This release is by a Japanese duo that Soleil Zeuhl discovered. Yoshiyuki plays keyboards/synths/programming and Yoshihiro Yamaji plays guitar and bass. All of the drums are programmed, but they do a very good job of it, and this excellent debut does not suffer from 'canned band syndrome'.

"Amygdala is a Japanese band, heavily Zeuhl-influenced (much more on the UZ side than Magma, I'd say), with that RIO edge that seems to be the landmark of the greatest Japanese bands of these last few years...

Second release by this instrumental Japanese duo of Yoshiyuki Nakamima-piano, organ, keyboards, bass guitar and Yoshihiro Yamaji-guitar. Their debut was a very good first effort, but it suffered from having programmed drums. It had some of the best...

This is the second album - and definitely a big step forward - by this French electric jazz quartet. The band consists of Philippe Berecq-tenor sax, Romain Nassini-piano, Fender Rhodes, Greg Theveniau-electric bass and Daniel Jeand'heur-drums. Note...

Like Soft Machine, the band doomed to have a number after their name for each album! Bondage Fruit, led by guitarist Kido Natsuki, who also plays in Bondage Fruit, led by guitarist Kido Natsuki, who also plays in Korekyojinn, were part of the Japanese...

The release of this great jazz/rock/Zeuhl album on CD is a cause of great joy for me personally. This is one of the albums I've long waited to appear on CD and also one of the ones that I most wanted Soleil Zeuhl to tackle. This is a nonet of vibes, trumpet, saxes, trombone, violin, flute, bass, drums and female vocals. Originally a double lp set that was recorded in 1980, this has obvious influences from Magma, especially circa 1001 Centigrades, Tony Williams, Soft Machine and European jazz/rock. Serge....

Fifth release from this churning, heavy, band who are somewhere between zeuhl and noise-rock. Leader/band conceptualist James Huggett performs on fretless five string bass and programing (which provides the heavy drumming). Also appearing is Martin...

Andrea Calderón – violin, vocals
Paco Casanova - keys, synths, organ, vocals
Patrick Shiroishi - saxophones, guitar, glockenspiel, vocals
Ryan Kamiyamazaki - bass
Sergio Sanchez Ravelo - drums

A great, Los Angeles five piece who always tear the house down in performance, Corima take their cues from the mighty Magma and are unabashedly a very Magmoid zeuhl band.
They take that and give it a youthful energy and make it into something their own. Something borrowed, yes, bu

Daniel Jeand’heur-drums, percussion, voice, keyboards
Philippe Meunier-guitar
Basile Mouton-bass
Romain Nassini-Fender Rhodes, keyboards
Sebastien Rocquefelti-vocals, effects

“ELEPHANT TOK is the combination of a dense and feverish sound with an angry and vindictive voice, whose call to the quest for freedom blooms in musical frames that echo the anger of yesterday and always news.”-Cross Rhythms , 2016

This is the second album by Elephant Tok, which is the project of..

“The seventh album from Chicago's notorious punk-jazz group nails a new high water mark in an already unforgettable discography. "The Truth..." finds the Luttenbachers at their darkest - a band distilled to it's most raw and sore - interspread are hyper-structural epics, minimalist noisescapes, high energy free jazz blows and bizarre electronic satellite transmissions.”

Includes the band’s earliest recording of the Magma classic, De Futura (short version).

Out of print now world-wide , but we found a couple of copies of this Japanese, mini-lp sleeve version in a warehouse and it's here until they are truly gone forever!

An early 80's release by this keyboardist who rightly made a name for himself playing with Magma, Heldon & Weidorje! This crosses the sound of Magma & Heldon.

Players include Richard Pinhas, David Rose, Bernard Paganotti, Christian Vander, Didier Batard, Jean-Pierre Fouquey & more!

This is a dramatic and dynamic release that I feel certain will impress a large number of people. Guapo is a British trio that plays an intense music that straddles the boundaries of progressive, noise, minimalism and avant-rock. Their sound has...

"Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/e...

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, (which includes 3 live bonus tracks) follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of...

The first new studio album from Tatsuya Yoshida and friends in a long time. A wild race into Zeuhl territory, with all the throbbing bass, wild, Vander-inspired drumming, & Kobaian-via-Japan singing you could hope for.

“Some bands you just have to hear. Japan's KOENJIHYAKKEI (aka Koenji Hyakkei aka Hundred Sights of Koenji) are just such a band. Headed by vocalist/composer/drummer extraordinaire Tatsuya Yoshida and emboldened by overcharged reeds, glittery keyboards and a soaring front-woman...

In 1981, when Magma and Vander and company were at one of their lowest points (listen to Bobino 1982 recently?), three of the most famous ex-Magmoids joined forced with Christian to record something different; a straightforward, non-Zeuhl oriented...

Magma's final album of the 1970s isn't a bad album and it has some incredibly great moments (and a great cover by H.R. Giger), but it isn't the best place to start with this brilliantly original and idiosyncratic band.
Newly remastered and in a digipack.

The official story is that like Kohntarkhosz Anteria, Emenhntehtt Re (note: I've left many umlats off of the title) was a major, long-form work. It was part of a trilogy along with Kohntarkhosz and K.A. and was written circa in the early/mid 1970s...

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

Christian VANDER drums, vocaux
Claude ENGEL guitars, flute, vocaux
Francis MOZE bass électric bass
François CAHEN piano
Teddy LASRY saxophone soprano, flute, horns
Richard RAUX saxophones alto & ténor, flute
Alain CHARLERY "Paco" trumpet, percussions
Klaus BLASQUIZ vocals

One of the greatest, most idiosyncratic & original bands ever. Their 1st album, this is baby steps for the band Nice, but don't start here.
“At the end of the 1960s - a time when the

If my Kobaian doesn't fail me, the 45' Kohntarkhosz Anteria was written circa 1972/1973, but never officially recorded, although a tiny piece of it appears on Inedits, and other little bits were grabbed and used in various other works (most notably the...

Klaus Blasquiz-vocals, percussion
Claude Osmos-guitar
Michel Graillier-keyboards
Gerard Bikialo-keyboards
Jannick Top-bass
Christian Vander-drums

There are certain bands and certain tours in music that assume rightly legendary status.
The European tour of April 1964 by Charle Mingus comes to mind as one for me, as does – in an entirely different way – the European tour in the early spring of 1974 by this edition of Magma.
There are several live recorded sets...

One of the greatest, most idiosyncratic & original bands ever. This is their 3rd & is rightly considered a avant/prog classic and the start of Zeuhl. Very strongly vocal, which either makes it a great place to start, if you love 'Klingon opera', as someone once called Magma, or one of the very worst places to start with this magnificent band!
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

One of the greatest, most idiosyncratic & original bands ever. This is a previously unheard version of MDK, recorded about 9 months before the released version, & with some unique differences too! Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

"From the very first short version recorded in the summer of 1971 on the compilation album “PUISSANCE 13 + 2” to the spring 1973 version on the eponymous album, “MEKANIK DESTRUKTIW KOMMANDOH” slowly...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...