"Since his early death, Kaoru Abe has attracted much attention and a loyal following among aficionados of free jazz and improvised music, but fans who might be tempted to listen for signs of the alto saxophonist's impending doom in this recording made on August 29, 1978, in Hokkaido might be disappointed, for the simple reason that there's not much music to listen to: 14 and a half minutes of actual playing preceded by a minute and 41 seconds of "rehearsal" (this amounts to little more than a couple of arpe

“The first-ever vinyl edition of Acid Mothers Temple's classic self-titled first album.
Over the last 25 years no group has been more prolific or dedicated to pushing psychedelic rock to its limits than Japan's Acid Mothers Temple. Their maximalist technicolor vision was first revealed on this, their now legendary self-titled 1997 debut released by P.S.F. Records.
Led by Makoto Kawabata, the album contains some of the group's most cosmic, hypnotic and over-the-top material; it kick-started and.

Cotton Casino - voice, astral mama
Kawabata Makoto - guitar, fretless bass, bouzouki, organ, rhythm machine, electronics, tapes, speed guru
Higashi Hiroshi - synthesizer, noodle king
Mitsuko Tabata : guitar, guitar-synthesizer, voice, kisses & hugs
Satoshima Nani - drums, another dimension
S/T "Wolf" - bass, tapes, space & time

Packaged in a heavy duty single pocket sleeve with silver metallic inks.

"Part One of Halleluja Mystic Garden contains two long sides of bl

"Acid Mothers Temple return with an expanded Melting Paraiso U.F.O. line-up, featuring the added guitar skills of Japan underground legend and new full-time member Tabata Mitsuru (Boredoms, Zeni Gava, Leningrad Blues Machine, etc.). IAO Chant from...

"Acid Mothers Temple and Important Records have decided to release the complete Magical Power From Mars in its entirety with the addition of the fourth and final track 'Aladdin Kane.' Magical Power From Mars comes housed with completely new front and back art and no expense was spared on more 3D lenticular covers for the front. This is the complete album available for the first time in its entirety. Magical Power From Mars is an album full of epic statements from the Acid Mothers. Each track has an...

"Recuring Dream And Apocalypse Of Darkness is by far the heaviest Acid Mothers Temple record yet. So heavy, in fact, that Kawabata Makoto jokingly said 'the album is really heavy, maybe a bit like Sunn O))). hahahaha.'...

"Son Of A Bitches Brew is a true electric jazz record from the Acid Mothers Temple & The Melting Paraiso UFO. Rooted in the sound of Miles Davis' electric era this record melds jazz, funk and psych with AMT's synth swoops, space whispers and cosmic...

"Brand new album from Acid Mothers Temple on vinyl! Two side long pieces of otherworldly psych rock pressed on pink vinyl in an edition of 800. Features long time AMT vocalist and fan fave, Cotton Casino on vocals. Blazing, chaotic psych rock for these heady, heavy times!"

"Japan's psychedelic troubadours return with a new album focusing on the folksier galaxy of their tripped-out universe. Highlighting new vocalist Jyonson Tsu, Acid Mothers Temple put the acid back in acid folk with this release! Upping the ante is Geoff Leigh (Henry Cow, Hatfield & The North, Univers Zero) on all tracks! Limited edition of only 500 CDs made!”

"Disc 1 tracks the band through the first decade from 1998 to 2007, through rare footage featuring guest appearances from members of Guru Guru, Afrirampo, Ruins and others. Disc 2 features a historic performance of La Novia featuring Occitan Queen of...

"Without a doubt, this is one of the holy grails of the Japanese early seventies lysergic psych scene, together with Speed Glue & Shinki, Sato Masahiko & Soundbreakers and People/Ceremony.
Privately released in a tiny edition on the Oz Records label way back in 1973, the original artifact was and is till this day the only legitimate recording on vinyl to feature the Rallizes and Acid Seven, in addition to a side each from Minami Masato and the legendary Taj Mahal Travellers.
New double-CD ...

“1982-85 includes all their first productions; the complete first album Glass Tube (1984), the two tracks from the first 7" single (1982) and a bonus track from the compilation LP Welcome to Dreamland (1985). Includes a 24-pages booklet.

After Dinner from Japan, embraced new wave, traditional Japanese music, free contemporary and avant-garde rock. Founded by female vocalist, musician and composer Haco in 1981, After Dinner broached a very interesting collective cohesion. Their backgrounds, though..

Clarification note: This is a CD reissue of the [originally cassette-only] live release, Souvenir Cassette + tracks that originally ended up on the ReR Quarterly vinyl release + an unreleased track, all making their CD debut!

Haco: singing Seiichi Kuroda: bass
Mutsuhiko Izumi: guitar
Ichiro Inbue: percussion
Hideyuki Yamagata: drums
Tadahiko Yokogawa: violin, bass and mandolin
Yasushi Utsunomiya: direction
Ohji Hayashi: monitor mixing
Miki Omori: sl

Kawabata Makoto : guitars (Acid Mothers Temple)
Nakaya Koichi : synthesizer, theremin (Nasca Car)
Okano Furtoshi : drums (Acid Mothers, Ghost)

“Andromelos2 brings an electronic-psychedelic-progressive sound to rival with early Tangerine Dream and early Heldon but in the spirit of Acid Mothers Temple.”

Somehow I don't think Ayuo was thinking of Ameri"The creator of two of the most fascinating releases on the New Japan series (Izutsu and Red Moon) now turns his hand to one of the most curious of all Japanese musical forms, the Noh play. Mixing the....

“Batoh is back! Solo again after last fall’s new Silence album, the Japanese psychedelic guru makes some one-man performances,, with others featuring Ghost and Silence family members, including free drumming legend of Fushitsusha and early Ghost, Hiroyuki Usui. In the richness of an all-analog production, Batoh decries the existential opacity of our latter-day faith, drawing deeply from the musical, linguistic and spiritual traditions of ALL countries, fused into a new music for the believers and non...

"Behind the Shadow Drops is the new solo endeavor from Takaakira 'Taka' Goto, founding guitarist and composer of iconic Japanese experimental rock group, MONO.
Established in 2016, Behind the Shadow Drops combines Goto's disparate but commensurate interests in many different forms of music, most notably ambient, trip-hop, industrial minimalism, and modern classical.
Recorded at Goto's home studio and mixed with esteemed producer and percussionist, John McEntire (Tortoise, The Sea and Cake...

Like Soft Machine, the band doomed to have a number after their name for each album! Bondage Fruit, led by guitarist Kido Natsuki, who also plays in Bondage Fruit, led by guitarist Kido Natsuki, who also plays in Korekyojinn, were part of the Japanese...

Tokyo playwright, director and artist J.A. Caesar sprang to prominence in the early '70s largely through his work with Shuji Terayama's Tenjo Sajiki Theatre, specializing in vaguely sinister music reminiscent of a Hammer House Of Horrors soundtrack...

"Alessandro Cortini (Nine Inch Nails) and Japanese noise legend Masami Akita (Merzbow) share a mutual love for the EMS Synthi, a British synthesizer from the early '70s notorious for its patch matrix, portability, and distinct tone. Astonishingly, these two disparate artists meld into a single sound as they flex the analog circuitry of the EMS Synthi in new ways; giving this classic synth a modern workout and proving that, in capable hands, a 40-year-old analog synthesizer is a tool for the ages...

A co-release with Poseidon Productions. Djamra is a current Japanese band, coming from Osaka. Three years later, Djamra is back with a new line-up. Guitar makes its entry with much noise, and its devastating riffs now take the lion's share with the bas...

A reissue of a stupidly rare Japanese psych/heavy album, originally released on Japanese Vertigo in 1972. They were a short-lived offshoot of Strawberry Path.

"The 2nd and last album from Flied Egg, also originally released in 1972 on Japanese Vertigo. It's a theoretical live album, with a miraculously heavier "rockin" sound than Dr. Siegel's Fried Egg Shooting Machine. Number of tracks with the word "woman" in the title? A mere one. But don't let that lessen the sensational experience of your...

"In his third CD for Tzadik, Mamoru Fujieda continues his fascinating exploration of the creativity of, by and about plant life with five more pieces from his continuing series Patterns of Plants. Utilizing the violin in combination with two Japanese...

''Jazz, contemporary classical and traditional Japanese folk music blend seamlessly in Satoko Fujii's powerful and unique musical universe. Presented here are three intimate groupings: in duo with her long time associate Sachi Hayasaka, in trio with th...

Latest from Keiji Haino's highly polarizing power-trio, recorded live at the '97 Victo Festival. This is one of those records of a concert that it's good to have, if only so that you can listen to it at a volume of your own choosing (which will probabl...