Nurse With Wound List

"Originally issued in 1976. Flow Motion (1976) saw Can moving towards a somewhat more conventional style as their recording technology improved. 'I Want More' from Flow Motion became their only hit record outside Germany including an appearance on UK's...

There are a bunch of great Can albums, but this is *the* one for me. A timeless, beautiful, groove-classic. Glad to see that Jason agrees, and while I had never mentally articulated the 'oceantic' feel he mentions below, he's spot on, and I thank him for saying it for me!

"Damo Suzuki's final effort is Can's most atmospheric and beautiful record, a spartan collection of lengthy, jazz-like compositions recorded with minimal vocal contributions. Employing keyboard washes to create a breezy, almost oce

Another excellent performance in fine audience sound from this series!

“Live In Brighton 1975 is the second in a series of Can live concerts available in full for the first time. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own. The band's line up for this legendary 1975 performance features all four original members...

This was actually a little bit of a revelation to me, because even though I absolutely do consider myself a Can fan (man!), my interest in their albums basically ends after Soon After Babaluma, as I always felt that their albums went from being kinda magnificent throughout before then to being quite spotty.

And I still do think that, but apparently Can as a live band remained a very strong force longer than they did on record! This is a very good recording both sonically and in terms of...

Can live during the time that they were recording Tago Mago in excellent form and with very good & balanced sound (a bit ‘flat’, but it’s a TV broadcast from 1970 for goodness sake!).

“Can, live from Soest, Rockpalast, Germany in November 1970 This remarkable set is the earliest full concert recording of the mighty Can.
Performed in November 1970 for broadcast on the WDR TV show Karussell fur die Jugend (Youth Carousel) in Soest, 80 miles north of their base in Cologne, it features...

Recorded in 1968-1969 and released in 1969, this really is an album that was ahead of its time...

"Can's debut is the only full-length, proper release to feature original vocalist Malcolm Mooney, whose free-form ranting is matched by a raw...

Much to the shock of everyone (probably even themselves), Can reformed wih their original line-up (Holger, Jaki, Michael, Irmin and Malcolm Mooney!) for a single album in 1986. They even made a high profile appearance on Germany TV, which I saw! It's a...

Recorded in 1970, and actually consisting of film soundtracks for arty films (none of which I've ever seen surfacing anywhere!), this finds the band in transition, with some tracks featuring original vocalist Malcolm Mooney and some featuring new...

The band's third album, which was originally a double album and which was originally released in 1971 is considered one of their greatest works. This was the 1st album to soley feature Damo Suzuki as the vocalist and he makes his presence felt here strongly. One of the greats by one of the greats!

"Tago Mago, the first album with Damo Suzuki on vocals, features the Can line up of Holger Czukay on bass, Michael Karoli on guitars, Jaki Liebezeit on drums and Irmin Schmidt on keyboards, and was...

This is an amazing archival find: 3 discs of previously unreleased material from the prime period of the band's existence: 1968-1977!

One and only album by this Italian classical rock band with tons of heavy organ and fuzzed out guitars. Great cover artwork! This is the remastered version with 4 extra bonus tracks taken from their earlier singles, but, even remastered, the sound of t...

One and only album by this Italian classical rock band with tons of heavy organ and fuzzed out guitars. Great cover artwork!

Sound on the 50' live show from 1981 is quite good for a 30 year old radio broadcast. The rest is pretty awful sounding.
So, this is:
Commodore Ballroom, Vancouver, BC, Canada, January 17, 1981 radio broadcast
1. Nowadays A Woman's Gotta Hi

This is pretty exploitative and horrible, but, still, some of you may not have this material and some of it is great. You get 'Electricity' and 'Sure Nuff 'n' Yes I Do' from Cannes, 1967, I'm Gonna Booglarize You from Beat Club (which is available...

This bootleg is simultaneously much more and much less than it appears to be.

First the good news: The opening 9 tracks are from the Avalon Ballroon, 1966. 4 of these tracks: Tupelo, Somebody In My Home, Evil, Old Folk's Boogie all appeared on the now out of print, incredible Revenant set, Grow Fins, but the other 5 tracks have long been known to exist, but have never been seen or heard before: Down In The Bottom, Don't Start Me To Talkin', The Sun Is Shinin', St. James Infirmary, Harp....

"I got the new MONO reissue of the SAFE AS MILK album and it sounds incredible - so much better than the stereo mix. Much more tough-sounding - really worth getting."-Henry Kaiser (from a private email that I hope he won't mind me sharing too much!)...

This is a nicely remastered reissue of the very first album by Captain Beefheart, which was originally released on Buddha in 1967. Also included are 7 bonus tracks from the unreleased second album from the Mirror Man sessions that were later re-recorded and used on Strictly Personal.

"With [Ry} Cooder supervising the music, the sessions proceeded more or less smoothly...Overall the music is still blues-based and almost commercial, but several of the cuts point to future directions, especially...

This is a bootleg repackaging of disc three and the audio portion of disc four from the now long out of print Grow Fins box set, so it's utterly worthless if you own that and really good and worthwhile and utterly revelatory if you don't!
This is the Magic Band, sans Don, at the first sessions for Trout Mask, which were recorded at the Woodland Hills house they lived and practiced in, running through their repertoire which, along with a few other recordings, ended up as Trout Mask Replica...

Licensed from VARA radio in The Netherlands, this is the famous, fantastic, oft-bootlegged performance of the band at The Paradio in Amsterdam, The Netherlands on November 1st, 1980 that was broadcast on the radio. Featuring a very spirited-sounding Don, this is an excellent sounding document of the final European tour by The Magic Band. Highly recommended.

This is a bootleg repackaging of the first disc (the earliest material) from the now long out of print Grow Fins box set, so it's utterly worthless if you own that and really good and worthwhile and utterly revelatory if you don't!
1 Obeah Man (1965 Demo)
2 Just Got Back from the City (1966 Demo)
3 I'm Glad (1966 Demo)
4 Triple Combination (1966 Demo)
5 Here I Am Always I Am (Early 1966 Demo)
6 Here I Am Always I Am (Late 1966 Demo)
7 Somebody in My House (1966 Live)...

This is a bootleg repackaging of the first disc (the earliest material) from the now long out of print Grow Fins box set, so it's utterly worthless if you own that and really good and worthwhile and utterly revelatory if you don't!
1 Obeah Man (1965 Demo)
2 Just Got Back from the City (1966 Demo)
3 I'm Glad (1966 Demo)
4 Triple Combination (1966 Demo)
5 Here I Am Always I Am (Early 1966 Demo)
6 Here I Am Always I Am (Late 1966 Demo)
7 Somebody in My House (1966 Live)...

This was the 3rd album recorded by Don & crew, but the 2nd to be released (after the much more significantly 'straighter' Safe As Milk from 1967). This 1968 album was the first album to feature the 'real' Beefheart sound as we would all get to know it soon enough! The band is: Don-vocals & harp, Jeff Cotton & Alex St. Claire-guitars, Jerry Handley-bass & John 'Drumbo' French-drums.

Pretty good sounding audience recording of the 3rd to the last performance by The Magic Band.

"autumn 1980 through january 1981 captain beefheart and the magic band promoted their latest album, doc at the radar station, with a tour in europe and the states. however, as don hadn't performed live for well over a year and a half, it took a while before he found the right groove. after a terrible first week, the group came into shape (also because last-minute member richard snyder 'fell in place')...

ATTENTION! ATTENTION! Unbelievable ARCHIVAL TREASURE alert! This 30' long DVD contains every scrap of material that exists in the archives of Beat Club/Radio Bremen, from the Magic Band's April 12, 1972 performance, which resulted only in one song ever...

The first of three Hughscore albums. This was the first collaboration between UK bassist/composer Hugh Hopper (Soft Machine, Gilgamesh, Isotope and so much more!) & Seattle band Caveman Shoestore (hence the name).
This is where I first heard (and heard of) keyboardist/vocalist Elaine DiFalco (now with Thinking Plague).

So, there is all this bullshit and fake obscurity about The Residents. We all know that.
Charles Bobuck is a fake name for (I think) Hardy Fox, who was one of the original Residents, but left sometime in the 80s.
This is him performing some of those tunes today.
Note: we list this under “C” just like we list Jethro Tull under “J” and Muddy Waters under “M”; it isn’t his name.

“New arrangement and new vocals crack open altered interpretations of favorite Residents standards. Charles.

Charles Bobuck is Hardy Fox, who was one of the original Residents, but left sometime in the 80s. Now Hardy is releasing album (good ones!) under the name Charles Bobuck. Why? Dunno.
Note: we list this under “C” just like we list Jethro Tull under “J” and Muddy Waters under “M”; it isn’t his name.

"The all-new album by former Residents composer Bobuck. Based on the H. Fox story, "O-bay Scooplaws and the Summer of Love." Scooplaws was one of the thousands of bands who pilgrimaged to San....

Until they imploded (which didn't take very long, actually), San Francisco's Chrome were a cool and punky blend of crazy sounds, noise, psychedelic guitar excess and raw energy, coming across like a mix of The Stooges and Hawkwind.

"The complete ALIEN SOUNDTRACKS saga now available on one mind-bending disc of experimental dystopian sci-fi rock from the spaciest San Francisco-based proto-industrial legends Chrome! Originally released in 1977, the landmark ALIEN SOUNDTRACKS has been widely...

“Special CD edition of the super deluxe 1982 box set from San Francisco art rock legends Chrome!
This limited edition piece contains all 8 of the classic albums produced by the core duo of Helios Creed and Damon Edge including 1977’s Alien Soundtracks, 1979’s Half Machine Lip Moves, 1980’s Red Exposure, 1982’s 3rd From The Sun and more PLUS bonus rarities including the Subterranean Modern tracks!
All discs come in their own sleeve along with a stunning 88-page booklet of rare photos and...

Lol Coxhill-soprano sax
Charles Hayward-drums
Hugh Hopper-bass
Orphy Robinson-vibes, steel drums
with
Robert Wyatt-cornet

The first release (and sadly the only one) by this improvising group of established figures from the creative rock and improvised music scene in Britain. They've been together for a few years now, plays shows when circumstances permit, and it's great that they've finally documented something. This pretty quickly finds its feet, finds a groove and keeps.

"Apropos Cluster (1990) was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent...

Cluster 71 is the first album by Cluster and the least known of their early clasics. It is reissued here with the original cover art in a digipack. It's been reissued a zillion times, but no matter which edition, it's a great release...

"Formed in Germany in 1971 when Hans-Joachim Roedelius and Dieter Moebius left Conrad Schnitzler's group Kluster, Cluster can be counted among the most important protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, while to others they are firmly embedded in the Krautrock universe. There is some truth in all of these notions. Although Cluster and "rock music" are seldom mentioned in the same breath, their early works in...

So, so glad to see this classic German title reissued and available again!
This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

"After Curiosum, the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster and One Hour. The duo...

This is a document of two modestly well recorded shows by Cluster in a very early and later early prime: 1972 and 1977. Don't start here, but essential and quite worthwhile for fans.

The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster...

This is a document of two modestly well recorded shows by Cluster in a very early and later early prime: 1972 and 1977. Don't start here, but essential and quite worthwhile for fans.

The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster...

"Cluster's hiatus between Curiosum and Apropos Cluster in 1990 lasted for almost 10 years. Roedelius and Moebius spent this time developing their individual musical characteristics in a series of solo albums and collaborations which they released with...

Excellent final release by the pioneers of electronic music in Germany. These two musicians are old enough to be your father or grandfather, yet here they are making new, interesting, cutting-edge music.

"Reissue of the last studio album by Cluster, the legendary krautronic duo of Dieter Moebius and Hans-Joachim Roedelius, recorded in Ohio in 2009 by Tim Story. From Story's liner notes: "My role, as I imagined it, was to emulate Conny Plank, the great Cluster producer and a hero I'd never had a...

Excellent final release by the pioneers of electronic music in Germany. These two musicians are old enough to be your father or grandfather, yet here they are making new, interesting, cutting-edge music.

"Reissue of the last studio album by Cluster, the legendary krautronic duo of Dieter Moebius and Hans-Joachim Roedelius, recorded in Ohio in 2009 by Tim Story. From Story's liner notes: "My role, as I imagined it, was to emulate Conny Plank, the great Cluster producer and a hero I'd never had a...

Originally released in 1976 and their last as a duo before recording their two famous albums with Brian Eno, this has been relatively difficult to find for some time until now.

"The fourth full-length album by legendary German electronic music duo Cluster, originally released on Sky Records in 1976. Sowiesoso follows on from their most highly-acclaimed album, Zuckerzeit (1974). Michael Rother's influence was clearly audible on the latter, Cluster already having recorded two albums with him under..

These shows from Cluster's 1996 US tour are shockingly great and up to par! Recommended if you don't already have these recordings!

"This release consists of tracks from Purple Pyramid's 1997 CD First Encounter Tour 1996, reworked and reselected.

Beautiful, new replica edition of this great, classic German release. There is currently no in-print CD edition; this is the only version currently out there!

After recording their classic II, the duo of Hans Joachim Roedelius and Didier Moebius joined forces with Michael Rother (ex Neu!) for two fabulous albums as Harmonia. So this, their 2nd album for Brain, was not released until the later 70's, & features slightly more sophisticated electronics & slightly less obvious 'junk' than before. Still..

Nice to have this classic spacey/ambient album generally available again. This was the first collaboration, recorded when Eno's star was at its zenith, between him and the great German electronic duo. I remember my first record store job, around 1978...

"Live In Vienna is the eighth full-length album by German electronic music outfit Cluster and their first and only album with Joshi Farnbauer. It is the first of three live albums recorded by Cluster. Until now Cluster & Farnbauer had never been...

Reading the release blather below makes me feel so old; I remember when the cassette of this was released; I never did get to hear that cassette, but I can finally hear this now!

"Live In Vienna is the eighth full-length album by German electronic music outfit Cluster and their first and only album with Joshi Farnbauer. It is the first of three live albums recorded by Cluster.
On June 12, 1980 Cluster performed at the Wiener Festwochen Alternativ with Farnbauer. The performance was recorded..

Licensed from Jean Cohen-Solal. Includes eight-page booklet. Clear vinyl; Obi strip; Edition of 700.

"The first ever vinyl reissue of Jean Cohen-Solal's Captain Tarthopom, originally released in 1973.
"Nothing can stop a flutist. We can do whatever we want, whatever we feel. My flute, is a mirror of myself. I express feelings more easily with the flute than with language." This is what Jean Cohen-Solal said on the cover of his first album released in 1972, Flûtes Libres, renowned for its...

“The first ever reissue of Jean Cohen-Solal's Flûtes Libres, originally released in 1972. In a dreamlike fictive and windswept Brittany, hippy pirates and wild women more or less inspired by Gérard de Nerval fight it out in a theater, the magic of which brings to mind Cocteau, and where musical improvisation has an important role: this is Noroît, a cursed film which was never released in cinemas at the time (1976), directed by the great Jacques Rivette, where Jean-Cohen-Solal, his brother Robert and...