ReR and related : The INCREDIBLE sale!!

The second and final of the 'second wave' line-up of 5uus (basically Dave Kerman, Bob Drake and Sanjay Kumar + guests). This is considered by many people to be their best period and I would probably agree.

"Second installment from monster band 5UU's, featuring rock complexity, extraordinary production (by bassist and singer Bob Drake) and high energy precision mixed with eccentric song-writing. People that work this hard are becoming an endangered species. Extraordinary."-Chris Cutler

This is a collection of most of the 1984 album “Glass Tube”, which was After Dinner’s first album + some other stuff, plus 30’ of live material by this Japanese new music rock band, who predated the current huge interest in all things "Japan".
Characterized by leader Haco's vocals, this is subtly detailed, almost pastel, progressive Japanese music; they don’t sound like ANYBODY else!

“Can't say I've heard anything quite like this. Truly awesome in its presentation, it's hard not to want to...

''Imagine a classical composer writing a gothic symphony for a multi-faceted electronic musician, who in concert was aided by Mayan musicians, a haunting, often operatic singer, & a psychic intermittently channeling the spirits of the dead - that pretty much sums up this fascinating album.''- Goldmine.

“Atmospheric, evolving, intricate and layered; a suite of fine compositions and carefully crafted sounds. Consistent creation of another place, another time.”

"Known best as an experimental guitarist, with his ‘‘Giant’ Sardinian guitar – which has a large mechanical claw stuck to the side of its body (to pluck counter melodies), piano-like hammers operated by pedals (to strike the strings), extra strings crossing the main strings at right angles with yet another set of sitar strings mounted on the body, a rope, a viola bridge - which holds yet more strings - and thirteen pickups and microphones which can separately amplify all the elements, sending them to...

"Another extraordinary release by Sardinian virtuoso Paolo Angeli, this time featuring compositions by Fred Frith and Bjork – all played solo in real time (though when you hear it, it’s hard to believe it) on his highly customised and extended, electrified, giant Sardinian folk guitar. A tour de force of technique and at the same time highly musical; and there is so much going on here at any given time that it is difficult to relate what your ears tell you to just one Frankenstein instrument. Dense...

"This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, like a cello...

Takumi Fukushima – violin, voice
Paolo Angeli – prepared Sardinian guitar, voice
Excellent album of duos; some a bit wild, others, very intimate and - dare I say - beautiful? Remember, Monk wrote a song called "Ugly Beauty"... After the demise of Volapük, I was wondering when I would hear Takumi again and I am happy to hear her here with Paolo who makes an excellent musical partner for her.

"This is Paulo Angeli’s fifth release, this time with ex-After Dinner, ex Volupuk violinist and....

Dagmar Krause-vocals Chris Cutler-drums, electronics Fred Frith-guitars, keyboards, violin, etc.

This was the 3rd and final album by the successor band to Henry Cow. I'm not really sure why (short playing length? the press had gone onto other things to champion? it wasn't released stateside, unlike the first two?) but this one slipped under the radar of a lot of folks, compared to their 1st two.
It's a very bleak, but also a very solid work. And very clever and sly in its own way - who...

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.
This was the 2nd and possibly most successful of the three albums by this immediate offshoot of Henry Cow, as it was recorded AS an Art Bears album (their 1st had been recorded as a Henry Cow album, but half the band objected, so it came out as being by Art Bears).
It’s also their best known album as it was released in the States by The Residents' Ralph label, in the early 80's and at the

After many, many years of work, this is apparently the final Biota release and it's also probably their finest as well as their most accessible. The heavily treated sonic material remains, but as in their last few, it's applied to a very 'folky' under-carriage.
Think of the most twisted-yet-musical take possible on Sandy Denny/June Tabor/Judy Collins imaginable and you have a glimmer of what they are doing here. Really nice. REALLY NICE. And a gorgeous art portfolio is included. Highly recommended...

"Six years in the making, this is the sixth CD released by ReR from the visual/sonic art group Biota. Unique in their history and method, Biota painstakingly construct complex, organic structures that mix extensive studio processing and musique concréte techniques, with a highly eclectic orchestra of acoustic and electronic resources - from kit drums, through mediaeval winds, strings and barrel organs, to early experimental electronic instruments. Their works are always performance driven and interleaved...

An early 90's solo, featuring ace contributions from John Greaves, Chris Cutler plus Kristoffer Blegvad, Tim Hodgkinson. Always intelligent, often funny songs & lyrics.

Long-time Waysiders will remember this Residents-influenced recording project who released two fun, primitive slabs of home-made vinyl. Nice to have them here again and done so nicely!

"Way back in 80’s, before the term “Alternative” was hijacked to correspond with Seattle “Grunge”, the genre was held in high-esteem for its “D.I.Y. / Low-Fi” ethic.
The Blitzoids - along with The Residents, R. Stevie Moore and Eugene Chadbourne - epitomized this school of thought in the USA. From the...

“"Instrumental Album Of The Year: 1984” – Folk Roots

“Wow. This is probably the greatest album from the 80's I've ever heard, and who knew such an unbelievably amazing folk album was even made in the 80's? Apparently not many...which is such a shame. For fans of folk guitar this album is a must.”-rate yourmusic

In the early 1980s, Andy was a member of The Lowest Note, who released singles on Woof (Tim Hodgkinson’s label) and was part of the London underground scene tied into the extended .

"Three old hands out of Soft Machine, Gong and Henry Cow stretch already flexible musical material into one shape after another, then tie it in knots and generally have a fun with it. High quality recordings combined with seat-of-the-pants playing keep the tension high, underpinning a richly labile music, full of shape and colour that is constantly in motion. Compiled from recent concert recordings in Berlin, London and Tel Aviv, this clutch of extended songs should be to the taste of anyone familiar...

The Camberwell Now were led by Charles Hayward, the drumming/vocalist mastermind behind This Heat, and was the band that he formed immediately after This Heat broke up.
They were released an album and 2 EPs in their lifetime, and this includes all of them in complete, chronological form, plus a track from a sampler.
Their sound was very informed by the This Heat esthetic, with more creative usages of drones than before and some incredible basswork.
While they didn't always quite...

A very great collection of unreleased live and studio recordings from the very exciting post-Henry Cow band of Chris Cutler.

"Cassiber (phonetically: 'a message smuggled out of prison') crashed like a locomotive into the 'Deutsche Neue Welle.'
Founded by Heiner Goebbels, Alfred Harth, Christoph Anders, and Chris Cutler (his first major project after News From Babel), Cassiber managed to fuse materials and attitudes drawn from experimental rock, fringe jazz, punk, pop, plunderphonics...

Lol Coxhill-soprano sax
Charles Hayward-drums
Hugh Hopper-bass
Orphy Robinson-vibes, steel drums
Robert Wyatt-cornet

The first release (and sadly the only one) by this improvising group of established figures from the creative rock and improvised music scene in Britain. They've been together for a few years now, plays shows when circumstances permit, and it's great that they've finally documented something. This pretty quickly finds its feet, finds a groove and keeps.

For a number of years in the late 90s, Chris traveled the the world, giving solo performances on his specially made electric kit and various acoutrements.
I’m biased because I saw several of these concerts (and even put on at least one), but they were very different, very entertaining and very much completely NOT what you would expect a ‘solo drum concert’ to sound like, probably because it wasn’t a ‘solo drum concert’. Conditionally recommended!!

"Here at last, a solo electronic drum...

"Like its companion ‘Twice around the Earth', ‘There and Back Again’ is derived from a selection of the 365 location recordings made for Cutler’s daily Resonance FM radio programme ‘Out of the Blue Radio’ (2004-2005). It takes extracts from 44 of these environmental recordings to explore - amongst other things - the way memory works, and how the experience of passing time is constructed. That’s subtext. More important, it should make enjoyably complex listening: surprising, serendipitous, mundane but...

''Digital recordings from the Nordlydd Contemporary Music Festival and Berlin's Tacheles from 1991. Plus the historic prescient noise-music 1978 analogue recording from Limoges as a bonus. All singing, all dancing, all hell let loose. Float like a butterfly, sting like a bee...'' -Chris Cutler

“There must have been something special going on in Verona last April; neither of these old sparring partners from Henry Cow and Art Bears can remember anything about this concert! By far the most aggressive of their duo albums, it leads us via howling fuzz guitar and machine gun percussion into walls of post-rock improvisation, obsessive industrial rhythms, and levels of excitement rarely generated by two people on a stage. The album is remarkable for Chris and Fred's rediscovery of melody and time...

"A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have been...

"Tod Dockstader and David Lee Myers are two pioneers of electronic music, but from very different epochs. Dockstader started working with optical sound in the 1950s, later working with vast Telefunken tape recorders that became so hot they had to be left overnight to cool down. His electronic soundscapes (Lunar Park and Apocalypse among them) are now being rediscovered and given the respect they deserve. Pond is his first new album-length piece since 1967.
David Lee Myers, on the other hand, made...

"The finest composer who ever worked in the medium of sounds assembled on tape"-OP

"The legendary collaboration between a leading American Musique Concrete composer and an instrumental ensemble directed by James Reichert where, for I think the first and to date only time, there was full integration of the written, played and manipulated sounds. The instrumental parts were derived from 'cells' of concrete sound and in turn were electronically transformed (in Robert Moog's then state of the art...

Bob's fifth album is another of his completely uncategorizable works. Bob performs on vocals, strings (guitars, bass, violin, etc.) keyboards & real drums, making these sound like a band effort.

"The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob undermines musical, technical and production norms with a breathtaking amalgam of broken rules and unimaginable..

Part 1: Bob Drake-all instruments and voices
Part 2: Live a La Borde Basse
Bob Drake-guitar & lead vocals
Kavus Torabi-guitar and vocals
David Campbell-bass and vocals
David Kerman-drums and vocals

What a great concept! Multi-instrumentalist and vocalist Bob records an album as he always does; he plays all the parts himself. But he's got this nifty band he assembled. A VERY nifty band, actually! What a shame to waste them!
So...he sends them the most basic elements of

''A rollercoaster of a record - intensely musical and highly attentive to the quality of sound - only not in the usual directions. This is whathappens when a virtuoso multi-instrumentalist and engineer gets to do what he wants his own way, free of the norms of the musical and production values most everyone else is running after. If you think you've heard it all here's something else again''.-Chris Cutler

"52 songs of strange events, places and things. Includes 20 original paintings by Ray O'Bannon"-Bob Drake.

"The songs are brief, amusingly creepy or creepily amusing (takes your pick!) with really nice creepy/cool paintings to accompany the mood. Perhaps the scariest thing is that each of these miniatures is a fully formed, fully orchestrated and complete structure - no lazy snippets here - and Bob plays all the parts with his famously Paganini-esque virtuosity in spooky variable-tempo synchrony..

What Day Is It is Bob Drake’s first-ever solo album and was self-released by Bob in a hand-made package in 1993. He performed all the music with some assistance from Dave Kerman on drums. Odd songs with an almost folk or Cajun feel to them; folk music from another planet, perhaps. This is a great one for me if only simply because it was the first time that anyone heard Bob’s instantly recognizable solo sound! Recommended.

"Bob is already celebrated for his many ReR solo CDs, as well as for his...

Faust are a rightly legendary experimental German ensemble from the early 1970's. This is almost all of their two posthumous albums which feature the unreleased "Faust V/Faust Party 3" album and other lost recordings before they dissolved in the 70's.

This contains their great 1973 Top Gear performance and a substantial amount of extra material, and even two outtakes from their albums, all of which have never been released!
Despite it saying ‘BBC’, nearly all of this was recorded at Wumme during the group’s classic early 70s period and is like a great lost album by them and even includes their ‘lost’ sixth member, Arnulf Meifurt, who only appears on the 1st album and ‘Tapes’.

"At last, a well made film that captures the intensity, caprice, craziness and visionary beauty of Faust’s late ’90s performances, when, for a moment the core members of the original band were temporarily reconciled. Professionally filmed at the...

Janet is a great, great, classically trained guitarist who plays a unique, personal music, usually for solo and/or prepared solo guitar. She's been quietly working for a long time and this, her third release, recorded with the equally great, great (but better, better known) Fred Frith will bring her a lot more attention, which she fully deserves.
Having had a rare chance to see her perform in the East (she opened up for Boud Deun at one of their final shows in 1998), the fact that the public at...

Jonas Åström (guitar, keyboards, percussion, piano, vocals)
Jan Nilsson (bass guitar, flute, percussion, piano, [homemade] instruments, vocals)
Michael Hellström (drums, keyboards, percussion, vocals)
Lars ‘Lach’n’ Jonsson (violin)

This sat and sat for years and years until Udi Koomran and Dave Kerman posted on a music board about how much they liked this and then, zip, they were gone.
Thanks, guys; the check is in the mail!
Fortrangt Hushallsarbete is a 2002 release on..

A good performance of music for dance, all performed by Fred (via extensive overdubbing).

"Any new record from Fred Frith, one of the world's leading avant rock guitarists and composers, is a major event. Accidental was commissioned by a British choreographer who lives in Amsterdam, Paul Selwyn Norton, for a dance piece made with the Batsheva Company in Tel Aviv.
For Fred it's a return to basics, a series of deeply contrasting moods achieved with the simplest of means. Throughout the CD...

Gravity is one of Fred's most enduring & endearing works. It was his first post-Henry Cow solo album, and he recorded it with the backing of The Muffins on one side of the original album and Samla Mammas Manna on the other + Marc Hollander.
It's the closest thing to a progressive rock disc that Fred has ever released and it's a tuneful yet still avant progressive rock work. This is a classic and is highly recommended!

“1980's GRAVITY represented guitarist Fred Frith's first major break from.

"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France involving as many of the students as possible, grouped according to their departments - early music, rock, African drumming...

Long time Waysiders will remember the limited edition box that we sold with the two albums of this concert a very long time ago. They may also remember the many concerts that Fred performed with this set up in that style in the late 70s/early 80s all over the world. I do.

“Concert recordings made at various venues in Japan in 1981 and released by Recommended Records Japan in 1982 in an edition of 1000. Out of print since, though highly sought after, it has now been transferred and remastered...

"This is a retrospective compendium of Fred's work over the last 17 years, with a lot of new material, perfectly put together and exceptionally listenable start to finish- an enlightening journey. It's my favourite of Fred's works in recent times. Close composition for electric and acoustic resources, tapework, concrete constructions, songs, sound effects and noise-art improvisations."
Guests included:
Iva Bittova, Tom Cora, Jean Derome, Haco, Tim Hodgkinson, Lars Hollmer, Rene Lussier...

This is the soundtrack to the film which followed Fred touring & playing in the late 80's, when he was actively on the road all the time. This functions as a sort of a 'best of' sampler, featuring many aspects of his work, some of which can be found on other albums, but most of which is only available here.
This includes many great players: Tom Cora, Haco, Zeena Parkins, John Zorn, Rene Lussier, Bob Ostertag, Lars Hollmer, Eino Haapala, Iva Bittova, Hans Bruniusson, Joey Barron, and many many others..

“With an all-star line-up that features Tenko, John Zorn and Christian Marclay (with guest Jim Staley on trombone), Technology of Tears started life in New York in 1986 as a dance commission by Rosalind Newman.
Fred took this opportunity to experiment with Henry Kaiser's brand new synclavier (the absolute state-of-the-art sampling and processing technology of the time - Henry had to take out a second mortgage on his house to buy it). It was the sophisticated sampling that fascinated Fred, and the...

"An instant Fred classic, ‘Happy End’ presents two, related, small-ensemble works for 6 and 7 musicians respectively - mostly strings of one sort or another, with percussion, flute, clarinet and electronics. Fred, violinist Carla Kilsteht and percussionist Willie Wynant play throughout providing continuity across the pieces, as the music constantly unfolds into new textures and dialects. Melody, harmony and rhythm are omnipresent, though not always obviously colluding, and the music moves with a...

''Written for a dance programme, this is Fred's hommage, in three pieces to the work and influence of John Cage, Earl Brown and Morton Feldman. Beautifully conceived and executed and full of minute and fascinating detail. Also an unalloyed pleasure to listen to; one of my favourites from Fred's recent output.''-Chris Cutler

“The long-awaited follow up to their first release on Derek Bailey's Incus label and a kind of prequel, going back to the time when Fred was playing home-made instruments and John was using mouthpieces and duck-calls as much or more than alto sax; this was back in the New York glory days when 100 new ideas popped up somewhere every day, and these performances lie right at the fringe of what most people would accept as "music".
Anyone wanting to get back to one of the roots of what later became known..

“The first from Bill for a long time, this is an abstract aural collage recorded between 2003 and 2006, over long distances by mail, that operates somewhere between soundscape and radio art, assembling environmental recordings, bits of broadcasts and other modified found sound into a very personal sound diary or imaginary journey.”-Chris Cutler

"Bill Gilonis (of the great post Henry Cow band, The Work) and Chantale Laplante worked on Zürich-Bamberg intermittently for three years. The CD comprises...

"This album was born out of studio improvisations by Glandien with drummer Chris Cutler (Pere Ubu, Henry Cow, Cassiber), and avant tuba player Michael Vogt (Berlin Symphony Orchestra). Listening back to the tapes, the group agreed that the results were a failure. This did not stop them from ripping through a storming live set at Berlin's Anorak club the day after the studio session, but the general mood was that the recordings should be scrapped.
A year later Glandien decided to re-look at the...

"Ground Zero pays tribute to some of their favorite music on this CD, where they integrate classic older material that has been very influential to them with their own music, merging them into something all new (something that Otomo refers to as the ‘void halfway between my soundtrack work over the past few years with Chinese/Hong Kong films, and the music I have been doing with GZ’). Some of the material that is tackled in this fashion is by: Victor Jara & Mercedes Sosa (Chilean/Argentinian orchestral...

Revolutionary Pekinese Opera was the third album from Ground Zero who are fronted by the fabled Japanese sampler/guitar terrorist Otomo Yoshihide. For this project Otomo and the band pay personal homage to Heiner Goebbels' and Alfred 23 Harth's acclaimed 1984 composition Peking Oper. To this they have added their own brand of power, humour and invention by sampling in TV commercials, snippets of martial arts soundtrack and more than just a rumble of guitar thunder.

"Ad Hoc Records' new, four-panel digipack reissue of The Hat Shoes debut album will be especially welcomed by lovers of intelligent and thoughtful progressive music, with a hint of Romanticism.
Originally released in 1991, Differently Desperate is a studio offering of diverse avant-pop songs by a 'super-group' comprised of members Bill Gilonis (The Work), Catherine Jauniaux (Fluvial), Charles Hayward (This Heat, Camberwell Now) and Tom Cora (Skeleton Crew, Curlew). There's also a slew of well-known...