Weasel Walter (left guitar)
Matt Nelson (tenor saxophone)
Katie Battistoni (right guitar)
Tim Dahl (bass guitar)
Sam Ospovat (drums)

Fine, new, very composed instrumental, brutal-prog style release from Weasel and pals, in a tough, two guitar, tenor, bass, drums quintet.

“Roaring out of the gates is the 15th full-length album by no wave/punk jazz/brutal prog iconoclasts The Flying Luttenbachers, led by founding member and main composer Weasel Walter. There's a few

“Focus is known around the world for its iconic albums. The NEW STUDIO ALBUM Focus 11 features:
* SIR THIJS VAN LEER
* PIERRE VAN DER LINDEN
* MENNO GOOTJES
* UDO PANNEKEET
The band’s 11th studio album showcases the current line-up’s new music and this limited vinyl edition features new artwork by ROGER DEAN.
This is the first new Focus studio album in SIX YEARS!
The same line-up of the band is touring worldwide in support of the album throughout 2019, building up to a 50t

The world's greatest Chilean Krautrock band. The world's only Chilean Krautrock band, but, seriously, these guys are quite great!
And you know that they’re smokin’ the right thing for the task of being the world’s greatest Chilean Krautrock band when they name their fourth album “I”...

“...trance-inducing hypno-psychedelic, ethno-motorik star-gaze rock atmospherics that slowly build & expand to the outer reaches of the universe in a rolling percussive, mesmerizing splendor. It’s a lope-along

“This is an unpublished public recording by Brigitte Fontaine and Areski Belkacem dating from 1973. Areski Belkacem and Brigitte Fontaine, major artists of the French counterculture, were often be censored or deliberately ignored by the media due to their libertarian positions. Obtaining success at a late stage, it was not until the album Kékéland in 2001 and Rue Saint Louis en l'Ile in 2004, for Brigitte Fontaine to earn gold records.
At the turn of Brigitte Fontaine's career, when breaking away....

"Physicalist is the third album from New York City synthesis trio Forma. Since their acclaimed self-titled debut in 2011, Forma have been perfecting a distinctive style of improvised kosmische and minimalism that blends swirling arpeggios, ambient soundscapes, and driving motorik beats.
Physicalist is a sprawling, double LP journey featuring new member and multi-instrumentalist John Also Bennett.
The first Forma album to include acoustic instrumentation, Physicalist owes more to American...

This numbered, limited edition of 500, is on orange vinyl.

"This trio was among the earliest on the Italian progressive scene...an album that lies halfway between psychedelic beat music and early progressive rock, comparable to Vanilla Fudge and New Trolls' heavier 1960's singles".-Scented Gardens of the Mind

"Recorded in May and October 1972 for BBC Radio 1 by DJ Bob Harris, these sessions may be all that remain of this seminal acid folk band's elusive third album! Featuring songs not heard on either one of their LPs--1969's self-titled debut and 1970's...

Alessandro Graziano / lead vocals
Paolo Colombo / guitars, backing vocals
Alberto Citterio / keyboards, backing vocals
Pietro Bertoni / trombone
Marco Buzzi / basses
Emanuele Borsati / drums, percussion, backing vocals

A new, self-released title by a band who previously had a release on the Fading / AltrOck label!

“After falling in love with 2014's Sulla Bolla di Sapone--an album that appeared out of nowhere and snuck into my Top 10 Albums for that year--I found my

The return of ‘Fred Lane’ with an album that sounds like the three decades between this and his brilliant last never happened is truly cause for joy at casa Wayside. This is just as great as ever and musically, maybe even better!
"Amazingly, here is the glorious (long-delayed) follow-up to Fred Lane's 1988 Shimmy Disc LP, Car Radio Jerome. In the wake of that surreal masterpiece, Shimmy announced an LP called Icepick to the Moon, but it took 31 years to wrestle this slab of bacon to the mat. And...

"Free Nelson Mandoomjazz are a three-piece band formed in Edinburgh playing an experimental blend of doom metal and free jazz.
Influenced principally by artists such as Black Sabbath, Electric Wizard, Sun Ra, Sonny Rollins, Albert Ayler and Wayne Shorter, they term their music doom jazz.
The band formed when all three members met through playing for the same blues band. Paul Archibald (drums) and Colin Stewart (bass) started discussing musical influences, and the concept of Free Nelson...

"This is the third album by South Africa's Freedom's Children, originally released on the Parlophone label. The year is 1971, but the song is "1999." The group is Freedom's and the vibes are galactic. And now just over 30 years later, we can look back at "1999." This is a many-layered album, almost to the point of being cluttered, but this is what makes it interesting. Each time you listen you can hear something new, be it a tone in Brian Davidson's wailing vocals, a riff from Julian Laxton's screaming...

“Double 200gm vinyl LP pressing. Consists of the original 1979 release on LP1, while LP2 presents the 2006 third edition on vinyl for the first time. The album has been mastered by Jason Mitchell at LOUD mastering from masters approved by Robert Fripp.

The term 'classic album' has been devalued somewhat through overuse, but if ever an album has proved worthy of the term it's Robert Fripp's 1979 solo debut Exposure. An invitation from David Bowie and Brian Eno in July 1977 resulted in his...

Here is the first-ever vinyl reissue of this landmark album PLUS a second lp of all new stuff.
In the 50 years since this was released, so much has happened, and artists like Keith Rowe and Derek Bailey have become relatively well known, so that the shock of this record back then is hard to imagine now. But as a member of a medium-profile ‘progressive rock band’ on a high-profile ‘progressive rock label’, Fred Frith was watched and known by people who didn’t know Derek from a hole in the ground in...

“Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic.
Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going..

Peter Farrelly : lead vocals, bass
Martin Foye : drums
John Mason : keyboards
Vincent McCusker : guitar

Very, very last copies! Thou are warned!

This is a new, very limited (only 500 made) archival release of a non-professionally recorded concert from December 6, 1975. It’s was released by the band’s fanclub page and as good of a job as could be done with the recording was definitely done. One for fans, but a nice one for fans, especially with all these extras include

"The first time since 1971 that this album has been pressed from the original master tapes, recently discovered in Italy.
Lacquered directly from tape in an all-analog transfer by Bernie Grundman.
Mark Fry was 19 -- recently graduated from high school and in Italy studying painting -- when he walked barefooted into RCA's Italian subsidiary, played some songs he'd written on his guitar and was signed to record the album that would become legend.
The first recordings he made proved stuff...

"In May of 1996, with a handful of releases under their belts, the kings of the insanity sound, then known simply as: The Champs, began recording their magnum octopus, III. This time their sights were set beyond the still diminutive cassette format and trained squarely on a gatefold double album -- the perfect medium for Total Music. Over the next year, in between touring up and down the west coast, the band molded the Kubrickian monolith known as III. In May of 1997, after lugging a console, tape mach...

Tomas Fujiwara’s 7 Poets Trio:
Tomas Fujiwara - drums and compositions
Tomeka Reid - cello
Patricia Brennan - vibraphone

“The compositions for Tomas Fujiwara - Pith were written between April 2020 and January 2022. It was a time of minimal to no performing opportunities, which was a massive lifestyle change for Fujiwara, an active drummer on the international touring scene. Because of this there was no deadline for Pith (a first for Fujiwara), and while he knew he was writing...

“Ellen Fullman began developing The Long String Instrument in her St. Paul, Minnesota studio in 1980 and moved to Brooklyn the following year.
Inspired by composer and instrument builder Harry Partch, Fullman's large-scale work creates droning, organ-like overtones that are as unique in the world of sound as her vision of the instrument itself. Along with her 1985 debut album-appropriately titled The Long String Instrument-Fullman's only output in the 1980s would be two self-released cassettes...

"A reissue of Fusioon's Danza Del Molinero, originally released in 1972. This is the first album by these Catalan psych-progsters.
Traditional Spanish songs receive a psychedelic/progressive/jazz-rock treatment with a tremendous rhythm section (drum breaks galore), fuzz-tone guitar, Hammond and analog keyboards, piano, and occasional string arrangements.
RIYL: Soft Machine, Egg, Goblin, Arzachel, Le Orme, Collegium Musicum."

Very, very good, instrumentally-leaning Spanish progressive/fusion band, who feature multi-keyboards, guitar, bass and drums. At times they get into an almost Egg-like complexity, although that's not their overall sound. Their name is pronounced...

For the first time on vinyl, Black Sweat Records presents this obscure gem from the Italian project Futuro Antico, released only on tape in 1980. This record contains a hypnotic session from members Walter Maioli (Aktuala) and Riccardo Sinigaglia. Warm...

"Futuropaco's debut album is the shape of things to come: it's a wet, enigmatic cocktail of part 1970s Italian library music, part kraut-alicious, beat-galore, and part riff-driven heavy psych. Justin Pinkerton, from Oakland, California, is the one-man army behind the opaque merge of seemingly different forces: from mad fuzz guitar breakdowns à la Morricone at his most intense, to the syncopated drum learnings of Jaki Liebezeit, Justin weaves a blanket of sound that's simply loaded with deep vibes: From...