New Arrivals

New Arrivals
“Levin’s seventh solo album, and his first since 2007, is an autobiography of sorts, with the themes drawn from Levin’s musical life. It features a myriad of collaborators from his half-century-plus on the road and in the studio with Peter Gabriel, King Crimson and many, many others.
Features a Murderer’s Row of guest musicians including Robert Fripp, Vinnie Colaiuta, Earl Slick, Mike Portnoy, Steve Gadd, Jerry Marotta, Gary Husband, L. Shankar, Pete Levin, Jeremy Stacey, David Torn, Pat Mastelotto...

More than decent second division British progressive hard rock. This was their sophmore effort, originally dating from 1973. Duffy's style was a rather personal blend of psychedelia, prog and hard rock, revealing influences from Deep Purple, Uriah Heep.

“The classic 1973 album by the UK progressive/hard rock band Duffy. The band was formed in London in 1970 and began performing and Europe and recorded their debut album, Just in Case You're Interested, for the German Ariola label in 1971.
The.

Tortoise, as stated below, is a good indicator of what they do, as is Jaga Jazzist (in a smaller format), The Kandinsky Effect or even Led Bib at their least frantic. Good stuff.

“Experimental ensemble Kneebody emerged in the early 2000s with a progressive, jazz-based sound that also touched upon rock, funk, and electronic-influenced music. Although each member of Kneebody is an adept jazz improviser, they often take a compositional, group-oriented approach to their music and albums. 2008's Low...

“The Nice were already superstars in their native England due almost entirely to their explosive live performances, as can be heard here when opening for The Chambers Brothers and King Crimson at the Fillmore West, San Francisco on December 12th 1969.
Every performance by The Nice was/is a completely unique creature, a living, breathing entity that is a continual lesson to all. The Fillmore West, and music itself is about to change forever. However people remember or regard The Nice, their place...

“Available again as part of the IQ Special Edition vinyl releases, The Road of Bones vinyl edition features all the tracks from both discs of the special edition of the album. Presented here in 3 disc white vinyl, triple gatefold sleeve and black poly-lined inner sleeves. Also included are the original A4 4 page booklet which folds out to an A2 sized poster featuring the cover artwork.”

IQ were one of the original wave of UK neo-progressive bands that emerged in the early 1980s. Other than a...

Nick Fletcher: guitars
Anika Nilles: drums (Germany)
Jonathon Ihlenfeld Cuniado: bass (Germany)
Jan Gunnar Hoff: keyboards (Norway)
Olga ‘Dikajee’ Karpova: vocals on ‘To Hear the Angels Sing’ (Russia)
Caroline Bonnett: keyboards, programming (U.K.)

“Nick Fletcher is the best Jazz Rock guitarist in the U.K. His fluency is outstanding. I consider him a real star” - Steve Hackett

“Nick Fletcher is an electric, classical guitarist and composer from Sheffiel

Peter Brötzmann: tarogato, contra-alto clarinet, bass saxophone.
Paal Nilssen-Love: drums, gongs, percussion.
“The second volume of the perfect pairing Brötzmann & Nilssen-Love, recorded at Zuiderpershuis in Antwerp, August 2015. The music is less frenzied and aggressive than listeners may be used to, as the musicians shared their exploration of new tools with a more contemplative approach. To be sure, both Brötzmann and Nilssen-Love summon the usual energy here and there, but it's a genuine...

“Schizophrenic Blues was a quartet date taped live in Berlin in May of 1977 with a quartet comprising Oliver Johnson, bassist Jean-Jacque Avenel, and trumpeter Itaru Oki. It was released on the SAJ sub label in 1978. It deftly captures the full diapason of Howard's fiery art.
The piano-less quartet Schizophrenic Blues casts the music in a different light, with the great Japanese trumpeter Itaru Oki serving as a worthy frontline partner for Howard's livewire alto sax. Johnson is back in the rhythm...

“Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton. It was released on the SAJ sub label in 1977. It deftly captures the full diapason of Howard's fiery art.
Fueled by the propulsive swing of the great Oliver Johnson, bassist Kent Carter -- both Americans who spent many years living and working in Europe, including long stints with Steve Lacy -- and ...

“On the same path as Baraka, Klaus Wiese (ex-Popol Vuh) continues his intimate spiritual journey into healing and cosmic drone music. Like its predecessor, this work originally appeared on tape for Aquamarin Verlag (1982). "Sabiya" means bright, shining, an oriental wind that suggests feminine power; "Sabiha" is therefore she who manifests beauty and grace. "Shaheena" is indicative of gentle and soft, while "Shahira" embodies and represents the essence of recognition and visibility. Absorbed in absolute...

“This revelatory album positions John Tchicai's large ensemble, Cadentia Nova Danica (CND), in the broad context of international new music activity. All previous releases by the group presented them as a free jazz unit. There were only three -- their self-titled release on Polydor (1968); Afrodisiaca (MPS, 1969); and Live at Jazzhus Montmartre (Storyville), recorded in 1967 but not released until 2016. They are all on jazz labels, so the bias is perhaps understandable. CND was a great free jazz group...

“The first of a series of released documenting the work of Danish composer and multi-instrumentalist John Tchicai. This new LP features two previously unpublished recordings, "Beautiful United Harmony Happening" with Don Cherry and "Education Of An Amphibian" with Sahib Shihab.
Tchicai returned to his native Denmark in July 1966 after spending a remarkable four years in New York City. In that short span, he helped redefine and expand the relationship between soloing, collective improvisation, and...

“Space rock pioneers Hawkwind release their live album, Live at the Royal Albert Hall, capturing their electrifying performance at the world-famous venue on Friday 29th September 2023.
This live release follows the band's latest critically acclaimed album Stories From Time And Space, cementing their place at the forefront of the space rock genre. Hawkwind delivered an unforgettable set, blending tracks from their celebrated 2023 studio album The Future Never Waits, along with selections from their...

“UK musician Richard Wileman is probably best known for releasing 14 albums as the composer behind studio project Karda Estra. Inspired by weird soundtracks, easy listening, gothic and library music, art pop, dark folk and prog rock, his solo recordings and gigs feature new songs and instrumentals plus rearrangements of Karda Estra pieces that can fit into a live setting.”

Richard Wileman - guitars, bass, keyboards, samples, percussion, bouzouki, vocals
Amy Fry - clarinet, vocals
Jo Court - bass clarinet, alto saxophone
Lauraine Phelan - trumpet

Debut solo album by Karda Estra composer Richard Wileman. New songs and instrumentals plus rearrangements of Karda Estra pieces that can fit into a live setting. Also includes a cover of 'The Tinker Of Rye' (written by Paul Giovanni) from the film 'The Wicker Man.'

"Loving the new solo album from Karda

“Elf Power's ninth album, In A Cave, blasts them past familiar territories and lands them on exciting new terrain. One of their most psychedelic records, it offers thirteen otherworldly tracks of chugging Krautrock rhythms, sing-song pop, and harmonically dense balladry. With In A Cave these seasoned indie rockers find the perfect synthesis of their organic live performances, instinctual ensemble playing and open-hearted experimentation.”

“WIZRD is a boundary-pushing Norwegian rock band that effortlessly blends genres, from rock and indie to jazz and prog. While they know the rules, they take pride in breaking them. On their highly anticipated second album, Elements, WIZRD dives deeper into uncharted musical waters—experimenting with new styles, fresh melodic paths, and both extended and condensed song structures, all while introducing Norwegian lyrics. Though the album is eclectic, it remains unmistakably WIZRD, unified by a distinct...

“Re-release of the classic, long out-of-print 4th White Willow album. Storm Season emerged from a perfect storm of chaos. White Willow’s fourth studio album marked a bold shift, taking a heavier, more metallic turn compared to their earlier releases. Its creation reflected turbulence both within the band and in the world around them. The intensity of the music nearly tore apart the Norwegian prog rock pioneers, even leading to the departure of vocalist Sylvia Erichsen for several years. Yet, out of this...

“Re-release of the classic, long out-of-print 4th White Willow album. Storm Season emerged from a perfect storm of chaos. White Willow’s fourth studio album marked a bold shift, taking a heavier, more metallic turn compared to their earlier releases. Its creation reflected turbulence both within the band and in the world around them. The intensity of the music nearly tore apart the Norwegian prog rock pioneers, even leading to the departure of vocalist Sylvia Erichsen for several years. Yet, out of this...

“Over a longer period, Krokofant has included organist Ståle Storløkken and bassist Ingebrigt Håker Flaten. With two albums, loads of concerts and raving reviews with this line-up, this constellation is over for now - and Krokofant is back again as a trio. This is of course marked with a new trio album with brand new music.
The resurrection of the trio has been a doozy for the band and has rekindled the joy of a more intense improvisational interplay and fun of making songs together again. While the...

Isao Suzuki : bass, organ
Shigeo Hirayama : drums
Motohiko Hamase : electric bass
Takayuki Kato : electric & acoustic guitars, sitar
Ichiro Doi : Fender Rhodes piano
Toshiyuki Honda : soprano & alto sax, flute
Shigerharu Mukai : trombone
Shuji Miyake : trumpet, flugelhorn

Very groovy and very electric Japanese jazz session from 1980. Everyone solos great over great grooves!
This version of this super-rare lp has been deleted and we were lucky enough to find t

“Banished Bridge is dominated by keyboard-driven symphonic prog and features an instrumental palette that sounds straight out of 1971. This means lots of ELP-inspired Hammond organ and a relatively "organic" production style, with little of the atmospheric synth work that would dominate the band's subsequent work. There's also a vaguely Krautish vibe in the rhythm section that isn't horribly dissimilar from Floating-era Eloy, even if the overall style here is miles away from Krautrock or Eloy-esque space...

Caught right at the middle of his teriffic 70s run of classics.

“A very good concert in an essential period of his career. The sound is really good but we hear very little from the audience and it's a shame, it's probably a soundboard recording. For fans, don't miss it.”-Joe Roberts

“This concert comes in the two year purple patch that saw Stevie Wonder cross out of his designated genre into the mainstream. Music of My Mind (1972), Talking Book (1972) and Inner Visions (1973), were...

“Innovative guitarist and composer Scott Fields makes his Delmark debut with a recording of five original compositions inspired by the work of playwright David Mamet. Fields, whose previous ensembles have included such notable musicians as pianists Marilyn Crispell, Myra Melford, and saxophonist Joseph Jarman among others, finds himself in excellent company here.
Drummer Michael Zerang is one of the stalwarts of the Chicago scene and has provided the pulse for groups such as the Ken Vandermark...

“What a colorful group of musicians — Project Project is among the liberated wonders of our century. This 12-player circus has been together since 2005, and even among free-jazz mavericks they’re an especially varied group. The trombonists are a cranky pair of virtuosos. For lyricism hear the post-Ornette clarinetist James Falzone and the post-Konitz reedman Guillermo Gregorio. Instead of Ellington’s Cootie and Rex, we have trumpeter Jaimie Branch and cornetist Josh Berman. A bold tubaist, two high...

“Shaping their musical heritage together for 15 years, saxophonist Keefe Jackson and vibist Jason Adasiewicz have been vital in defining and refining “The Chicago Sound”. Their relationship with Delmark has spanned over a decade; combined they have 20 albums on the label. On Rows And Rows, six of the nine original compositions were composed specifically for the session, while the remaining three are older tunes re-imagined for duo. The atmosphere of a jazz duet can paint one of the most personal and...

“Composer and double bassist Jason Roebke is the backbone of many of Chicago’s forward-looking jazz groups. Now he brings an octet of Chicago’s finest improvisers on the new recording, High/Red/Center. The program of eleven new compositions is deeply rooted in rich Ellington-ian harmony while re-imagining the approach with exciting individual interplay between the soloists and ensemble. The gorgeous ballads and fiery free jazz compliment each other and consistently surprise.
The recording features...

“Jazz cornetist Rob Mazurek has created a sound world that is uniquely his own, sculpting a TOTAL sound environment, by fully utilizing the beautiful instrumentation of the Exploding Star Orchestra and sounds from a variety of sources, including: rain from the Brazilian Amazon, insects at the turn of an eclipse, the hammering overdrive of bicycles in Copenhagen, stacked muted cornets run through various filters, drones built from electric eels and piano feedback, hi-frequency sinuous lines from tone...

“Undoubtedly the most radical piano voice to emerge from the contemporary jazz and contemporary classical scenes in the twentieth century, Cecil Taylor’s appearance at the 1965 Newport Jazz Festival was a triumph. Performed at the Newport Jazz Festival, Freebody Park, Newport, RI on July 2, 1965.”

“Fantastic missing gap in Cecil's discography! A legendary performance marred by the album getting the personal wrong! The correct players are Jimmy Lyons [recognizable from the first note], Bill Barron..

Markus Reuter: Touch Guitars AU8 and S8, Soundscapes
Alexander Paul Dowerk: Touch Guitars S8
Bernhard Wöstheinrich: Keyboards and Electronics
Asaf Sirkis: Drums and Percussion

“Anchor and Burden is an uncompromising progressive avantgarde doom-jazz post-metal band based in Berlin, Germany, which has their own style of collective instant composition that defies the norms of creation. They create monolithic doom behemoths only to tear them into shreds with boundless energy in the...

Mark Wingfield - guitar, soundscapes (all tracks)
Gary Husband - synth & piano (all tracks) and drums (tracks 1, 5, 6)
Asaf Sirkis - drums (all tracks)
Tony Levin - electric upright bass (tracks 1, 3, 5, 6, 7, 8)
Percy Jones - fretless bass guitar (tracks 2, 4, 9, 10)

“The brand new studio album of Mark Wingfield’s album for MoonJune Records finds this most distinctive American born English guitarist in the company of Gary Husband (keyboards and drums), Asaf Sirkis...

“Steve Hackett's annual performances at Trading Boundaries, in Sussex, UK have become something of a tradition for the legendary guitarist in recent years. Presenting stripped down material, and showcasing his acclaimed classical compositions, with a line-up including John Hackett, Roger King, Amanda Lehmann & Rob Townsend, 'Live Magic At Trading Boundaries' presents 17 tracks taken from a selection of Steve's performances at the venue. Music includes Genesis classics like 'Horizons' & 'Blood On The...

Nik Bärtsch: piano, keyboard
Sha: bass clarinet, alto saxophone
Jeremias Keller: bass
Kaspar Rast: drums

It’s always a GREAT pleasure to hear new work from Ronin! This is their first to feature new bassist Jeremias. Hugely recommended.

“SPIN is the 9th release of the working band RONIN since it's foundation in 2001. Since the last release AWASE (ECM 2018) the band has developed the repertoire continuously further. SPIN shows the phase in which the band is now: looking..

Nathaniel Morgan - alto saxophone
Travis Laplante - tenor saxophone
Andrew Smiley - electric guitar
Jason Nazary - drums

“Sun & Rain is a fully collaborative band of Travis Laplante + Nathaniel Morgan (reeds), Andrew Smiley (guitar), and Jason Nazary (drums). They spent 6 years working on the piece that is Waterfall, and I'll say it was worth the wait.
RIYL: Little Women, Battle Trance, Elder Ones, Anteloper.”

“Sun & Rain is a fully collaborative quartet that thus f

Tim Berne - alto saxophone
Tom Rainey - drums
Gregg Belisle-Chi – guitar

I just saw this band; they are the real thing. Recommended.

“Is there anything more exciting than a new Tim Berne working band, and their first recording? The new trio is Tim with Tom Rainey and Gregg Belisle-Chi. is studio + a crazy live set that David Torn mixed and mastered. The art is a collaboration between Steve Byram and TJ Huff. This one is crazy! RIYL: a brand new Tim Berne band, also Big Satan

Tim Berne - alto saxophone
Tom Rainey - drums
Gregg Belisle-Chi – guitar

I just saw this band; they are the real thing. Recommended.

“Is there anything more exciting than a new Tim Berne working band, and their first recording? The new trio is Tim with Tom Rainey and Gregg Belisle-Chi. The vinyl LP is studio.”

Keisuke Takashima - violin
Takeya Kito - keyboards
Hiroyuki Ito - bass
Yusuke Seki - drums

PTF are a instrumental, progressive rock / symphonic rock quartet which features very strong violin lines in front of the keyboards and the rest of the band. In that way, they are comparable to KBB.
This is their fifth album in a decade-long career.

Circus were a progressive rock band from Switzerland, and this, their second album, is (rightly) considered one of the greatest from that country.
The band had a somewhat dark and intense progressive rock sound, comparable to Van der Graaf Generator, Gnidrolog and the first two King Crimson albums.
Note that drummer Fritz Hauser later went on to a very well regarded career in improvised music and jazz. All these guys could definitely play!

"What if the Charisma label's prog...

Andy Kubicki.......Bass and Keyboards
Tomas Stark........Keyboards, Acoustic guitars and Vocals
Lennart Ståhle.....Electric guitars, Bass, Keyboards and Flute
Denis Boucher.....Drums and Percussion
John Eyre............Lead and Background vocals
Glenn Liljeblad.....Electric guitars

“PRoPoRTIoNS is an internet-based band playing original progressive music.
Band members met at a GORGG reunion which is the occasion to meet members of Gentle Giant once a year

Miles Davis - trumpet
Chick Corea - electric piano
Steve Grossman - soprano saxophone
Dave Holland - bass, electric bass
Jack DeJohnette - drums
Airto Moreira - percussion

"This 66 minute set from April 9th 1970 at the Fillmore West is a different beast to what followed in the next two days, with the April 10th concert available as 'Black Beauty' and the April 11th one in part on 'The Bootleg Series Volume 3' and in full on 'April 11th 1970 Fillmore West'. Whilst all these.

“So, first off, this is a live show for pfunk enthusiasts. I believe this recording has also circulated in the past as a bootleg called “Rocky Mountain Shakedown”
This is the fastest I’ve heard them play some of these numbers, they sound on fire! The cd cover says it’s Michael Hampton and Bootsy but listening to some of these numbers like the Cosmic Slop into Red Hot Momma jam and Comin Round the Mountain, it sounds more like Eddie and Boogie to me. And George calls Bootsy back up on stage at the end..

“George Clinton's P-Funk extravaganza at the peak of its power and popularity, at the time of their classic Tales of Kidd Funkadelic and Hardcore Jollies albums.
Boasting the talents of guitar prodigy Michael Hampton and bass legend Bootsy Collins, it's a breathless romp through many highlights from their huge catalog.”

Art Blakey – drums
Hank Mobley - tenor sax
Lee Morgan – trumpet
Bobby Timmons – piano
Jymie Merritt - bass

“This early incarnation of Art Blakey's seminal post-bop band is bristling with energy and ideas. There are barnstorming solos from 'middleweight tenor champ' Hank Mobley and the most exciting trumpeter of his generation, Lee Morgan. The nascent soul-jazz stylings of pianist Bobby Timmons can be heard on his classic composition Moanin' and Blakey's power and finesse drive t

1 Intro/Sadness (Live at Berlin Jazz Festival, October 20th 1965)
2 Falling Stars (Live at Berlin Jazz Festival, October 20th 1965)
3 Lonely Woman (Live in Bremen, December 3rd 1965)
4 Atavism (Live at San Remo Jazz Festival, San Remo Casino, Italy, March 27th 1996)
5 Snowflakes and Sunshine (Live at San Remo Jazz Festival, San Remo Casino, Italy, March 27th 1996)

“Performed on the same tour as his iconic Live At The Golden Circle dates, the music here features Ornette's second.

“In 2017, Spirits Burning performed live in England at Kozfest. The line-up:
Hawkwind family members Richard Chadwick (drums, vocals), Bridget Wishart (vocals, EWI), and Steve Bemand (guitar, vocals), plus Don Falcone (keyboards, vocals), Kev Ellis (Kaoss Pad, vocals), Martin Plumley (guitar, vocals), and Colin Kafka (bass).
This was a rare live show, as Spirits Burning have historically been a studio project. With contributions on 20 albums from almost 300 musicians, located across the world...

Faruq Z. Bey – sax
Anthony Holland – sax
Jaribu Shahid – bass
Marlene Rice – violin
Gwen Laster – violin
Robert Allison – vibes

This is a huge deal and a huge treat for me personally. Saxophonist and composer Faruq was one of the main instigators of the mostly forgotten and totally fantastic Detroit avant jazz band, Griot Galaxy, who only managed to have three albums come out during their 15 year existence.
This recording dates from 1982 and predates his very bad...

“Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz/noise aesthetic usually found in the music of Nate Wooley.
Henry House expands on the ecstatic, durational work found in Wooley's Seven Storey Mountain, a six-part composition that has been premiered over the last ten years by an ensemble that now includes multiple drummers....

Sonanze was released by the Komische Kourriers imprint, but only in Italy, & is one of the most obscure Cosmiche music releases. An excellent quiet spacey work. Essential!

"An influential member of the Italian avant-garde, Roberto Cacciapaglia has spent the last four decades blurring the lines between classical and electronic music, developing a sound that has never been restricted by genre. A classically trained pianist and composer from Milan, Cacciapaglia first came to prominence in the early..

The second of two great, classic, experimental/avant-garde/progressive releases by this Italian composer and one of the greatest 'systems musics' releases ever and also one of the least known.
Sei Note In Logica was his even more obscure follow up to Sonanze that combined a small orchestra performing a "systems music" style piece with computer overlays.

“Roberto Cacciapaglia is an Italian composer and pianist who started out in the fertile Milan avant-garde scene of the 1970s, which included...

John Surman - soprano and baritone saxophone, bass clarinet
Alan Skidmore - tenor saxophone and flute
Ronnie Scott - tenor saxophone
Mike Osborne - alto saxophone
Malcolm Griffiths - trombone
Erich Kleinschuster - trombone
Kenny Wheeler - trumpet and flugelhorn
Fritz Pauer - piano
Harry Miller - bass
Alan Jackson - drums

Recorded April 18, 1969 in Hamburg, Germany…