Zeuhl and related

BBI is Philippe Bussonet on bass (Magma's magnificent bassist since 1995, as well as one of the powers behind One Shot), Jean-Claude Buire on drums (drummer for Offering in the late 1980s) and Laurent Imperato on guitar (a founding member of Xaal, although he had left by the time they started recording.
This was Philippe's side-band before co-forming One Shot and this studio work was recorded in 1996, but never released until now. They are a power trio that mixes the most 'rock' aspects of One Shot...

The release of this great jazz/rock/Zeuhl album on CD is a cause of great joy for me personally. This is one of the albums I've long waited to appear on CD and also one of the ones that I most wanted Soleil Zeuhl to tackle.
This is a nonet of vibes, trumpet, saxes, trombone, violin, flute, bass, drums and female vocals. Originally a double lp set that was recorded in 1980, this has obvious influences from Magma, especially circa 1001 Centigrades, Tony Williams, Soft Machine and European jazz/rock....

Michel Radel - bass
Manuel Denizet - drums
Michel Deneuve - electric piano, vibes, vocals
Olivier Brochart - electric piano, vocals
Benoît Lallemant - percussion, vocals
Philippe Gisselmann - soprano sax

Track 1 recorded at studio Johanna, January 25th, 1976
Track 2 rehearsal recorded December 1976
Track 3 recorded live, the encore at Chaumont, June 2nd, 1977

Carmina were a French zeuhl band who existed in the 70s, but never released anything duri

File Under: Avant/Industrial jazz/rock. The Dematerialized Passenger is Combat Astronomy's second full length release...masterminding this cult underground act, James Huggett (bass, guitar, electronics, programing) has built on the power and creativity...

Andrea Calderón – violin, vocals
Paco Casanova - keys, synths, organ, vocals
Patrick Shiroishi - saxophones, guitar, glockenspiel, vocals
Ryan Kamiyamazaki - bass
Sergio Sanchez Ravelo - drums

A great, Los Angeles five piece who always tear the house down in performance, Corima take their cues from the mighty Magma and are unabashedly a very Magmoid zeuhl band.
They take that and give it a youthful energy and make it into something their own. Something borrowed, yes, bu

Atte Kemppainen, Lead Vocals/Bass/Composition (Kolöniel name: Alemaahr Kempah)
Ville Sirviö, Lead Guitar (Kolöniel name: Willargh Shirow)
Roope Pelkonen, Keyboards/Vocals (Kolöniel name: Kaszpar Gorkeulhzennh)
Osmo Saarinen, Drums/Percussions/Vocals (Kolöniel name: Ozamö Sharif)

“A band singing in their created own language (named “Kolöniel”), does that remind you another band ? Yes, you’re right THAT Kobaïan band led by a famous French drummer!
DAI KAHT story begins in Finland.

"Now that ONE SHOT has split, this is the very first project of an ex-member to see the light. The band is led by drummer Daniel Jeand'Heur.

The music itself, while firmly connected to the classic One Shot sound (a heavy bass, explosive drums, Fender Rhodes, long tracks), also features a horn section.

The result, as you may expect from such a band, is a bridge between the most electric jazz-rock bands and prog. But the real sensation here is the inclusion of occasional vocals that add a...

Emerging in the very late 1970's, Eskaton were an early Zeuhl band. This was their first album, and is reissued on vinyl for the very first time.
Dual female vocals chant and soar above the churning bass and drums which ably support the busy dual Rhodes piano/synth and guitar work! If you like Magma, Weidorje, Potemkine, you will enjoy this tremendously.

“Eskaton is part of that generation of French Zeuhl bands that arrived on the scene a little too late in the 1970s, on the cusp of the...

“The seventh album from Chicago's notorious punk-jazz group nails a new high water mark in an already unforgettable discography. "The Truth..." finds the Luttenbachers at their darkest - a band distilled to it's most raw and sore - interspread are hyper-structural epics, minimalist noisescapes, high energy free jazz blows and bizarre electronic satellite transmissions.”

Includes the band’s earliest recording of the Magma classic, De Futura (short version).

Out of print now world-wide , but we found a couple of copies of this Japanese, mini-lp sleeve version in a warehouse and it's here until they are truly gone forever!

An early 80's release by this keyboardist who rightly made a name for himself playing with Magma, Heldon & Weidorje! This crosses the sound of Magma & Heldon.

Players include Richard Pinhas, David Rose, Bernard Paganotti, Christian Vander, Didier Batard, Jean-Pierre Fouquey & more!

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

This is a dramatic and dynamic release that I feel certain will impress a large number of people. Guapo is a British trio that plays an intense music that straddles the boundaries of progressive, noise, minimalism and avant-rock. Their sound has...

Happy Family are a Japanese instrumental quartet (keyboards, guitar, bass, drums) who are influenced by groups such as Magma, Univers Zero, Weidorje, King Crimson & Area. If you can imagine a full CD's worth of the kind of inspired playing & intensity ...

"Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/e...

This title has been out of print for ages, but in anticipation of their new, third album, we made one last printing. Here it is, with the previously Japanese-only bonus track "Dear My Daughter", while they last!

Happy Family are a Japanese...

First-ever vinyl edition!

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of rock

“Takes punk and prog-rock to the opera house for an immaculately arranged mosh pit.” - NPR

“Following the release of their album “Dhorimviskha” (one of Bandcamp Daily’s albums of the year) and during the height of the covid pandemic, Japan’s Koenjihyakkei played a rousing set to an empty Club Goodman and live-streamed their performance around the world. Now, vocalist / composer / drummer extraordinaire Tatsuya Yoshida has returned to the original recordings, and has meticulously mixed and...

“Takes punk and prog-rock to the opera house for an immaculately arranged mosh pit.” - NPR

“Following the release of their album “Dhorimviskha” (one of Bandcamp Daily’s albums of the year) and during the height of the covid pandemic, Japan’s Koenjihyakkei played a rousing set to an empty Club Goodman and live-streamed their performance around the world. Now, vocalist / composer / drummer extraordinaire Tatsuya Yoshida has returned to the original recordings, and has meticulously mixed and...

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

This is a re-working of the unavailable 3rd release by this Ruins offshoot project, led by Tatsuya Yoshida-drums, vocals, with Jin Harada-guitar, Sakamoto Kengo- bass, Oguchi Kenichi-keyboards (of Kenso) & Sagara Nami (soprano voice).
While not quite a Magma-derived as their first, this is still a wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for. Really nice & powerful! For better or worse, it has been....

This quite rare 1981 release (only 500 made on lp) has rightly gained itself a good reputation for its unusual mixing of Zeuhl and Canterbury elements, as well as Swedish folk! The bass and drums churn in the background, setting up Zeuhl-inspired...

Teddy Lasry is best known as being one of the reed men in the first edition of Magma, appearing on Mekanik, 1001 and Kobaia.
But after leaving Magma circa 1973, he made a bunch of library music albums (which I have never heard), as well as two very excellent, more keyboard / electronic-styled progressive albums for RCA in 1976 and 1979, of which this is the first.
At one point, I tried to license the two RCA albums for Cuneiform, so you know that I think highly of them; this is its first-ever...

Sébastien Rocquefelte: Vocals
Antoine Tharreau: Fender Rhodes & various keyboards
Anthony Lecomte: Electric bass
Louis Godart: Guitar
Fabrice Fosse: Marimba
Daniel Jeand'heur: Drums & percussions
Bruno Ruder: Fender Rhodes and keyboards
Mathilde Borsoni, Solène Gendre & Didier Corbel: Choirs

“The music of LA FIN DES TEMPLES was written by James Mac Gaw in 2004, who was then a member of MAGMA & ONE SHOT. This long track was composed as a homage to the music

One of the greatest, most idiosyncratic & original bands ever. This was their 2nd, & the first where they began to find their own true voice. With a crack line up including Christian Vander, Francis Moze, Teddy Lasry, Francois Cahen, & many more. While somewhere between Zeuhl & good early jazz rock, this still features the truly twisted vision that is Magma.

Back in print, in remastered and slightly improved form.

This show is taken from the Attahk tour, recorded April 17, 1979. While it is simply a soundboard stereo recording, a lot of work has been done to make it sound as good as possible, and it sounds pretty darn good.
This was a difficult period for Magma; times were changing and the amazing, complex, other-worldly sound they were best known for was falling out of favor. To me, this album is a document of the sound of a band struggling; ...

One of the greatest, most idiosyncratic & original bands ever. This is a live recording (of reasonably good quality, given the time-period) featuring the 1001o Centigrade band! [Seventh]

The Ëmëhntëhtt-Rê trilogy performed and released in full for the very first time:
Köhntarkösz Anteria (K.A.)
Köhntarkösz
Ëmëhntëhtt-Rê

Recorded live at Le Triton in France in November, 2014.
"Initiated in 1973, its composition beholds its whole fulfillment after more than four decades. It is the testimony of an unwaveringly timeless inspiration, of which the expectant present asserts itself beyond history. Connecting wide and contrasted scenes, it sets its coherence within its.

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

Magma added three more female voices to the mix, and the singing is extra great on here. Additionally the over-all recorded sound seems a bit better over-all from the last few releses. The playing is also very strong, although my heart will always belong to Bubu...

“2020/2021.
More than 18 months without being able to play a gig. This space of time, this imposed "pause", was used to prepare a new album, a group album, working in a way we had not realized for a long time.
Following the..

Christian VANDER drums, vocaux
Claude ENGEL guitars, flute, vocaux
Francis MOZE bass électric bass
François CAHEN piano
Teddy LASRY saxophone soprano, flute, horns
Richard RAUX saxophones alto & ténor, flute
Alain CHARLERY "Paco" trumpet, percussions
Klaus BLASQUIZ vocals

One of the greatest, most idiosyncratic & original bands ever. Their 1st album, this is baby steps for the band Nice, but don't start here.
“At the end of the 1960s - a time when the

Lovely, gatefold, double vinyl to stun you visually and musically, just as listeners were originally stunned by this when it was released 50 years ago in 1975.
One of the greatest, most idiosyncratic & original bands ever. This is rightly considered a avant/prog classic and features a great lineup of the band (Christian, Stella, Klaus, Bernard Paganotti, Didier Lockwood, Benoit Widemann, Jean-Pol Aseline, Gabriel Federow
This is probably their most accessible work, as it is their most 'fusion...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present...

One of the greatest, most idiosyncratic & original bands ever. This is from their reunion concert in Paris in 1980. This is sorta weak; don't start here! [Seventh]

Siegfried Scholz - drums, vocal
Detlef Gherke - piano, organ, synth, vocal

"Magma were a rock duo from Gelsenkirchen. They were playing only on organ and drums like Hardin & York or Hansson & Karlsson.
Their only LP, which turned up very late with collectors, was released in 1975 (Elrec 1026). On this CD you can find five bonus tracks, all of them never released before. The four first ones had been performed live, the last one was recorded at the studio.
Magma, having a lot of gigs

Recorded live at Magma's 30th anniversary concerts in May, 2000, this is the first time that the complete Theusz Hamtaahk trilogy has been released in one set. Excellent live recording and terrific energy coming off of the stage. While you've heard the tunes before, you haven't heard them all performed live; essential for fans

“It is the first and only record to contain all three movements of the trilogy Theusz Hamtaahk: 'Theusz Hamtaahk' ('Time of Hatred'), Wurdah Itah ('Dead Earth') & 'Mekanik...

“A limited edition (2,000 copies) hardcover box with 7 black vinyl LPs, and includes a 84-pages hardcover book, a wall flag, a facsimile of the original LP front cover, and a hand-numbered certificate of authenticity.

LP 1 "1972 – Maison De L'ORTF"
This is definitely one of the first recorded live versions of "MDK".
Recorded May 26th 1972 by Le Hollandais Volant.

LP 2 "1973 – Chœurs De L'Orchestre De La Storchhaus"
This studio recording can be regarded as a demo and

This amazing document has been lying in the archives at Radio Bremen for 40 years. A decade ago, when we were licensing a lot of material from Radio Bremen, I tried to get permission from the band to release this incredible show and they said 'no'. Why they said 'yes' to someone else a decade later, I don't know, but the world is a better place because of it!
This is the entire radio broadcast, featuring the touring version of the Köhntarhosz band:...

Very good first effort from a new generation of French Zeuhl.
Carole Sauvage-Fender Rhodes
Yannick Duchene-guitar, vocals
William Pawelzik-bass
Christophe Gratien-drums

"Influences: Zeühl, Jazz-Rock-Progressif, Classique-Contemporain, Lyrique, Traditionnel, Musiques spirituelles..."
"First CD of this French band that has recently opened for Magma at Bourg les Valence. A superb recording, heavily influenced by Magma (sound, compositions & spirit). Very much recommended...

"Reissue of an obscure underground French album from 1980. NOA features a histrionic female vocalist, piping the French language and enunciating syllables just like another instrument. The music of Noa is of the jazzy Zeuhl variety, with plenty of sax...

New Spanish band making their debut recording here, and a really good one it is. This is dark, but not overbearingly so, and heavy all instrumental avant-progressive rock, performed on guitar, keyboards, bass and drums. I can hear touches of some of...

Ludal Le Chacal: voice & keyboards
Captain Flapattak: drums & voice
Thybo: guitar & voice
Fabien De Kerbaleck: bass & voice

This band features several members of the Zeuhl band Rhun, in a more rock / oddball guise and using nom de plumes!

"The psychedelic keyboard rides as a top thing while using the distorted base and relatively cymbal-based drumming as a whole, feeling the influence from MAGMA, Orthodox rock with multiple vocals By singing out a melodic line, soun

I saw these guys in France at the 2009 Rock in Opposition festival and they were good and the bassist was the incredible Philippe Bussonnet (of Magma and One Shot fame) who was incredible as always, and he appears here as well!...

During a fairly incredible 7 year run that began in the mid 1970s,
Richard Pinhas released a large string of influencial albums; 7 by Heldon and 5 under his own name, all of which attempted in one way or another to meld (avant-garde) rock music...

This relatively young band from Normandy, France, makes their debut on disc here, with a CD that has six tracks; three from new recordings by the current line-up of the group (drums/lead vocals, bass/vocals, guitar/vocals, alto & baritone sax/alto...

Captain Flapattak drums & vocals
Retsim Käh bass & vocals
Charlotte Pace violin
Chfab Kaouenn keyboards & vocals
Jean Bonëth saxophones (alto & baryton)
Ludal Le Chacal keyboards & lead vocals

Rhun are a French sextet playing zeuhl and avant progressive-influenced music. Their first album came out a decade ago on AltrOck and they’ve just resurfaced with their excellent second album here.

The band say:
“Emëht Um Rhët Sam (the devil emits and shines)

Captain Flapattak : drums & vocals
Retsim Käh : bass & vocals
Charlotte Pace : violin
Chfab Kaouenn : keyboards & vocals
Jean Bonëth : alto & baritone saxophones
Ludal Le Chacal : keyboards & lead vocals

Tozzos is the third album from this very good, French zeuhl/avant-progressive group who first came to our attention with their release on AltrOck.

“Rhùn, a band from France, released their album "Tozïh" in 2023, and presented an excellent combination of avan

"Reissue of a rare as hell lp from 1978 (reaches $1,000 + on eBay) issued in micro quantity only in Corsica (a French Island located between France & Italy). Strongly rooted into mediterranean culture, Rialzu's sole recording is a highly original fusion of progressive, Corsican songs & zeuhl sounds (track 1 starts with a glimpse at Magma by playing briefly the opening section of Kohntarkhosz!).
Both music & vocals evoke the classic Italian progressive school. The original lp had 3 tracks, this...

Some of the very best musicians in Japan, veterans of such bands as Bondage Fruit, the Boredoms, Bazooka Joe, Demi Semi Quaver...have come together in Rovo, a virtuosic trance-rock group based in Tokyo. This dynamic set collects the best of their legendary two-night run at New York City's premier new music club, Tonic. Beautifully recorded and impeccably mixed by Rovo mastermind, violinist Katsui Yuji in Japan, Tonic 2001 captures the firey brilliance of this dazzling band like no studio recording ever...

I wasn't quite sure what to make of this when I heard about it; was it going to be a solo drum release from Yoshida? Anyway, my concerns were allayed when it arrived and I got to hear it. It's a fully orchestrated, (I suppose with computers and...