This release is by a Japanese duo that Soleil Zeuhl discovered. Yoshiyuki plays keyboards/synths/programming and Yoshihiro Yamaji plays guitar and bass. All of the drums are programmed, but they do a very good job of it, and this excellent debut does not suffer from 'canned band syndrome'.

"Amygdala is a Japanese band, heavily Zeuhl-influenced (much more on the UZ side than Magma, I'd say), with that RIO edge that seems to be the landmark of the greatest Japanese bands of these last few years...

Did you ever want to hear Hugh Hopper play tunes by Led Zepelin, Henry Cow, Jimi, the Who and Fracture? Did you ever want to hear John Greaves sing the ones of these that have vocals? Well, this is your one chance to do so!

"Alain Blesing is a French guitar player, known for having been part of the legendary progressive/zeuhl rock band Eskaton, who are considered to be one of the most gifted disciples of Magma. From the late Seventies, he extended his capacities by studying musicology, then in...

The release of this great jazz/rock/Zeuhl album on CD is a cause of great joy for me personally. This is one of the albums I've long waited to appear on CD and also one of the ones that I most wanted Soleil Zeuhl to tackle. This is a nonet of vibes, trumpet, saxes, trombone, violin, flute, bass, drums and female vocals. Originally a double lp set that was recorded in 1980, this has obvious influences from Magma, especially circa 1001 Centigrades, Tony Williams, Soft Machine and European jazz/rock. Serge....

This is the second release by this excellent jazz/rock/zeuhl band, led by drummer, vocalist & composer Serge Bringolf. His first album was entitled Strave and then when he formed a more permanent band, the band became known as Strave. The sound is a bit different and a little bit harder-edged than the 1st one, although the band is still a nonet (although with pretty different personnel): Claude Boussard-bass, Serge Bringolf-drums, Bertrand Eck-horn, Philippe Geiss-saxes, Alain Lecointe-bass...

Andrea Calderón – violin, vocals
Paco Casanova - keys, synths, organ, vocals
Patrick Shiroishi - saxophones, guitar, glockenspiel, vocals
Ryan Kamiyamazaki - bass
Sergio Sanchez Ravelo - drums

A great, Los Angeles five piece who always tear the house down in performance, Corima take their cues from the mighty Magma and are unabashedly a very Magmoid zeuhl band.
They take that and give it a youthful energy and make it into something their own. Something borrowed, yes, bu

Atte Kemppainen, Lead Vocals/Bass/Composition (Kolöniel name: Alemaahr Kempah)
Ville Sirviö, Lead Guitar (Kolöniel name: Willargh Shirow)
Roope Pelkonen, Keyboards/Vocals (Kolöniel name: Kaszpar Gorkeulhzennh)
Osmo Saarinen, Drums/Percussions/Vocals (Kolöniel name: Ozamö Sharif)

“A band singing in their created own language (named “Kolöniel”), does that remind you another band ? Yes, you’re right THAT Kobaïan band led by a famous French drummer! DAI KAHT story begins in Finland when

Samy Thiebault (tenor saxophone)
Laurent Skoczek (trombone)
Dan Decrauze (guitar)
Patrice Kornheiser (keyboards)
Nicolas Feuger (bass)
Gilles Le Rest (drums, vocals)
Gildas Martin (guitar)

First release from a zeuhl-ish sextet who bring enough originality to the table that they got themselves signed to Magma’s label! This is really good. They are really good!

“What a wonderfully light, almost springy Zeuhl album, which the French drummer Gilles Le Rest recorde

Out of print now world-wide , but we found a couple of copies of this Japanese, mini-lp sleeve version in a warehouse and it's here until they are truly gone forever!

An early 80's release by this keyboardist who rightly made a name for himself playing with Magma, Heldon & Weidorje! This crosses the sound of Magma & Heldon.

Players include Richard Pinhas, David Rose, Bernard Paganotti, Christian Vander, Didier Batard, Jean-Pierre Fouquey & more!

Antoine Arnera - Piano, electronics, voice, composition
Boris Cassone - Bass, mellotron, voice
Jessica Martin Maresco - Voice
Guilhem Meier - Drums, amplified percussion, voice, composition
Marie Nachury - Voice
Grégoire Ternois - Marimba, toms, dun dun bells, gong
Mihaï Trestian - Cimbalom
Anne Quillier - moog, rhodes, voice

Well, all you need to do is to scroll to the video at the end of all this and you will know very, very quickly whether or no

Matt Thompson – bass, electronics, guitar
Dave Smith – drums, percussion
with
Caroline Kraabel – alto saxophone, baritone saxophone (tracks 2, 4, 6, 7)
John Edwards – double bass (track 7)
Andy Thompson – MiniMoog (track 8)

This is the fourth album by Guapo and while it remains somewhere in their bass/drum duo beginnings (with plenty of guests), you can definitely hear where the sound that emerged 1-2 years later when Daniel joined, with Five Suns.

“Guapo's core..

"Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/e...

Yoshida Tatsuya: drums, vocals
Sakamoto Kengo: bass & voice
Kanazawa Miyako: keyboards & voice
Yamamoto Kyoko: vocals
Komori Keiko: reeds & voice

“This new edition of Koenjihyakkei's landmark fourth album, (which includes 3 live bonus tracks) follows the release of 2018's critically acclaimed "Dhorimviskha". Japan's Koenjihyakkei blend progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of...

One of the greatest, most idiosyncratic & original bands ever. This was their 2nd, & the first where they began to find their own true voice. With a crack line up including Christian Vander, Francis Moze, Teddy Lasry, Francois Cahen, & many more. While somewhere between Zeuhl & good early jazz rock, this still features the truly twisted vision that is Magma.

One of the greatest, most idiosyncratic & original bands ever. This is their amazing recording in fine sound from Top Gear, featuring the classic 1974 line-up, including MONSTER bassist Jannick Top in rare, over the top form.
The definitive versions of Kohntarkhosz and Wurdah Itah. Essential.
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

One of the greatest, most idiosyncratic & original bands ever. This is a live recording (of reasonably good quality, given the time-period) featuring the 1001o Centigrade band! [Seventh]

The Ëmëhntëhtt-Rê trilogy performed and released in full for the very first time:
Köhntarkösz Anteria (K.A.)
Köhntarkösz
Ëmëhntëhtt-Rê

Recorded live at Le Triton in France in November, 2014.
"Initiated in 1973, its composition beholds its whole fulfillment after more than four decades. It is the testimony of an unwaveringly timeless inspiration, of which the expectant present asserts itself beyond history. Connecting wide and contrasted scenes, it sets its coherence within its.

Since re-emerging in the late 90s, Magma have put on countless simply great performances and 2 stunning albums. But both of those albums (Kontarkosz Anteria (K.A.) and Emenhntehtt Re (E.R.)) were both recordings of 'big pieces' written during the band's 1970s heyday, but unrecorded until now. So, for me at least, the big question has been, "What happens when they run out of old, unrecorded things to record? Can C.V. come up with new material worthy of the band he's assembled?" Happily, the answer is yes...

One of the greatest, most idiosyncratic & original bands ever. This is their 1st album and it's quite good, but this is baby steps for the band. You can hear their roots in Soft Machine-style jazz/rock and even some traces (good traces too) of influences from 'horn-rock' like Chicago! Really nice but don't start here if you are looking for what they are most famous for.

Klaus Blasquiz-vocals, percussion
Claude Osmos-guitar
Michel Graillier-keyboards
Gerard Bikialo-keyboards
Jannick Top-bass
Christian Vander-drums

There are certain bands and certain tours in music that assume rightly legendary status.
The European tour of April 1964 by Charle Mingus comes to mind as one for me, as does – in an entirely different way – the European tour in the early spring of 1974 by this edition of Magma.
There are several live recorded sets...

One of the greatest, most idiosyncratic & original bands ever. This is their 3rd & is rightly considered a avant/prog classic and the start of Zeuhl. Very strongly vocal, which either makes it a great place to start, if you love 'Klingon opera', as someone once called Magma, or one of the very worst places to start with this magnificent band!
Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

One of the greatest, most idiosyncratic & original bands ever. This is a previously unheard version of MDK, recorded about 9 months before the released version, & with some unique differences too! Be prepared for some intense listening, as these all feature amazing playing & a truly twisted vision.

"From the very first short version recorded in the summer of 1971 on the compilation album “PUISSANCE 13 + 2” to the spring 1973 version on the eponymous album, “MEKANIK DESTRUKTIW KOMMANDOH” slowly...

In May, 2005, Magma took over the wonderful Parisian club "Le Triton" for four weeks with an ambitious, over the top project; a retrospective of 35 years of Magma music, showcasing some of their best known pieces from 1970 to the present. The four sold...

One of the greatest, most idiosyncratic & original bands ever. This is from their reunion concert in Paris in 1980. This is sorta weak; don't start here! [Seventh]

Recorded live at Magma's 30th anniversary concerts in May, 2000, this is the first time that the complete Theusz Hamtaahk trilogy has been released in one set. Excellent live recording and terrific energy coming off of the stage. While you've heard the...

This great album, which was recorded in April, 1974, has an interesting history. When originally released, this was released as a 'solo' album by Christian Vander, but for all intents & purposes, it was (and is) the fourth Magma album, having been released between M.D.K. and Kohntarkhoz.
The album is also interesting because it is a Magma album stripped down to the barest essentials of electric and acoustic pianos (all played by Christian), bass by Janick Top, choir (Vander, Klaus Blasquiz and Stella