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“A sense of optimism infuses Penguin Cafe’s fifth studio album Rain Before Seven… not the braggadocious, overconfident kind, but more a blithe, self-effacing optimism in keeping with the national character. Even when all signs point to the contrary, it operates within the certainty that things are going to be alright. Probably.
The title comes from an old weather proverb with the rhyming prognostication — fine before eleven — hinting at a happy ending, irrespective of the science:
“I found it...

Penguin Cafe grew out of Simon Jeffes' Penguin Cafe Orchestra and is the band led by his son, Arthur Jeffes.
I can't really say that there are any surprises in their sound but if you loved the unique sound of the PCO, you'll enjoy PC as much / nearly as much and will be happy that the sound lives on!

"A penguin stands in the middle of a scorching desert, far away from its natural habitat. This mirrors composer Arthur Jeffes' journey and exploration into a new musical territory. Penguin Cafe...

Claude Menetrier - organ, Moog, Elka string ensemble, piano
Michel Roy - drums, backing vocals
Gerald Reuz - electric & acoustic guitars, lead vocals
Richard Treiber - bass, acoustic guitar

This was the 1975 release by this ‘one and done’ French prog rock band whose release was produced by Ange’s Christian Decamps.
Originally released only in France in 1975. This is its first-ever vinyl reissue since that time!

“The music of Pentacle was theatrical and poetic...

Hans-Peter Krohn (guitar, flute, vocal)
Herbert Strickner (bass)
Axel Wellhoener (drums)
+ Michael Wätjen (acoustic guitar)

“Pentagon was the first group on the small Munich label German Blues and Underground, which later on also released the two Siloah records. Their 7” single was supposed to be followed by an LP, but it never got beyond the dubplate/acetate stage! A music cassette, however, was released, the simple cover of which was used for the LP cover, too.
Although very

50% of this band later became better known in the classic jazz/rock band, Zao.

“The first time vinyl reissue of Perception's Mestari, originally released in 1973. To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz.
Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin, or Hank Mobley when they played in Paris, decided...

50% of this band later became better known in the classic jazz/rock band, Zao.

“The first ever vinyl reissue of Perception & Friends, originally released in 1973. After their first album which came out in 1971 on Futura Records (FFL 051LP), Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves.
It is thus completely logical that it came out on the label...

50% of this band later became better known in the classic jazz/rock band, Zao.

“The first ever vinyl reissue of Perception's self-titled album, originally released in 1971. The story of Perception takes root in a series of chance meetings, which seem at first glance unlikely, between musicians from differing horizons, be they geographic or esthetic. Jazz Magazine was spot on with an article from the period entitled, "Perception, four conceptions", before detailing the origins of the musicians...

Note: covers have some dings and creases. Definitely not too bad, but not mint.

Double red and black LP pressing at a great price!

“On Friday, July 14th 2017, Pere Ubu musicians and crew undertook the journey to Jarocin, Poland, from their homes around the world…..” And so begins the story of ‘By Order Of Mayor Pawlicki’. Broken mics, broken drums, broken itineraries and some espionage made this a stand-out gig for all involved, but from the moment they took to the stage the

Their great, second album.

"How does one describe this original, witty and dadaist band to the uninitiated? It's not an easy task, since there was liitle before Ubu to anticipate it's music and few since who have dared to follow in their footsteps. Take the static synths that blare like a short wave between frequencies, herky jerky(but excellent) rhythyms, inverted guitar skronk and the demented inner child voicings of David Thomas, season with Captain Beefheart, The Stooges, a little Eno and....

I saw Ubu 4-5 times, but the show that made the biggest impression on me was on the tour they undertook for their 1st album, The Modern Dance. I saw them about 5 weeks before this show and they were crazy and splendid. Finally, you (and I) can hear what I heard then. Not a perfect recording by any means, but pretty good and certainly good enough. Conditionally recommended!

"Pere Ubu's Live at the Longhorn is as much an indispensable live rock album as Modern Dance is an indispensable studio...

After a number of very good self-released 45's, Pere Ubu found themselves signed to a hip 'new wave' subsidiary of a major label (Blank Records - which only lasted two albums) for this, the premier release on Blank. I saw their tour for this album at Bethesda's rather tiny Psychedelly in 1978. They were great; I wasn't very familiar with them at all, so my main memories were of David Thomas' nervous/poet stage presence and Allen Raventine's great noisy non-keyboard synth work. This recording, from 1976...

Limited, numbered edition of 600 copies on blue vinyl.
A one good by the best known Italian fusion band in the USA (a couple of their releases were even released in the US). All instrumental, these feature great melodies performed on guitar, saxes & electric piano/synths on top of a solid rhythm section. If I were to compare them to a better known fusion band, I would choose Weather Report, but they definitely have their own flair & flavor. This belongs in any serious fusion collection.

A good one by the best known Italian fusion band in the USA (a couple of their releases were even released in the US). All instrumental, these feature great melodies performed on guitar, saxes & electric piano/synths on top of a solid rhythm section.
If I were to compare them to a better known fusion band, I would choose Weather Report, but they definitely have their own flair & flavor. This belongs in any serious fusion collection.

This is the very first time this title has appeared on vinyl in over 35 years! These copies come in beautiful gatefold sleeves with a CD!

A good one by the best known Italian fusion band in the USA (a couple of their releases were even released..

Hand-numbered edition of 700 copies on Yellow vinyl!
A good one by the best known Italian fusion band in the USA (a couple of their releases were even released in the US). This one might be my favorite overall. In addition to the group, they invite percussion Toni Esposito (another fine, solid jazz-rocker) to contribute. All instrumental, these feature great melodies performed on guitar, saxes & electric piano/synths on top of a solid rhythm section.
If I were to compare them to a better known .

Perigeo were an excellent, Italian jazz/rock band of the mid-late 70s. They released a number of really fine albums (none of their albums are sub-par). They are probably the best known Italian fusion band in the USA (a couple of their releases were even released in the US).
All instrumental, these feature great melodies performed on guitar, saxes & electric piano/synths on top of a solid rhythm section. If I were to compare them to a better known fusion band, I would choose Weather Report, but they...

Tom Arthurs trumpet
Benoît Delbecq piano
Jim Black drums
Miles Perkin double bass

“The “point in question” of the title of this album is always difficult to put into words. Miles Perkin, a Canadian double bassist and composer who is conquering the world bit by bit, prefers to do it musically, and this new opus gives you the entire picture of that fulcral point of a continuously reformulated question: what it is to write music for a band of improvisers? The conclusions you arrive.

Edition of 300.
"Much needed reissue of the extremely limited 2017 debut LP by Virginia guitarist, Jordan Perry. We were turned on to it when Chris Guttmacher at Blue Bag Records in Cambridge told Kassie Richardson of Good Cry (who did the initial 100 pressing) to send us a copy. He thought we might be into it, and halfway into one spin we knew he was right. There have been several fat boatloads of acoustic guitar players floating across our turntable the past few years. And to be honest, we've dug...

"Phaedra's 2011 debut album, The Sea received fantastic international reviews in magazines as diverse as The Wire, Uncut, Shindig, and Prog, which drew lines to Vashti Bunyan, Elizabeth Fraser, and Nico. The Chicago Reader said, "this is one of the loveliest, most striking albums, unlike anything I've heard in years."
Blackwinged Night is the follow-up, and the second album in a trilogy, a lyrical and musical cycle with its own mythological structure. From the ethereal folk universe of the debut...

"Pharaoh Overlord steer an exceedingly singular course on their forthcoming album, Zero. Augmented by Antti Boman (Demilich) and Hans Joachim Irmler (Faust), the psychedelic supergroup (consisting of members from Circle) have taken their oeuvre to a whole new psychiatric plateau on their ninth studio album. Libido-driven arithmetics do not apply on these aberrant tracks. Zero provides an offbeat rock implosion, with its sonic realm contorting inwards like a sapient voice muffled by the gentle void of...

“Patience Soup presents the entirety of a live performance from the trio of Oren Ambarchi, Jim O'Rourke, and Japanese underground legend Phew that took place at the Kitakyushu Performing Arts Center on November 4th, 2015. Known to many listeners outside Japan primarily for her early collaborations with members of Can, Phew has been undergoing something of a creative renaissance in the last few years, prolifically recording and releasing a body of work that strips away the band arrangements present on...

"Another weird conceptual album from Phideaux Xavier and cohorts. This time the album is basically one long song with many twists and turns. A long form composition extolling the virtues of DNA and life and culture. Gorgeous melodies, heavy...

I had long read about this severe rarity as being the first ever solo bass album of improvised music!

“Recorded in St. James Norlands Church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of jazz and...

Simon Phillips-drums
Alex Sill- guitars
Otmaro Ruiz-keyboards
Jacob Scesney-saxophones
Ernest Tibbs-bass

The instrumentation, having been expanded to a quintet format, launches the group into sonic territory familiar to fans of Chick Corea's Elektric Band in the late 1980s.
Strands of DNA from other iconic artists like John McLaughlin, Tony Williams, Allan Holdsworth, Pat Metheny Group, and Jan Hammer are woven throughout.
Simon's impressive compositional skills are

Limited-edition live session from this great drummer’s fusion band Protocol IV, which features Greg Howe (guitar), Otmaro Ruiz (keyboards), Ernest Tibbs (electric bass) & Simon in stunning audiophile quality.

"LITTLE BIG BEAT STUDIOS have created a wonderful environment for musicians to perform to an intimate audience whilst capturing their music on tape. It's strange - but exciting - and it was a wonderful way to end our European Tour in 2017"-Simon Phillips.

The world is a big, surprising place, but it still probably comes as a shock to many folks to learn that one of the absolute greatest jazz/rock bands performing today is from Tallinn, Estonia!
Phlox has been recording and playing well over 15 years with the same lineup and it shows! This 2017 release is their sixth album and it is another very convincing release.
The group have many fine attributes, but one of the things I like best about them is that they take the classic Weather Report/Perigeo..

"Pholas Dactylus is one of the many interesting Italian one shot bands. Their single album Concerto delle Menti was released in 1973. They have a dark and ominous sound, rather reminiscent of the first tracks on Banco's masterpiece Darwin". The album consists of one 50 minute composition with complex musical structures, time changes, etc. The album starts with a two minute spoken intro before the music sets in. About halfway through the composition, there is a short, but interesting part with a free rock...

Numbered, limited edtion of 500, pressed on red vinyl.

"Of the avant-progressive scene in Italy - i.e. Opus Avantra, Alfredo Tisocco, Franco Battiato and many others, Pierrot Lunaire's second has to rate as one of the very best. It's difficult to describe the music as the combinations of a vast array of influences make this practically unclassifiable. There are operatic vocals over distorted electronics, somber piano interludes, baroque harpsichord and other strong classical moves; symphonic...

Classic and unusual 'avant-garde + soft progressive' release that really is quite unusual and distinctive! Numbered edition of 500.

"Adapting their name from the famous song cycle by Arnold Schoenberg, one would have expected their first album to have been influenced by 20th century classical music. In fact, most of it is pleasant folk-rock, with a medieval classical touch in the instrumental arrangements. Their music was fluent, with frequent use of acoustic guitars, mandolin, piano and organ."...

Dominique Pifarély violin
Antonin Rayon piano
Bruno Chevillon double bass
François Merville drums

“Any new recording by French violinist Dominique Pifarély is good news. Being his quartet with Antonin Rayon,Bruno Chevillon and François Merville his more enduring band, this former companion of the also French reedist Louis Sclavis benefits from the maturity of this project, gained through the years, but also from an attitude of always reinventing itself, going to places that we no

“Deeply influenced by ethnic music traditions of the world, Hasse Walli and Sakari Kukko’s Piirpauke released their debut album in 1975 on Love Records.
This officially licensed vinyl reissue presents their unique vision of jazz meeting world music to the next generation.”

"Piirpauke was founded in 1974 by saxophonist Sakari Kukko, bassist Antti Hytti, guitarist Hasse Walli, and drummer Jukka Wasama. It has been considered one of the very first “world music” groups, and thus way ahead of its time. The ensemble played their first gigs in 1974, originally named as the Walli–Kukko quartet.
Piirpauke was affected by folk music from Finland, Romania, Turkey, Ethiopia, Balkans, South America, and the Far East. Before recording the album Piirpauke, the band played in front...

"Pikacyu-Makoto is an intergalactic love and peace duo, featuring two figureheads of underground Japanese music: Pika from Afrirampo and Makoto Kawabata of legendary psychedelic avatars Acid Mothers Temple.
As a duo they embrace both sides of the coin -- drums and guitar, chaos and order, male and female, yin and yang, the angel and the devil. Pika brings her skills of mystifying performance to the table, all free-drum bluster and vocals veering between shrine maiden and wild spirit. Kawabata's...

"...ranges from industrial drones (during pre-industrial times) to earth-shaking rock to pre-new age visions of beauty." � Alternative Press

Richard Pinhas has long been recognized as a pivotal figure in the development of...

Nice album of guitar "Pinhas-tronics" released in 1996 on Spalax. Sheets of guitars shimmery & shine, making a 'heavenly music', to trance out to.

"A reissue of Richard Pinhas's De l'un et du Multiple, originally released in 1996. Available for the first time on vinyl. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music.
This solo album was recorded at his home...

“The fourth solo album by French spacerock mastermind Pinhas, East West was his first and only album to be released by a major label (CBS). Some say it is his most commercial but Pinhas doesn't see it that way. "Signing to CBS was a blessing. It gave me the tools for better production. At that time, some big companies were better and more honest than the so-called underground labels. Besides, I don't see any virtue in remaining underground. You try to do what's best for the music at each moment in your...

This was Richard's first album after the dissolution of Heldon and it's an mostly solo work (Francois Auger (drums) and Jean-Philippe Goude (mini-moog) join him on one track) that conjures up impressions of icy, pristine landscapes.

“Consisting of longer, brooding synth-based pieces as well as short proto-industrial études and interstitial sketches, Iceland features Pinhas’ delay-ridden electric guitar, pulsating machine rhythms and analog synthesizer washes—all vivid in texture and timbre...

“Richard Pinhas' album Iceland was first released in 1979 and is his third solo work, also the first after the split from Heldon. This album seems like a long, inward-looking journey and is like a kind of counter-point to the expansive sci-fi worlds and the bombastic prog of Heldon; on Iceland you will find long, sublime tracks next to short, rougher sketches. Echo guitars, rhythm machines and the washed-out warmth of analog synthesizer sounds create a very peculiar, chilling atmosphere.”...

This early 80's album, his last before his 'retirement', is a really strong one!

“...his fifth album L'Ethique saw the ex-Heldon guitarist and synth wizard return to bigger and bolder band-like methods. After the release he disappeared from the limelight for nearly a decade and returned in the 1990s. Interviewed by the Electronics & Music Maker magazine in 1982, Pinhas spoke in buoyant terms about the future of his recording career. Having just unveiled his fifth solo album, L'Ethique, he was

“Live At Bam Balam is solo guitar and processing as well as drone electronics with the use of a Metatronic Delays system: no re-recording. This brilliant collection of solo improvisations was recorded in Bordeaux (France) on April 16th, 2016 and April 21st, 2018. Limited edition vinyl-only release.”

Richard Pinhas, leader of French space-rock pioneers Heldon in the '70s, has been prolific since returning to the form in the '90s. He has collaborate with Merzbow, Yoshida Tatsuya, Oren Ambarchi, Barry Cleveland, and Wolf Eyes.
"Changes in my life really influenced this record," Richard Pinhas tells of his new album Reverse. "The wife of a friend of mine offered to read my Tarot cards... I don't believe in it - I am very materialist, not financially but in my philosophy - so it was very strange...

"Bureau B present a reissue of Richard Pinhas's Rhizosphere, originally released in 1977. Richard Pinhas is one of the most important French electronic space rock musicians. Following five albums with his band Heldon, he released his first solo record in 1977. Backed by Heldon's congenial drummer François Auger but no longer bound by the group dynamic, he explores his freshly purchased Moog modular system in search of new sounds. It marked a departure into new realms. "We don't need new technique...

“The last show by this particular Richard Pinhas/Heldon line-up, live in London in 1982, featuring, among others, Magma members Patrick Gauthier, Bernard Paganotti, Clement Bailly, as well as Jean-Philippe Goude (Weidorje).
This is a historical document recorded live from the audience which captures an exceptional evening and a great concert. Heldon is undoubtedly one of the most innovative and influential bands in French electronic rock music.”

This very good album seems to be one of Richard's lost releases, which is a shame because it's an excellent early 90s work.

Pinhas' 15th record, & his first all new release since his mid 80's "dissapearance" was recorded in collaboration with electronic specialist Livengood of Spacecraft. Richard has built upon his past work & added a very contemporary touch to his famous style.

"RSD 2016 release. Two red LPs in 350-gram matte sleeve. Limited edition of 1000. Cyborg Sally, inspired by...

On the back of the 2014 Rock In Opposition Festival in Japan and their album "Welcome In The Void", Richard Pinhas and Yoshida Tatsuya did a Japanese tour lasting about 2 weeks.
In order to have some fun, fresh merch to sell to the fans, Yoshida released this live album on his Magaibutsu label on CD, taken from several shows during their Japanese tour and showing off aspects of their work together. It has now been issued on vinyl.

"French psych-experimental-rock genius Richard Pinhas in collaboration with Sax Ruins drummer, Tatsuya Yoshida, and saxophonist, Ryoko Ono. Recorded live at Tusk Festival, at Gateshead Old Town Hall, on October 10, 2015. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. Yoshida Tatsuya is one of the most innovative musicians of the Japanese experimental music scene...

"...arguably one of the finest works in either artist�s canon; hypnotic like Harmonia and monumental like Mountains. ... 4 stars" � Spencer Grady, Record Collector

"Merzbow�s collaboration with French pioneer Richard Pinhas features some of his best music and gleefully amplifies the psychedelic tendencies of both composers." � Luke Schleicher, Laughter

"...an album of ambient soundscapes that prove noise can indeed be beautiful, and that it's possible to dispense with...

Limited edition! Splatter vinyl! Bootleg sound!

May 14, 1967:
A1. Pow R. Toc H.
A2. Astronomy Domine

September 25, 1967:
A3. The Gnome
A4. Scarecrow
A5. Set The Controls For The Heart Of The Sun
A6. Matilda Mother
A7. Flaming

September 25, 1967:
B1. Reaction In G

December 12, 1967:
B2. Green Onions
B3. Instrumental

December 20, 1967:
B4. Vegetable Man
B5. Scream Thy Last Scream
B6.

"Performing on four different dates in 1968, just prior to and following the release of their legendary second LP, A Saucerful of Secrets, this is Pink Floyd at their early psychedelic peak. The first two tracks come from live shows in London at the Barnes Common and East Stratford at the Abbey Mills Pumping Station, recorded live for the BBC programs The Sound of Change and All My Loving, respectively. The four tracks from June 25th were recorded in-studio at the BBC's own Piccadilly Studios for the...

“Pink Floyd at the BBC with David Gilmour now fully in charge. Two different sessions from May and July 1969, showing one of the strongest evolutions in the psych era.
May 12, 1969:
A1. Grandchester Meadows
A2. Cymbaline
A3. Green Is The Colour/Careful With That Axe Eugene
A4. The Narrow Way
July 20, 1969:
B1. Moonhead
B2. Embryo