Japanese Rock and related

Sometimes I quote from other reviewers because I am in a hurry or because I have to do too many of these and am at a loss for something intelligent to say and sometimes just because I am lazy. Sometimes, however, the reviewer says exactly what I wanted...

Another pretty great one from this Japanese quartet of dual guitars, bass and drums. There is some additional instrumentation (a string quartet!), but this is mostly the long, droning-yet-consistantly interesting work that we've come to expect from...

"What the hell? In April 2006, Mono released their instrumental opus You Are There on Temporary Residence and they toured the world in support of it. In September of the same year Palmless Prayer/Mass Murder Refrain is issued as a collaborative album...

"A mistaken but widely-held view of Japanese music is that it consists of two completely separate and non-communicating areas: on one hand the disposable J-pop music scene based on Western models, on the other the traditional classical music world with...

First release from this excellent instrumental Japanese power trio. They are one of the best of the current Japanese rock bands, combining various experimental rock styles in a entertaining and engaging manner. Recommended! [Tzadik]

Third and generally considered the best album by this 1980's Japanese symphonic rock band that features keyboardist Katsuhiko Hayashi and vocalist Takashi Nakamura, +, on this album, violinist Takashi Kawaguchi (Outer Limits), acoustic guitarist/flutist..

“Duo by two members from Acid Mothers Temple & The Melting Paraiso U.F.O.: Kawabata Makoto "Speed Guru" (electric guitar, synthesizer) and Satoshima Nani (drums, sampler).
Nani & Guru is a hyper-experimental, psychedelic astro-trance duo, spontaneously formed in February 2018 by guitarist Kawabata Makoto and drummer Satoshima Nani from Acid Mothers Temple. Their first album, Vovivizm, was recorded immediately and released on CD by the Acid Mothers Temple in March 2018 in a limited edition of 300...

The guitarist of Korekyojinn and Bondage Fruit performs solo. "Akira Komatsu it is thick, from Kazutoki coba and plum Tsu the Carmen maquis, support of the singer who was said quiet style and [yadoranka] high the solo first work of the ogre non month...

A guitar duo by the fantastic Kido (Korekyojinn, Bondage Fruit and Salle Gaveau) and Daisuke Suzuki. This is warm, acoustic playing of originals and standards (by Charlie Haden, Keith Jarrett, Santana, Gershwin and Sting, among others); it's really...

"Nazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone/doom metal project Sunn O))) in...

Until their first release on LoLo (this is their second), Next Order were a previouly unknown to me Japanese fusion band that features two guitarists, bass and drums. One of the guitarists tends to play with a cleaner tone and one has a more dirty sound..

"Ni Hao!'s long awaited second release features more delightful music from this powerful rock unit out of Kansai. Now a duo, the music continues the direction of the first release with virtuosic short pieces filled with stop and start precision...

Really fascinating Japanese trio of guitar, bass & drums who stick together noise, repetition, no-wave, electronica, motorik, dance-music, and sound in a way that no one else does. You won't believe that they aren't an 'electronic' group...

“The reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain. Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru's fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance), Lady Maid is a testament to the creativity of the early '80s Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free...

“The reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain. Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru's fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance), Lady Maid is a testament to the creativity of the early '80s Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free...

Hisakatsu Igarashi - lead vocals
Terutsugu Hirayama - guitar, vocals
Toshio Egawa - keyboards
Ryuji Sasai - bass
Ryuichi Nishida - drums

“This is certainly one of the most progressive albums by this seminal band. You must keep in mind that it was released in 1982. Before the second wave of Japanese prog rock (Pageant, Gerard, Mugen, Outer Limits, Teru's Symphonia, Pale Acute Moon...) which delighted all the smphonic prog fans (I am!). Here, you have a kind of 'prequel' featurin

"Wewantsounds presents the release of Touch, a selection of sought-after tracks produced by Yuji Ohno, one of the most revered producers and arrangers on the Nippon music scene. His blend of jazz, space funk and disco have long been sought-after by DJs around the world and Wewanstounds has been given unique access to the Nippon Columbia vaults and to Mr. Ohno himself to come with a versatile selection from his '70s body of work, all bearing his uniquely recognizable sound. The set includes works with...

“Recorded concurrently with John Lennon's Plastic Ono Band album, Yoko's features the same musicians, namely John, Ringo Starr, and Klaus Voormann along with the Ornette Coleman Quartet on one cut.
Unlike John's record, however, Yoko's is much more a "jam"-sounding record. And while there are definite songs, lyrics are mainly vocal improvisations. Still, if avant-garde is your cup of tea, then check this one out. It's good, if only to hear John Lennon really get the guitar cranking on the opening...

Excellent, contemporary Japanese art-punk sounds. It’s simultaneously kind of basic while being musically tricky and is a bit of a small classic of its kind, I think!

“Nijimusi is the 8th release from OOIOO. Led by YoshimiO, they're a band that has stayed relevant long past many of their contemporaries thru constant re-inventions & explorations. It's recorded with a more traditional rock set up of two guitars, bass & drums, but thanks to an improvisational recording process and technical prowess...

Excellent, contemporary Japanese art-punk sounds. It’s simultaneously kind of basic while being musically tricky and is a bit of a small classic of its kind, I think!

“Nijimusi is the 8th release from OOIOO. Led by YoshimiO, they're a band that has stayed relevant long past many of their contemporaries thru constant re-inventions & explorations. It's recorded with a more traditional rock set up of two guitars, bass & drums, but thanks to an improvisational recording process and technical prowess...

"Pikacyu-Makoto is an intergalactic love and peace duo, featuring two figureheads of underground Japanese music: Pika from Afrirampo and Makoto Kawabata of legendary psychedelic avatars Acid Mothers Temple.
As a duo they embrace both sides of the coin -- drums and guitar, chaos and order, male and female, yin and yang, the angel and the devil. Pika brings her skills of mystifying performance to the table, all free-drum bluster and vocals veering between shrine maiden and wild spirit. Kawabata's...

"Pikacyu-Makoto is an intergalactic love and peace duo, featuring two figureheads of underground Japanese music: Pika from Afrirampo and Makoto Kawabata of legendary psychedelic avatars Acid Mothers Temple.
As a duo they embrace both sides of the coin -- drums and guitar, chaos and order, male and female, yin and yang, the angel and the devil. Pika brings her skills of mystifying performance to the table, all free-drum bluster and vocals veering between shrine maiden and wild spirit. Kawabata's...

"This is the eagerly-awaited debut album from Japanese underground legends Makoto Kawabata (Acid Mothers Temple/Mainliner) and Pikacyu (Afrirampo). Combining their trademark master musicianship, out-there sonic attack and off-the-wall weirdness...

Tatsuya Yoshida – drums
Masami Akita – noise electronics
Richard Pinhas – guitars and analog synth guitars

Three founding fathers of experimental music join forces to conjure an unholy serenade for a society on the verge of collapse on Process and Reality, an hourlong whirlwind of pessimistic prophecy transformed into a heady monolith of sound.

Boundary-stretching guitarist Richard Pinhas, founder of the influential French electronic

On the back of the 2014 Rock In Opposition Festival in Japan and their album "Welcome In The Void", Richard Pinhas and Yoshida Tatsuya did a Japanese tour lasting about 2 weeks.
In order to have some fun, fresh merch to sell to the fans, Yoshida released this live album on his Magaibutsu label on CD, taken from several shows during their Japanese tour and showing off aspects of their work together. It has now been issued on vinyl.

"...two pioneers of fringe music, with the rapport of the two as the driving force behind this album" -– Something Else!

On Welcome In The Void, Richard Pinhas again pushes sonic and compositional boundaries...

"French psych-experimental-rock genius Richard Pinhas in collaboration with Sax Ruins drummer, Tatsuya Yoshida, and saxophonist, Ryoko Ono. Recorded live at Tusk Festival, at Gateshead Old Town Hall, on October 10, 2015. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. Yoshida Tatsuya is one of the most innovative musicians of the Japanese experimental music scene...

"...Richard Pinhas consolidates his position as the reigning master of mesmerizing, trance/ambient guitar...."-All Music Guide

“Merzbow is essentially a psychedelic artist, attempting to create shifts in consciousness through extreme sound.”-Pitchfork

Richard and Merzbow are both among the best-known figures in electronic rock music today. Merzbow is considered the originator of Japanese noise music and the single best-known artist in noise music today. While Richard's work wouldn't be...

"Perhaps the most legendary of all Japanese rock musicians, Shinki Chen is Japan's most celebrated guitarist. Before going on to form Food Brain, Speed, Glue & Shinki et al, Shinki worked with vocalist Eiji Takamura, who took the stage name 'Chibo'...

"Perhaps the most legendary of all Japanese rock musicians, Shinki Chen is Japan's most celebrated guitarist. Before going on to form Food Brain, Speed, Glue & Shinki et al, Shinki worked with vocalist Eiji Takamura, who took the stage name 'Chibo'...

A co-production with Poseidon from Japan, this is a trio consisting of Totoki Yukiko-female vocals, concertina (an old folk-style accordion) harmonium & percussion, Sasaki Emi-accordion, glockenspiel, psaltery, toys, percussion & vocals and Oguma Eiji...

A trio consisting of Totoki Yukiko-female vocals, concertina (an old folk-style accordion) harmonium & percussion, Sasaki Emi-accordion, glockenspiel, psaltery, toys, percussion & vocals and Oguma Eiji-guitar & bouzouki. I didn't realize taht they were...

Quikion are a quirky, charming trio from Japan (have you noticed that 'quirky' and 'charming' describes a decent percentage of Japanese new-music? It's an interesting phenomenon.)...

Here is a young trio of musicians from the Kansai area on soprano sax, bass and piano who have created a remarkably original world of sound. Although one can hear occasional influences from Steve Lacy and the Jimmy Giuffre Three, this music is uniquely...

Hand numbered, blue vinyl edition.

"Massive slabs of distortion inhabit every seam of this monstrously linear album"-Julian Cope. Japrocksampler

"Legendary Japanese rock outfit Les Rallizes Denudés were formed in 1967 and incredibly, for a group that had only one official release (Oz Days Live, a double vinyl compilation release in 1973), played their last gig almost 30 years later in October 1996. The band's name apparently means "fucked up and naked," which more than adequately...

"Seemingly endless sonic flame-throwers of phased white noise streak across your inner landscape, as stupidly loud and overly-backlit lead guitar emissions perpetrated by a perpetually be-shaded longhair pummel the similarly be-shaded but barely...

"Ring is probably one of the oldest Japanese Progressive rock bands, that existed prior to the golden age of the local scene, that took place during the Eighties. Jointly published by the Musea and Poseidon labels, "The Empire Of Necromancers" was init...

"Round House started its career in 1975, as an instrumental quintet including two guitarists, a keyboards player and a rhythmic section. From this period, one can find two studio albums and one track on the "The Seventies West Japanese Rock Scene" comp...

Round House were one of the best West Japanese progressive rock bands. The band made an unexpected reunion in 2000, and are now performing actively. "The structure of the music, dramatic and tight in the vein of of Return to Forever, topped with wailin...

Very limited edition, self released CDR reissue of the 2nd album, recorded in 1978 and 1979 by one of the best West Japanese progressive rock bands. This has a more prog/fusion sound than their first. "The structure of the music, dramatic and tight in...

Some of the very best musicians in Japan, veterans of such bands as Bondage Fruit, the Boredoms, Bazooka Joe, Demi Semi Quaver...have come together in Rovo, a virtuosic trance-rock group based in Tokyo. This dynamic set collects the best of their legendary two-night run at New York City's premier new music club, Tonic. Beautifully recorded and impeccably mixed by Rovo mastermind, violinist Katsui Yuji in Japan, Tonic 2001 captures the firey brilliance of this dazzling band like no studio recording ever...

I wasn't quite sure what to make of this when I heard about it; was it going to be a solo drum release from Yoshida? Anyway, my concerns were allayed when it arrived and I got to hear it. It's a fully orchestrated, (I suppose with computers and...

The truly amazing bass/drums duo where drummer/composer Yoshida Tatsuya first made his mark and appeared on people's radar, who were obviously influenced by punk, math rock, Magma & This Heat.
"Along with the Boredoms, Naked City and very few others, this amazing drums/bass duo are masters of quick-change, stop/start tempos, time-signatures and textures. Ruins' explosive and intricately composed tunes are sung in a peculiar language of their own invention." [note: which sounds a LOT like Kobaian]....

''A blistering live performance...of over twenty stop-on-a-dime Ruins classics, Mandala 2000 captures the raw power and visceral energy of this dynamic band better than any studio recording ever could. Also included is twenty minutes of encores featuri...

This is something like their 16th CD, I think (!) & represents a strong return to form, as the duo of Yoshida Tatsuya (drums, percussion, vocal) and Sasaki Hisashi (6 string bass, MIDI controller, vocal) just TEAR through it all, mixing thrash, Zeuhl, ...

"The members of Japan's Ruins have extensive experience and tireless commitment! A furious barrage of explosive and intricately composed drum(s) and bass, Ruins covers all stops between hardcore's hysteric intensity, metal's pummeling dynamics, and the...

''A new direction for this innovative group , which until now has worked solely as a duo. Augmenting their core unit of drums and bass with two female vocalists and a keyboard player of astonishing virtuosity, these brilliant orchestral arrangements of...

"If you think wild, bizarre Japanese music begins and ends with the legendary Boredoms, you ain't heard nothing yet. If Vrresto is any indication, Ruins top even those legendary noise merchants in terms of craziness, as this is music whose origins can barely even be traced to this planet, let alone to any particular genre or country. What results from the intertwining of Yoshida Tatsuya's insanely intricate drum patterns and Sasaki Hisashi's spastic noodlings on bass guitar, along with the space-aliens...

"Sajjanu is a ripping new unit from Tokyo that performs incredibly complex through-composed compositions with few if any repetition. Performed with an intensity and power that is absolutely staggering, this trio of two guitars and drums sounds like a...

“The first ever international release of Ryuichi Sakamoto's landmark 1984 album Ongaku Zukan, originally issued in Japan on his own School label in 1984. Remastered by Saidera Mastering in Tokyo. The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's Merry Christmas Mr. Lawrence, had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the...