“In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks from these releases...

Rudolf Langer (formerly of Tyndall) and Peter Preuss teamed up to create Lapre as a vehicle for their adventures in sonic experimentation. They set about capturing their nocturnal rehearsal room sessions on tape, Langer on synthesizer and Preuß on guitar. With the exception of a solitary single and a few extremely limited cassette runs, Lapre released no further material during their active phase. It was not until 2018 that their works became accessible to a wider audience, when Bureau B released the...

This reissues the 2nd Limbus album, which was originally released by OHR in 1970. This is very early, very crazy Germanic freakout, freeform madness It features four musicians who were never heard from again after this: Odysseus Artnern, Bernd Henninger..

Well...the story below is very interesting, and the music is definitely echo-plexy guitar stuff that is similar to "Inventions For Electric Guitar", but in fairness to Gottsching, so is A.R. & Machines, which started 3-4 years earlier!
So the claim of Manuel stealing all the ideas from M.A.L. seems a bit....unfair. There was experimentation in the air at that time.
Taking this as a record and without the story involved, it's completely a pretty fine, lost Krautrock / Kosmische type thing!...

17th ECM album from this German musician who uses instruments from cultures from all over the world in a uniquely personal way. He's one of the earliest artists to record for ECM who is still making records for the label, and he's also one of the most...

This first-ever release of any music by this excellent Germany duo consisting of Hammond organ & vocals and drums, percussion and vocals.

The two members, Günther Kühlwein (organ) and Walter Helbig (drums) were long-time band mates in a number...

"By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called...

"This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans...

"In 1984, two years after their first album collaboration, Strange Music, Dieter Moebius and Gerd Beerbohm issued their second LP, Double Cut. It bore the same distinctive hallmarks as its predecessor, but this time around, the two musicians had...

"En Route was created in 1986, when the era of analog synths and rhythm machines seemed to be drawing to a close. Drum computers, samplers and digital instruments such as the Synclavier and Fairlight CMS would shape the immediate future of electronic...

"On their second album Material, originally released on Sky Records in 1981, Moebius & Plank ventured far, far away from the double coordinates of the Harmonia world and pop music cosmos. Amazingly, they did not find themselves floating in space, but...

"Bureau B reissues this collaboration between Dieter Moebius and Karl Renziehausen, initially released on the Pinpoint label in 1990. Liner notes by Asmus Tietchens."

"1990 sees Dieter Moebius enter new musical territory, cautiously...

"Bureau B reissues the second collaboration between Dieter Moebius and Karl Renziehausen, originally released in 1992 on the Spanish Nova Era label. Liner notes by Asmus Tietchens."

"Two years after the release of Ersatz (1990), Moebius and...

"Bureau B reissues the second collaboration between Dieter Moebius and Karl Renziehausen, originally released in 1992 on the Spanish Nova Era label. Liner notes by Asmus Tietchens."

"Two years after the release of Ersatz (1990), Moebius and...

"Improvisation was and still is the magic word in jazz and live electronica. Transforming spontaneous ideas in real time, listening and reacting immediately to one another -- these are the signs of truly vibrant collaboration. If the musicians can also...

"When Jon Leidecker phoned in early 2012 with a proposition, it seemed a little too good to be true. Jon, part of a loose-knit west coast collective of sound artists whose work I much admired, wondered if Dieter Moebius and I might be interested in meeting him in a spectacular Montana mountain studio for a week of recording, no strings attached. Moebius, always up for an adventure, didn't need much convincing either. Converging on tiny Whitefish in September of that year, our little group of five...

"Many brightly shining planets orbit the twin central star of Cluster (Hans-Joachim Roedelius and Dieter Moebius). To be clear: as soloists Roedelius and Moebius have long since worked with all kinds of musicians whose congenial contributions add even...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"If Dieter Moebius' previous album Kram was an irreverent mélange of bright synthetic textures, 2011's Ding might be considered Moebi's industrial album. There is a cyclical, mechanical feel to many of the pieces here...

"Dieter Moebius - one half of the legendary duo Cluster and the godfather of electronic krautrock - passed away in the summer of 2015. Bureau B are reissuing his final four solo albums. Following on from Blotch and Nurton, reissued in 2016, Kram and Ding now complete the quartet."

"Recorded in 2008, Kram's playfully disjointed rhythms and shiny plastic surfaces give us just a glimpse perhaps of Moebi's own state of mind -- content, at ease, and happy to be working on music. With small mobile...

"On the second album of his late solo work, 2006's Nurton, krautrock legend Dieter Moebius (1944-2015) searches for flaws and uses them as a creative impulse. As usual, he blithely ignores any mainstream expectations. In science, an experiment is defined as an attempt to methodically gain information by systematically varying parameters. The results then confirm or refute the hypothesis or the model of the experiment. In art, however, confirmation is not of interest. Far more exciting are the flaws. They...

"Strangely named after a pipe tobacco, the Berlin group Murphy Blend were always quite a mystery. They were also a rarity in early German rock, as they combined the psychedelic Krautrock sound with heavy rock, blues and classical musics. Their music...

"Quasar was recorded in 1980, a completely harmonious blend of groove, analog synthie work and Krautrock. Similar to the former combatants Tangerine Dream or Klaus Schulze, Kaske had found his way. A successful way until today. "Quasar" appeared on the...

"A major work of electronic avant-garde -- high quality deep esoterica of the weird and spooky kind."-Alan Freeman

Lost-in-time kosmische/kraut/avant-garde artifact produced by Toby Robinson, aka The Mad Twiddler, circa 1975 for his private Pyramid label. Tolkien-inspired dark ambient soundscapes with spooky/ritualistic atmosphere, treated percussions, gongs and guitars, trippy Hammond and Mini-Moog, tape loops, weird noises, and drones...
File under dark ambient, proto-industrial, kraut...