Classic, great big-band jazz-rock album from the 1970s, using an expanded version of Nucleus. It is based on the Balinese Pelog scale, and has some tremendously great moments. There were only a few records of this sort done in the 70's (probably due to their expense), but they all have a real charm to me.

Lots of great tunes here from Dudu Pukwana, Johnny Dyani, Chris McGregor, Abdullah Ibrahim, Mongezi Feza, etc!

"The album includes new arrangements of compositions by Dudu Pukwana, Mongezi Feza and Johnny Dyani, and an atmospheric development...

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (with 25 participants on this album) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Hugh Hopper, Alan Gowen, Robert Wyatt, Dave Stewart, Mike Westbrook & Fred Frith, among others.
For this, their third album, he has chosen to highlight the compositions of the late Lindsay Cooper. They band perform:
1. Half The Sky (from "Western Culture").

"Born of a time when jazz musicians crossed in to the world of rock music, Atlantic Bridge was a quartet featuring Mike McNaught (piano, electric piano), Daryl Runswick (bass, bass guitar), Jim Philip (flute, soprano sax, tenor sax) & Mike Travis (drums). All four musicians were seasoned players on the London jazz circuit, but sought to expand their musical horizons.
Influenced by the experimentation of Miles Davis on his album Bitches Brew and by the work of British musicians such as Keith Tippett..

"A reissue of Derek Bailey's Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist's championing of "non-idiomatic improvisation", the poet Peter Riley gets the ball rolling in his identification of the various hauntings...

This fine album, one of the few recorded examples of Muir's pure improvisational playing, has been out on vinyl before - in its original issue in 1981 - but not with this fantastic photo on the cover, which I had never seen before....

"A reissue of Jamie Muir and Derek Bailey's 1981 duo album, Dart Drug, originally released on Bailey's Incus label. Percussionist Jamie Muir was a member of King Crimson during the recording of Larks' Tongues In Aspic, in 1973. Staying less than a year with Robert..

Django Bates is a Brit-jazz band leader, pianist and tenor horn player of great reknown in the UK. He founded Human Chain in 1979 and in the 1980s he rose to prominence in the big band Loose Tubes. He has performed as a member of Bill Bruford's Earthworks and in the bands of George Russell and George Gruntz.
For this release, he has revisited The Beatles 'Sgt Pepper's Lonely Hearts Club Band', with rather great results, as long as you don't mind hearing a cultural icon get shaken up and remade...

Gordon Beck - piano
Jeff Clyne - bass
Tony Oxley - drums

"Pianist / composer Gordon Beck, one of the true forefathers of modern British and European Jazz, has been a source of inspiration and musical joy to Jazz connoisseurs since the 1960s. His formidable technique and more importantly overwhelming musicality are completely unique and unrivaled. This, his 4th recording as a leader, deserves a special notice for many reasons. Stylistically it is somewhat atypical to Beck’s usual output...

Gordon Beck (piano)
John McLaughlin (guitar)
Jeff Clyne (bass)
Tony Oxley (drums)
Joy Marshall (vocals)
This is very nice, lightly swinging jazz standards. John gets one solo. Don't buy this expecting Extrapolation or Bitches Brew.

"Gordon Beck, English jazz pianist and composer, broke onto the London scene in the early 1960s joining the Tubby Hayes group in 1962. Forming his own succession of groups from 1965 onwards. A subsequent 26 album career established him as one of

"Tenor saxophonist Binker Golding and drummer Moses Boyd are two of the most exciting young jazz musicians on the London jazz scene.
One year on from their highly praised mega work Journey To The Mountain Of Forever (Urban Album Of The Year 2017 : MoJo Magazine), Binker And Moses return with a blistering assault on the senses.
Their third album in as many years, Binker Golding and Moses Boyd are trailblazers in arguably the most exciting jazz explosion London has ever seen.
Is it a st

Very good quality radio broadcast from March 30, 1978 from Stockholm, Sweden.
The line-up is
Peter Robinson-keyboards
Mike Miller-guitar
Percy Jones-bass
Morris Pert-percussion
Chuck Burgi-drums

Three LENGTHY songs are here: Earth Dance (17'), Access To Data (12') and Deadly Nightshade (28')!

Well worth it for fans. For those who don't know with the band, start with Livestock.

"He is an icon of the Rock world: the legendary song writer, bassist, pianist and singer Jack Bruce. In 2006 at the 37th German Jazz Festival Frankfurt, he joined forces with the hr-Bigband to perform a highly acclaimed concert, presenting classic Cream songs and other landmarks of his career in gripping new arrangements. It was a magic moment of dialogue between Jazz and Rock that roamed between composition, improvisation and vibrant, virtuoso performances. The hr-Bigband is one of the most innovative...

An Italian band who have a great love for Brit-jazz and, more specifically, the Ogun sound. The musicians are:
Pino Minafra trumpet, flugelhorn, voice
Roberto Ottaviano saxophones
Livio Minafra piano
Roberto Bellatalla bass...

Lol Coxhill-soprano sax
Charles Hayward-drums
Hugh Hopper-bass
Orphy Robinson-vibes, steel drums
with
Robert Wyatt-cornet

The first release (and sadly the only one) by this improvising group of established figures from the creative rock and improvised music scene in Britain. They've been together for a few years now, plays shows when circumstances permit, and it's great that they've finally documented something. This pretty quickly finds its feet, finds a groove and keeps.

Like the somewhat better known Michael Gibbs or lesser known Neil Ardley, bassist/composer Collier is a long time leader in the field of large and small scale jazz compositions that effortlessly meld US jazz (and especially the work of Charles Mingus) and the unique sounds of British jazz in very attractive ways. These are nicely remastered issues of his albums, which are available for the first time in decades, and released on CD for the first time. This one is from 1975 and features Harry Beckett....

Like the somewhat better known Michael Gibbs or lesser known Neil Ardley, bassist/composer Collier is a long time leader in the field of large and small scale jazz compositions that effortlessly meld US jazz (and especially the work of Charles Mingus) ...

With Jon Hiseman, Chris Farlowe, Dick Heckstall-Smith, Clem Clempson, Dave Greenslade and Mark Clarke.

"In spite of Jon Hiseman's reluctance to reform Colosseum, in the early nineties, the spate of band reissues generated new interest in the band. Whilst on tour in Germany, Hiseman was encouraged to rethink, & a debut reunion concert was arranged in October, 1994."

"There has been understandable confusion for decades about the overlap and the differences between Colosseum's second U.K. album and their second U.S. album. Their second U.K. LP was titled Valentyne Suite; their second U.S. album, however, was not only given a different title, The Grass Is Greener, but featured a substantially different track listing, with only four of the eight tracks overlapping with Valentyne Suite (although the version of "The Grass Is Greener" on the U.S. release has a guitar...

This has been out of print for some years and completely unavailable on these shores. Well worth getting if you don't already have it.
A repressing of bassoonist/oboeist/saxist/composer Lindsay's first two solo albums. Lindsay first made her name in Henry Cow and was also greatly featured in News From Babel. Both of these were film scores.

"Consists of the whole of the LP previously issued as Re/arc and most of "The Golddiggers".
Featuring Lindsay Cooper, Sally Potter, Phil Minton...

Paul Mitchell-Davidson-bass, Ken Shaw-electric guitar, Veryan Weston-piano, Colin Wood-cello and Richard Wright-guitar.

“The debut album was recorded while Dean was still with Soft Machine, and made largely with fellow-Softs, though it is clear that he was already interested in exploring new territory...Deservedly rescued from oblivion by Cuneiform, Just Us is a great introduction to a compelling voice.” – The Penguin Guide To Jazz Recordings

English jazz saxophone legend Elton Dean has been in the public eye for over 30 years, & has played in numerous acclaimed groups over the years, including the...

With Alex Maguire, Mark Sanders, Paul Dunmall, Simon Picard, Nick Evans, Jim Dvorak, Tony Bianco, Roberto Bellatella, Paul Rogers and others perform with Elton in duets, trios, quartets and quintets. Elton dusts off his Fender Rhodes chops for the 1st ...

Live recording of Elton's splendid band includes four saxists (Elton, Paul Dunmall, Simon Pickard & Trevor Watts), plus the rhythm section of Paul Rogers & Tony Levin. A mixture of heads and freedom. [Ogun]

...on Avant, the latest release from Britains Hux Records, Dean and Domancich join together as a duet for the first time. This live concert, while based on loose compositional sketches, is largely improvised, and it finds the pair operating without a s...

David Toop (bass, guitar, digital electronics, VCS3 synth)
Phil Minton (voices)
Evan Parker (soprano and tenor saxophones)
Steve Beresford (Farfisa organ, VCS3 synth)
Mark Sanders (drums)
Package designed by Tom Recchion

"Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: The Soft Machine and Pink Floyd 1967-68, The MC5'