Zeuhl and related

This release is by a Japanese duo that Soleil Zeuhl discovered. Yoshiyuki plays keyboards/synths/programming and Yoshihiro Yamaji plays guitar and bass. All of the drums are programmed, but they do a very good job of it, and this excellent debut does not suffer from 'canned band syndrome'.

"Amygdala is a Japanese band, heavily Zeuhl-influenced (much more on the UZ side than Magma, I'd say), with that RIO edge that seems to be the landmark of the greatest Japanese bands of these last few years...

File Under: Avant/Industrial jazz/rock. The Dematerialized Passenger is Combat Astronomy's second full length release...masterminding this cult underground act, James Huggett (bass, guitar, electronics, programing) has built on the power and creativity...

A great 5 piece, who simply tore the house down at ProgDay in 2013 and were one of the stunning highlights of the festival. This is the music they played there. Hugely recommended!

I saw Corima about in 2008, but at the time, they were a duo and...

“The seventh album from Chicago's notorious punk-jazz group nails a new high water mark in an already unforgettable discography. "The Truth..." finds the Luttenbachers at their darkest - a band distilled to it's most raw and sore - interspread are hyper-structural epics, minimalist noisescapes, high energy free jazz blows and bizarre electronic satellite transmissions.”

Includes the band’s earliest recording of the Magma classic, De Futura (short version).

Out of print now world-wide , but we found a couple of copies of this Japanese, mini-lp sleeve version in a warehouse and it's here until they are truly gone forever!

An early 80's release by this keyboardist who rightly made a name for himself playing with Magma, Heldon & Weidorje! This crosses the sound of Magma & Heldon.

Players include Richard Pinhas, David Rose, Bernard Paganotti, Christian Vander, Didier Batard, Jean-Pierre Fouquey & more!

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

This is a dramatic and dynamic release that I feel certain will impress a large number of people. Guapo is a British trio that plays an intense music that straddles the boundaries of progressive, noise, minimalism and avant-rock. Their sound has...

Happy Family are a Japanese instrumental quartet (keyboards, guitar, bass, drums) who are influenced by groups such as Magma, Univers Zero, Weidorje, King Crimson & Area. If you can imagine a full CD's worth of the kind of inspired playing & intensity ...

"Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/e...

This title has been out of print for ages, but in anticipation of their new, third album, we made one last printing. Here it is, with the previously Japanese-only bonus track "Dear My Daughter", while they last!

Happy Family are a Japanese...

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, (which includes 3 live bonus tracks) follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of...

First-ever vinyl edition!

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of rock

“Takes punk and prog-rock to the opera house for an immaculately arranged mosh pit.” - NPR

“Following the release of their album “Dhorimviskha” (one of Bandcamp Daily’s albums of the year) and during the height of the covid pandemic, Japan’s Koenjihyakkei played a rousing set to an empty Club Goodman and live-streamed their performance around the world. Now, vocalist / composer / drummer extraordinaire Tatsuya Yoshida has returned to the original recordings, and has meticulously mixed and...

“Takes punk and prog-rock to the opera house for an immaculately arranged mosh pit.” - NPR

“Following the release of their album “Dhorimviskha” (one of Bandcamp Daily’s albums of the year) and during the height of the covid pandemic, Japan’s Koenjihyakkei played a rousing set to an empty Club Goodman and live-streamed their performance around the world. Now, vocalist / composer / drummer extraordinaire Tatsuya Yoshida has returned to the original recordings, and has meticulously mixed and...

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

Teddy Lasry is best known as being one of the reed men in the first edition of Magma, appearing on Mekanik, 1001 and Kobaia.
But after leaving Magma circa 1973, he made a bunch of library music albums (which I have never heard), as well as two very excellent, more keyboard / electronic-styled progressive albums for RCA in 1976 and 1979, of which this is the first.
At one point, I tried to license the two RCA albums for Cuneiform, so you know that I think highly of them; this is its first-ever...

Magma's final album of the 1970s isn't a bad album and it has some incredibly great moments (and a great cover by H.R. Giger), but it isn't the best place to start with this brilliantly original and idiosyncratic band.
Newly remastered and in a digipack.

One of the greatest, most idiosyncratic & original bands ever. This is their amazing recording in fine sound from Top Gear, featuring the classic 1974 line-up, including MONSTER bassist Jannick Top in rare, over the top form.
The definitive versions of Kohntarkhosz and Wurdah Itah. Essential.
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

Back in print, in remastered and slightly improved form.

This show is taken from the Attahk tour, recorded April 17, 1979. While it is simply a soundboard stereo recording, a lot of work has been done to make it sound as good as possible, and it sounds pretty darn good.
This was a difficult period for Magma; times were changing and the amazing, complex, other-worldly sound they were best known for was falling out of favor. To me, this album is a document of the sound of a band struggling; ...

One of the greatest, most idiosyncratic & original bands ever. This is a live recording (of reasonably good quality, given the time-period) featuring the 1001o Centigrade band! [Seventh]

The Ëmëhntëhtt-Rê trilogy performed and released in full for the very first time:
Köhntarkösz Anteria (K.A.)
Köhntarkösz
Ëmëhntëhtt-Rê

Recorded live at Le Triton in France in November, 2014.
"Initiated in 1973, its composition beholds its whole fulfillment after more than four decades. It is the testimony of an unwaveringly timeless inspiration, of which the expectant present asserts itself beyond history. Connecting wide and contrasted scenes, it sets its coherence within its.

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

Magma added three more female voices to the mix, and the singing is extra great on here. Additionally the over-all recorded sound seems a bit better over-all from the last few releses. The playing is also very strong, although my heart will always belong to Bubu...

“2020/2021.
More than 18 months without being able to play a gig. This space of time, this imposed "pause", was used to prepare a new album, a group album, working in a way we had not realized for a long time.
Following the..

Christian VANDER drums, vocaux
Claude ENGEL guitars, flute, vocaux
Francis MOZE bass électric bass
François CAHEN piano
Teddy LASRY saxophone soprano, flute, horns
Richard RAUX saxophones alto & ténor, flute
Alain CHARLERY "Paco" trumpet, percussions
Klaus BLASQUIZ vocals

One of the greatest, most idiosyncratic & original bands ever. Their 1st album, this is baby steps for the band Nice, but don't start here.
“At the end of the 1960s - a time when the

One of the greatest, most idiosyncratic & original bands ever. This is rightly considered a avant/prog classic and features a great lineup of the band (Christian, Stella, Klaus, Bernard Paganotti, Didier Lockwood, Benoit Widemann, Jean-Pol Aseline, Gabriel Federow).
This is probably their most accessible work, as it is their most 'fusion sounding work' with extremely strong soloing from violinist Didier Lockwood, but it in no way compromises their vision.
And what a great live recording!...

Magma has basically made the wonderful Parisian club "Le Triton" their home for multi-date residencies.

In addition to it being a great, small club with terrific sound, they have built in professional audio and video recording facilities!...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...

In May, 2005, Magma took over the Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold-out weeks...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present...

One of the greatest, most idiosyncratic & original bands ever. This is from their reunion concert in Paris in 1980. This is sorta weak; don't start here! [Seventh]

Siegfried Scholz - drums, vocal
Detlef Gherke - piano, organ, synth, vocal

"Magma were a rock duo from Gelsenkirchen. They were playing only on organ and drums like Hardin & York or Hansson & Karlsson.
Their only LP, which turned up very late with collectors, was released in 1975 (Elrec 1026). On this CD you can find five bonus tracks, all of them never released before. The four first ones had been performed live, the last one was recorded at the studio.
Magma, having a lot of gigs

Recorded live at Magma's 30th anniversary concerts in May, 2000, this is the first time that the complete Theusz Hamtaahk trilogy has been released in one set. Excellent live recording and terrific energy coming off of the stage. While you've heard the tunes before, you haven't heard them all performed live; essential for fans

“It is the first and only record to contain all three movements of the trilogy Theusz Hamtaahk: 'Theusz Hamtaahk' ('Time of Hatred'), Wurdah Itah ('Dead Earth') & 'Mekanik...

One of the greatest, most idiosyncratic & original bands ever. This is the last ''real'' Magma disc, recorded as the band was collapsing. But it includes the side long smoker ''De Futura'', which launched a thousand zeuhl bands on their careers...and that's just side two - side one is really good too, if not as intense. A total winner!

“A limited edition (2,000 copies) hardcover box with 7 black vinyl LPs, and includes a 84-pages hardcover book, a wall flag, a facsimile of the original LP front cover, and a hand-numbered certificate of authenticity.

LP 1 "1972 – Maison De L'ORTF"
This is definitely one of the first recorded live versions of "MDK".
Recorded May 26th 1972 by Le Hollandais Volant.

LP 2 "1973 – Chœurs De L'Orchestre De La Storchhaus"
This studio recording can be regarded as a demo and

For 40 years, although this has been listed as a 'solo' release by Magma's founder, this is, for all intents & purposes, the fourth Magma album, having been released between M.D.K. and Kohntarkhoz.

Now, for this snazzy vinyl reissue, it's been rightfully renamed as being by MAGMA, and more importantly, features a clear photo from the film that this was a soundtrack of (sort of - long story), and you can see for yourself how much the costumes predate GWAR by 15 years!

Stripped down to...

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

This is just over 2 hours of music, recorded at Magma's 'home base' for residencies.
Christian Vander : vocal, drums
Stella Vander : vocal, percussions
Isabelle Feuillebois : vocal , percussions
Hervé Aknin : vocal , percussions...

Ludal Le Chacal: voice & keyboards
Captain Flapattak: drums & voice
Thybo: guitar & voice
Fabien De Kerbaleck: bass & voice

This band features several members of the Zeuhl band Rhun, in a more rock / oddball guise and using nom de plumes!

"The psychedelic keyboard rides as a top thing while using the distorted base and relatively cymbal-based drumming as a whole, feeling the influence from MAGMA, Orthodox rock with multiple vocals By singing out a melodic line, soun

I saw these guys in France at the 2009 Rock in Opposition festival and they were good and the bassist was the incredible Philippe Bussonnet (of Magma and One Shot fame) who was incredible as always, and he appears here as well!...

During a fairly incredible 7 year run that began in the mid 1970s,
Richard Pinhas released a large string of influencial albums; 7 by Heldon and 5 under his own name, all of which attempted in one way or another to meld (avant-garde) rock music...

Charles Goubin-guitar, piano, vocals
Philippe Goubin-percussion, piano, vocals
Dominique Dubuisson-bass

Potemkine were a great French band who existed throughout most of the 70's. They absorbed influences from zeuhl, fusion, avant-rock and more & fused it into a blend that was their's alone!

This is their fabulous, under-recognized classic 2nd album. It was their most zeuhl-ish recording, but it’s also one of the greatest non-Magma Zeuhl albums of the 70s, based around acoustic.

This relatively young band from Normandy, France, makes their debut on disc here, with a CD that has six tracks; three from new recordings by the current line-up of the group (drums/lead vocals, bass/vocals, guitar/vocals, alto & baritone sax/alto...

Captain Flapattak drums & vocals
Retsim Käh bass & vocals
Charlotte Pace violin
Chfab Kaouenn keyboards & vocals
Jean Bonëth saxophones (alto & baryton)
Ludal Le Chacal keyboards & lead vocals

Rhun are a French sextet playing zeuhl and avant progressive-influenced music. Their first album came out a decade ago on AltrOck and they’ve just resurfaced with their excellent second album here.

The band say:
“Emëht Um Rhët Sam (the devil emits and shines)

Captain Flapattak : drums & vocals
Retsim Käh : bass & vocals
Charlotte Pace : violin
Chfab Kaouenn : keyboards & vocals
Jean Bonëth : alto & baritone saxophones
Ludal Le Chacal : keyboards & lead vocals

Tozzos is the third album from this very good, French zeuhl/avant-progressive group who first came to our attention with their release on AltrOck.

“Rhùn, a band from France, released their album "Tozïh" in 2023, and presented an excellent combination of avan

"Reissue of a rare as hell lp from 1978 (reaches $1,000 + on eBay) issued in micro quantity only in Corsica (a French Island located between France & Italy). Strongly rooted into mediterranean culture, Rialzu's sole recording is a highly original fusion of progressive, Corsican songs & zeuhl sounds (track 1 starts with a glimpse at Magma by playing briefly the opening section of Kohntarkhosz!).
Both music & vocals evoke the classic Italian progressive school. The original lp had 3 tracks, this...

Some of the very best musicians in Japan, veterans of such bands as Bondage Fruit, the Boredoms, Bazooka Joe, Demi Semi Quaver...have come together in Rovo, a virtuosic trance-rock group based in Tokyo. This dynamic set collects the best of their legendary two-night run at New York City's premier new music club, Tonic. Beautifully recorded and impeccably mixed by Rovo mastermind, violinist Katsui Yuji in Japan, Tonic 2001 captures the firey brilliance of this dazzling band like no studio recording ever...