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John Surman Soprano Saxophone, Baritone Saxophone, Bass Clarinet, Synthesizer
Jack DeJohnette Drums, Congas, Electric Piano

“John Surman and Jack DeJohnette first played together in 1968, but didn’t make a duo album together until The Amazing Adventures of Simon Simon in 1981.
Immediately recognised as a special album it won the Record of the Year Award in Jazz Forum’s Readers Poll.
The press was equally enthusiastic. Down Beat: “Unrestrained delight! The stunning Adventures of...

Here's a tiny label release of John Surman and John Warren composing and arranging for this band of Norwegian players. Fact you didn't know: legendary ECM engineer Jan Erik Kongshaug is a guitarist as well as an engineer and he appears here, as part of...

Many of you will remember this one from its original lp release on the budget HELP subsidiary of Island, now very happily on CD, as the original lp had a simply awful pressing, which was anathema to the quiet music. This was Surman's first truely solo album, charming pieces for simple synth patterns and a number of reed instruments, recorded through overdubs. Some of it is similar to his later ECM discs.

"Westering Home was originally released in 1972. John Surman plays everything on the album...

“Surplus1980’s second full-length album expands their palette of angular post-punk with shades of avant-prog and art rock. Led by former Sleepytime Gorilla Museum’s Moe! Staiano, Surplus1980’s music lands in the vicinity of The Fall, The Ex and Pere Ubu to create their own blend of modern no-wave angst.
Combined with Staiano’s playful lyrics, Surplus 1980's music is a thick slab of out-jazz, with more than a dash of punk ferocity.

You there, with the pigeon on your head: Thank you!...

“As alluded to in its name, Surplus 1980's music takes cues from the angular bands of the 1980s such as Dog Faced Hermans and Diagram Brothers and fuses it with the heavy, fierce attack pioneered by The Ex and The Fall to create their own blend of modern no-wave angst.
Combined with Staiano’s playful lyrics, Surplus 1980's music is a thick slab of out-jazz, with more than a dash of punk ferocity.
Surplus 1980 Collectiv Ensembl is a project of the current member of Surplus 1980, along with....

First time (below) I ever saw Smashing Pumpkins, Creedence Clearwater and Magma all in the same sentence!

"Survival is an album of dark and meditative heavy rock. Hunter Hunt-Hendrix (Liturgy), Greg Smith, and Jeff Bobula have been playing...

"Wild Dog is Susanna's eighth album, including three with Susanna And The Magical Orchestra, her "Norwegian" album Jeg Vil Hjem Til Menneskene (GRCD 4337CD) and the ECM album with Giovanna Pessi. That is effectively one album a year of quality releases...

"Griot, composer, and kora master Foday Musa Suso loomed large over the worldbeat landscape both before and after the Graceland groundswell. The solo records of this relentlessly innovative performer and tireless ambassador of African culture remaine...

“We’re truly honored to welcome US Black Ambient veterans Sutekh Hexen to the fold. Both defiant and meditative, their latest self-titled full-length and first studio album furthers the project’s inquiry into opposition, endurance, and paradox. Both hypnotic and cruel, these ten highly charged tracks transgress yet again any previously imposed boundaries while upholding their raw ethos at its root, and at times defying the listener's expectations altogether. Though tempestuous as ever, with this work...

Akio Suzuki - kikkukikiriki, stone flute, small stones, pan pipe, ireba, silent toy
David Toop - flutes, bone whistle, dog whistles, stones, whistling pot, organic materials, feedback device

"Breath-Taking is the result of one of Akio Suzuki's rare visits to England. Suzuki's music proceeds from meditation and transforms quotidian objects (a stone flute, small stones, a 'silent toy') into fragile means of communication. David Toop makes a very compatible sound-mate. Here he uses an assortment.

"2018 album from legendary Can vocalist Damo Suzuki. This release finds Damo performing a fully improvised set in studio with German experimentalists Jelly Planet! Incredible sonic quality and authentically mind-blowing explorations of the outer edges of space rock!"

"Live archive release. From the innovative vocalist of legendary Krautrock group, Can, comes this incredible live album recorded in the Purcell Room at Queen Elizabeth Hall, London 2007.
This amazing performance combines Damo's inimitable, improvisational vocalizations with a modern classical string quartet to create music that defies categorization and is utterly riveting.
Damo was born in Japan but spent the late ‘60s wandering around Europe and ending up in Germany. When Malcolm Mooney left..

“As a traveler-without-age, Damo Suzuki has been touring all over space-time. Presenting the light of "instant composing" to new generations, he refers to his makeshift collaborators as sound-carriers. Exactly fifty years after the release of the profoundly iconic Ege Bamyasi (1972), you can hear his voice on yet another fantastic album, as in "derived from fantasy."
Manifested from the meeting with Spiritczualic Enhancement Center -- an eight-piece group of self-proclaimed disciples from the CAN...

This 1975 release is a fine electric release led by bassist/cellist (also electric piano) Isao Suzuki. Also appearing here are Kenji Mori (alto sax, flute, bass clarinet), Kazumi Watanabe on guitar, Osamu Kawakami (bass), Shinji Mori (drums) and guest...

“Collected Obscuritie” is a collection of tracks from various compilations and also gathers unique collaboration works with Northaunt, Allseits, Psychomanteum and Gydja. These were released between 2002 and 2012 and many have now been unavailable for a long time. Also included is an early alternate version of “September Dirge” from the “Elegies For The End” album.
Obscure and oppressive is the world of Svartsinn, explore this special selection of some of the finest Dark Ambient soundscapes released...

BACK IN STOCK! Limited quantities. 2 early bands by Pavel Richter (Richterband). More rock than later stuff, but it still has THAT sound. Some of this sounds like some postrock / Tortoise offshoot stuff of the type that that Thrill Jockey and others wo...


Steve Swallow Bass
Sheila Jordan Voice
Steve Kuhn Piano
David Liebman Saxophones
Lyle Mays Synthesizer
Bob Moses Drums

“A recording of great charm, Home features bassist Steve Swallow’s settings of the poetry of Robert Creeley for an inspired band of friends, each of whom is also a strikingly original presence.
Creeley was very supportive of the project and loved particularly Sheila Jordan’s singing. Swallow, whose feeling for verse is as profound as his...

“In 1979 Colin McKay and David Knowles met and started writing songs together. Soon after they put their first band together called 'Achilles'. Peter Dover joined as drummer, and Jonathon Roberts became their bass player and gained a new nickname - Wob. Achilles played all their own Prog-Rock songs, written by Colin (lead vocal and guitar) and David (keyboards), and they played one hundred and one gigs in two years.
In 2015 Colin moved back into the Liverpool area and began working with David again...

“The Beggar was written and produced by Michael Gira and features contributions from recent and former Swans, members of Angels of Light, as well as guest Swan Ben Frost.”

"After numerous pandemic-induced cancellations of tours for the previous Swans album leaving meaning, and an apparent bottomless pit of waiting, waiting, waiting, and the strange disorientation that came with this sudden but interminable forced isolation I decided it was time to write songs for a new Swans album and forget...

"Following the unprecedented critical and commercial success of Swans' double-album masterworks The Seer and To Be Kind -- the latter of which reached the Top 40 of both the U.S. and U.K. album charts -- Michael Gira announced that the existing iteration of the band would only produce one more album and tour. The Glowing Man, as with its predecessors, is a sprawling two-hour epic containing lengthy compositions that the band developed during their momentous tours (and documented their progress on limited...

Hard-edged, well played, minimalistic and stark post-rock, but filled with interesting details. This is the 3rd by the current lineup of the group and this is a really strong one.

"Only on occasion does it make sense to praise music as scary...

The first CD of this anthology takes material from four of Dave's solo releases recorded for the Logo and Transatlantic labels between 1976-83, all remastered from the original stereo masters and also featuring extensive liner notes. The second disc is...

A remastered repackage of Fairport violinist/mandolinist Swarbrick's 3rd and 4th albums, both originally recorded in 1981. Both feature jigs, reels, ballads and much more, performed by an all-star cast, including Richard Thompson, Simon Nicol, Dave Peg...

This is a reissue of a great, totally unknown electric jazz album from 1973 that was released on a tiny label in 1973 and disappeared without a trace.

The band is Sante Palumbo-electric piano & piano, Hugo Heredia-alto & tenor sax & flute, Sergio Farina-electric guitar, Marco Ratti-electric and double bass, Lino Liguori-drums.

My pal Ken turned me onto this album (he owns the original lp, which is how I know about it) and he totally nails it in his description below, but let me just say.

PROMO. Members of Balkan Beat Box, Antibalas and Yeah Yeah Yeahs.

"Limited two CD 'media book' edition includes a 24 page booklet and bonus CD containing three bonus tracks including a remix of Steven Wilson 'Insurgentes'.

The fourth studio album from UK based, Mercury Prize nominated experimental art rockers Sweet Billy Pilgrim. Motorcade Amnesiacs follows on from their critically acclaimed album Crown and Treaty, which was awarded a coveted five stars by Mojo and featured as Album Of The Week in The Sunday Times and it's Mercury Music Prize-nominated...


A remastered 2-on-1 reissue for both of the two studio albums (from 1970 and 1972) by this US band of Jewish boys from Brooklyn who went to Europe, smoked a lot of dope and found bliss (or at least the German Harvest label, who took them under their wing till about 1973). It doesn't all work - some of the vocals and lyrics are fairly cringe-worthy, but when they click and the drugs and the jams come together, it definitely works stupendously well in a hippie/jam/psych way.

"Sweet Talks were undoubtedly amongst the top five biggest bands in Ghana in the 1970s, recording a string of hit albums. The Kusum Beat was originally released in 1974 and became somewhat of a household favorite with heavy emphasis on the "Afro" ...


Steve Swell - trombone, pocket trumpet

"Rhina P. Espaillat is a poet whose poem “Why Publish?” (please google it!) imagines how her poetry could touch someone 100 years from now. That poem speaks of her connection with a future reader. It inspired me to see my music the same way and think what it might mean for someone who picks up this recording in the future and connect with it in a way I might not have imagined. It might inspire a future listener to take the risk of creating or doing...

Steve Swell (trombone, pocket trumpet)
Ellen Christi (voice, effects)
Marty Ehrlich (flute, alto saxophone, bass clarinet)
Sam Newsome (soprano saxophone)
Jim Pugliese (marimba)
Gerald Cleaver (drum, percussion)

Rob Brown alto saxophone
Steve Swell trombone, aerophone
Jason Kao Hwang violin, viola, electronics
Robert Boston piano, organ
Tomas Ulrich cello
Jim Pugliese drums, percussion

“What we have here is new music. Free music. Ellington and Armstrong were right in not wanting to call it anything else but Music. Why put it in a sub-category? This belongs with the best of any new music, period. And this new music is created (with the assistance of Swell’s scores and directio

Daniel Levin, cello / Rob Brown, alto sax / Steve Swell, trombone

"In this present age of the history of humanity, there are few places left for a true utopia. The world has already experienced some of those ideal systems, but the results...

Swell Steve (trombone)
Jemeel Moondoc (alto saxophone)
William Parker (double bass)
Hamid Drake (drums)

"The melodies capture the imagination with a complex beauty that hooks into the inner being of soulfulness."

Steve Swell: trombone
Jemeel Moondoc: alto saxophone
William Parker: double bass
Hamid Drake: drums

“As welcome as it is to have this treasure trove of previously unheard music from this masterful quartet, Fire From the Road also serves as a powerful tribute to the band’s late saxophonist, Jemeel Moondoc, who passed away in August 2021 from complications of sickle cell anemia.
The three-disc set compiles three hours of music captured in 2004 and 2005 at concerts in Houston and...

Rob Brown - alto saxophone
Steve Swell - trombone
Connie Crothers - piano
William Parker - bass
Chad Taylor - drums

Great freebop release from one of my very favorite current trombonists and a totally great band!
“Trombonist Steve Swell's approach to a Bartók homage on Kende Dreams is a synthesis and it advisably leaves the encounter with the Hungarian a relatively loose and oblique affair, with specific points of convergence but an end product that feels more..

Steve Swell: trombone
Jemeel Moondoc: alto saxophone
Dave Burrell: piano
William Parker: double bass
Gerald Cleaver: drums
special guest
Leena Conquest: vocal

“Second album of these five incredible musicians; with two Swell’s poems magnificently sung by guest Leena Conquest.”

"Some artists just live to push the envelope like they’re working at the post office - and where would we be without them? For when it comes to invention, it is the eclectic and the eccentric that tend to cook some of the most delectable of stews in the pools of creativity; ones which the more adventurous of us shall happily devour.
We certainly cannot speak of juicing the fruits of the creative trees without dropping a reference to Progressive Rock – for Prog. tends to be the Yggdrasil of musical...

"Following the recording session on September 4th 2005 which produced the Konnex Records release Brooklyn Moments", Blaise, Ray and I decided to keep the trio as a regular-working unit. Mostly due to the distance between NYC (Blaise & Ray) and...

SYCH is:
Wally Shoup - Alto Saxophone
C. Spencer Yeh - Violin, Vocals
Chris Corsano - Percussion
Bill Horist - Electric Guitar

"Each of these musicians is a brilliant creative force in his own right, and as a quartet they are.


“Streamlining the muted, organic atmospheres of the previous Gone to Earth to forge a more cohesive listening experience, Secrets of the Beehive is arguably David Sylvian's most accessible record, a delicate, jazz-inflected work boasting elegant string arrangements courtesy of Ryuichi Sakamoto. Impeccably produced by Steve Nye, the songs are stripped to their bare essentials, making judicious use of the synths, tape loops, and treated pianos which bring them to life; Sylvian's evocative vocals are...

This reissues two separate album by this duo, that were originally issued in 1988 and 1989 and showcase the interest in 'sound' that both of these artists had.

"The real essence of this disc comes from the sound design, mixing, and processing. Sylvian and Czukay present this collection of atmospheres as a tight and cohesive soundscape. The gentle sway of the ambience is deep and comfortable. There are no dark overtones. Fans of Brian Eno, Robert Fripp, Markus Reuter and Liquid Mind will like this..

2014 reissue on Robert Fripp's very own DGM label. This is the final excellent collaboration between David, the former front man for Japan (guitar, keyboards, tapes, vocals) and Robert, King Crimson's guitarist. After recording their sole studio...

2014 reissue on Robert Fripp's very own DGM label. This is an excellent collaboration between David, the former front man for Japan (guitar, keyboards, tapes, vocals) and Robert, King Crimson's guitarist in the back hiding in the shadows. With Trey...

“Sylvian’s finest ambient album, “Wandermude is an album of futuristic ambient themes from German "sound artist" Stephan Mathieu and the multi-talented David Sylvian. Electronic musician Fennesz also contributes to one track. The pieces are haunting and somewhat formless in terms of melodic content (more tones than melodies). Sylvian does not sing on the album.
The cover photo of the gloves from a space suit gives the listener a hint of what he or she is in for; hearing Wandermude gives the feeling...

Excellent collaboration between David, the former front man for Japan (guitar, keyboards, tapes, vocals) and Robert, King Crimson's guitarist in the back hiding in the shadows. With Trey Gunn on Chapman stick and Jerry Marotta on drums, as well as othe...

Kazuto Shimizu-keyboards
Yoshida Tatsuya-drums
Nasyuno Mitsuru-bass

“The Japanese improvising rock trio of Kazuto Shimizu on keyboards, Nasyuno Mitsuru on bass, and Yoshida Tatsuya on drums performing live at Club Goodman in Akihabara, Japan on February 15, 2016 for technically superb, fast paced, turn-on-a-dime, joyful prog-oriented playing.”