New Arrivals

New Arrivals
“Azure D'or is a substantial, well-crafted prog-pop album at the end of the original era for Renaissance, and their last with the classic lineup intact. Definitely not as prog as previous efforts by Renaissance, but still captures the greatness of the band.”

“An expanded edition of the classic Renaissance album ‘Azure D’Or’. Issued in April 1979, the album followed the successful ‘A Song For All Seasons’ and the hit single ‘Northern Lights’ released the previous year. The line-up of vocalist...

“Each track of Weighted Room is shaped by multiple generations, arrangements, and voicing of the same starting material - drawing audio out of midi and flipping audio back into midi to be repeatedly rewritten, recast, retimed, and re-voiced.”
"Oddly enough by putting these tracks through dozens of iterations the music more or less determined it's own form. As a result there's way more variety here than is typical of any one collection of my work, but it still holds together as a singular...

Eric did a absolutely brilliant reimagining of “Music For 18 Musicians” (unfortunately not released on CD) and this is his latest.

“The slyly absorbing new volume from Michigan-based musician Erik Hall understands the contemplative joy in repetition. Solo Three is the culmination of what Hall describes as a loose trilogy, following his radical reinterpretation of Steve Reich's minimalist masterpiece Music for 18 Musicians, and his subsequent rendition of Simeon ten Holt's Canto Ostinato, a...

Aymeric Avice : trumpet, flugelhorn
Luke Stewart : double bass, mbira
Chad Taylor : drums, mbira

“The trumpet’ lines, with their brass arcs and multichromatic angles, explore with quantum consciousness. The bass, low, light, and supple, does not support; it structures the air.
A drum like a moving cartographer that invents moments. It resembles a living, complex but deliciously isotropic organism.
They all three speak the same musical language, no matter how or where they...

Sandrrine Rohrmoser : vocals and percussion
Thierry Zaboitzeff : arrangements, composition, vocals, cello, bass guitar, electric guitar, acoustic guitar, percussion, loop-station, sampling, creation of soundscapes and backing tracks

This is his latest release.

“Originally, Le Livre Vermeil was a collection of 14th-century songs and dances that caught my ear and my heart a long time ago.
In April 2004, I decided to stage a duo concert with the Austrian singer Sandrine Rohrmoser...

"After playing live music from 1989 to 1996 with his band Art Zoyd for the films Nosferatu (Murnau), Faust (Murnau) and Hâxan (Christensen), fifteen years later Thierry Zaboitzeff once again sets off to tackle a new project.
This time he is alone on the stage, surrounded by a complete arsenal of high-tech equipment, yet including his favourite instruments: cello, bass, percussion, guitar and his voice.
In the midst of this forest of instruments, cables and electronics, Zaboitzeff sees himself...

"As every RIO fan knows, Thierry Zaboitzeff had been active for playing upon hundreds of stages or releasing twelve albums in a vanguard of the RIO movement ART ZOYD in collaboration with a composer / violininst Gérard Hourbette from 1971 till 1997. After leaving Art Zoyd and opening his own studio, Thierry, in cooperation with several renowned directors, started many different projects, which had made attendances at lots of events all over Europe; Thierry has been pretty active for compositions, studio...

“Here, in the luminous hush between breath and presence, Sentient Being unfolds. With a lush analog palette of sustained ambient currents, Steve Roach sculpts timeless textural worlds and atmospheres of immersive depth expressing the contours of an inner world where awareness thrives. The six tracks organically reveal the intimacy of present-moment perception and emotion.
"These pieces," he says, "explore consciousness through direct engagement. Rather than referencing the term in its philosophical...

“Kevork Nalbandian was an Armenian emigrant who had become deeply Ethiopianised, Nersès Nalbandian: Moussié Nersès, Nalbandian the Ethiopian.
This is Ethiopia in the mid-1950s & early 1960s, on the eve of the blossoming, or rather the explosion, of Swinging Addis. Rock'n'roll, rhythm and blues, soul and twist had not yet burst onto the scene, and the atmosphere was still steeped in the post-war big band era, with Glenn Miller's In the Mood enduring as a global anthem on a par with the Latin wave...

Latest and a super-fine one from this great series.

“Muluken Mèllèssè leaves posterity with a clear idea of the level of sophistication and mastery that modern Ethiopian music had reached before it was crushed under the military-Stalinist boot of the Derg. Betraying the singer's extreme youth (he was not yet 18 at the time), his angelic voice fooled more than one listener into thinking they were hearing a female singer.
It was Muluken who inaugurated the Ethiopiques series more than twenty...

“Stephan Micus is a musical globetrotter and multi-instrumentalist who has been exploring the diversity of sounds on our planet for almost five decades.
Since the release of his debut album in the 1970s, he has recorded nearly 30 albums - always on his own and with an impressive range of wind, string and percussion instruments from all over the world.
As a self-taught musician, he has always been passionate about traditional and exotic instruments, which he not only explores in their original...

Tomeka Reid : cello
Mary Halvorson : guitar
Tomas Fujiwara : drums
Jason Roebke : bass, cassette

“Now returning with its fourth album, dance! skip! hop!, following 2019’s string focused Old New and 2024’s freewheeling, electronically influenced 3+3, Reid’s quartet delivers one of is most unfettered, confident explorations of their high spirited sound.” - DownBeat

Tomeka Reid : cello
Mary Halvorson : guitar
Tomas Fujiwara : drums
Jason Roebke : bass, cassette

“Now returning with its fourth album, dance! skip! hop!, following 2019’s string focused Old New and 2024’s freewheeling, electronically influenced 3+3, Reid’s quartet delivers one of is most unfettered, confident explorations of their high spirited sound.” - DownBeat

Andrea Centazzo: percussion, percussion synthesizer
Alvin Curran: synthesizer, piano, trumpet
Evan Parker: soprano & tenor saxophones

Recorded live in concert Rome, Italy December 13, 1977.

"I had the chance to perform with those two great musicians on other occasions: in duo with Alvin Curran and in duo, trio and sextet with Evan Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination. Evan had..

Andrea Centazzo: percussion, percussion synthesizer
Alvin Curran: synthesizer, piano, trumpet
Evan Parker: soprano & tenor saxophones

Recorded live at Teatro Comunale, Pistoia, Italy December 14, 1977.

"It was a magical evening. Not only did the trio burst with a creative energy that was homogeneous and interactive, but the acoustics, usually inadequate, of the half-empty sports pavilion with a capacity of 10,000 people, gave the music an ethereal transparency and crystalline...

Live in Padova, Italy in 1977 and previously unreleased.

“This album is a historical document in several respects: echo of a creative season in its early, vigorous blossoming. It serves as a testament to the initial opening of the emerging Italian free music scene to Northern European experiences, which had already been in communication for years.
The collaboration between Evan Parker and Andrea Centazzo had begun a few months before this concert held in Padova on December 12, 1977...

“Curran's ninth solo album finds an elemental, full-form return to his musical roots: a deep love for the ambient and resonant nature of the acoustic steel-string guitar in alternate tunings.
In company and reunited (after an 18-year separation) with a rare "Butterfly" Model 1 acoustic guitar made by Stefan Sobell in Northumberland, England in 1990 (previously used to record the first two albums made by his duo Arborea), Curran creates idiosyncratic and ethereal soundscapes through the use of its...

“Something is brewing in the state of Norway! Kronstad 23 are the latest trailblazers from northern Scandinavia: a creative force exploring the boundaries of musical genres, including but not limited to: psych rock, jazz, post-rock and Scandinavian folk music.
The group of young players follows the footsteps of Motorpsycho, Elephant9 and El Paraiso's own Lotus, Fra Det Onde and Kanaan, carving out their path through the musical landscape in seemingly effortless ways! One minute you're floating on...

“Electric Orange is a German psychedelic and Krautrock band founded in 1992 by keyboardist Dirk Jan Müller. With their hypnotic mix of analog synthesizers, spacey soundscapes, and driving grooves, the group continues the tradition of classic Krautrock acts of the 1970s, while remaining experimental and modern.
Over the years, Electric Orange has become known above all for their intense live improvisations and atmospherically dense studio albums, which range from electronic sound experiments to...

Brad Carlton - guitar
Dan Russell - saxophone, flute, keyboards
Kim Garner - bass
Jeff Jones - percussion
Kurt Snyder - drums

“Scintillation is the second instrumental album from Florida based Momentum, and is, in my estimation, a pleasant surprise given the late date (1983). On first blush, the keyboards have that early 80s New Wave sound, and sounds somewhat typical of the era. But then suddenly out of nowhere thrusts this excellent guitar fronted jazz rock. A type of fusion.

This great, unknown album comes screaming at you with the most 1980s punk cover ever imagined, but the music is very much something else.

“A little-known experimental rock & new-wave band from Salzburg, Austria. They were formed in 1977 and went through various minor name changes.
This, their 1980 LP debut is a must for obscure Krautrock collectors, as it has the daring of Can mixed with Bavarian style Kraut-fusion flair and a proto new-wave edginess that makes it really engaging...

Dennis Fitzgibbons - guitar
Mark Ambler - keyboards
Jerry Soffe - bass
David Holmes - percussion
Francis Hockney - drums

“Proficient UK-based jazz-rock fusion stylistically along the lines of Brand X, 2nd Vision, and John Etheridge-era Soft Machine. It’s hard to believe that this came out in 1983. There are some dark, odd-metered, fuzzed-out passages which suggest the band’s name could be a reference to the similarly-titled King Crimson album.
Overall, quite comparable (a

Wlodek Gulgowski : keyboards
Zbigniew Namysłowski : sax
Janne Schaffer : guitar
Mads Vinding : bass
Tony Williams : drums

This studio-only band consisted of major names of the Scandanavian and Polish jazz scenes, along with superstar drummer Tony Williams, who plays superbly here. But they all do!

“Pop Workshop were an all-star fusion band that included Janne Schaffer, Mads Vinding, Tony Williams, and Polish luminaries associated with Michal Urbaniak (and where two of..

Eric Delaunay : drums
Philipe Bambuk : guitar
Jean-Marc Thiébaud : keyboards
Paul Amar : bass
“Only recently did we learn that Eric Delaunay Started his musical career in the early 1970s with Camizole. So, that he did an experimental fusion album eight years before he debuted as the drummer in Tiemko is no longer surprising, although the lineage of Camizole to Tiemko is an unsual progression.
Now, the most surprising thing about ANTAGONISME! is that it came out on the major label.

Andreas Aarflot : Grand Piano, Electric Piano, Church Organ, Alto Saxophone, Baritone Saxophone
Stefan Björklund : Electric Guitar, Acoustic Guitar, 12-String Acoustic Guitar
Rolf Hedberg : Flute, Alto Flute, Piccolo Flute, Alto Saxophone, Soprano Saxophone, Tenor Saxophone
Björn Sjöö : Trombone, Bass Tuba
Christer Ödberg : Trumpet, Piccolo Trumpet
Urban Nilsson : Bass
Dick Ask : Drums
Britt Nilsson : vocals

This is a very good one and done Swedish jazz/rock album

Ritchie Close - keyboards
Phil Chapman - saxophone
Pete Glennon - bass
Dave Hassel - drums

“Outstanding, totally unknown until very recently UK jazz fusion that does everything right : the more muscular, more groovy 1968-75 Miles Davis inspired bits with strong bass are absolutely killer, and some of the best I've heard in the genre...and the more late night, more introspective bits have an incredible atmosphere to them too!
This also sometimes hits a mysterious, weirdly...

Par Hallgren: bass
Jacob Hamilton: drums & percussion
Joakim Jonsson: guitar
Bengt Wahlgren: Rhodes piano, synth, Hammond organ
Ola Eriksson: synth, Hammond organ
with:
Fredrik Kronkvist: bass clarinet, flute
Samuel Lundstrom: violin
Nelson Golott Rivera: congas

The third (and the third superb one) by this Swedish instrumental band who mix up jazz/rock with progressive rock touches. The title track channels the groove of ‘Boogie Woogie Waltz’ with the...

Michele De Luca - Voce
Dante Di Giorgio - Basso e chitarre
Marco Mancarella - Tastiere
Michele Martello - Chitarre

Solid RPI release by a band who have been around since 1990, but for whom this is only their 2nd album.

“The four songs on "Nell'idea di un tempo che" constitute a sort of concept album in themselves and are intended to be a journey into certain human states of mind. The album is inevitably rooted in the past.
Michele Martello and Marco Mancarella...

Nicolas Collins - trumpet
Birgit Ulher - trumpet, radio, speaker, objects

“Birgit Ulher and Nicolas Collins are pleased to announce the release of Spark Gap, the first record of their ongoing duo project. Two trumpets, two different approaches: one electronic, the other acoustic. While Collins programmed a computer to imitate hacked circuits and wired to a speaker inside the instrument, Ulher uses metal sheets, radios, milk frothers and other everyday objects to extend her sound palette...

John Butcher - tenor and soprano saxophones

“Away, I was" is a collection of solo pieces created in, and for, some quite different situations. The two longest pieces are tenor and soprano improvisations recorded in concert at Dragon Club, Poznan (2024) and the famous Blow Out series, Oslo (2025). The shorter tracks range through saxophone-controlled feedback and multitracked works, a tenor sax version of Chris Burn's transcription of a Derek Bailey solo, studio improvisations and compositions...

Marty Ehrlich - Soprano and Alto Saxophone, Flute, and Bass Clarinet
Julius Hemphill - Soprano and Alto Saxophone, and Flute
Marty Ehrlich is on the left channel / Julius Hemphill is on the right channel

“Julius Hemphill was a visionary saxophonist and composer whose music fused avant-garde exploration with deep blues and gospel roots. Marty Ehrlich, one of Hemphill’s close collaborators and protégés, is a multi-reedist and composer known for his lyrical improvisation and commitment.

Isidora Edwards - cello
Biliana Voutchkova - violin
Zosha Warpeha - hardanger d'amore

"A shimmering meeting of three fearless voices, this new recording invites cellist Isidora Edwards, violinist Biliana Voutchkova and Hardanger-d’amore virtuoso Zosha Warpeha into a luminous space of spontaneous creation. Intuitive improvisation and rare timbres intertwine to explore liminal sound-worlds where silence breathes and time suspends. The result: an immersive sonic journey that defies genre..

“The album features 15 songs recorded entirely live during the band's 2025 tour, capturing the energy and intensity of their concerts. The setlist includes much of their latest studio album, Time Voyager (2024), presented in a raw and powerful live setting, along with other highlights from the band's catalog.
Live Voyager represents a new chapter in the band's history, blending past and present into a single musical testament, designed for both longtime fans and those who want to experience the...

Rez Abbasi - acoustic guitar
Bill Ware - vibes
Stephan Crump - double bass
Eric McPherson - drums
Hasan Bakr - percussion

“Time never stands still for a multifaceted creator like guitarist and composer Rez Abbasi. His ever-evolving musical journey mirrors the changing currents of his life, from personal introspection to broader social landscapes observed from his New York home. A 2021 Guggenheim Fellow, Rez's 17th recording, Sound Remains, marks a return to the warmth and...

“Big Maceo continues to enjoy high regard amongst musicians and listeners alike - because of the power of his playing, particularly the muscular way in which he rolled his bass figures. When he sang, it was in a world-weary and weathered tone that he supplemented with a harsh false bass that brings Charley Patton and Blind Willie Johnson to mind. The amalgam of instrument and voice was unique.
Maceo came to Chicago and quickly established himself with Tampa Red. He'd learned his trade in the tough...

“Bill Laurance returns with Aftersun, a paean to space exploration and life in the cosmos. The music is filtered down to its roots in a quartet that features fellow bandmates from Snarky Puppy Michael League and Robert Sput Searight, along with legendary New Orleans percussionist Weedie Braihma.”

“Imaginative......Powerful writing...testify to the formidible Laurance s rapid evolution... A Jazz Maestro.” - The Guardian

“Full of emotive and authentic writing that beautifully blends jazz...

Newly lowered and extremely attractive pricing on this excellent box set. Hugely recommended to fans of 70s electronic sounds!

Philippe Besombes is a French electronic musician of the 70s and this reissues four of his works from the 70s, both solo and with his group Hydravion.
The two solo releases, Libra (1975) and Ceci Est Cela (1979) have both been previously released on CD by MIO, but they have been out of print for a decade. These include the bonus tracks that were on the MIO...

Kris Davis - piano
Mary Halvorson - guitar
Drew Gress - bass
Kenny Wollesen - drums

“From March to May 2015, John Zorn composed 300 new tunes that were eventually collected into a book of music he called The Bagatelles. After five years of performances around the world in venues large and small, the choicest ensembles have gone into the studio and the results are some of the most exciting and varied music Zorn has ever presented.
Volume 5 features Kris Davis, one of the...

“Typical ambient / instrumental Eno apart from the first track, which is a refreshing guitar-featuring piece, and this didn’t disappoint. It’s an amazing film with an incredible soundtrack. I've been recommending it to anyone who'll listen.”

“All of District 97's critically-acclaimed "Screens" album performed live at Europe's prog rock mecca, Boerderij Cultuurpodium, in October 2019. A brand new song recorded in quarantine-'Divided We Fall'. A wide variety of additional live material spanning D97's back catalogue and covers ranging from John Lennon to Yes. A rousing unreleased live performance of '21st Century Schizoid Man' featuring John Wetton, as well as collaborations with other artists such as Dave Kerzner and Fernando Perdomo. Two secret

“Dalinetopia, if you hadn't already guessed, is Edgar Froese's tribute album to his one-time guide and mentor, Salvador Dalí, although not so much to the man himself, or even his art, but to the philosophy behind his art. The only remotely Dalí-like aspect to the production to my mind are the meaningless but highly evocative titles (and I am sure that 'Dalysisiphus' is actually meant to be 'Dalisisyphus') that are each suggestive of the prevalent mood of their respective track.
The sleeve-notes for...

“Luxuriously packaged in a hardback book format, complete with track by track contextual prose and lyrics.
Shifting from the physical world of train wrecks to the metaphysical realm of imaginary beings, The Residents present 'Intruders', their new studio album. Inspired by the persistence of obsession, 'Intruders' are seen as alternate beings stalking the corners of our consciousness.
The album's original songs all pivot around the unseen and the uncontrollable spirits stuck in the seams of our..

“Voices From the Empty Moor seeks to honor the mystery and beauty of Anne Briggs’ music while maintaining its own unique perspective, foregrounding powerful emotion and, hopefully, magical transformation.
Bassist, composer and arranger devin hoff has been intensively studying the music of Anne Briggs for over a decade. Briggs was a leading light of the 1960’s English folk scene, a gifted songwriter and improvisor, as well as an amateur musicologist who revived traditional English, Scottish, and...

Christopher Hoffman - cello

“Christopher Hoffman attempts to obliterate misconceptions about the capacity of the violoncello.” — PostGenre

This is the debut solo album by cellist Christopher Hoffman, and is a tribute to one of America’s great bird artists, Rex Brasher (1869–1960). In Hoffman’s words “REX is a solo cello record written and recorded while living in the former home of Rex Brasher, a self-taught painter who created over 1,200 watercolors of North American birds. Composed...

“Progressive rock may rarely grace the mainstream spotlight, but its devoted global community continues to thrive, and few bands embody that spirit better than Airbag.
Since their debut EP, Safetree (2007), and first full-length album, Identity (2009), the Norwegian quintet has steadily built a worldwide following with their cinematic soundscapes, soaring melodies, and timeless songwriting. From All Rights Removed to The Century of the Self, each release has cemented Airbag’s reputation as one of...

Kahil El’Zabar - drums, percussion
Corey Wilkes - trumpet
Alex Harding - baritone sax
Ishmael Ali - cello

“Chicago legend El’Zabar began writing new material, alongside new arrangements for reimagined classics to be performed by the Ethnic Heritage Ensemble at “mu” London, an audiophile space for a healing, immersive experience. Leading the Ethnic Heritage Ensemble, the spiritual jazz shaman El’Zabar and his close collaborators delivered stunning performances over two unforgettable..

A very collectable and also a very excellent spiritual jazz release by one of the founding members of the AACM.

"Philip Cohran is a Chicago mainstay who was part of Sun Ra's band as a trumpeter from the '50s until Ra left Chicago in 1961. He was also instrumental in helping to create the Association for the Advancement of Creative Musicians (AACM), which spawned Anthony Braxton, Henry Threadgill, Leo Smith, the Art Ensemble of Chicago, and countless others.
“African Skies”, was originally...

A very collectable and also a very excellent spiritual jazz release by one of the founding members of the AACM.

"Philip Cohran is a Chicago mainstay who was part of Sun Ra's band as a trumpeter from the '50s until Ra left Chicago in 1961. He was also instrumental in helping to create the Association for the Advancement of Creative Musicians (AACM), which spawned Anthony Braxton, Henry Threadgill, Leo Smith, the Art Ensemble of Chicago, and countless others.
“African Skies”, was originally...

“Esoteric Recordings are pleased to announce the release of a new re-mastered collection that celebrates the best of the legendary Irish Progressive Rock band Fruupp.
Formed in Belfast in 1971, the band featured Pete Farrelly (bass guitar, flute, lead vocals), Vincent McCusker (lead guitar, vocals), Stephen Houston (keyboards, oboe, vocals) and Martin Foye (drums, percussion). The band signed with Pye Records’ Progressive label DAWN in 1973 and were a much-loved act on the British concert circuit...

“British Prog-Psych monster from the totally unknown MESSENGERS. Restored and remastered from a unique 1971 acetate discovered by legendary record collector Hans Pokora in a Scottish record shop. Sounding like a lost release from the Nepentha or RCA Neon labels, it’s full of swirling organ, searing guitar solos, complex jams and mystical lyrics.
The sleeve is also a real framer, an authentic primitive painting produced in a South London squat in 1973 in return for a quid deal of Red Lebanese and...