Mega Blowout Sale

Before the somewhat surprising reformation of King Crimson, if you wanted your fix of all things KC, you had to go to the Robert Fripp-approved tribute band, consisting of all ex members of Crimson, with the exception of Jakko, who was not an ex member, but is NOW a member, along with Mel Collins.
One thing for fans to note is that even though this is NOT King Crimson, they concentrate solely on the first four albums by King Crimson, as well as the closely related McDonald & Giles album!...

The second and final of the 'second wave' line-up of 5uus (basically Dave Kerman, Bob Drake and Sanjay Kumar + guests). This is considered by many people to be their best period and I would probably agree.

"Second installment from monster band 5UU's, featuring rock complexity, extraordinary production (by bassist and singer Bob Drake) and high energy precision mixed with eccentric song-writing. People that work this hard are becoming an endangered species. Extraordinary."-Chris Cutler

Daevid Allen - gliss guitar & vocals
Gilli Smyth - space whisper / vocals
Kawabata Makoto - guitar & voice
Atsushi Tsyuama - bass, whistle & vocals
Josh Pollock - guitar & megaphone voice
Hiroshi Higashi & Cotton Casino - synthesizer & voice

“Absolutely superb listening to be had on 'Live In Tokyo'. Gig was recorded at the Doors Club in in Tokyo, Japan sometime in April, 2004.
Tunes that more than make this disc a keeper are first two minute-long wacky cuts "Gnome 11

The first release of these live recordings from January, 1979, by this French, instrumental, symphonic rock band who only released one album during their lifetime (in 1978).
Reasonably good sound for 40 year old tapes and a further exploration of a very French sound a bit reminiscent of Wappasou.

Yes, after something like 40 years, Acqua Fragile return and it's genuinely them; I've heard this and fans of their original albums, as well as 70s Rock Progressivo Italiano will not be disappointed!

"A brand new album by Italian Progressive Rock legends Acqua Fragile. Along with compatriots PFM (for whom Bernard Lanzetti’s stunning vocal prowess graced several classic albums), Acqua Fragile were true progressive rock pioneers in the 1970s.
A New Chant features original members Piero Canavera.

“Peter McKerrow revisits the experimental electronic composition he made in 1975 after a life altering trip to the Isle of St Kilda. He worked on the piece through the decades and here he presents the final composition - and as a companion piece a second experimental work inspired by underwater experiences near the Isles of Scilly.
Experimental progressive soundscapes only for the adventurous listener.”

Neil Campell – classical and electric guitars, keyboards
Marty Snape – acoustic guitars, keyboards, electronics
Roger Gardiner – bass
Viktor Nordberg – drums
Perri Alleyne-Hughes – vocals on 8 & 9
Ian Cantwell & Mark Jones – vocals on 11

“Imagine if the world was almost destroyed and there were just a few survivors left. With the goal of building a new positive world from the wreckage of the past what sort of music would surviving musicians make?
After the Flood is a

Another fine live album from one of the many very good new Swedish progressive rock bands. Yes, you know these songs already, but you don’t know them in quite this form or way....

"In April 2018 Agusa embarked on a short tour in Italy. The first stop was at Stazione Birra in Rome where the show was recorded by the resident sound technician Alex Di Nunzio. The full gig – without any overdubs – will now be released on a double vinyl and CD by Kommun2 Records. The songs on "Ekstasis...

"With almost forty minutes of new material, AGUSA delivers a wide array of seamlessly-executed, organic rock on the aptly titled Agusa 2. The band’s tranquil output blends tripped-out psychedelic and progressive rock structures are inspired by more folk than occult influences, instilling visions of nature, the cosmos, and dreamlike passages, meandering into realms of a possibly supernatural or parallel existence. While not a fully instrumental recording, backing vocal mantras only seep in through...

Albare – guitar, synth guitar
Phil Tucio – piano
Yunior Terry – bass
Pablo Bencid – drums

“Australia continues to grow in every area of the arts and among those in the upper echelon of artists is Albare aka Albert Dadon. A man from many influences - born in Morocco, raised in France and Israel, Albare emigrated to Australia when he was 27 years old and since his arrival he has grown in public image and in reputation as one of their finest jazz guitarists and composers. There is...

This is a high-quality pirate edition of two never-reissued, very obscure Krautrock rarities, with ties to Can.

"His first two LPs from 1974 and 1976 on one CD, complete and with all original jacket artwork and lyrics. Now performs as Alex...

“Playbax Method
stage one:
certain rhythm tracks copied from mastertape of new york gong lp are cut into various multiples of bar lengths and spliced into loops which are then replayed onto playbax master into organised sequences/loop contructs:
stage two:
construct suggest fresh themes and treatments”

One of Daevid's better 1980's albums (this) was designed with a rich skien of background tapes over which he played live guitar.
I saw the tour he did based around the...

“Double CD of live acoustic gigs with Didier and the all female band; This is in fact a recording of Daevid Allen's Invisible Opera Company Of Tibet during the band's European tour, released under Allen's name only.
These CDs are drawn from two concerts: Daevid's first major gigs in London at the Tabernacle in Nottinghill Gate and in France at Toulon, which was also Daevid's first encounter with Didier Malherbe (Bloomdido Bad de Grasse) since the heady Gong days of '74/'75.
Some of these...

"This compact disc contains the full version of the 'Death Of Rock' EP, issued on Shangai Records in 1982. The other four tracks are all previously unreleased material."

"A charming poetic hodgepodge this, allowing the Gong shaman Daevid Allen...

This is a solo album from the period when Daevid was living in Australia and working solo. It was designed around Daevid's guitar and voice and some taped accompaniment from guests; it's also one of the earliest Voiceprint releases...

This is both of two albums that joined Daevid with multi-instrumentalist Kramer.
I saw one of their shows and they worked really great together. Kramer put a little bit of edge into Daevid's whimsy, but it was also really clear that both musicians really liked each others' work, despite the apparent differences in style and approach.
Both of these collaborations are some of the best of Daevid's 90s work, I think.

“Nigerian drummer Tony Allen says this is the "best (record) in my life," and with a career spanning over 50 years, that's quite the confession for the Afrobeat pioneer and former Fela Kuti fixture. The Source represents Blue Note's classic era while symbolizing the label's innovative present.”

“Released on jazz label Blue Note, The Source is a collaboration between a bunch of French jazzbos and famed Afrobeat rhythmatist Tony Allen. So it isn't like Fela Kuti type stuff. It's an excellent album...

The classic, amazing 3rd album by the Allman’s that (a) made them and (b) set the template for jam bands for the next 45 years.

“Whereas most great live rock albums are about energy, At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians' interaction and playing. The great thing about that is, the original album that brought the Allmans so much acclaim is as notable for its clever studio editing as it is for its performances. Producer Tom Dowd skillfully...

Still a fine album, but the band was reeling from the blow of Duane Allman’s death so soon after the success of Live At The Fillmore East....

“A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led...

“The Allman Brothers' music was - and still is - arguably the crossroads where the blues, jazz and gospel go out drinking for the night with raw rock'n'roll. That is perhaps why promoter and impresario Bill Graham fell in love with their sound, giving them more nights at his Fillmore clubs on both coasts than most any other band of the times and choosing them to close out the final nights of the venue in 1971. What followed has since become legendary and is the finest example of 'jamming' this side of...

"This is the second proper full-length album by Swedish super-group The Amazing. The Amazing fell far from the tree. A natural process: coming together through affection, then slowly crystallizing into a folk-rock-psych-pop-collective slowly pushing, bending, then playing with any preconceived notions of pop. When a band takes a name like The Amazing, they'd better have the chops to back it up. Happily, this Swedish outfit -- a collective headed by Reine Fiske and Johan Holmegard of neo-psych juggernauts...

"File under "Yes." When this version of the band couldn't obtain rights to the name, they put their album out under their combined names, but it's still Yes by any other name. Jon Anderson's tenor wails through spacy lyrics, Rick Wakeman constructs cathedrals of synthesized sound, Steve Howe rips high-pitched guitar leads, and Bill Bruford makes his drums sound like timpani..."-AllMusic

"Another extraordinary release by Sardinian virtuoso Paolo Angeli, this time featuring compositions by Fred Frith and Bjork – all played solo in real time (though when you hear it, it’s hard to believe it) on his highly customised and extended, electrified, giant Sardinian folk guitar. A tour de force of technique and at the same time highly musical; and there is so much going on here at any given time that it is difficult to relate what your ears tell you to just one Frankenstein instrument. Dense...

"This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, like a cello...

This is a high-quality pirate edition of this never-reissued, very obscure Krautrock rarity.

"From 1971. A very strange 'paycheck' project for Conny Plank and Achim Reichel's Gorilla Musik production company. Wonderland-esque German rock with...

Completely charming album that should appeal to folks who love the more acoustic-based 'avant/progressive-yet-tuneful' stylings of L'Ensemble Raye, Feliu i Joan-Albert, 3 Mice, etc. This has definite Italian as well as South American folk influences...

This is uproarious Bulgarian wedding band music, ala Ivo Papposav, performed by Yasko & his crack outfit of alto sax, accordion, keyboards & drums.
If you've never heard Bulgarian wedding music, at its best, it sounds like polkas in insane, always changing time signatures, performed at speed-core tempo. This stuff simply must be heard to be believed! Terrific fun and unconditionally recommended.

''Yasko Argirov, master of clarinet, is a living legend in Bulgaria, but his fame, because...

"Formed 2005 when husband / wife folk duo of Tim and Julie Cole began recording with longtime friend and maverick experimental electronic composer Martin Archer, working with lyrics provided by Keith Jafrate. Work on the band's album has taken over...

For fans of early / mid 70s jazz/electric jazz, this set represents the best bargain in our entire inventory. Hugely recommended!
Horacee is a drummer and bandleader who released these two fine albums in the early 70s. Both are minor classics, imo and are presented here in complete form!
Tribes was originally released in 1972 and the first of his albums on Columbia. This is a very good album, although it should be mentioned that unlike his second release, Tales of the Exonerated Flea, this is more..

Dagmar Krause-vocals Chris Cutler-drums, electronics Fred Frith-guitars, keyboards, violin, etc.

This was the 3rd and final album by the successor band to Henry Cow. I'm not really sure why (short playing length? the press had gone onto other things to champion? it wasn't released stateside, unlike the first two?) but this one slipped under the radar of a lot of folks, compared to their 1st two.
It's a very bleak, but also a very solid work. And very clever and sly in its own way - who...

"A Jackson in Your House was recorded while the Art Ensemble was on its initial sojourn in Paris with just a quartet -- Roscoe Mitchell, Lester Bowie, Malachi Favors, and Joseph Jarman -- because drummer Phillip Wilson had left to play with Muhal Richard Abrams and Foumoudou Don Moye wasn't in the house yet. So this, along with its companion LP, A Message to Our Folks, showcases the Art Ensemble at its bravest and most vulnerable.
For those familiar with the earlier recordings on Nessa, such as...

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (over 20 participants) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Alan Gowen, Dave Stewart, Mike Westbrook & Fred Frith, among others.

Here, he's tackling the Soft Machine book, but even though the title is "Play Soft Machine", a more accurate title would be "Plays Hugh Hopper's Tunes For Soft Machine", as that's what this mostly is....

The Artchipel Orchestra, led by conductor / arranger Ferdinando Farao, is a Italian big band (over 20 participants) and Ferdinando is a big fan of the British jazz and jazz rock scene of the 70s, having previously covered tunes by Hugh Hopper, Alan Gowen, Dave Stewart, Mike Westbrook & Fred Frith, among others.
Here, he’s taking on the compositional works of Phil Miller, with whom the Artchipel Orchestra actually collaborated. Included are some of Phil’s great tunes: Above & Below, Calyx, Eastern...

This album, recorded in Berlin, and originally released in 1977 on Virgin, marks the first time Manuel Gottsching used the name Ashra (as opposed to Ash Ra Tempel). This was also possibly the first time that the term "new age" was used on a record!
It's another completely wonderful, flowing, spacey album, featuring just Manuel performing on sequencer, keyboards and a lot of guitar. He did one more great one after this, Blackouts, then took some time off and returned to utter greatness and glory with..

This is their first recordings, originally released on cassette and ONLY sold at gigs in 1988/1989 + two previously unreleased tracks from the same era.
Very early ambient dub rave, and probably their furthest out / spaciest stuff. At its most ‘clubby’ it sounds like Chrome Hoof taking itself seriously ,and at its most out, it sounds like a cross between Rainbow Dome Music and Ashra.

“The mysterious ambient-dub and tribal house unit known as Astralasia fits in with other British electro...

“A heavy, oft-sampled slab of Bay Area history, and a psych funk masterpiece that cannot be denied. Aura formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo.
The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura...

Derek Bailey - acoustic and electric guitars
George Lewis – trombone
John Zorn - alto and soprano saxes, clarinets, and game calls

“Subtle, droll, hilarious takes on the trivia of baseball sounds: Lewis speaks through the trombone "ball one, ball one...." There are snippets of a slipping and sliding version of "Take Me out to the Ball Game" and so on.
Sections are titled "City City City," "The Legend of Enos Slaughter," "Who's on First," followed by "On Golden Pond," a tongue-in...

Why does “RoxxVoxx” think that “Ginger Baker / Graham Bond” is more sellable than what this really is, which is Ginger Baker’s Airforce”? Damned if I know.

“Ginger Baker and Graham Bond, live from Bremn, Germany on October 24th, 1970. Back together for the first time since their powerhouse days in the Graham Bond Organisation with Jack Bruce, Ginger Baker, and Graham Bond join forces again in Ginger Baker's Air Force.
Having unknowingly and single-handedly invented jazz-rock fusion, Bond was.

New, digi-pack issue made from the tapes, of this well known group's debut album that isn't the one they are famous for, but is still a good one, for what it is.

"That is a plain warning for everyone out there that this 1970 debut by...

"This classic album, inspired by the novel "Flowers for Algernon" by Daniel Keyes, was first released in October 1979 by Charisma Records. Recorded at Polar Studios in Stockholm, whilst Genesis were on a brief hiatus following the "And Then There Were Three" tour, this majestic work featured contributions from drummer CHESTER THOMPSON (a member of GENESIS for concert appearances) and vocalist KIM BEACON. Stylistically the album is equal to anything Banks composed for GENESIS and includes the instrumental...

"This classic album was first released in June 1983 by Charisma Records and four months prior to the release of the album "Genesis" and began life as a series of home demos and was completed at Genesis' The Farm studio.
"The Fugitive" featured contributions from Daryl Stuermer on guitars, Mo Foster on bass and drummers Steve Gadd, Tony Beard and Andy Duncan and for the first time Tony Banks sang lead vocals on all of the songs.
"The Fugitive" spawned the singles 'This is Love' and ...

Denys Baptiste : tenor sax
Andrew McCormack : piano
Gary Crosby : bass
Rod Youngs : drums

“Although he never really went away, Denys Baptiste is back again with his first album since Let Freedom Ring released seven years ago. Less ambitious than his suite that combined gospel, blues, contemporary jazz and Afro-Caribbean music with poetry excerpts, here Baptiste concentrates on refining his approach to the quartet through a series of compositions that tackle identity through...

Syd Barrett was the leader, guitarist and songwriter for Pink Floyd during their early psychedelic peak in 1967, penning a bunch of brilliant pieces (and playing amazingly great too). He left the band in mid 1968, a casualty of business pressure and drugs. This was his second and final solo album, which came out in 1970. It is less 'out' than The Madcap Laughs and sounds less fried to me. I don't know if that's good or bad. Includes 7 bonus tracks and rare photos, with the package designed by the great...

Syd Barrett was the leader, guitarist and songwriter for Pink Floyd during their early psychedelic peak in 1967, penning a bunch of brilliant pieces (and playing amazingly great too). He left the band in mid 1968, a casualty of business pressure and drugs.
This collection of outtakes and other flotsom that didn't make his two releases was originally released in 1988, but this reissue includes 6 bonus tracks and rare photos, with the package designed by the great Phil Smee!
Backing on 1 track by...

“Peter Pears: Balinese Ceremonial Music is nine songs written by Thomas Bartlett (aka Doveman) and Nico Muhly plus three gamelan transcriptions by ethnomusicologist Colin McPhee, which inspired the new songs.
Bartlett and Muhly play pianos and keyboards on the album, and Bartlett sings, joined by other musicians on strings and metallic pitched percussion.
McPhee recorded a suite of Balinese ceremonial music with Benjamin Britten in 1941. Muhly says: "The project is named after Peter Pears...

I know that John spent a lot of time thinking about this album and recording a lot of things that did NOT go on this album and you can hear the result of that ‘quality control’ immediately.

'Between the Axiom and the Sigh' is the first new album from Ephemeral Sun keyboardist John Battema in 8 years. Inspired and influenced by sci-fi soundtracks from the late 70's/80's and the keyboard-heavy electronic/prog/rock of the 80's, it..

Classic loud and heavy album by Jeff Beck (one of Jeff's heaviest) with the rhythm section of Vanilla Fudge.

Gordon Beck (piano)
John McLaughlin (guitar)
Jeff Clyne (bass)
Tony Oxley (drums)
Joy Marshall (vocals)
This is very nice, lightly swinging jazz standards. John gets one solo. Don't buy this expecting Extrapolation or Bitches Brew, but still, LOOK AT THIS BAND!

"Gordon Beck, English jazz pianist and composer, broke onto the London scene in the early 1960s joining the Tubby Hayes group in 1962. Forming his own succession of groups from 1965 onwards. A subsequent 26 album car

This is the album where Jeff recast himself as a jazz/rock player and did so very, very convincingly. It was a huge hit at the time.
George Martin produced and added strings very well and the whole thing works wonderfully well still!

“Blow by Blow typifies Jeff Beck's wonderfully unpredictable career. Released in 1975, Beck's fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors. Only composer/keyboardist Max Middleton returned...

What a guitarist! What a band! (Just Terry Bozzio-drums and Tony Hymas on keyboards! That's all!)
After a long time away, Jeff came back with this one in the late 80s; I remember seeing him do the song "Sling Shot" which is on here with this band...