“A definitive reissue of the long out-of-print first album from Italian experimental-rock band LA 1919, Ars srA, originally released in 1987 by ADN, the Italian Recommended Records branch.
Ars srA was an early example of a long-distance collaboration album as result of a virtuosic exchange of tapes between the Milan-based duo and the legendary American guitarist Henry Kaiser and Canadian maverick sound artist John Oswald. The resulting music sounds like a perfect blend of '70s art-rock elements and...

"Licensed from Columbia Japan. Remastered and lacquer cut by Rashad Becker. 180 gram vinyl.
Aguirre Records present a reissue of Distant Voices, Steve Lacy's rare Japanese collaboration album, originally released in 1976. Renowned for remarkable solo concerts that confirmed his mastery of the soprano horn and that carried its instrumental language into previously unexplored regions, Lacy also loved to collaborate with musicians who could inspire him to stretch the boundaries of his own artistry....

"Connecticut's Landing have specialized in a mild and rural kind of psychedelia since the late '90s; they have since moved closer to post-punk and shoegaze territory, but Third Sight -- recorded specifically for El Paraiso Records' Impetus series -- builds on the hallucinatory soundscapes of the band's earliest days. There's a unique sense of motoric drift to these four long pieces, and an organic blend of rock instrumentation and analog electronics that brings to mind Eno's best collaborations in the...

Rudolf Langer (formerly of Tyndall) and Peter Preuss teamed up to create Lapre as a vehicle for their adventures in sonic experimentation. They set about capturing their nocturnal rehearsal room sessions on tape, Langer on synthesizer and Preuß on guitar. With the exception of a solitary single and a few extremely limited cassette runs, Lapre released no further material during their active phase. It was not until 2018 that their works became accessible to a wider audience, when Bureau B released the...

The great lost second Laraaji album, from 1984 and only previously available on cassette tape directly from the artist on the streets of NYC!

"Vision Songs Vol. 1 (1984) is the LARAAJI album like no other, located at the intersection of new age and gospel. It is both his outlier and magnum opus, the feel-good DIY tape of the century.
Discovered busking in Washington Square Park by Brian Eno in the late 70s, engagement with the eternal flow has led Laraaji to, seemingly by magic, emerge as the.

"Professional Sunflow is the first-time collaboration between Laraaji & Sun Araw, two colossal forces in contemporary electronic music. Laraaji's musical radiance has continued to shine brightly over four decades since being discovered by Brian Eno in New York's Washington Square Park in 1979. Sun Araw emerged out of Los Angeles' experimental scene in 2008 with transformative releases on a variety of trend-setting labels (Not Not Fun, Drag City and more).

The live performances on this double...

When Last Exit, a supergroup of musical avantists and trouble-makers first appeared in the mid 1980s, I can not begin to explain what a shock they were to the jazz and improvised music scene. Here were three well established jazz and improvisational figures (Peter Brotzmann, Sonny Sharrock and Ronald Shannon Jackson) playing with a 'rock' guy (Bill Laswell) and playing fucking LOUD.

Playing major festivals, bursting eardrums where ever they went and recording and releasing a number of live albums..

"In the young Maesa Pullman, The Last Hurrah!! mastermind HP Gundersen has found the perfect singer for this ever-developing project so dear to his heart. After exploring the possibilities of the drone guitar on their 2011 debut, Spiritual Non-Believers, and the slightly more song-oriented 2013 follow-up, The Beauty of Fake, The Last Hurrah!! are back with a third album that dives straight into the heart of classical song traditions and vintage production values, blending elements from country and...

Bill Laswell-electric basses
Michael Beinhorn-synths, shortwave, tapes
Ronald Shannon Jackson-drums
George Lewis-trombone
Ralph Carney-bass sax, contrabass clarinet
Fred Frith-guitar, violin
Martin Bisi-drums, percussion, metals
David Moss-voice, non-metric percussion, steel drum
Phillip Wilson-drums

When the Bill Laswell-helmed Material released Memory Serves in 1981, it was one of the very earliest of the 'downtown sound' albums to be released, and it was..

This was the first of 3 very good, E.L.P. - inspired albums that this very young Italian band released.
This is a rock opera based on the gospel of St. Matthew. A very nice fusion of keyboard-driven progressive rock and classical music.

Great and personalized takes on the music of a quirky American icon! Recommended!

“Chicago saxophonist Dustin Laurenzi, a touring member of Justin Vernon’s Bon Iver and one-third of the inventive Chicago improvising collective Twin Talk, first encountered the music of Moondog a decade ago, while studying at Indiana University. “Initially, I liked the quirkiness of the music and the lore surrounding him,” he says. Until he relocated to Germany in 1974, Kansas-born Louis Hardin Jr. was a genuine...

"Led Bib may have managed to retain the same line-up since 2004 but there is nothing jaded about this set." � The Arts Desk

"...a dynamite live show." � Time Out London ...

“Seed Triangular is the first collaborative album from adventurous multi-instrumentalist Robbie Lee and virtuosic guitarist Mary Halvorson. The album features Halvorson and Lee not only improvising together on a rarely-heard combination of instruments for the very first time, but also documents Halvorson touching these instruments for the very first time. She explores the extended high and low strings of an 18-string Knutsen harp guitar (circa 1899), the vintage quirks of a 1930 Gibson L-2 guitar, and...

Steve Lehman alto and sopranino saxophones / Mark Dresser double bass / Pheeroan Aklaff drums.
"When the re-edition of past works of an artist has no immediate commercial justification, the motivations of a particular label and the musician himself can only be one of two: to show from where he came from, in order for the listener to compare recent achievements with old developments, or to give a broad perspective of his path as a flux of equally considered ideas and performative realizations, if that..

“A conceptual and contemporary approach to early music, exploring its ambiences, timbres and feelings. Delicate experimentation with sound textures where different white noise tones can meet the strings from a viola da gamba. A cinematic work, very touching and emotional. Almost mystic, spiritual ambient.
K. Leimer and Marc Barreca are two American synth/multi-instrumental musicians that have been active since late '70s. They have some previous collaborations released in Leimer's imprint Palace Of...

This reissues two really good and unique early, early 80s synthesizer albums that were definitely overlooked at the time.

"Vinyl LP pressing reissue of Craig Leon's seminal synthesizer albums Nommos and Visiting 're-editioned' in definitive form as the Anthology of Interplanetary Folk Music Vol. 1 for RVNG Intl.'s archival series.
Originally issued respectively on John Fahey's Takoma label in 1980 & Leon's Arbitor private press in 1982, Nommos and Visiting were the twin brainchildren of...

“A much-told story by now, the chance encounter between Benjamin Lew and Steven Brown in the ebullient creative nexus that was Brussels in the early '80s led to one of these discreet but unforgettable minor miracles which take place sometimes. Poetic, magical and evocative, "Douzième Journée" takes the listener on a journey through alien landscapes, which has elicited comparisons to the music of Jon Hassell and Can.
Steven Brown is a front figure of US band Tuxedomoon. Benjamin Lew is a writer...

Limited edition blue, black & white vinyl in a beautiful gatefold sleeve!

Libra were an Italian progressive rock band who strangely enough signed to Motown in the early 1970's, releasing one album that just disappeared (who looks for progressive rock on Motown?).

Years later they reappeared with this, their 2nd and final album, which was the somewhat-to-extremely Goblin-esque sountrack to a Mario Bava horror film. If you like the Goblin sound, you will like this. All instrumental...

“Ultra rare £3000+ serene folk inflected progressive rock. Cherry Red recently used one song from a poor condition acetate on a recent compilation.
Three acetate copies were made in 1970, and Seelie Court used the only surviving near mint LP that’s owned by an ex–member as source with great audio. The songs ’Oakenshade’ and ’Waxing Of The Moon’ are poetic genius, using a guitar with a damaged bridge to create a sitar like drone, the vocals have an air of resigned melancholia, and the lyrics connect...

Really excellent 'spiritual jazz' from a very obscure group who released this in 1970. Hugely recommended to fans of that sound / the Strata-East sound.

"Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. Free As You Wanna Be predates the deep-set, maverick..

“"I felt totally unrestrained making this album" says Lindstrøm about his 6th solo album On A Clear Day I Can See You Forever (a title inspired by the 1970’s musical On A Clear Day You Can See Forever starring Barbra Streisand). "I’ve listened to Robert Wyatt's solo albums and his Matching Mole’s debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this."
In the autumn of 2018, Lindstrøm composed a commissioned piece for Norway’s premiere...

"1973 was an extremely prolific year for many a Finnish jazz musician. Guitarist Jukka Tolonen and saxophonist Eero Koivistoinen released a few albums of their own and also participated on Esko Linnavalli's project Finnish Design, the aim of which was to perform jazz interpretations of Finnish folk songs. The result was so successful that one can't help but wonder while listening to the album that why it hasn't been reissued until now. The Svart reissue is presented with the original gatefold layout and...

“A reissue of Garrett List's Your Own Self, originally issued in 1972. Produced on Max Schubel's Opus One label, it was a remarkable creative effort, conceived like a celebration of a higher self-consciousness. The context is avant-garde minimalism, but the music is enriched by a deep spiritualism; it echoes the most meditative jazz of the age, taking also advantage from the mystic lesson of La Monte Young. Everything is solved in a free, moderate and brilliant language, pure and elegant. It's...

Lizards Exist is a Croatian psychedelic/space groove-rock band with a new approach to vintage psychedelia. Using 100% analog vintage equipment (pre 1976) they bring these vintage sounds in its original form to the listener.
This is a vinyl reissue of their 2014 album. It was half speed mastered in Abbey Road Studios for the ultimate ear candy. The vinyl package is full of various extras and interesting stuff. A fully independent high quality release. Limited to 100 copies on black vinyl.” ...

Angel Bat Dawid – clarinet
Ben LaMar Gay – cornet & melodica
Dana Hall – drums
Damon Locks – samples & electronics
Arif Smith – percussion
Singers:
Phillip Armstrong
Monique Golding
Tramaine Parker
Richie Parks
Erica Rene
Eric Tre’von

“Damon Locks & Black Monument Ensemble’s new album "NOW" was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle