Keyboardist/composer Jordi Sabates played on a lot of good Spanish albums during the 1970's. He composed and played keyboards (piano, Fender Rhodes, organ and Moog synths) on this album, that he is joined Toti Soler-flamenco guitar, Ricardo Sabates-ele...

"Sister of well known artist Alan Sorrenti, Jenny (or Jane, as she was called in her early releases) was born in Naples from welsh mother, and formed there the acid folk trio Saint Just. With this band she released two albums before embarking in a solo career that only produced two more albums in the 70's.
Saint Just began as a trio mainly using acoustic instruments and mixing together folk, psychedelia and classical influences. The very good results are demonstrated in their first album, released in..

"Finland´s Sammal´s third album Suuliekki, continues where the critically acclaimed Myrskyvaroitus left off, not following in it´s footsteps, but rather taking a turn into uncharted territory, as this was the first time the band really had to start writing from scratch, after taking a little break, from playing shows and composing. The material never comes too easy, and many ideas are thrown into the “some other project” or “this simply isn´t good enough” bin. Song sketches have to sort of boil in a pot...

"Numbered edition of 300 copies. Previously unreleased album by German trio Sand, recorded in 1972. His First Steps is a forerunner of Golem, the legendary 1974 album from the cosmic and psychedelic genius that is Sand. After the split of P.O.T., the early Sand submerged as a threesome in the basement of Claudiusstrasse and built up an alchemical assembling shop, where they resurrected the archetypical Golem. Sand considered themselves as an exile community in a fascinating area -- full of distinctly...

"The best improvisers are the ones that seem to invent and uninvent their instruments right in front of your eyes and ears. Swedish pianist Sten Sandell and Norwegian drummer Paal Nilssen-Love are two musical champions with a long experience of doing...

“Pharoah Sanders, live at the Antibes Jazz Festival in Juan-les-Pins on July 21, 1968.
Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone.
His status began to rise upon joining Coltrane's band in 1965, where his discordant solos formed a strong contrast to Trane's more melodious sound, though each player had a strong impact on the other's subsequent work. Following Coltrane's untimely death in 1967, Sanders formed a quartet of his own...

Last copy in stock: Has a creased upper left corner

Pharaoh Sanders, tenor sax / Rob Mazurek, cornet / Chad Taylor, drums / Guilherme Granado, synths / Matthew Lux, bass / Mauricio Takara, percussion.

From the same sessions that led to the CD, Spiral Mercury, but there was enough extra material that all music here is exclusive to this vinyl-only release

! Oh, yeah! This is Rob Mazurek and both the Sao Paulo Underground AND Chicago Underground duo and bassist Matthew Lux,

"There was a time when the strength of a musician's vision transcended all labels; here is a chance to dip into that pool again, and emerge not just refreshed, but alive again with the sense that we all can live in that world again, but most importantly raise the flag for excellence. Fantastic."-Jim O'Rourke ...

"Gnashing, thrashing and teeming with enchanting microtones—Machine Guitars is the definitive recorded work of Remko Scha, although the late Dutch artist didn’t play a single note himself. Rather, Scha arranged a motorized, rotating wire brush and saber saw in front of suspended electric guitars and let these metallic torrents flow.
Scha was a linguist and generative artist, enamored of computers’ capacity for algorithmic creativity. A leading researcher at the University of Amsterdam, he also...

"Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both...

“Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as "moth"...

I am personally thrilled to see this return to print; it was available on CD over a decade ago, but has been out of print since then. It is a minor German/Krautrock classic from 1979, which was fairly late in the game. Günter Schickert's first album was released on Brain, but this one, originally on Sky, featured Schickert's pulsing, multi-guitar overdubs with simple, but very effective drumming. Also has a small bit of strange, spoken and sung texts, which very nicely adds to the air of mystery/strangeness

Günter Schickert, four decades of multi-instrumental cosmic explorations, under Berlin's sky, above genres, and compromises. Marmo present on his seventh album to date, Labyrinth, the first to be released on vinyl format since 1983's Kinder In Der Wildnis. Schickert's Samtvogel (1974), equaled the imaginative leap and sonic power of the early Pink Floyd, Manuel Gottsching's 1975 album Inventions For Electric Guitar (MGART 401CD/901LP) or A.R. & Machines's Die Grüne Reise (1971). Überfällig -- originally...

You know Jonas' name because he's in the group Causa Sui and works a lot with the great bands on El Paraiso.

"Passage is the second collaborative album from London-based synth-wizard Ulrich Schnauss and Danish producer Jonas Munk. 11 tracks of breezy, blissed-out electronica and colorful ambient. As the album title denotes, there's a sense of movement in the music these two producers create together: a Schnauss and Munk composition starts one place and ends up someplace very different - something..

"Kenya meets Krautronics. Stefan Schneider and Sven Kacirek bring African rhythms into dark electronica. Under the auspices of the Goethe Institute and Unesco, Stefan Schneider and Sven Kacirek have spent a fair amount of time in Kenya in recent years...