ReR and related : The INCREDIBLE sale!!

"Magnificent" - Boston Rock

"...will easily contend for the best release of new music this year." - Gibraltar

"...one of the most unique and startling albums in a long time - original, vibrant and cutting edge." - Expose


Drummer/composer Dave Kerman revived the 5uu's in the mid 90's with long time keyboardist Sanjay Kumar and guitarist/bassist/vocalist Bob Drake of Thinking Plague. As the review says below, it strongly hints at a parallel universe combination of Ye

"Known best as an experimental guitarist, with his ‘‘Giant’ Sardinian guitar – which has a large mechanical claw stuck to the side of its body (to pluck counter melodies), piano-like hammers operated by pedals (to strike the strings), extra strings crossing the main strings at right angles with yet another set of sitar strings mounted on the body, a rope, a viola bridge - which holds yet more strings - and thirteen pickups and microphones which can separately amplify all the elements, sending them to...

Takumi Fukushima – violin, voice
Paolo Angeli – prepared Sardinian guitar, voice
Excellent album of duos; some a bit wild, others, very intimate and - dare I say - beautiful? Remember, Monk wrote a song called "Ugly Beauty"... After the demise of Volapük, I was wondering when I would hear Takumi again and I am happy to hear her here with Paolo who makes an excellent musical partner for her.

"This is Paulo Angeli’s fifth release, this time with ex-After Dinner, ex Volupuk violinist and....

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.
This was the 2nd and possibly most successful of the three albums by this immediate offshoot of Henry Cow, as it was recorded AS an Art Bears album (their 1st had been recorded as a Henry Cow album, but half the band objected, so it came out as being by Art Bears).
It’s also their best known album as it was released in the States by The Residents' Ralph label, in the early 80's and at the

Biota is a unique project consisting of both musicians and artists. Their work is complex, subtle, vast, exquisite and powerful. Layers and layers of processed sound, all originating in played, mostly acoustic sources. All CD's come with books of prints by their visual art component.

"Stunning work that breaks new ground; an extraordinary achievement that was 3 years in the making and rewrote lot of rules in passing. With texts and singing by the inimitable Susanne Lewis, the CD also features...

"This is the second release (editor's note: no, it isn't, it's their sixth release; it's their second on ReR after three on Cuneiform and a first that was self-released) after a long wait, from this unique ensemble. Equally at home with the discipline of composition and the tightrope of improvisation Blast have evolved a fluid, pointillistic, unfathomable but transparent musical language that seamlessly integrates - over very short durations - highly complex writing and very free ranging improvisation...

"Three old hands out of Soft Machine, Gong and Henry Cow stretch already flexible musical material into one shape after another, then tie it in knots and generally have a fun with it. High quality recordings combined with seat-of-the-pants playing keep the tension high, underpinning a richly labile music, full of shape and colour that is constantly in motion. Compiled from recent concert recordings in Berlin, London and Tel Aviv, this clutch of extended songs should be to the taste of anyone familiar...

The Camberwell Now were led by Charles Hayward, the drumming/vocalist mastermind behind This Heat, and was the band that he formed immediately after This Heat broke up.
They were released an album and 2 EPs in their lifetime, and this includes all of them in complete, chronological form, plus a track from a sampler.
Their sound was very informed by the This Heat esthetic, with more creative usages of drones than before and some incredible basswork.
While they didn't always quite...

A very great collection of unreleased live and studio recordings from the very exciting post-Henry Cow band of Chris Cutler.

"Cassiber (phonetically: 'a message smuggled out of prison') crashed like a locomotive into the 'Deutsche Neue Welle.'
Founded by Heiner Goebbels, Alfred Harth, Christoph Anders, and Chris Cutler (his first major project after News From Babel), Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics...

"Like its companion ‘Twice around the Earth', ‘There and Back Again’ is derived from a selection of the 365 location recordings made for Cutler’s daily Resonance FM radio programme ‘Out of the Blue Radio’ (2004-2005). It takes extracts from 44 of these environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. That’s subtext. More important, it should make enjoyably complex listening: surprising, serendipitous, mundane but...

“There must have been something special going on in Verona last April; neither of these old sparring partners from Henry Cow and Art Bears can remember anything about this concert! By far the most aggressive of their duo albums, it leads us via howling fuzz guitar and machine gun percussion into walls of post-rock improvisation, obsessive industrial rhythms, and levels of excitement rarely generated by two people on a stage. The album is remarkable for Chris and Fred's rediscovery of melody and time...

"Tod Dockstader and David Lee Myers are two pioneers of electronic music, but from very different epochs. Dockstader started working with optical sound in the 1950s, later working with vast Telefunken tape recorders that became so hot they had to be left overnight to cool down. His electronic soundscapes (Lunar Park and Apocalypse among them) are now being rediscovered and given the respect they deserve. Pond is his first new album-length piece since 1967.
David Lee Myers, on the other hand, made...

"The finest composer who ever worked in the medium of sounds assembled on tape"-OP

"The legendary collaboration between a leading American Musique Concrete composer and an instrumental ensemble directed by James Reichert where, for I think the first and to date only time, there was full integration of the written, played and manipulated sounds. The instrumental parts were derived from 'cells' of concrete sound and in turn were electronically transformed (in Robert Moog's then state of the art...

What Day Is It is Bob Drake’s first-ever solo album and was self-released by Bob in a hand-made package in 1993. He performed all the music with some assistance from Dave Kerman on drums. Odd songs with an almost folk or Cajun feel to them; folk music from another planet, perhaps. This is a great one for me if only simply because it was the first time that anyone heard Bob’s instantly recognizable solo sound! Recommended.

"Bob is already celebrated for his many ReR solo CDs, as well as for his...

This contains their great 1973 Top Gear performance and a substantial amount of extra material, and even two outtakes from their albums, all of which have never been released!
Despite it saying ‘BBC’, nearly all of this was recorded at Wumme during the group’s classic early 70s period and is like a great lost album by them and even includes their ‘lost’ sixth member, Arnulf Meifurt, who only appears on the 1st album and ‘Tapes’.

A good performance of music for dance, all performed by Fred (via extensive overdubbing).

"Any new record from Fred Frith, one of the world's leading avant rock guitarists and composers, is a major event. Accidental was commissioned by a British choreographer who lives in Amsterdam, Paul Selwyn Norton, for a dance piece made with the Batsheva Company in Tel Aviv.
For Fred it's a return to basics, a series of deeply contrasting moods achieved with the simplest of means. Throughout the CD...

Gravity is one of Fred's most enduring & endearing works. It was his first post-Henry Cow solo album, and he recorded it with the backing of The Muffins on one side of the original album and Samla Mammas Manna on the other + Marc Hollander.
It's the closest thing to a progressive rock disc that Fred has ever released and it's a tuneful yet still avant progressive rock work. This is a classic and is highly recommended!

“1980's GRAVITY represented guitarist Fred Frith's first major break from.

"This is a retrospective compendium of Fred's work over the last 17 years, with a lot of new material, perfectly put together and exceptionally listenable start to finish- an enlightening journey. It's my favourite of Fred's works in recent times. Close composition for electric and acoustic resources, tapework, concrete constructions, songs, sound effects and noise-art improvisations."
Guests included:
Iva Bittova, Tom Cora, Jean Derome, Haco, Tim Hodgkinson, Lars Hollmer, Rene Lussier...

"This album is gorgeous. I picked it up expecting some crazy experimental thing because it's a Haco project, but what I ended up hearing was an achingly beautiful collaboration of slow, climaxing songs, inventive string technique, and head-bobbing goodness. This is a really, really good disc."-Eon Fontes May

"Charismatic singer, lyricist and performer Haco came to the fore in the early 80s with the group After Dinner, a sublime incarnation of surreal, direct, and offbeat Japanese/European pop...

"Susanne Lewis and Bob Drake met in 1980 at a Denver recording studio where Bob was working as an engineer. They immediately discovered a musical kinship and have continued to play and record in various projects since, notably Hail, but also Denver legends Thinking Plague and 5UUs.
Their first LP (Venus Handcuffs, 1986) was recorded in an abandoned yoghurt factory, the second (Gypsy cat and Gypsy Bird, 1983) followed soon after. At about this time Bob got a job as a sound-effects engineer for a horror

"Ad Hoc Records' new, four-panel digipack reissue of The Hat Shoes debut album will be especially welcomed by lovers of intelligent and thoughtful progressive music, with a hint of Romanticism.
Originally released in 1991, Differently Desperate is a studio offering of diverse avant-pop songs by a 'super-group' comprised of members Bill Gilonis (The Work), Catherine Jauniaux (Fluvial), Charles Hayward (This Heat, Camberwell Now) and Tom Cora (Skeleton Crew, Curlew). There's also a slew of well-known...

Charles Hayward is, of course, best known for his drumming and vocalizing feats with This Heat, Camberwell Now and Quiet Sun, but in addition to doing some improvising work, he has released a number of solo albums contsructed out of his excellent drumming, distinctive voice and single drones made from keyboards, melodica, etc. I saw him perform at RIO in 2009 and it was a real treat to finally see the great man behind the kit and in full voice. This is his first in quite some time and is a good one...

The last of the Henry Cow albums on Virgin, this includes their amazing final BBC session; 25' of Henry Cow perfection, a small taste of the famous shows that they performed with Robert Wyatt and a lot of purely free improvisation or prepared free improvisation, which is what they were doing live at this time.
This has been out of print for a bit now and is always in demand, and it has been remastered by Bob Drake and sounds significantly better to my ears!

"Originally released in 197

This is high quality live Swedish radio recordings from Goteborg (1975 - with John Greaves) and Stockholm (1977 - with Georgie Born). The sound is great here; Bob Drake worked from the original 8 track and stereo 2 track masters and you can finally hear Tim's follow-up masterpiece to "Living in the Heart of the Beast", entitled "Erk Gah". There's also some nice improvisations and other tunes and Fred's never otherwise released "The March", which is a really great one as well. Highly recommended...

"Maksymenko plays drums with the force and power of a thousand supercomputers, he composes with the originality of a team of duck billed platypuses writing a sequel to Gravity's Rainbow, and he's more fun to listen to than Disneyland."-Henry Kaiser.

This is a collection of some of the very small but very great work by drummer/composer Michael Maksymenko, best known - if at all - for the amazing album and EP he did with the trio Kraldjuranstalten.
It collects eight tracks by Kraldjursanstan...

Tito Pueblo-vocals
Bill Gilonis-guitar (of The Work)
Ilja Komarov-bass
Trixa Arnold-drums

"Tito Pueblo, aka Rob Murphy (Orchestre Murphy), has been responsible for some terrible lapses of judgement & taste. Here he gives us an album of post-Beatles pop songs that deal with the key issues of our times - drinking, sex, love, melancholy, obsession, & drinking. Expect fake French accordion, ludicrous cowboy songs & Flamenco rip-offs."-Chris Cutler

The 3rd release by this acclaimed organized sound group from Colorado, & their first, classic, which is a high-water mark of churning sonic storms. This is some of their finest work.

"...reminiscent of peering through a mircoscope at a drop of pond water: There's a lot more going on than you'd ever suspect."-Option

"Mnemonists were the precursor to Biota, essentially the same band with a different name, and a slightly more alien quality to their stream of consciousness expression...

"Now in their twenty-fourth year, the Necks' new release, Mindset, their sixteenth album features two starkly contrasting tracks: the pulsating, raw, 'Rum Jungle' and the slower building, rather hypnotic 'Daylights.' Polyrhythms imbue both pieces with powerful forward motion, embroiled with which ethereal piano patterns interweave with bass, drums, electronics, churning Hammonds and noise-guitars. Drummer and percussionist Tony Buck writes: Mindset shares some elements in common with our previous album...

In the early 80s, after the Art Bears ceased, drummer and lyricist Chris Cutler wanted to continue with another 'song oriented' project. Continuing to work with the amazing and distinctive Dagmar Krause, the vocalist from Slapp Happy, Henry Cow and the Art Bears, he enlisted bassoonist/composer Lindsay Cooper, also formerly of Henry Cow as the musical director, to provide the compositions and accordionist/harpist Zeena Parkins. This is the group that recorded the first News From Babel album, Sirens and...

Great performances and excellent, rockin' live sound.

"A great live recording of the sadly short-lived version of the band that existed between the arrival of Eric Drew Feldman and the departure of Chris Cutler. By far the best recording of the Scott, Cutler, Maimone rhythm section, I think, and the whole band is on intense concert form: David racked up to 11, Eric working equally on foundations and fine details as to the out-there manner born and Jim Jones somewhere in the stratosphere...

Picchio dal Pozzo are considered to be one of the very few "Canterbury" inspired bands that emerged from Italy's fertile 1970's progressive rock musical scene. They released two highly regarded - and highly sought after - albums during their lifetime.
This was their second and in my opinion the greatest release during the band's life and came very near the end of the band's existence. Using guitar, keyboards, saxes, bass, drums and vocals, despite the band's Canterbury-ish roots and their more...

Stevan Kovacs Tickmayer-keyboards & sampler
Bob Drake-bass, occasional guitar & organ
Chris Cutler-drums & electrified kit
Mike Johnson-guitars

Muchly awaited and anticipated 'instrumental complex rock deluxe' album. Mike Johnson is a great guitarist, and one of the aspects of his greatness is the fact that he doesn't show off, but only uses his talents as needed to put whatever he plays on in the best light. Well, the best light here includes some hellacious playing from him and fro

In the early 1980's, after disbanding the great trio Massacre, Fred Frith formed Skeleton Crew as a sort of a three person 1-man band, with Tom Cora (Curlew) and Dave Newhouse (The Muffins). Dave left pretty soon after, and for the next few years, the two man Skeleton Crew toured all over everywhere, bringing their unique blend of high musicianship (Fred on violin, guitar, half a drumset, vocals and Tom on cello, guitar, bass, the other half of the drumset and vocals) and low-tech protest song and...

Recorded live in 1984 at one of Sun Ra's many US concerts, this captures the Arkhestra in full big band mode, blowing up a storm that could probably be heard on Venus. This is a good, solid, representative mid 80's show with very good sonics (by Ra standards) by the Arkestra.

“This is a stunning late period Ra album. Beautiful space-chants and atonal keyboard freakouts plus a mix of Ellingtonian Ra-jazz as only the Arkestra could do it.
Maybe not the album to start with if you are unfamiliar..

"Companion to Disco 3000, made on the same classic Italian quartet tour with John Gilmore, Michael Ray (trumpet) and the minimal but perfect Luqman Ali (drums). Ra himself plays piano and electronic keyboards, including the mysterious..."

"Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium.
This is the classic collection of Contemporary, Concrete, Tapeworked and Processed works - and an indispensable survey of a crucial field:
It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition...

The ReR Quarterly was a series run by Chris Cutler and ReR in the middle / late 80s that included a vinyl lp and large magazine bundled together. It featured interesting articles - some quite in depth - about music and sound and art and music that 'related'.
Basically it was the sort of thing that was really fun and really handsome and that the internet killed off completely
This CD features some of the things featured on the first volume (4 issues) of the quarterly.
Included are...

This is a really great album, although I didn’t appreciate it as much when it was first released, because I was a TOTAL fan of Slow Crimes by The Work, and only half that band appears here.
Having said that, as time has gone on, I’ve grown more and more to be aware of what a splendid performance is captured here AND ALSO to appreciate what a utterly slaying performance Chris gives on drums!
And now with the CD issue of this, Udi made what I always thought of a not very good live recording sound...