''New work from JR to listen to or to not listen to; 'environmental' but very much present, this is an impossible work to categorise, but an evocative and innovative one; and to my taste a keystone of a new form.'' [ReR]

“Jocelyn Robert is a multidisciplinary artist, active in the fields of sound and video art, installations, performance, computer art and writing since the late 1980s. He co-founded the audio and electronic arts centre Avatar in 1993 and has presented his work in numerous events and exhibitions across the globe. Robert lives and works in Quebec City, Canada, where he teaches at l'Ecole des arts visuels de l'Université Laval. 'The Maze' contains mostly field recordings, many with modified time scales, some...

With great honour Fledg’ling Records announce a deluxe reissue of Andy Robert’s splendid 1973 album - and the Great Stampede - originally released on the legendary Elektra label. One of this country’s under-acknowledged guitarists and song-writers...

"Four serene yet deeply emotive and entrancing pieces for solo qin (a Chinese zither-like instrument). Quiet, sparse, vaguely eerie, almost Feldmanesque, almost delta-blues-like. Performed by the composer, who mastered the qin while living and teaching...

“Long, simple, clear notes, they seem to trail off in the distance. Almost shyly played, as if the saxophonist wanted to approach what she wants to say very tenderly.
After her solo album Coin Coin Chapter 3: River Run Thee Matana Roberts presents herself with an entirely different approach of playing alone. While River Run Thee also included electronics, spoken word poetry, singing and all kind of samples, Always is stripped down to the single voice of her alto. And what a great saxophonist she is!..

Herb Robertson, trumpet/Mark Dresser, bass/Sylvie Courvoisier, piano/Tim Berne, alto sax/Tom Rainey, drums.

"A new Herb Robertson release is always cause for celebration, at least in my household. There’s always that anticipation to see what...

On saxophonist/composer Jason Robinson’s polydirectional masterpiece Tiresian Symmetry, he’s gathered an extraordinary cast of improvisers to investigate and embellish the framework of his compositions. The music’s richly...

“Interesting with some excellent playing and innovative atmosphere. I wish you luck with the project.”-Steve Hackett

“I liked it very much. All the best in this crazy world we now have...”-Adrian Belew

“By turns Ambient, Aggressive, Ethereal, Discordant, Thoughtful and Melodic, it's stunning that all of this music was made on the guitar. A fabulous piece of work!”-Paul McMahon

“Tasteful superimposition of down-to-earth electric guitar sounds and noises with otherworldly swirls

"Hailing from Monterey in northern California, Rock Shop became one of the most popular bands in the area, playing regularly at Mr Lee's Swingin' Affair nightclub in West Covina to packed houses. The band's one and only album, released on the Lee-Mo...

The Rocket Scientists are a old-school prog band with some new-school touches. They've been doing it for something like 20 years and this is is their seventh album. The band consists of the core trio of Erik Norlander (keyboards & vocals), Don Schiff...

"Opalescence is the new album from the most unusual trio of Norbert Rodenkirchen, Robbie Lee, and James Ilgenfritz. The setting for the initial sessions: hushed microtones bouncing off reverberant marble walls while a blizzard raged outside. Their backgrounds: an unconventional mix of medieval music, modern composition, various folk traditions, and, of course, jazz. And the result: an unclassifiable amalgam of improvised forms, weaving together far-flung genres, gratifyingly challenging yet easy to...

PROMO

"The last of six LPs by the Red Rodney-Ira Sullivan Quintet was also the band's finest. There are times in the music (which consists of three originals by pianist Garry Dial, Herbie Hancock's "Speak Like a Child" and "As Time Goes By") where the group sounds like the early Ornette Coleman Quartet. The setting and advanced repertoire clearly challenged Rodney (who mostly sticks here to flugelhorn) and inspired Sullivan (switching between alto, alto flute, soprano and flugelhorn). A post-bop gem, one of...

Charming and imaginative music for a controversial film that follows the Jewish basketball experience from ash cans placed on the stoops of brownstones to the bright lights of Madison Square Garden. Composed by Roberto Juan Rodriguez, whose CDs of...

"Roberto Rodriguez’s dynamic blending of Cuban music with the Jewish tradition has produced some of the most popular and best selling CDs on the Radical Jewish series. Here he turns his brilliant arranging skills and fabulous all-star ensemble to nine...

RESTOCKED! The first solo album (with guests/band on almost every track though, including members of The Mars Volta) by the musical head of the quite extraordinary Mars Volta. The music ranges from extremely Mars Volta-like to weird, dreamy latin-musi...

Matthew Schneider guitar / Jason Roebke double bass / Marcus Evans drums.

"The bass is an intermediary. At once rhythmic, textural, melodic and harmonic. It can keep the band together or signal a dissipation. Let’s face it: nothing makes more sense than to have the double bassist as bandleader. What about being the bassist also the composer of the band? Well, that’s another story. The music of Jason Roebke is raw and grounded. The journey is, in itself, the destination. A kind of musique vérité...

Of the 14 tracks on Aquarello, 12 are live recordings. Hans-Joachim Roedelius, Nicola Alesini, and Fabio Capanni performed together at the VI Musica Visual in Lanzarote. The liner notes are in German, so listeners are left with no graphic interference"...

"This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel...

"The third studio album by Hans-Joachim Roedelius, originally released by Sky Records in 1981, fulfilled a dream he had long cherished. A series of chamber music pieces, with grand piano solos taking center stage in some places, archaised percussion...

"Originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a...

"This is the third solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1979 on Sky Records. Alongside his ongoing work with Cluster and Harmonia, Roedelius amassed an almost incalculable number of musical notations during...

“During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door now and again. Here he experimented, practiced, allowed his imagination to flow, at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rother at work on new Cluster or Harmonia material.
Roedelius always let the tape run, in order to analyze the ideas...

"Of all the Hans-Joachim Roedelius solo releases, this is the one which most closely resembles the work of Cluster. Wasser Im Wind sees Roedelius use a wide variety of musical and sonic ingredients hitherto associated with Cluster, almost as if he...