky music that seems to have no limits of imagination, wit or wisdom." – All Music Guide

"Their second album, Varmint, shows growth exactly where it was needed. The compositions are better developed, the playing more relaxed and fluid, and the record better
...

“It's been ten years since King Sunny Ade last released a studio album, so this is a welcome return for Nigeria's finest, backed up by a vigorous young band on a double-CD set that gives him plenty of time to stretch out. There might not be too many tracks, but that's because they all receive plenty of air, especially the half-hour-plus of "Baba Mo Tunde," which takes wing halfway through and soars like a Grateful Dead jam for the remaining 15 minutes.
The production is lovingly crisp, with the...

For a good number of years in the 80s, one of the great acts that you could catch was King Sunny Ade and his Africa Beats, from Nigeria, who were being sponsored by a major label, trying to break him out BIG in the USA like they did a decade earlier with Bob Marley.
Well, it didn’t happen, but I saw him and he was fantastic so entertaining and now if you were there, you can be reminded of what it was like and if you weren’t there, you can still catch a good sniff of the greatness!

“There...

"An evolving local group with a cacophonous yet catchy approach..." – The New Yorker

“Afuche’s palpable onstage energy is key to the unique corner the band has carved for itself in the ever-saturated Brooklyn music scene.” - Jezebel....

What’s one of the least expected reunions you can think of in 2023? Well, there’s so many possibilities, but certainly Agitation Free is up there.
This is an excellent new album. It doesn’t sound like it was made in the 70s, but it does sound like Agitation Free with a modern edge. Hey! Lütz Ulbrich and Michael Hoenig are both on board here, 50 years later! Zounds! "The Krautrock legend has been resurrected 50 years after their impressive 1972 debut album “Malesch”.
Joining the band are the ...

What’s one of the least expected reunions you can think of in 2023? Well, there’s so many possibilities, but certainly Agitation Free is up there.
This is an excellent new album. It doesn’t sound like it was made in the 70s, but it does sound like Agitation Free with a modern edge. Hey! Lütz Ulbrich and Michael Hoenig are both on board here, 50 years later! Zounds!

"The Krautrock legend has been resurrected 50 years after their impressive 1972 debut album “Malesch”.
Joining the band are..

"Music doesn’t get much closer to the edge than this." –
Alternative Press

"...remarkably tight, with the ability to turn complicated and seemingly unrelated phrases on a dime." – NPR ...

“New offering from New York city’s master of Isolationist Ambient. A continuation of the previously explored realm of the spirit world through "Lucid Intrusion" (Cyclic Law 2018), we’re now being depicted a unique journey of an Outer Body Experience.
As the spirit leaves the physical body and is propelled to a parallel universe, it encounters unknown phenomenas and travels obscure and unrecognisable landscapes. An otherworldly journey through an infinite realm, a subconscious terra incognita...

“Psych rock, electro noise-folk, ethereal ballads. Amazing vocals, excellent production and incredibly positive energy floating towards the listener. Magical.”

“7th album from Brooklyn trio explores tribal folk indie rock with a primal industrial bent; drone-chord sing-alongs in devolving psychedelic whirls; floating ethnic desert chants with dreamy verses over metal-stick percussion; beautifully echoic, hauntingly celestial folk-pop; attack-mode, shield-shaking world music rock; darkly...

"Akron/Family are a Brooklyn, New York-based outfit whose music incorporates everything from post-psychedelic rock to appropriations of world music traditions, avant-folk, and even improvisation. Their most notable trademark is their instantly recognizable three-part harmonies.
The group's original lineup consisted of vocalist/multi-instrumentalist Seth Olinsky, from Williamsport, Pennsylvania; vocalist/multi-instrumentalist Miles Seaton, from Porterville, California; vocalist/multi-instrumentalist...

"Norwegian jazz is as vital as ever and one can but wonder where it all comes from. With Night Owl, their second album for Rune Grammofon, Eyolf Dale and André Roligheten are already five albums into their career and showing a maturity in writing and playing that betrays their age considerably. Their previous album, Tree House with Trondheim Jazz Orchestra, also showed that they can write for a large ensemble, this being a commissioned work from Molde International Jazz Festival in 2013. Night Owl was...

Christian Muela: didjeridoo & FX live set
Roberto Bellatalla: double bass, bells
Ivan Macera: drums, percussion

“The Rome based free jazz trio Primitive Field, began life as a duo of didgeridoo player Christian Muela and drummer Ivan Macer; bassist Roberto Bellatalla joined a couple of years ago to form the trio. Since then they have performed extensively in clubs in and out of Rome and in March 2017 they recorded this album in Groovefarm Studio, Rome.
The trio makes use of...

Algernon are one of Chicago's fastest rising young bands. They have a great post-rock/avant-progressive/modern progressive, instrumental sound. They feature a unique line-up of dual guitars, vibes, bass and drums. The band is led by guitarist and composer Dave Miller. The other members of Algernon are second guitarist Toby Summerfield (who also was a member of Larval for many years), vibes player Katie Wiegman, bassist Tom Perona, and drummer Cory Healey. Miller formed Agernon as a way to combine a large...

“Country music has always featured brother acts. The most prolific included the Delmore Brothers, the Blue Sky Boys and the Monroe Brothers.
This collection focuses mainly on Austin and Lee Allen. The first three CD's are devoted to them and the fourth deals with their fraternal contemporaries. By the early 1920's, already professional musicians, they settled in Chattanooga, Tennessee. Chattanooga would feature in a number of their titles to the extent they were dubbed the Chattanooga Boys. In...

“Playbax Method
stage one:
certain rhythm tracks copied from mastertape of new york gong lp are cut into various multiples of bar lengths and spliced into loops which are then replayed onto playbax master into organised sequences/loop contructs:
stage two:
construct suggest fresh themes and treatments”

One of Daevid's better 1980's albums (this) was designed with a rich skien of background tapes over which he played live guitar.
I saw the tour he did based around the...

"This compact disc contains the full version of the 'Death Of Rock' EP, issued on Shangai Records in 1982. The other four tracks are all previously unreleased material."

"A charming poetic hodgepodge this, allowing the Gong shaman Daevid Allen...

“Alog are duo Espen Sommer Eide and Dag-Are Haugan, and this is their fourth full-length release for the Rune Grammofon label. Since forming in 1997, Alog have been among Norway's leading performers of experimental electronic music. They are mainstays at Rune Grammofon and have been with the label since their debut album Red Shift Swing was released in 1999. Already a mature and original collection, their sound has since been developed through their second album, Duck-Rabbit (2001), and almost perfected...

“Follow-up to Red Shift Swing, an album that received massive critical acclaim and showed a totally fresh approach to the art of sampling. Duck-Rabbit follows this course but is to a greater extent born from improvisations during and after concerts, something that has given the album a more extrovert and energetic feel.”

“Alog are Norwegian duo Espen Sommer Eide and Dag-Are Haugan. Alog have been with Rune Grammofon since their debut album Red Shift Swing was released in 1999. Already a mature and original collection, their sound has since been perfected through their second album, Duck-Rabbit, and concert activities before arriving with Miniatures, their third and in Rune Grammofon's view, best and most consistent album.
The title is inspired by Turkish miniature paintings, where the rules are as follows: no...

“A sweeping introduction to an artist deep into their practice, Kendra Amalie's Intuition is a star map to a new and developing sound space. An exploratory and (sometimes) shredding finger-style 12-string guitarist (both acoustic and electric), band leader, synthesist, new media creator, and experimental producer, the Wisconsin-based musician is also a songwriter occupying an ethereal zone between galaxy-brain cosmic transmissions and deep, personal expression.
There's a concept and narrative arc...

Markus Reuter: Touch Guitars AU8 and S8, Soundscapes
Alexander Paul Dowerk: Touch Guitars S8
Bernhard Wöstheinrich: Keyboards and Electronics
Asaf Sirkis: Drums and Percussion

“This supergroup from Berlin is the true heir of the improvising King Crimson of the 1973-74, 2000, and the 1997-99 ProjeKcts periods. Amazing! Advise not to do ironing, dishwashing, dogwalking, or child care while listening to it.” - Frank Hardlic

“In 1996, Bernhard Wöstheinrich and I starte

“Ambitious, grand and by any measure, beautiful; it’s tempting to simply and sincerely soak in the atmosphere of “Titan’s Island,” the second full-length album from Ancient Ocean, the long running ambient project of NYC-via-Kentucky resident J.R. Bohannon. The album unearths the intense process mending the worlds of modern classical, expansive sound art, minimalism, and the usual micro-guitar and synth exploration we’ve come to expect from Bohannon.
The four songs that make up the album may be.....

“Ambitious, grand and by any measure, beautiful; it’s tempting to simply and sincerely soak in the atmosphere of “Titan’s Island,” the second full-length album from Ancient Ocean, the long running ambient project of NYC-via-Kentucky resident J.R. Bohannon. The album unearths the intense process mending the worlds of modern classical, expansive sound art, minimalism, and the usual micro-guitar and synth exploration we’ve come to expect from Bohannon.
The four songs that make up the album may be.....

Modern progressive rock/post-rock/what-have-you. They even sample a Soft Machine album! Mars Volta haven't done that yet! These are cut-outs, hence the cheap price and they are heavily cut.

" ...And You Will Know Us by the Trail of Dead have always been an ambitious, and difficult to place, band. They're too earnest and fond of grand gestures to fit in with most of the indie rock world, but too arty and obscure to jell with most emo's heart-on-sleeve directness. On Worlds Apart, they remain hard...

"File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani..."-AllMusic

Produced by Mike Keneally and Android Trio.

Max Kutner, Eric Klerks and Andrew Niven, virtuosos all, were all also schooled in playful virtuosity, sprung rhythms, and no-holds-barred experimentation while playing in one or both of two of the great legacy bands of progressive music: The Grandmothers of Invention, who specialize in the reinvention of the Frank Zappa/Mothers of Invention repertoire, and The Magic Band, John “Drumbo” French’s uncannily inspired...

"Another extraordinary release by Sardinian virtuoso Paolo Angeli, this time featuring compositions by Fred Frith and Bjork – all played solo in real time (though when you hear it, it’s hard to believe it) on his highly customised and extended, electrified, giant Sardinian folk guitar. A tour de force of technique and at the same time highly musical; and there is so much going on here at any given time that it is difficult to relate what your ears tell you to just one Frankenstein instrument. Dense...

"This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, like a cello...

This is one of the most vividly surreal albums I've ever listened to and I ain't complaining about that one damn bit.

“Ant-Bee indeed is left in obscurity, his recorded work are reflective of the psychedelic era of the 1960's. Primarily Ant-Bee's début, 'Pure Electric Honey' is mainly a psychedelic pop album in substance, which makes it easier to listen to, due to the sounds and melodies, that are excellently performed and palatable to anyone. Though after the first song (excluding Intro)...

This is a high-quality pirate edition of this never-reissued, very obscure Krautrock rarity.

"From 1971. A very strange 'paycheck' project for Conny Plank and Achim Reichel's Gorilla Musik production company. Wonderland-esque German rock with...

“Low Tide Digitals II is the sequel to this non-Norwegian duo's acclaimed 2001 debut album of the same name. As with the debut, this is an Eno-esque, extremely fine-tuned mix of acoustic instruments and electronic elements.
Switzerland-based musicians Luigi Archetti and Bo Wiget have created an album of sensitive, electronically-tinged free improvising. With cello, guitar and electronics, Archetti and Wiget weave a beautiful, detailed and fragile soundscape. Most see references to ambient...

"Formed 2005 when husband / wife folk duo of Tim and Julie Cole began recording with longtime friend and maverick experimental electronic composer Martin Archer, working with lyrics provided by Keith Jafrate. Work on the band's album has taken over...

For fans of early / mid 70s jazz/electric jazz, this set represents the best bargain in our entire inventory. Hugely recommended!
Horacee is a drummer and bandleader who released these two fine albums in the early 70s. Both are minor classics, imo and are presented here in complete form!
Tribes was originally released in 1972 and the first of his albums on Columbia. This is a very good album, although it should be mentioned that unlike his second release, Tales of the Exonerated Flea, this is more..

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.

This was the 3rd and final album by the successor band to Henry Cow. I'm not really sure why (short playing length? the press had gone onto other things to champion? it wasn't released stateside, unlike the first two?) but this one slipped under the radar of a lot of folks, compared to their 1st two.
It's a very bleak, but also a very solid work. It’s probably my favorite of their albums

"Arti E Mestieri is considered one of the most influent cult bands in the Italian and European progressive scene from Seventies, recording two absolute milestones and masterpieces of the genre, “Tilt” (1974) and “Giro Di Valzer Per Domani” (1975). Outstanding 7-piece progressive jazz-rock band from Italy.
All the power delivered by the spectacular insane drumming of Furio Chirico (often compared to Billy Cobham) and magnificent analog keyboards of maestro Beppe Crovella (Mellotron, Hammond, Mini...

“Clarence Ashley was born on 29 September 1895 in Bristol, Tennessee. He learnt to play banjo beginning at age 8, his mother and aunts teaching him Appalachian folk songs and ballads. In 1911, at age 16, he joined a travelling medicine show, playing banjo and guitar where he travelled the South acquiring a vast repertoire of songs in the process. His solo banjo work and vocals are so stark and bare, there’s no doubt he lived every word and note. There’s also full band recordings. The set also features...

This album, recorded in Berlin, and originally released in 1977 on Virgin, marks the first time Manuel Gottsching used the name Ashra (as opposed to Ash Ra Tempel). This was also possibly the first time that the term "new age" was used on a record!
It's another completely wonderful, flowing, spacey album, featuring just Manuel performing on sequencer, keyboards and a lot of guitar. He did one more great one after this, Blackouts, then took some time off and returned to utter greatness and glory with..

“Ask the Unicorn is an "acid folk" masterpiece and one of the most singular releases from the infamous and historic ESP-Disk catalogue. It was recorded live to tape by a 27 year-old Ed Askew in 1968. Since that time, the impossible-to-find record and the man have acquired a mythological status. This first-ever, fully-remastered reissue has been awaited internationally for over 30 years.
But Ask the Unicorn, one of the most unique and gripping records under the 1960's sun, remained a question and an...

Ariel Vei Atanasovski – guitar, cello
Vasko Atanasovski - saxophone, flute
guests:
Marko Churnchetz - piano
Jošt Drašler - double bass
Marjan Stanić - drums, percussion

“Ariel Vei Atanasovski, son of the established Slovenian saxophonist, flutist & composer Vasko Atanasovski, is a young composer and musician with bright future. After completing high school in Maribor and many successes in classical music competitions, he is currently a student of cello at