Classic, great big-band jazz-rock album from the 1970s, using an expanded version of Nucleus. It is based on the Balinese Pelog scale, and has some tremendously great moments. There were only a few records of this sort done in the 70's (probably due to their expense), but they all have a real charm to me.

Lots of great tunes here from Dudu Pukwana, Johnny Dyani, Chris McGregor, Abdullah Ibrahim, Mongezi Feza, etc!

"The album includes new arrangements of compositions by Dudu Pukwana, Mongezi Feza and Johnny Dyani, and an atmospheric development...

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (with 25 participants on this album) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Hugh Hopper, Alan Gowen, Robert Wyatt, Dave Stewart, Mike Westbrook & Fred Frith, among others.
For this, their third album, he has chosen to highlight the compositions of the late Lindsay Cooper. They band perform:
1. Half The Sky (from "Western Culture").

"Born of a time when jazz musicians crossed in to the world of rock music, Atlantic Bridge was a quartet featuring Mike McNaught (piano, electric piano), Daryl Runswick (bass, bass guitar), Jim Philip (flute, soprano sax, tenor sax) & Mike Travis (drums). All four musicians were seasoned players on the London jazz circuit, but sought to expand their musical horizons.
Influenced by the experimentation of Miles Davis on his album Bitches Brew and by the work of British musicians such as Keith Tippett..

"A reissue of Derek Bailey's Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist's championing of "non-idiomatic improvisation", the poet Peter Riley gets the ball rolling in his identification of the various hauntings...

"In publishing the entire performance from start to finish, this release allows us to experience these much-missed artists at work with a degree of intimacy and familiarity absent from (for example) prestigious festival performances. Of course, any new addition to the Bailey discography is an exciting development, but I feel I must also mention just how well Will Gaines plays on this gig. For those who might be unsure why Derek was always so happy to play with Will, listen to how Will uses his strongly...

"A reissue of Derek Bailey and Tristan Honsinger Duo, originally released by Incus in 1976. Born in Burlington, Vermont, and conservatory-trained in the US, the cellist Tristan Honsinger moved from Montreal to Amsterdam in 1974, quickly linking with Han Bennink and Misha Mengelberg and opening a long and fruitful musical relationship with Derek Bailey. Recorded in 1976, Duo displays a performative musical approach already characterized by the lack of inhibition which would later endear him to The Pop...

Gordon Beck - piano
Jeff Clyne - bass
Tony Oxley - drums

A great album, rescued from the mists of time almost 50 years later! First-ever reissue!

"Pianist / composer Gordon Beck, one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. His formidable technique and more importantly overwhelming musicality are completely unique and unrivaled. This, his 4th recording as a leader, deserves a.

"Turtle Records is proud to present these excellent performances, now transferred and collated, which capture the group playing a variety of some well-known compositions plus a large number of Gordon Beck originals, which are surely a must for any serious modern jazz fan.
They chronicle a peak period of creativity and performance by Gordon involving key lineups of his groups with musicians including a who's who of British Jazz: Jeff Clyne, Johnny Butts, Ron Mathewson, John McLaughlin, Tony Oxley...

A great set in the classic Ornette 4tet vein, mixed with a Brit-jazz feel! I dont know any of these players (Roberto-double bass, Claude Deppa-trumpet, Jason Yarde-alto & soprano sax & Brian Abrahams-drums), but all play fabulously well. [SLAM]

"Tenor saxophonist Binker Golding and drummer Moses Boyd are two of the most exciting young jazz musicians on the London jazz scene.
One year on from their highly praised mega work Journey To The Mountain Of Forever (Urban Album Of The Year 2017 : MoJo Magazine), Binker And Moses return with a blistering assault on the senses.
Their third album in as many years, Binker Golding and Moses Boyd are trailblazers in arguably the most exciting jazz explosion London has ever seen.
Is it a st

Robin Lumley-keyboards
John Goodsall-guitar
Percy Jones-bass
Phil Collins-drums

The good news: This captures Brand X in their early prime, from around the time of their 1st album and with all the fury and fire they had in that period. And in really good 'live and smokin' sound, as this was recorded for a radio broadcast.

The bad news: the radio broadcast was 25' long and that's all that is here.

So - half a great album. And something you'll have to decide if it's wo

“When Bill Bruford emerged from Yes, his reputation as a drumming legend was firmly established. He then went on to refine and expand his individual technique and style with King Crimson. His solo career, while not as commercially successful as those bands, has also been impressive. His explorations with Allan Holdsworth continued to carry the fusion torch with dignity.
Never one to rest on his laurels, Bruford continued to search for different contexts in which to express his musical and percussive..

An Italian band who have a great love for Brit-jazz and, more specifically, the Ogun sound. The musicians are:
Pino Minafra trumpet, flugelhorn, voice
Roberto Ottaviano saxophones
Livio Minafra piano
Roberto Bellatalla bass...

Lol Coxhill-soprano sax
Charles Hayward-drums
Hugh Hopper-bass
Orphy Robinson-vibes, steel drums
with
Robert Wyatt-cornet

The first release (and sadly the only one) by this improvising group of established figures from the creative rock and improvised music scene in Britain. They've been together for a few years now, plays shows when circumstances permit, and it's great that they've finally documented something. This pretty quickly finds its feet, finds a groove and keeps.

Like the somewhat better known Michael Gibbs or lesser known Neil Ardley, bassist/composer Collier is a long time leader in the field of large and small scale jazz compositions that effortlessly meld US jazz (and especially the work of Charles Mingus) and the unique sounds of British jazz in very attractive ways. These are nicely remastered issues of his albums, which are available for the first time in decades, and released on CD for the first time. This one is from 1975 and features Harry Beckett....

Like the somewhat better known Michael Gibbs or lesser known Neil Ardley, bassist/composer Collier is a long time leader in the field of large and small scale jazz compositions that effortlessly meld US jazz (and especially the work of Charles Mingus) ...

With Jon Hiseman, Chris Farlowe, Dick Heckstall-Smith, Clem Clempson, Dave Greenslade and Mark Clarke.

"In spite of Jon Hiseman's reluctance to reform Colosseum, in the early nineties, the spate of band reissues generated new interest in the band. Whilst on tour in Germany, Hiseman was encouraged to rethink, & a debut reunion concert was arranged in October, 1994."

"There has been understandable confusion for decades about the overlap and the differences between Colosseum's second U.K. album and their second U.S. album. Their second U.K. LP was titled Valentyne Suite; their second U.S. album, however, was not only given a different title, The Grass Is Greener, but featured a substantially different track listing, with only four of the eight tracks overlapping with Valentyne Suite (although the version of "The Grass Is Greener" on the U.S. release has a guitar...

"This double CD set collects together, amongst other things, all of Outtakes for Other Occasions and The Small Screen, both of which were never commercially released, all four pieces from The Classic Guide to NoMansLand, the subscription 7” Pictures...

“Morphometry is an exquisite album of duets by the legendary soprano sax player Lol Coxhill and his friend and disciple, Raymond MacDonald. These are recordings made in July 2008 during what would be Coxhill's last visit to Scotland. Pressed on custard-colored vinyl with fleas on the label, in homage to Coxhill's album Fleas In Custard (1975), this release features a front cover woodcut created by Ian Barrett, whose uncle Syd was one of the figures whose paths crossed with Lol in 1960s London.”

“The debut album was recorded while Dean was still with Soft Machine, and made largely with fellow-Softs, though it is clear that he was already interested in exploring new territory...Deservedly rescued from oblivion by Cuneiform, Just Us is a great introduction to a compelling voice.” – The Penguin Guide To Jazz Recordings

English jazz saxophone legend Elton Dean has been in the public eye for over 30 years, & has played in numerous acclaimed groups over the years, including the...

With Alex Maguire, Mark Sanders, Paul Dunmall, Simon Picard, Nick Evans, Jim Dvorak, Tony Bianco, Roberto Bellatella, Paul Rogers and others perform with Elton in duets, trios, quartets and quintets. Elton dusts off his Fender Rhodes chops for the 1st ...

Live recording of Elton's splendid band includes four saxists (Elton, Paul Dunmall, Simon Pickard & Trevor Watts), plus the rhythm section of Paul Rogers & Tony Levin. A mixture of heads and freedom. [Ogun]

A very deserving reissue of a semi-obscure, 'free-blowing free-bop with heads' quartet, co-led by Elton Dean & Alan Skidmore (saxes) with Chris Laurence-double bass & John Marshall-drums. Originally released in 1977, jazz/free jazz fans will have their socks knocked off by this!

“Apart from lending his forename to a certain Reg Dwight, Elton Dean is probably still best known for his contribution to Soft Machine, where his fuzzy, amplified alto grafted a jazz sensibility onto that band's organ...