Remastered excellently by Bob Drake, this was the 1st album by the successor band to Henry Cow, which was actually recorded AS a Henry Cow album but released as by Art Bears when some members of Cow didn't feel it was a "Cow" release. With Dagmar Krause-vocals, Chris Cutler-drums, electronics & Fred Frith- guitars, keyboards, violin, etc. + all the rest of Henry Cow. Songs with powerful lyrics built upon experimental kernels. "This grouping made one of the most powerful statements yet in the world of...

Received direct from label, unsealed and outer box has some shelf wear. It's not bad, but could be better. I guess that's how these come now, so it is what it is. You have been warned. The box and the booklets are really beautifully done. Now here comes the party line:
"The Art Box marks the 25th anniversary of one of the most eclectic, dynamic and productive creative alliances in the history of experimental music. Featuring...

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.

This was the 3rd and final album by the successor band to Henry Cow. I'm not really sure why (short playing length? the press had gone onto other things to champion? it wasn't released stateside, unlike the first two?) but this one slipped under the radar of a lot of folks, compared to their 1st two.
It's a very bleak, but also a very solid work. It’s probably my favorite of their albums

This was a 1987 album and is the beginning of the band's heavy electronic influenced period. But a goodly amount of the acoustic instruments still remain; not a classic but still really good. The band is Patricia Dallio-pianos, keyboards, Gerard Hourbe...

Etienne Jaumet - alto saxophone, synth
Gilbert Artman - electronic drums, groovebox, harmonium, xylophone

One of the great greybeards of French new music (Urban Sax, Lard Free, etc) meets a representative of the next generation of sonic explorers for a lovely, low-key album!

“A great discovery, it reminds me of Confluence (Arkham) which I haven't listened to for a long time. Beautiful atmospheres!”-Christophe Genu

“Transparent vinyl version. First-ever official reissue on vinyl since 1975. 350 gram Quadro Fold Out Sleeve that exactly replicates complex/original OHR die-cut jacket, A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970). Pressed at Optimal, Germany.”

The incredible power trio (guitar, bass, drums) first effort from 1971 by Germany's Ash Ra Tempel has Manuel Gottsching (guitar), Harmut Enke (bass) and Klaus Schulze (drums - this is...

This is the Ash Ra Tempel "reunion" live reunion show from April 2000, announced by the very excited MC at the beginning that they are playing together for the first time in 30 years. I guess Mr MC never heard any of the work Klaus and Manuel did together in the 80s and 90s. This is still really good stuff though!

“Julian Cope (author of "Krautrock-Sampler") had invited Schulze and Göttsching to his "Cornucopia Festival" in London, and the two musicians took the offer as a great opportunity for a..

The very good, if somewhat overlooked fourth album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!

The band's fourth album, this is the first time since their self-titled first that you have the trio of Manuel...

Back in print after at least a decade of unavailability. This is a previously unreleased 1975 album, issued for the first time in the mid 1990's as a film soundtrack. For that reason, it's definitely not one of the classics, but it is still really good overall.

"In 1975 I was doing a series of concerts in France with Lutz Ulbrich, where we were presenting 'Inventions for Electric Guitar' and other compositions, which we developed together that year. In August, we were invited for two concerts in...

"MG.ART announce the authorized 50th anniversary edition of Ash Ra Tempel's Schwingungen, originally released in 1972. One of the most important German krautrock albums. Re-cut carefully overseen by Manuel Göttsching himself. Gatefold sleeve with sticker; Includes original release sheet and inlay."

The second album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!
Their 2nd album came out in 1972, & was quite a bit different from the first, as Klaus Schulze had...

The fifth album by this legendary Krautrock ensemble, remastered by Manuel Göttsching himself!

"The dubious reputation Starring Rosi has incurred over the years is, to these set of ears, altogether undeserved. The tightening of focus and....

The fairly insane third album where Timothy Leary, on the run from the Feds, ends up in Switzerland surrounded by happy hippies. Remastered by Manuel Göttsching himself!

Their third album was named after the LSD-laced soft drink that these guys were now ingesting by the caseload. A big psychedelic / spaceout jam type disc, with the side long live track being a real highlight. This does have some pretty great moments (the live side being pretty outstanding overall) (& if you are a fan of stoned...

"2015 live recording from the Supersense Festival in Melbourne, previously unreleased, featuring a supergroup of Manuel Göttsching, Ariel Pink, Oren Ambarchi, and Shags Chamberlain playing material from classic Ash Ra Tempel releases, 1972's Schwingungen (and 1973's Seven Up."

"Out of the blue -- I was invited to perform in Melbourne, Australia. It happened thanks to my dear old friend Mick Glossop, who made the suggestion to Sophia Brous, at the time the curator of a music-festival called...

“This recording was made at the Hebbel Theater, Berlin on May 12, 1995. The opera was also heard live at the Festival d'Avignon, the Brooklyn Academy of Music, Musica Strasbourg, and Site Santa Fe.
Foreign Experiences is one of the opera tetralogy that Ashley wrote in the early 1990s, following Perfect Lives) and Atalanta (Act of God). He would give it the overall title (also the name of one of the component operas) Now Eleanor's Idea. These four operas would follow the stories of some of the...

Totally professional, multi-camera live performance from June 8, 2012 in Berlin of Manuel Gottsching (guitar & keyboard), Harald Grosskopf (drums) and Steve Baltes (electronics) performing pieces from the albums Blackouts and Correlations.

While it's pretty certain that Miles kick started the whole electric jazz-jazz/rock movement with In A Silent Way and Bitches Brew in 1969, there were other people working towards the same goals at aproximately the same time, some of them better known...

"A reissue of Derek Bailey's Lot 74, originally released by Incus in 1974. Recorded at a private house in West London, the side-long title track is a masterwork: a twenty-two-minute, starkly personal, freely expressive, itchily searching re-casting of orders of rhythm and sound into a new, quicksilver kind of affective and musical polyphony. Never mind the guitarist's championing of "non-idiomatic improvisation", the poet Peter Riley gets the ball rolling in his identification of the various hauntings...

This fine album, one of the few recorded examples of Muir's pure improvisational playing, has been out on vinyl before - in its original issue in 1981 - but not with this fantastic photo on the cover, which I had never seen before....

"A reissue of Jamie Muir and Derek Bailey's 1981 duo album, Dart Drug, originally released on Bailey's Incus label. Percussionist Jamie Muir was a member of King Crimson during the recording of Larks' Tongues In Aspic, in 1973. Staying less than a year with Robert..

This is a reunion album by original members of Il Balletto, the members who made their 1st album Sirio 2222.

Like that album, this has many psychedelic and even 60s rock influences, along with progressive hard rock and early proto-progressive elements.

Loud guitars, a rocking rhythm section and keyboards, along with vocals certainly influenced by 60s groups from beat groups onward and including guest vocals and keyboards by Gianni Leone!

Il Balletto di Bronzo are (rightly) remembered for making YS, one of the truly great 'one and done' albums of the Italian progressive rock movement of the early 1970s. This album consists of the demo tape - a primitive, 4-track recording, but...

Gianni Leone – Vocals, Keyboards
Riccardo Spilli - Drums
Ivano Salvatori - Bass

Composed and arranged by Gianni Leone.
Recorded live in Rome at "L'Asino che Vola" on May the 31st 2018.

“...we have now decided to produce, the Bootleg, using the recording of our concert on 31 May, 2018 at L'Asino che Vola in Rome. Mind you: it is not “Balletto di Bronzo live”, otherwise it would have been conceived and carried out in a very different way and from the onset. In fact, we have no

"On his fourth album, Clic, Franco Battiato moves further out—into realms of pure and elemental approaches to sound—to create a seminal work that flows naturally from one musical form to the next. Every second ripples with orbital chords, kosmische textures and schizophrenic string quartets, yet somehow manages the same dramatic pacing and variety as his avant-rock albums Fetus and Pollution.
Originally released in 1974 on Bla Bla, Clic features Battiato on VCS3 synthesizer and piano, along with...

"Franco Battiato is often heralded as Italy’s answer to Brian Eno. A quizzical composer / lyricist, Battiato turned pop music upside down in the early ‘70s with three classic LPs—Fetus, Pollution and Sulle Corde Di Aries—that formed a confluence of avant-folk sensibilities and analog electronics.

Pollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Battiato’s perfectly oblique vocals. Upon he

An important, long-time and key member of Tangerine Dream, Peter Baumann was with the group through basically all of their most important work.
This was his first solo album and was released while he was still in TD. It's a fine work and it has been unavailable on CD for nearly 20 years.

"While still a member of Tangerine Dream, Peter Baumann released his first solo album, Romance '76. It's not far removed from the music that TD was making at the time -- in fact, references to Rubycon...

"Han Bennink is one of the founding figures of European improvised music; longtime musical partner of Misha Mengelberg and co-founder of the Instant Composer Pool (ICP). Recorded for Germany's Radio Bremen in 1973, in the period when Bennink was...