Zeuhl and related
The release of this great jazz/rock/Zeuhl album on CD is a cause of great joy for me personally. This is one of the albums I've long waited to appear on CD and also one of the ones that I most wanted Soleil Zeuhl to tackle.
This is a nonet of vibes, trumpet, saxes, trombone, violin, flute, bass, drums and female vocals. Originally a double lp set that was recorded in 1980, this has obvious influences from Magma, especially circa 1001 Centigrades, Tony Williams, Soft Machine and European jazz/rock....
Michel Radel - bass
Manuel Denizet - drums
Michel Deneuve - electric piano, vibes, vocals
Olivier Brochart - electric piano, vocals
Benoît Lallemant - percussion, vocals
Philippe Gisselmann - soprano sax
Track 1 recorded at studio Johanna, January 25th, 1976
Track 2 rehearsal recorded December 1976
Track 3 recorded live, the encore at Chaumont, June 2nd, 1977
Carmina were a French zeuhl band who existed in the 70s, but never released anything duri
Andrea Calderón – violin, vocals
Paco Casanova - keys, synths, organ, vocals
Patrick Shiroishi - saxophones, guitar, glockenspiel, vocals
Ryan Kamiyamazaki - bass
Sergio Sanchez Ravelo - drums
A great, Los Angeles five piece who always tear the house down in performance, Corima take their cues from the mighty Magma and are unabashedly a very Magmoid zeuhl band.
They take that and give it a youthful energy and make it into something their own. Something borrowed, yes, bu
Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice
Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no
This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....
This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....
Christian VANDER drums, vocaux
Claude ENGEL guitars, flute, vocaux
Francis MOZE bass électric bass
François CAHEN piano
Teddy LASRY saxophone soprano, flute, horns
Richard RAUX saxophones alto & ténor, flute
Alain CHARLERY "Paco" trumpet, percussions
Klaus BLASQUIZ vocals
One of the greatest, most idiosyncratic & original bands ever. Their 1st album, this is baby steps for the band Nice, but don't start here.
“At the end of the 1960s - a time when the
Lovely, gatefold, double vinyl to stun you visually and musically, just as listeners were originally stunned by this when it was released 50 years ago in 1975.
One of the greatest, most idiosyncratic & original bands ever. This is rightly considered a avant/prog classic and features a great lineup of the band (Christian, Stella, Klaus, Bernard Paganotti, Didier Lockwood, Benoit Widemann, Jean-Pol Aseline, Gabriel Federow
This is probably their most accessible work, as it is their most 'fusion...