First-time available on CD for this instrumental progressive/jazz-rock German quintet with Kraftwerk connections, of all things. I remember seeing this in the record shops, but I must admit that this is the first time I ever got to hear it - and...

This Swiss band only released this one, very collectable lp in 1977. At that time they were a quartet of vocals, keyboards, sax & drums.This has a lot of long tracks & instrumental passages, & is generally dark & gloomy progressive. Maybe a little...

An extremely rare 1974 jazz/rock album featuring saxes, keyboards, guitar, bass and drums that I had never even heard of before. In addition to the original album, almost 40' of unreleased live stuff has been added in. The live stuff is only of pretty....

"In 1973 singer Joy had already quit the group and Ken Traylor had joined instead. As Joy Unlimited consisted of highly talented and accepted musicians, they were offered an appointment for another ballet work, this time at the Mannheim Nationaltheater...

Their second album Schmetterlinge" (Butterfly) was an odd album for the Pilz label, originally released in 1971, a complex and ambitious conceptual rock ballet suite performed by a larger much more multi-instrumental ensemble. It ran a wide gamut of st...

A legitimate reissue of this great spacey, psychedelic album from 1972. A duo perform, & the final result is lots of guitars, flute, electric piano and old synthesizers & percussion plus some additional instrumentation, & lots of creepy spoken recitati...

"An Evolutionary Music (Original Recordings: 1972 - 1979) compiles unreleased recordings from the archives of multiversal artist Ariel Kalma. Concerned as much with musicality as spiritual facility, Kalma's work vibrates aside fellow travelers along the great rainbow in curved air of the 1970s avant-garde.

Ariel Kalma's boundary-blurring electronic music is heard here in radiant detail across a selection of work spanning his early free-jazz and spoken word trips to his infinite modular...

This reissues the 1st of two very obscure early 1980's albums by this progressive/fusion quartet of keyboards, guitar, bass & drums. While this album is not a classic by any means, it was kind of a 'last gasp' of the German scene, & definitely has some...

Long time Waysiders will remember us carrying (and selling!) a lot of these back when it was originally released on lp-only in 1987. It was a really good one then and it's still a really good one now.

Synthesist Bernd Kistenmacher seemingly came out of nowhere in 1986 with his first album, Head-Visions, a fine 70s-style album of Berlin-style electronic music that was basically the best thing that Klaus Schulze never made.

This was released one year later and was his nearly as excellent...

"The official Konrad Schnitzler discography lists Eruption, released in 1971, under the title Schwarz, as the first Schnitzler album. In actual fact, Eruption is the third and final LP by the group Kluster, following Klopfzeichen and Zwei Osterei...

5{us track and released in a limited edition of 450. "Originally released by Schwann, 1971. In limited edition miniature plastic LP cover with a multi fold-out repro of original album insert. Includes additional track by Schnitzler, Seidel...

"Zwei Osterei is the second half of a recording session which took place on a single day in November 1970. Klopfzeichen is the first part. Yet the uncompromising Zwei Osterei surpasses the earlier Klopfzeichen album by some distance in terms of its...

"In March 1973 the band recorded its first LP, with Conny Plank as co-producer and sound-engineer, for the legendary Brain-Metronome Label. Acclaimed by progressive and krautrock fans and critics alike, it showed a different, more innvative style of playing contemporary German rock music and was honoured with a nomination for the German Schallplattenpreis. They produced an incomparable, unmistakeable sound with echoes of Organisation and early Kraftwerk: spacey but melodic, elevated yet rocking...

Roland Kovac-piano, Brian Auger-organ (!), Siggi Schwabb-guitar, Peter Trunk (Passport)-bass and Keith Forsey-drums.

Recorded in 1972, this is very good, fusion/jazzy/jammy type stuff, maybe comparable to Embryo's two Brain albums, with some really great and surprisingly outside organ work by Auguer.

"Roland Kovac New Set was the name of a group of Munich studio musicians who recorded several lps of instrumental music on the Selected Sound label from Hamburg. The 2nd and 3rd (this) of...

Sorta now forgotten, but in their day a hugely popular jammy/fusion band. This reissue for the first time their 3rd and best known album, with a line up of vocals, guitar, keyboards, bass, sax & drums.

Very special price while they last! Until their recent smash performances at ProgDay & Nearfest, this band was rather now forgotten, but in their day a hugely popular jammy/fusion band. THis was their seventh album, from 1978, and features the same ban...

Sorta now forgotten, but in their day a hugely popular jammy/fusion band. This reissue for the first time their 5th album, with a line up of vocals, guitar, keyboards, bass, sax & drums.

"Kraan came up with one of their best albums, an offering...

This has been out of print for about five years; we found some languishing in a CD warehouse being converted into a new high-end restaurant (that's where the money is now, you know), and this is definitely your last chance to pick this up at...

Very special price while they last! Until their recent smash performances at ProgDay & Nearfest, this band was rather now forgotten, but in their day a hugely popular jammy/fusion band. This was their sixth album, from 1977, and features the same band ...

"Kreidler might be on their umpteenth album now, but by the sounds of 'Tank' they have hit upon a creative streak that belies their age. In fact 'Tank' is probably their most creatively successful album to date, and it manages this...

“In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks from these releases...

This reissues the 2nd Limbus album, which was originally released by OHR in 1970. This is very early, very crazy Germanic freakout, freeform madness "Formed in 1968, Limbus were a most unusual band who grew a unique music out of jazz, folk and avant-ga...

"Live from Gevelsberg (Sauerland) played art-rock with flute; without the nerve-wracking breaks often heard in this genre, but rather harmonious. In 1974, they released a 7" single and recorded an LP which, however, didn’t come out at that time. Only...

Well...the story below is very interesting, and the music is definitely echo-plexy guitar stuff that is similar to "Inventions For Electric Guitar", but in fairness to Gottsching, so is A.R. & Machines, which started 3-4 years earlier!
So the claim of Manuel stealing all the ideas from M.A.L. seems a bit....unfair. There was experimentation in the air at that time.
Taking this as a record and without the story involved, it's completely a pretty fine, lost Krautrock / Kosmische type thing!...