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"This special edition release is comprised of two brand new full-length albums, distinct in personnel & approach, yet complementary in ethos. William Parker is (and has been) on a profound and voluminous creative flow. Both of these albums were made in Summer 2018; they follow up and extend on his June 2018 release, the exemplary 3CD box set Voices Fall From the Sky. Flower in a Stained-Glass Window fully features vocalist Leena Conquest, a tremendous interpreter of Parker's work in song. She can be ...

After releasing two very good CDs on CMP, the label folded, and Chad released this one on a small German label. Chad's just fab drumming is the glue that holds this hot fusion disc together, but there's good work from James Muller-guitar, Darly Pratt-v...

"This is the first-ever release of the extraordinary 1987 performance of Yoshi Wada's interactive sound installation The Appointed Cloud, recorded in the Great Hall of the New York Hall of Science. This majestic recording captures 60 minutes of sound...

"The Japanese jazz scene is finally getting the attention it deserves. Long written off as just a scene filled with copycats of American and European artists, jazz fans around the world are now discovering that there was some amazing music being...

Excellent spacey/folk/psychedelic/hipster-what-have-you Italian band, released here in a collector-scum edition of only 200 copies in a hand screened gatefold board wallet. Nice, slightly ominous stuff!

"The second album from Italian project...

This reissues the only album by this psychedelic band from El Paso, TX, which was originally released in a small number in 1970. This has long been hailed for its 'desert vibe' and while you can hear a lot of normal/lesser late 60's influences, at its ...

“Perhaps Tom Waits' most cohesive album, Bone Machine is a morbid, sinister nightmare, one that applied the quirks of his experimental '80s classics to stunningly evocative -- and often harrowing -- effect. In keeping with the title's grotesque image of the human body, Bone Machine is obsessed with decay and mortality, the ease with which earthly existence can be destroyed. The arrangements are accordingly stripped of all excess flesh; the very few, often non-traditional instruments float in distinct...

Certainly one of the pillars of Tom Waits’ work, this finds him right in the middle of his great, ‘weirdo’ period [and he was and always will be a ‘weirdo’ anyway!], seemingly hugely infuenced by Captain Beefheart, circus music, drunk lounge acts and Brecht, and using weird juxtapositions of instruments such as electric guitar, pump organ, baritone horn and massed reeds/brass along with the singing.
Pretty damn great stuff! Period.

"By 1989, Tom Waits was looking back on a decade that had proffered exceptional results. Having grown out from his 1970s barroom crooner and piano balladeer styles, Waits dared to be different at a time when many of his contemporaries were turning to the synthesiser and drum machine. Producing a quite extraordinary body of work during the '80s, including the trio of albums linked by theme, Swordfishtrombones (1983), Rain Dogs (1985) and Frank's Wild Years (1987). These LPs flew the face of musical...

I recently watched Down By Law, a great film by Jim Jarmusch, which stars Tom Waits and his buddy John Lurie from The Lounge Lizards. Waits' "Jockey Full Of Bourbon" is the music in the opening scene, and it reminded me to revisit this album. We were able to get some copies for a low price, so here it is...

"With its jarring rhythms and unusual instrumentation -- marimba, accordion, various percussion -- as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to...

"Between the release of Heartattack and Vine in 1980 and Swordfishtrombones in 1983, Tom Waits got rid of his manager, his producer, and his record company. And he drastically altered a musical approach that had become as dependable as it was unexciting. Swordfishtrombones has none of the strings and much less of the piano work that Waits' previous albums had employed; instead, the dominant sounds on the record were low-pitched horns, bass instruments, and percussion, set in spare, close-miked....

“Still the most challenging music artist of the rock age to have gained notable mainstream success, Tom Waits continues to produce a formidable sound while still attracting huge numbers of fans. This triple CD box celebrates the longevity and quality of Tom's career to date and features three CDs each containing a different live performance, each broadcast across FM radio at the time.
Kicking off on Disc One with Waits' show at the famous Agora Ballroom in Cleveland, Ohio, on 25th October 1977...

"The first live DVD release of Oliver Wakeman (with a CD of the same live recordings), the oldest son of Rick Wakeman (Yes), one of the best keyboard players in the history of progressive rock. "Coming To Town - Live in Katowice" DVD - an extraordinary...

A quintet of albums by the iconic prog keyboardist packaged together in a slimline slipcase. Includes the albums
The Six Wives Of Henry VIII
Journey To The Centre Of Earth
The Myths And Legends Of King Arthur And The Knights Of The Round Table
No Earthly Connection
White Rock

"This concert was originally recorded for broadcast on ITV and released here for the first time. The high quality recording has been remastered and are featured both on a DVD and audio CD alongside extended notes, new interviews, imagery and memorabilia. Keyboard wizard Rick Wakeman has enjoyed at least three careers - early-Seventies session man, the Caped Crusader of progressive giants Yes and solo star responsible for such epic albums as The Six Wives of Henry VIII, Journey To The Centre Of The Earth...

"Almost Live In Europe is a live album that has been re worked in the recording studio. Hence the title Almost Live In Europe. The band were recorded during the tour of Europe in Italy in 1995. The line up of the English Rock Ensemble is a strange one...

"Aspirant Sunrise is the first in a trilogy of albums recorded in 1991, the others being Aspirant Sunset and Aspirant Sunshadows. The style is very much New Age which was a popular style at the start of the nineties and the music was written with...

"G'ole is one of Rick's soundtrack albums, taken from the film of the same name which was a feature on the 1982 World Cup. The album features Rick alongside long time percussionist Tony Fernandez and Jackie McAuley (former guitarist of the legendary...

One of the earliest recordings of Rick available on the market and this actually even includes a bit pretty good liner notes and information for this type of live album. Recorded November 2, 1975 at the Winterland Theater, San Francisco, CA.

"Remastered edition of RICK WAKEMAN’s 2003 live album with the New English Rock Ensemble, “In the Nick of Time”. Featuring a band comprising ASHLEY HOLT (vocals), ANT GLYNNE (Guitars), LEE POMEROY (Bass), TONY FERNANDEZ (Drums) and ERIK JORDAN (Additional Keyboards) ‘In the Nick of Time’ was an excellent live album that saw Rick and his band perform many classic tracks such as ‘No Earthly Connection’, ‘Catherine Parr’, ‘White Rock’ and ‘Wurm’, alongside the title track from the recently recorded album...

One of the most over-the-top rock albums ever made, and depending on how you feel about flash, pomp and circumstance, may make it one of the best albums of all time!
It's even live, which is really impressive. One thing for sure; they certainly spent a lot of money putting this concert, which includes rock band, the London Symphony Orchestra and the English Chamber Choir.
This includes the original album remastered, but with a previously unreleased track added, "The Pearl and Dean Unfinished...

"Following his departure from Yes, Rick Wakeman launched his very successful solo career, and went on to release several albums which achieved millions of sales. Released here by full agreement with Rick Wakeman, this double CD features two 1976 BBC...

“Featuring vocals by Chrissie Hammond, Raymond Remedios and Ashley Holt, the music was composed and recorded by Rick especially for a 1990s relaunch of the 1925 Universal screen version of Phantom Of The Opera. The music on this recording has been re-edited, remixed and, in some cases, re-recorded in order to reflect the musical spectrum that encompassed the 90 minute epic.
Covering everything from operatic rock to tearful ballads, the recording is a film in itself...without the pictures.”

Rick's first solo album and definitely one of his best. All instrumental classical-rock, recorded in 1973 while he was in Yes and most of the members of Yes help out on here.

"Rick had petitioned Hampton Court to perform this album back in 1973 but was turned down. Now, 36 years later in front of a very enthusiastic crowd, a full orchestra, and a full choir, Rick brings a fresh performance of his debut album and the sound...

"Gastank was an English television show that aired between 1982–1983 in the United Kingdom on Channel 4. Hosted by former Yes keyboardist Rick Wakeman, the show featured a mix of interviews with 1970s musicians and impromptu performances where the guest artist would join Wakeman and his house band in playing re-arranged versions of their classic songs, or entirely new pieces created for the show.
The format was very informal, with the setting likened to a bar where Wakeman would interview the guest...

“A never released before recording by French avant-garde electronic composer Igor Wakhevitch.
Wakhevitch composed a bunch of major experimental albums in the '70s, such as Logos (1970), Docteur Faust (1971), Hathor (1972), Les Fous D'or (1975), Nagual (1977), and Let's Start (1979). During this 10-year period, Wakhevitch was close to Jean-Michel Jarre, Pink Floyd, Soft Machine, and legendary choreographer Maurice Bejart having with him many conversations around dance and music, human body and soul...

"Collin Walcott defined a corner of improvisation all his own with his unique approach to the sitar and tabla. When the newly-formed Gateway trio of John Abercrombie, Dave Holland and Jack DeJohnette joined him for “Cloud Dance” the results were magical..

Another album of duos, this time George adds the tarogato to his arsennal. More standards and originals. [Slam]

A beautiful recording of these two playing duets on baritone sax & piano, including several standards and originals. It's amazing how underappreciated Mal Waldron is, even after all of these years, & what a diverse career he has had (Billie Holliday's ...

"Sometimes referred to as the ‘Hooteroll Band’ after their respected album from 1970, Howard Wales and Jerry Garcia’s collaborative work reached far beyond the expected audiences of Dead heads with their combined acid guitar and Hammond-fuelled funk enterprise comprising several notable names from the Bay Area such as Roger ‘Jellyroll’ Troy (Electric Flag) and Jim Vincent (H.P. Lovecraft). Having originally been conceived on the stage at The Matrix as the Monday Night Band in 1970, the partnership of...

"Although he only released two albums in the mid-'60s, Peter Walker influenced a whole host of subsequent guitarists with his modal drone explorations of Eastern musical forms and his experiments with raga and flamenco."-All Music Guide...

There are a lot of singer/songwriters taking their cues from the Joe Boyd Island releases of the 70s, which is a fine influence, but most of them sound like sort of limp versions of those guys.
Ryley Walker, from Chicago is different because while anyone who loves John Martyn's & Nick Drake's albums from their classic period will also love this, it doesn't sound a bit like them to my ears.
Additionally, he's working with a host of the great Chicago jazz guys here: cellists...

“Heard in the context of director Brady Corbet's provocative, feature-length debut film, Scott Walker's original score for The Childhood of a Leader is so successful, it's inseparable from the images but adds brutality. (It was deliberately mixed five-percent above the Dolby standard to be intrusive.) The film's narrative is loosely based on a Jean-Paul Sartre short story of the same title published in 1939. Corbet's depiction is of a nine-year-old boy in 1918, forced to live in France while his dad...

"When Sunn O))) first approached Scott Walker about appearing on their 2009 album Monoliths & Dimensions, they didn t know what it would actually lead to. Four years on, Scott returned with something even more enticing, collaborating on Soused, a body of work he was writing with them in mind.
Recorded in London in early 2014 and produced by Scott Walker and long-time ally Peter Walsh with the assistance of musical director Mark Warman, Soused is a 5-track, 50-minute record that cements the status of.

Caleb Curtis - alto saxophone, trumpet
Kenny Paxton - tenor saxophone , clarinet
Adam Coté - double bass, mellotron
Shawn Baltazor - drums, percussion
Jason Moran - piano
Ben Rubin - mellotron, additional bass

“It’s almost trite to mention the indelible mark that saxophonist Charlie Parker left on the world of culture at large, and more specifically with the practitioners of jazz, the music that he redefined. In the years since his death, his music has been covered...

This is the current project from Val Opielski (co-leader of the the late, great Krakatoa) and pals. Totally charming indie-pop with some sounds here and there that will definitely remind you of Krakatoa - but that's not the main point with this. Judge...

"A leading figure in the Jewish music scene for over thirty years, Greg Wall is one of the pioneers in blending Jewish music with jazz. His newest recording with his powerful ensemble Later Prophets is a colorful and provocative mix of jazz and Jewish...

Saxophonist Greg Wall has been a leading figure in the Jewish Music scene since the late seventies. A veteran of countless bands, he is a founding member of the acclaimed Hasidic New Wave with Frank London, and was one of the first musicians to blend J...

With this, their 3rd, they made the move onto the Cosmic Couriers label, and they are continue their symphonic rock with slight space-rock touches ways. With Jurgen Dollase-keyboards/vocals, Bill Barone-guitar, Jerry Berkers-bass/vocals and Harald Gros...

The 2nd album, also on Pilz, from Spring, 1972, & featuring Jurgen Dollase-keyboards/vocals, Bill Barone-guitar, Jerry Berkers-bass/vocals and Harald Grosskopf-drums. These guys also make appearances as part of the 'acid house' band on the Cosmic Jokers records, and additionally, Grosskopf went onto work on some of Klaus Schulze's very best albums. This is pretty straight forward symphonic rock of its time.

The same five piece who appeared on Cosmic Century appear here. By their fourth album, they are refering to themselves on the cover as "The Symphonic Rock Orchestra".

"Here Wallenstein went for a more song-oriented approach with a rather...

Denny Walley was a childhood friend of Frank Zappa and is a fine bluesy slide guitarist in his own right. He has been a member of Frank's band and also a member of The Magic Band. "These songs are basically the stuff I grew up on. They are the songs th...

"Follow-up to the critically-lauded “The Zoo Is Far”, of which the Irish Times wrote, 'Explicitly moving away from jazz with this sextet despite the presence of musicians with jazz backgrounds, including himself, Wallumrød has reduced these elements to...

Christian Wallumrød-piano, harmonium, toy piano, Arve Henriksen-trumpet, Gjermund Larsen-violin, hardanger fiddle, viola, Tanja Orning-cello, Giovanna Pessi-baroque harp Per Oddvar Johansen-drums, percussion. "Extraordinarily concentrated music from..

Brian Walsh - clarinet, bass clarinet
Colin Burgess - bass
Trevor Anderies - drums

"Experimental at heart and jazz in behavior. Modern jazz, a bit post-bop and a bit avant-garde, floats right along nicely until interrupted by theatrical vocalizations and dissonant clashes of instruments. An album with a sense of humor, where the jokes are just as likely to inspire contemplation as they are smiles."—Dave Sumner, Bird Is The Worm

“The Walsh Set Trio’s brand new album, Three, is..

Priska Walss: Trombone, Alphorn / Gabriela Friedli: Piano

"In the current jazz scene in Zurich, Switzerland, Priska Walss and Gabriela Friedli have made a name for themselves through numerous projects. For Intakt Records, Priska Walss has...


"oh, yeah. this is the one we've all been waiting for. brand new studio material featuing a bizarre cast of characters in a series of unpredicably macabre improvisations. there's a futuristic chill to this disc. are you ready to look it in the ear!???...

If you didn’t know anything about this album, you would probably associate it with one of the series of albums released on/associated with the composers featured on INA/GRM or a musique concrete tape composer of the late 50s....

“I think there are a lot of people who associate my musical output with either gutbusting displays of extroversion or blistering virtuosic overload. With “Curses”, I wanted to deal more with pure sound and timbre more than I usually do. Of course, I cannot help but to go...