Third release by the original 10cc featuring Lol Creme and Kevin Godley, who left not too long after this to work on the gizmo and make a name for themselves writing really smart and smart-ass pop music that didn't sell until they became early video producers and doing fine work in that arena.

Classic, classy stuff that could never happen now. Yes, it has their ubiquitous pop hit. It was an amazing work; Watch this and be amazed...

Before the somewhat surprising reformation of King Crimson, if you wanted your fix of all things KC, you had to go to the Robert Fripp-approved tribute band, consisting of all ex members of Crimson, with the exception of Jakko, who was not an ex member, but is NOW a member, along with Mel Collins.
One thing for fans to note is that even though this is NOT King Crimson, they concentrate solely on the first four albums by King Crimson, as well as the closely related McDonald & Giles album!...

“A newly re-mastered and expanded edition of the highly collectable and legendary 1972 self-titled album by 9:30 Fly.
Formed in Cheltenham in 1971, 9:30 were a highly original band who took in folk and progressive influences in their work. The line-up featured Michael Wainwright (vocals), Barbara Wainwright (vocals, keyboards), Lyn Oakey (guitar), Gary Charman (bass) and Mike Clark (drums).
Released on the Ember label in 1972, "9:30 Fly" is legendary for the originality of the music within and...

Yes, after something like 40 years, Acqua Fragile return and it's genuinely them; I've heard this and fans of their original albums, as well as 70s Rock Progressivo Italiano will not be disappointed!

"A brand new album by Italian Progressive Rock legends Acqua Fragile. Along with compatriots PFM (for whom Bernard Lanzetti’s stunning vocal prowess graced several classic albums), Acqua Fragile were true progressive rock pioneers in the 1970s.
A New Chant features original members Piero Canavera.

Morgan Ågren is one of the great drummers of our time. Best known for his work with Mats/Morgan Band, he's also a fine composer and musical thinker.

Since the mid 2000s, one of his interests have been to combine the intense jazz/rock stylings of the Mats/Morgan's earlier work with more contemporary technology, stylings and sounds (think 'beats' and 'electronica'); while those words might scare some folks reading this away, if you liked the sound of "Thanks For Flying With Us" and "[schack tati]"..

This is a high-quality pirate edition of two never-reissued, very obscure Krautrock rarities, with ties to Can.

"His first two LPs from 1974 and 1976 on one CD, complete and with all original jacket artwork and lyrics. Now performs as Alex...

“I'm an old Gong freak, like many Daevid Allen fans are, and have found his solo work spotty. I loved "Who's Afraid" with Kramer, but haven't found any of Daevid's solo work very focused since "Good Morning." I got this CD and didn't give this CD a fair listen for 2 years. Now that I have done so in the past 2 weeks, I have found it to be Daevid's most focused, daring, and mature work ever.
It's a very personal collection of songs, as is detailed in Daevid's liner notes, and it shows. He deals with...

"This compact disc contains the full version of the 'Death Of Rock' EP, issued on Shangai Records in 1982. The other four tracks are all previously unreleased material."

"A charming poetic hodgepodge this, allowing the Gong shaman Daevid Allen...

This is both of two albums that joined Daevid with multi-instrumentalist Kramer.
I saw one of their shows and they worked really great together. Kramer put a little bit of edge into Daevid's whimsy, but it was also really clear that both musicians really liked each others' work, despite the apparent differences in style and approach.
Both of these collaborations are some of the best of Daevid's 90s work, I think.

Still a fine album, but the band was reeling from the blow of Duane Allman’s death so soon after the success of Live At The Fillmore East....

“A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led...

"This is the second proper full-length album by Swedish super-group The Amazing. The Amazing fell far from the tree. A natural process: coming together through affection, then slowly crystallizing into a folk-rock-psych-pop-collective slowly pushing, bending, then playing with any preconceived notions of pop. When a band takes a name like The Amazing, they'd better have the chops to back it up. Happily, this Swedish outfit -- a collective headed by Reine Fiske and Johan Holmegard of neo-psych juggernauts...

"File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani..."-AllMusic

This is alternatives and outtakes, etc from around the time of their the first album.

“Andromeda was a psychedelic/progressive rock trio formed by singer-guitarist John Cann (also known as John Du Cann), formerly of the psychedelic garage band the Attack, Mick Hawksworth (bass, vocals), and Ian McClane (drums, vocals).
The group performed in various London venues including Middle Earth and the Marquee Club. Cann's guitar was the dominant instrument, leading listeners through classically...

"This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, like a cello...

"Subliminal Sounds presents the spell-binding debut album from Swedish femme psych-folk/rock delight AnnaMy. Top-notch songwriting and stellar musicianship in a style reminiscent of the masters of the early 1970s such as Fairport Convention, Pentangle, Mellow Candle, Trees, Comus, Vashti Bunyan, Linda Perhacs and others. Yet AnnaMy performs in an unmistakable style all of her own that is both fully rooted in the now and timeless. Full electric band setting with guitars, bass, organ, flute, cello, drums...

This is a high-quality pirate edition of this never-reissued, very obscure Krautrock rarity.

"From 1971. A very strange 'paycheck' project for Conny Plank and Achim Reichel's Gorilla Musik production company. Wonderland-esque German rock with...

Jostein Smeby / guitar, vocals
Stig Arve Kvam Jørgensen / hammond, synth, piano, vocals
Erik Paulsen / bass, vocals
Eskil Nyhus / drums, percussion
with:
Alessandro Elide-Metal / percussion

“One of Norway's best musical secrets is Arabs In Aspic. Every new album is better than the previous. The band started out as more of a stoner rock band but the progressive elements kept on creeping into the mix. Hammond organ runs wild on this incendiary live album. The musical styl

"Formed 2005 when husband / wife folk duo of Tim and Julie Cole began recording with longtime friend and maverick experimental electronic composer Martin Archer, working with lyrics provided by Keith Jafrate. Work on the band's album has taken over...

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.
This was the 2nd and possibly most successful of the three albums by this immediate offshoot of Henry Cow, as it was recorded AS an Art Bears album (their 1st had been recorded as a Henry Cow album, but half the band objected, so it came out as being by Art Bears).
It’s also their best known album as it was released in the States by The Residents' Ralph label, in the early 80's and at the

"Recorded in 1969, Live in Paris follows two studio albums that the Art Ensemble cut for BYG/Actuel during the same year -- A Jackson in Your House and Message to Our Folks. What Parisian audiences must have made of the band with its wild makeup and costumes can only be debated, but the music contained on this double-CD reissue of the original double album is stellar. Each CD features one composition, divided into two parts, in keeping with the LP releases. "Oh, Strange," by Joseph Jarman and Lester...

Y’know? Given the right luck an breaks, they could have been contenders.....

“The Attack (thanks to an ever growing legion of collectors dedicated to the vibrant sound of mid- to late-'60s Swinging London) have a far larger fan base now than they ever did during their existence. Indeed their unique brand of guitar-heavy, mod-rock qualifies them as one of the finest examples of (the over used term) freakbeat.
The founders Richard Shirman (the only original member to stay with the group...

Their second album. It isn't quite as great as their first because you can't improve upon perfection, but it's still damn great.

"Conventional wisdom has it that all the B-52's' subsequent releases are highly inferior to their debut. While Wild Planet is not the rarefied wonder their first platter is, it's still darn good. The songs here are generally faster, tighter, and punchier than previously, though production values are not as wonderfully quirky and detailed; fewer songs here are as...

This 1986 album was Ginger’s first appearance back on the music scene since 1972! And it was a great return.

"Persuaded by Bill Laswell to continue working throughout the second half of 1980s, drummer Ginger Baker produced some of his most stimulating collections, not least of which were the Laswell produced Middle Passage and this 1986 set.
The drummer is rock-solid throughout, which means that most of the compositions become a showcase for an impressive lineup of guest musicians that...

Note - these copies have a small crease on the lower right hand corner. They are also muy cheap!

“This new facsimile vinyl edition of “A Curious Feeling” has been remixed from the original master tapes by Nick Davis and Tony Banks. The result is in a more dynamic sounding album, with the vinyl cut prepared at Abbey Road studios.”

“Tony Banks’ first solo album borrowed faint elements of Genesis' early progressive sound, making his debut release the strongest in his catalog. Solid....

Frank Difficult - electronics, tapes
Michael Jeffries - baritone sax, bass
Jason McGill - alto sax, percussion
Matt McLaren - drums, percussion
Nicotina - guitar
Alec K. Redfearn - accordion

Described as “Avant-prog-rock folk from Alec K Redfern and crew”, Barnacled is an off-shoot of The Eyesores, with several players members of that band and several players having been members of that band.
I believe that the main person behind the project is Frank Difficult, who ha