“Over 70 minutes of a collection of Pendragon songs that have not been available for over 10 years and many of these songs have NEVER been available on vinyl before.
This re-jigged version of The Rest Of Pendragon also includes, tracks from two mini album CDs, As Good As Gold and Fallen Dreams And Angels both of which have not been available for nearly 20 years!
To go with the vibe of these songs from the 90’s we’ve brought in Simon Williams to do a brand new front cover illustration, artwork...

Andrew Cyrille: Drums, Percussion

Andrew Cyrille’s longtime companion Oliver Lake praises the master of African-American rhythms in his poem The Real Cyrille – “making the real magic … the real rhythms … the real sounds … expanding his African/Haitian roots … surfing the drums for masterful lyrical snippets … a master of color … painting coloring riffing always stretchin’ searchin’ lookin’ for that next sound color sound!” Lake’s words astutely describe the artistry of Andrew Cyrille and the...

Brandon Ross - electric guitar
Kevin Ross - bass guitar
Hardedge - soundesign
Chris Eddleton - drums
Ford Crull - painting

“Collaborations between artists specializing in different mediums regularly bring out facets and revelations unknown to the participants theretofore. Utilizing sonic and visual elements to stimulate creation, guitarist, conceptualist Brandon Ross and his ensemble, PENDULUM, met Neo Symbolic Abstract painter Ford Crull to generate what Ross calls a.

Dave Liebman - soprano sax, piano, wooden flute
Tyshawn Sorey - drum set, piano
Adam Rudolph - handrumset, percussion, live electronic processing

“The genesis of this threesome coming together seemed to be a quite natural one.
Liebman and Rudolph began playing duo in 2016 and Sorey and Rudolph began performing as a percussion duet in 2018. Sorey states "we seemed so in sync with each other, in part, perhaps, because we are both composers as well as percussionists." When the...

"Recorded in Supraphon's Prague studios in Dejvice in March 1970. jointly created by the bands Blue Effect [Modry Effekt] and Stivín's Jazz Q Praha.
The result of this process is forty minutes of music in which the influence of external environments, the immediate ability of each participant, and the predetermination in regard to traditions which shaped their musical development to-date, are expressed by new beauty which contains both logic as well as free, imaginative inspiration within."

“ZOPP RETURNS! British progressive rock act, ZOPP, return with their sophomore album ‘DOMINION’, the follow up to their award-winning* self titled album, released in 2020.
‘Dominion’ showcases a clear progression in the sound of Zopp resulting in an epic 42 minute journey spanning avant-garde, jazz, ambient, folk, psychedelic rock and endless heaps of PROG.
Ryan W Stevenson, the man behind Zopp (composer, mixer, producer, performer… heck, basically everything but the drums which have once again.

“This stunning double live album from Mostly Autumn is the culmination and release of all the pent-up emotion and frustration that gathered after two and a half years of inactivity due to the pandemic. The concert is a mark of some kind of normality returning, and the cast of songs spans 27 years of the band. The magic and intensity is captured deeply in this show and is highly infectious.
Award winning Mostly Autumn’s musical palette is diverse, they draw on influences from the golden age of rock...

“This 7 CD clamshell boxed set features a selection of recordings made at five concerts recorded between November 1976 and June 1983 by different incarnations of the sonic pioneers.
The first two concerts recorded in Nottingham in November 1976 and Washington in April 1977 feature the legendary line-up of Edgar Froese, Chris Franke and Peter Baumann. The latter concert was broadcast live on FM radio as part of a US Tour that spawned the live album ‘Encore’.
The 1978 concert in Hamburg featured a..

Emmett Elvin - acoustic & electric 6- & 12-string guitars, bass, acoustic piano, Rhodes, Twin Copicats, Nord synth, vocals, percussion, Yorkshire Tea tin full of spoons
Sarah Anderson - violin, viola
Alex Thomas - drums, cymbals
with:
Sharron Fortnam - ethereal vocals (2)
Olga Lisikova - alchemical vocals (11)
Beverly Crome - French, tenor & baritone horns
Sam Barton – trumpet

A very good, slyly weird album of songs from the keyboardist of Chrome Hoof, Knifeworld.

Aki Takase – piano, harpsichord
Mayumi Nakamura – mezzo-soprano
Vincent Courtois – cello
Daniel Erdmann – tenor and soprano saxophones

“Carmen, one of the most popular operas ever, focuses on a strong and proud woman ruled by her own law. On her new album, iconic jazz pianist Aki Takase takes up this convention-breaker figure, labeling her interpretation of Carmen as a rhapsody. As a seemingly loose sequence of lightly floating, dance-like musical thoughts, which are based on the.

“In early 2002, Achim Kaufmann, Frank Gratkowski and Wilbert de Joode first got together as a trio at a small venue in Amsterdam. Since then, the three musicians have been touring and performing internationally on a regular basis, while constantly developing, deepening and enriching their musical rapport now documented on five CDs so far: kwast on Konnex; Unearth on Nuscope; Palaë and Oblengths on Leo Records; and Geäder on Gligg Records. To celebrate their ten-year anniversary as a trio in 2013...

Weasel Walter: guitar, drums on 2, bass guitar on 2, bagpipe chanter, dead electronics
Tim Dahl: bass guitar
Katie Battistoni: guitar
Matt Nelson: tenor saxophone, live electronics
Sam Ospovat: drums, live electronics

“Terror Iridescence is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect...

“Originally released in 1979. Recorded live at WKCR Radio in New York City in 1978 and issued by Ictus the following year, Environment for Sextet encounters John Zorn at the earliest stages of his career, resting within a sextet of a new generation of stunning improvisers emerging at the tail end of the '70s who would go on to define a vast swath of the '80s sound -- Polly Bradfield on violin, Andrea Centazzo on percussion, Eugene Chadbourne on guitar, Tom Corra on cello, and Toshinori Kondo on trumpet...

This numbered, limited edition of 500 of their best album, is on blue, 180 gram vinyl.

A classic 1972 RPI album. Vocals, acoustic guitars, keyboards, bass and drums are what make up this album, the first of two, by this melodic/progressive band.
Like a cross between Italian symphonic/progressive and UK bands like Procol Harum, Moody Blues and even the most progressive aspects of later Beatles.

“After 45 years, the most acclaimed, revered horror franchise in film history reaches it's epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive.
Recorded in it's entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides...

“What does John Cale have that the rest of us don’t; some gene that engenders infinite restlessness, a rapacious mind that is never satisfied?
For nearly 60 years, or at least since he was a young Welshman who moved to New York and joined The Velvet Underground, Cale has been reinventing his music with dazzling and inspiring regularity. Once again, here is Cale, reimagining how his music is made, sounds, and even works.
His engrossing 12-track MERCY — his first full album of new tunes in a...

NOTE: We can ONLY send this single with orders for other vinyl items; we can not ship a vinyl single by itself or with CDs only. Thank you.

This is NEW OLD stock at OLD STYLE prices on the fairly rare 7” by the late, great Hosemobile, who only made two (fairly great) albums in the late 90s. And this even less known single.
This is two songs recorded by Steve Albini at Electrical Sound, preliminarily to his recording some of “What Can and Can’t Go On”.
Both songs are found nowhere..

This is the first-ever CD issue from the orginal analog master tapes! This is a Cosmic Courrier Kraut classic. Wegmuller was an artist who had designed a Tarot card set, & the music here is performed by what is basically the first version of the Cosmic Jokers: Manuel Gottsching, Hartmut Enke, Harald Grosskopf, Jurgen Dollase, Jerry Berkers & Walter Westrupp.
Produced by that big Cosmiche Joker himself, Rolf-Ulrich Kaiser, & star-maiden Gille, there are many moments of wild, searing Krautrock!...

This is the first-ever CD issue from the original analog master tapes! The first album by this German band, recorded in Fall & Winter 1971, & originally released on Pilz. One of the few purely symphonic rock-styled German albums of the early 70's.

“In 1971, under the direction of Jürgen Dollase, who also composed all the tracks, this album was recorded and finally released in 1972. It was recorded at Dierks Studios by Dieter Dierks himself. Dollase and drummer Harald Grosskopf were later also...

This numbered, limited edition of 500, is on white vinyl.

The 2nd album from the band that I consider to be possibly the finest Italian progressive rock band of the 1970's, & certainly a band in the top tier of all early 1970's progressive bands worldwide! Area combined jazz/rock/stolen ethnic music (mostly from Eastern Europe and the Middle East)/the avant garde and more. Superb playing from all (vocals/organ, guitar, electric piano/synths, bass & drums). This includes a thick booklet with rare...

“Tasavallan Presidentti's 1st incarnation with vocalist Frank Robson performed their last studio session at YLE Broadcasting Company in Helsinki, 1971. This session was, however, completely buried by time and forgotten, until Svart Records accidentally stumbled upon an archival copy.
This studio session recording from the autumn of 1971, found from the archives of the Finnish Broadcasting Company, is a sensational discovery in many ways. It is a studio live session which the band recorded just before..

Etienne Agard: Trombone
Fréderic Durrmann: Trombone, whistling
Mélanie Gerber: Vocals
Guillaume Gravelin: Harp
Clarissa Imperatore: Xylophone, Vibraphone, Flutes, Percussions
Matthieu Lenormand: Drums
Valentin Sylvain Metz: Guitars
Pierre Wawrzyniak: Bass

Oiapok is the follow-up band to the well-liked, formerly on AltrOck French ensemble Camembert and some of the players from Camembert appear here (you think Harp players grow on trees?).
The music is differe

“2014 debut album by the Garden Music Project features music inspired by the paintings of Pink Floyd founder Syd Barrett. This release is timed to coincide with the eighth anniversary of Syd Barrett's passing in 2006. The music on this release can be best described as an epic interpretation of Syd Barrett's paintings using Synesthesia perceptions. A unique masterpiece of 12 tracks that truly reflect the early artistic concept of Pink Floyd founder Syd Barrett and his music legacy in modern times.”...

“Static is Dave Kerzner’s follow up studio solo album to his acclaimed debut “New World”. It’s a “progressive rock opera” about the distractions, chaos and clutter in everyday life and about navigating past this “static interference” in our heads toward clarity and happiness.
The album also features: Steve Hackett (Genesis), Fernando Perdomo (Jakob Dylan), Nick D’Virgilio (Big Big Train), Derek Cintron (Brothers of Others), Randy McStine (The Fringe), Matt Dorsey (Sound of Contact), Durga & Lorelei...

Charlie Haden: bass
Javon Jackson, Joe Lovano: tenor sax
Makanda Ken McIntyre: alto & soprano sax
Tom Harrell, Earl Gardner, Tim Hagans: trumpet
Ray Anderson: trombone
Ahnee Sharon Freeman: french horn
Joe Daley: tuba
Amina Claudine Myers: piano, vocals
Mick Goodrick: electric guitar
Mark Burton: percussion
Bill Stewart: drums

“Legendary bassist Charlie Haden (1937 - 2014) formed the Liberation Music Orchestra in 1969. A founding member o